Retrato de C. R. Leslie

Pinturas de C. R. Leslie: As 100 mais famosas, sob o olhar de uma galeria

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 159 obras de C. R. Leslie em nosso catálogo

Em resumo

Aos olhos da galeria, a pintura mais famosa de C. R. Leslie é James William Wallack (1837), cuja obra original está exposta no Art Institute of Chicago, em Chicago. Charles Robert Leslie (1814) e Charles Pepys, 1st Earl of Cottenham (1840) completam o trio que todos reconhecem. Dos 159 trabalhos de C. R. Leslie em nosso catálogo, a galeria apresenta abaixo as 100 obras mais famosas, cada uma original, com seu ano, seu museu e o que a torna única.

1794 – 1859, Londres Mais obras: Museu de Belas Artes de Boston

As 10 principais pinturas de C. R. Leslie na galeria

1
James William Wallack (1837) de C. R. Leslie

James William Wallack

1837 · Oil On Canvas · Art Institute of Chicago, Chicago

A Presence in Shadow The man sits before us, caught in a moment of quiet, dignified stillness. His gaze drifts slightly to the left, away from the viewer, as if lost in a private thought or a memory just out of reach. The light enters from the upper left, brushing against the bridge of his nose and the curve of his cheek, leaving the right side of his face to…

2
Charles Robert Leslie (1814) de C. R. Leslie

Charles Robert Leslie

1814 · Oil On Canvas · National Portrait Gallery, Londres

This portrait by Charles Robert Leslie presents a quiet study of a man from the early nineteenth century. Created in 1814, the work captures a specific moment in the sitter's life, rendered in oil on canvas. The subject is depicted with a composed presence, looking directly toward the viewer from his position within the frame.

3
Charles Pepys, 1st Earl of Cottenham (1840) de C. R. Leslie

Charles Pepys, 1st Earl of Cottenham

1840 · Oil · National Portrait Gallery, Londres

A single book rests in the hand of Charles Pepys, 1st Earl of Cottenham. He stands against a heavy drape, a figure anchored by the gravity of his own station. A white cravat catches the light, sharp against the dark expanse of his coat. His wig is a structured crown of hair, framing a face that holds the stillness of a man accustomed to being observed. In the shadows behind…

4
Benjamin West (1817) de C. R. Leslie

Benjamin West

1817 · Oil On Canvas · Museu de Belas Artes de Boston, Boston

The portrait presents an elderly man positioned in a bust-length composition against a dark, indistinct background. The subject is rendered in a monochromatic palette, utilizing a range of grayscale tones from deep blacks in the heavy fabric of his coat to bright whites on his forehead and cravat. Light strikes the upper portion of the face, specifically the high forehead and cheekbones, while the lower elements of the figure and…

5
Sancho Panza in the Duchess's Apartment, Declaring the Madness of His Master Don Quichotte, 1823 (or 1828) (1823) de C. R. Leslie

Sancho Panza in the Duchess's Apartment, Declaring the Madness of His Master Don Quichotte, 1823 (or 1828)

1823 · Oil

The scene unfolds within the dramatic narrative of Sancho Panza in the Duchess's Apartment, Declaring the Madness of His Master Don Quichotte, 1823 (or 1828). This oil painting captures a moment of profound revelation, where the truth of a master's descent into madness is spoken aloud in an opulent, shadowed setting. The work is the creation of Charles Robert Leslie, an artist whose life and vision spanned the transition of…

6
Sir Walter Scott (1824) de C. R. Leslie

Sir Walter Scott

1824 · Oil On Canvas · Museu de Belas Artes de Boston, Boston

This portrait of Sir Walter Scott, executed by the artist Charles Robert Leslie, captures the Scottish writer in a moment of quietude. The work is dated 1824. It presents the subject not as a figure of myth, but as a man of presence and weight. The sitter's gaze is fixed forward, meeting the viewer with a steady, direct clarity.

7
John Constable (1776–1837) (1830) de C. R. Leslie

John Constable (1776–1837)

1830 · Oil On Panel

In this intimate portrait, we find ourselves in the presence of John Constable, captured by Charles Robert Leslie in 1830. The work is a study in restraint, presenting the artist in a three-quarter pose that feels remarkably immediate. He gazes directly at us, his expression carrying a weight of contemplation that suggests a mind preoccupied with the nuances of light and landscape. There is a stillness here, a moment of…

8
Sarah Cabot Parkman Atkinson (1818-1892) (1833) de C. R. Leslie

Sarah Cabot Parkman Atkinson (1818-1892)

1833 · Oil On Canvas · Harvard Art Museums, Cambridge

This 1833 oil on canvas presents a formal portrait of a young woman, Sarah Cabot Parkman Atkinson, depicted from the waist up. The subject is positioned in a straight-on, eye-level view, creating a direct connection with the viewer. She maintains a poised posture and a calm expression. Her clothing consists of a white fabric with a translucent quality, draped over her shoulders and chest, paired with a heavy, matte brown…

9
Amy Robsart (1532–1560) (1836) de C. R. Leslie

Amy Robsart (1532–1560)

1836 · Oil On Canvas

A young woman is seated in a central position, her body angled slightly while her gaze remains fixed in a contemplative manner. She rests one hand against her forehead, a gesture that directs attention to the pale skin of her face and the subtle expression of her features. Her attire consists of heavy, draped fabric in shades of deep red and gold, which gathers in thick folds around her torso…

Pinturas de C. R. Leslie, classificadas de 11 a 100

11Children playing at coach and horses de C. R. LeslieChildren playing at coach and horses 12Don Quixote And Dorothea de C. R. LeslieDon Quixote And Dorothea 13Lady Jane Grey Prevailed on to Accept the Crown (1827) de C. R. LeslieLady Jane Grey Prevailed on to Accept the Crown1827 14Scottish Loch, Sunset de C. R. LeslieScottish Loch, Sunset 15At the Pool (1840) de C. R. LeslieAt the Pool1840 · Grundy Art Gallery 16A Scene from Tristram Shandy ('Uncle Toby and the Widow Wadman') (1831) de C. R. LeslieA Scene from Tristram Shandy ('Uncle Toby and the Widow Wadman')1831 17My Uncle Toby and the Widow Wadman (1831) de C. R. LeslieMy Uncle Toby and the Widow Wadman1831 18The Last Throw (1840) de C. R. LeslieThe Last Throw1840 · Metropolitan Museum of Art 19Ellen Tree, Mrs Charles Kean (1806–1880), as Hermione (from 'The Winter's Tale') (1840) de C. R. LeslieEllen Tree, Mrs Charles Kean (1806–1880), as Hermione (from 'The Winter's Tale')1840 20Morning, Ullswater, Lake District (1860) de C. R. LeslieMorning, Ullswater, Lake District1860 · Tunbridge Wells Museum And Art Gallery 21Highlands (1868) de C. R. LeslieHighlands1868 22Welsh Landscape, Llyn Nant y Clif, North Wales (1871) de C. R. LeslieWelsh Landscape, Llyn Nant y Clif, North Wales1871 23The Moors at Cotantagle, Perthshire (1882) de C. R. LeslieThe Moors at Cotantagle, Perthshire1882 24Thirlmere Looking towards Helvellyn (1882) de C. R. LeslieThirlmere Looking towards Helvellyn1882 25Loch Lubnaig, Perthshire (1882) de C. R. LeslieLoch Lubnaig, Perthshire1882 26The Moors at Cotantagle, Perthshire (1882) de C. R. LeslieThe Moors at Cotantagle, Perthshire1882 · The Dock Museum 27View of a Loch (possibly in Scotland) (1885) de C. R. LeslieView of a Loch (possibly in Scotland)1885 28Loch Katrine, Ellen’s Isle (1879) de C. R. LeslieLoch Katrine, Ellen’s Isle1879 · Royal Holloway 29Llyn Gader (1881) de C. R. LeslieLlyn Gader1881 · Llyfrgell Genedlaethol Cymru / The National Library of Wales 30Snowdon from Capel Curig (1880) de C. R. LeslieSnowdon from Capel Curig1880 · Llyfrgell Genedlaethol Cymru / The National Library of Wales 31Uncle Toby and Widow Wadman (1831) de C. R. LeslieUncle Toby and Widow Wadman1831 · Shandy Hall 32Queen Victoria Receiving the Sacrament at her Coronation, 28 June 1838 de C. R. LeslieQueen Victoria Receiving the Sacrament at her Coronation, 28 June 1838Royal Collection 33John Howard Payne de C. R. LeslieJohn Howard PayneMuseu de Belas Artes de Boston 34Le Bourgeois Gentilhomme de C. R. LeslieLe Bourgeois Gentilhomme 35Olivia de C. R. LeslieOlivia 36Florizel And Perdita - de C. R. LeslieFlorizel And Perdita - 37Elizabeth Fry - de C. R. LeslieElizabeth Fry - 38Scene From 'the Taming Of The Shrew' By William Shakespeare de C. R. LeslieScene From 'the Taming Of The Shrew' By William Shakespeare 39Dr. John Wakefield Francis de C. R. LeslieDr. John Wakefield FrancisMetropolitan Museum of Art 40Proposal de C. R. LeslieProposal 41Study Of 16th Century Costumes de C. R. LeslieStudy Of 16th Century Costumes 42Grandmaman de C. R. LeslieGrandmaman 43Sir Isaac Newton de C. R. LeslieSir Isaac Newton 44A Garden Scene, with a boy de C. R. LeslieA Garden Scene, with a boy 45Autolycus, scene from 'A Winter's Tale de C. R. LeslieAutolycus, scene from 'A Winter's Tale 46Hermione de C. R. LeslieHermione 47A Female Head de C. R. LeslieA Female Head 48A Garden Scene de C. R. LeslieA Garden Scene 49Queen Victoria, In Her Coronation Robes de C. R. LeslieQueen Victoria, In Her Coronation Robes 50The Merry Wives Of Windsor de C. R. LeslieThe Merry Wives Of Windsor 51Jeanie Deans And Queen Caroline de C. R. LeslieJeanie Deans And Queen Caroline 52Sketch For 'sancho Panza In The Apartment Of The Duchess' de C. R. LeslieSketch For 'sancho Panza In The Apartment Of The Duchess' 53Mountain Scene, Wales ( ) de C. R. LeslieMountain Scene, Wales ( ) 54Head Of Prince Hal de C. R. LeslieHead Of Prince Hal 55Katherine Of Aragon With Her Maid de C. R. LeslieKatherine Of Aragon With Her Maid 56Honeysuckle Roses and Carnations de C. R. LeslieHoneysuckle Roses and CarnationsAuckland Art Gallery Toi o Tāmaki 57Juliet de C. R. LeslieJuliet 58Portia de C. R. LesliePortia 59A Squall, Southampton Water de C. R. LeslieA Squall, Southampton Water 60Sketch For 'charles Ii And Lady Bellenden' de C. R. LeslieSketch For 'charles Ii And Lady Bellenden' 61The Discovery de C. R. LeslieThe Discovery 62Griselda de C. R. LeslieGriselda 63Perdita de C. R. LesliePerdita 64May Day In The Reign Of Queen Elizabeth de C. R. LeslieMay Day In The Reign Of Queen Elizabeth 65A Scene From Milton's 'comus' de C. R. LeslieA Scene From Milton's 'comus' 66The Present de C. R. LeslieThe Present 67Falstaff Personating The King de C. R. LeslieFalstaff Personating The King 68Ben lawers from ben ledi, looking across loch tay de C. R. LeslieBen lawers from ben ledi, looking across loch tay 69Uncle Toby And Widow Wadman de C. R. LeslieUncle Toby And Widow Wadman 70Tom Purdie de C. R. LeslieTom Purdie 71Scene From Callaco de C. R. LeslieScene From Callaco 72The Birthday Present de C. R. LeslieThe Birthday Present 73Sketch For 'the Rape Of The Lock' de C. R. LeslieSketch For 'the Rape Of The Lock' 74Sir John Falstaff de C. R. LeslieSir John Falstaff 75Sketch For 'the Duke And Duchess Reading' Don Quixote de C. R. LeslieSketch For 'the Duke And Duchess Reading' Don Quixote 76My Uncle Toby And The Widow Wadman - de C. R. LeslieMy Uncle Toby And The Widow Wadman - 77Autolycus - de C. R. LeslieAutolycus - 78Sarah Dillwyn's Deathbed de C. R. LeslieSarah Dillwyn's Deathbed 79Sketch For 'christ Rebuking His Disciples By Calling The Little Child' de C. R. LeslieSketch For 'christ Rebuking His Disciples By Calling The Little Child' 80Knocking At The Door de C. R. LeslieKnocking At The Door 81Dominie Sampson de C. R. LeslieDominie Sampson 82Sancho Panza - de C. R. LeslieSancho Panza - 83Consultation de C. R. LeslieConsultation 84The Duke Of Wellington de C. R. LeslieThe Duke Of Wellington 85The last Throw de C. R. LeslieThe last Throw 86The Toilette de C. R. LeslieThe Toilette 87Sketch For 'twelfth Night', Act I de C. R. LeslieSketch For 'twelfth Night', Act I 88Timon Of Athens Crleslie de C. R. LeslieTimon Of Athens Crleslie 89Florizel And Perdita de C. R. LeslieFlorizel And Perdita 90Autolycus de C. R. LeslieAutolycus 91The Secret Messenger de C. R. LeslieThe Secret Messenger 92Uncle Toby And The Widow Wadman de C. R. LeslieUncle Toby And The Widow Wadman 93Scene From William Shakespeare's 'the Merry Wives Of Windsor' de C. R. LeslieScene From William Shakespeare's 'the Merry Wives Of Windsor' 94Benjamin Travers de C. R. LeslieBenjamin Travers 95The 1st Duke Of Wellington Looking At A Bust Of Napoleon de C. R. LeslieThe 1st Duke Of Wellington Looking At A Bust Of Napoleon 96Slender, with the assistance of shallow, courting anne page de C. R. LeslieSlender, with the assistance of shallow, courting anne page 97The Locket de C. R. LeslieThe Locket 98Sancho Panza In The Apartment Of The Duchess de C. R. LeslieSancho Panza In The Apartment Of The Duchess 99Le Malade Imaginaire de C. R. LeslieLe Malade Imaginaire 100Head Of Falstaff de C. R. LeslieHead Of Falstaff

Pinturas famosas de C. R. Leslie, período por período

Os temas que cativaram o olhar de C. R. Leslie

Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.

Os museus que guardam os originais de C. R. Leslie

Os 8 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de C. R. Leslie Pinturas desta lista
Museu de Belas Artes de Boston, BostonMuseu de Belas Artes de Boston Boston 3 Benjamin West, Sir Walter Scott, John Howard Payne
National Portrait Gallery, LondresNational Portrait Gallery Londres 3 Charles Robert Leslie, Charles Pepys, 1st Earl of Cottenham
Metropolitan Museum of Art, Nova YorkMetropolitan Museum of Art Nova York 2 The Last Throw, Dr. John Wakefield Francis
Llyfrgell Genedlaethol Cymru / The National Library of Wales, AberystwythLlyfrgell Genedlaethol Cymru / The National Library of Wales Aberystwyth 2 Llyn Gader, Snowdon from Capel Curig
Petworth House, PetworthPetworth House Petworth 4 A Lady contemplating Suicide (Juliet from William Shakespeare's 'Romeo and Juliet')
Tunbridge Wells Museum And Art Gallery, Tunbridge WellsTunbridge Wells Museum And Art Gallery Tunbridge Wells 2 Morning, Ullswater, Lake District
Royal Collection, LondresRoyal Collection Londres 2 Queen Victoria Receiving the Sacrament at her Coronation, 28 June 1838
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 James William Wallack

C. R. Leslie, uma pintura emblemática por década

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Pinturas de C. R. Leslie: a galeria responde

Qual pintura de C. R. Leslie é a mais famosa de todas?Revelar a resposta

James William Wallack (1837), Art Institute of Chicago, Chicago. Charles Robert Leslie (1814) e Charles Pepys, 1st Earl of Cottenham (1840) vêm a seguir.

Qual era a idade de C. R. Leslie ao concluir James William Wallack?Revelar a resposta

43 anos: James William Wallack data de 1837, e C. R. Leslie nasceu em 1794.

Quais são as 10 principais pinturas de C. R. Leslie?Revelar a resposta

James William Wallack, Charles Robert Leslie, Charles Pepys, 1st Earl of Cottenham, Benjamin West, Sancho Panza in the Duchess's Apartment, Declaring the Madness of His Master Don Quichotte, 1823 (or 1828), Sir Walter Scott, John Constable (1776–1837), Sarah Cabot Parkman Atkinson (1818-1892), Amy Robsart (1532–1560) e A Lady contemplating Suicide (Juliet from William Shakespeare's 'Romeo and Juliet'). O ranking acima apresenta o ano e o museu de cada uma.

Quantas obras C. R. Leslie criou?Revelar a resposta

Nosso catálogo contém 159 obras de C. R. Leslie, datadas de 1814 a 1852.

Onde estão expostos os originais mais famosos de C. R. Leslie?Revelar a resposta

Principalmente em Museu de Belas Artes de Boston (Boston), National Portrait Gallery (Londres) e Metropolitan Museum of Art (Nova York). A tabela de museus acima lista todos eles.

Quando é que C. R. Leslie criou as suas pinturas mais famosas?Revelar a resposta

Em 1830s: 7 das 100 obras nesta página foram feitas então, sendo James William Wallack delas.

Quais são as obras mais famosas de C. R. Leslie no início e no fim de sua carreira?Revelar a resposta

Nesta página, a mais antiga é Charles Robert Leslie (1814) e a mais recente é A Lady contemplating Suicide (Juliet from William Shakespeare's 'Romeo and Juliet') (1852).

Quais temas C. R. Leslie mais explorou?Revelar a resposta

Portrait (12), Man (9) e Portraiture (8), entre as 100 obras nesta página.

Em qual técnica C. R. Leslie mais trabalhou?Revelar a resposta

Oil On Canvas, para 7 das 100 obras nesta página.

Quais obras originais de C. R. Leslie o Museu de Belas Artes de Boston possui?Revelar a resposta

Benjamin West, Sir Walter Scott e John Howard Payne: o Museu de Belas Artes de Boston, Boston detém 3 das obras desta página.

C. R. Leslie: o artista

Early Life and Training

Charles Robert Leslie, a name now synonymous with charming depictions of everyday British life, began his artistic journey in the bustling metropolis of London. Born on October 19, 1794, to American parents – Robert Charles and Lydia Leslie – his early years were marked by a transatlantic existence before settling permanently in England. At just five years old, the family relocated to Philadelphia, where young Charles received his initial education. However, his heart belonged to the artistic world, quickly diverging from the path of a bookseller, his intended apprenticeship, towards the vibrant realm of painting and theatre. His arrival in London in 1811 proved pivotal. Armed with letters of recommendation – a testament to his burgeoning talent – he secured support from prominent artists like Benjamin West and Washington Allston, figures whose influence would shape his early style. He enrolled at the Royal Academy Schools in 1813, where he swiftly distinguished himself, earning two silver medals for his exceptional skill. These accolades signaled not only his technical proficiency but also his ability to capture the essence of human experience through his art. The styles of West and Allston, both masters of historical painting and portraiture, undoubtedly played a significant role in shaping Leslie’s artistic vision, particularly during his formative years.

Artistic Career and Style Development

Leslie's early career was characterized by an emulation of grand historical themes – a common practice among young artists seeking recognition at the Royal Academy. His initial works, such as “The Murder of Rutland by Lord Clifford,” demonstrate a clear debt to the conventions of history painting, meticulously rendered with dramatic lighting and elaborate compositions. However, it wasn’t long before Leslie discovered his true calling: genre painting – scenes of everyday life, populated by relatable characters and imbued with a subtle sense of humor. This shift marked a significant turning point in his artistic development. Works like “Londoners Gypsying” exemplify this new direction, capturing the lively atmosphere of London street life with remarkable detail and a lighthearted touch. Leslie’s ability to portray human interaction and capture fleeting moments of joy became his signature style. He wasn't merely depicting scenes; he was conveying emotions and inviting viewers into the heart of British society.

Notable Works and Museum Involvement

Charles Robert Leslie’s artistic output spanned a diverse range of subjects, but several works stand out as particularly noteworthy. “Sir Walter Scott’s Portrait” is a testament to his skill in capturing the likeness and personality of celebrated figures – a talent he honed through numerous commissions. His paintings weren't confined to portraits; he also produced captivating landscapes and scenes of rural life, reflecting the changing social landscape of Britain. Furthermore, Leslie’s contributions extended beyond his studio. He was elected as an Associate of the Royal Academy in 1821, a prestigious honor that solidified his position within the British art establishment. His legacy is preserved at the Centre d'Art Britannique de Yale, where a comprehensive collection of his works offers scholars and enthusiasts alike a valuable opportunity to study his artistic evolution.

Legacy and Later Life

Leslie’s life was intertwined with that of another prominent artist, John Constable. He wrote the first biography of Constable, “Memoirs of the Life of John Constable,” a work considered a seminal text in understanding the artist's life and career. His friendship with Constable provided him with invaluable insights into the artistic process and the challenges faced by artists navigating the competitive world of the Royal Academy. After a brief period working as an illustrator in West Point, Leslie returned to England, where he spent his final years pursuing his art and writing. He passed away on May 5, 1859, leaving behind a rich artistic legacy that continues to captivate audiences today. His work serves as a window into Victorian Britain, offering glimpses of daily life, social customs, and the enduring power of human connection.

Key Influences

Leslie’s artistic journey was profoundly shaped by several key influences:
  • Benjamin West: A leading figure in the Royal Academy, West's mastery of historical painting provided Leslie with a foundational understanding of composition, lighting, and dramatic storytelling.
  • Washington Allston: Known for his evocative landscapes and romantic sensibilities, Allston’s influence can be seen in Leslie’s exploration of mood and atmosphere.
  • The Royal Academy: The institution itself provided Leslie with a rigorous artistic education and a platform for showcasing his work.
His connection to these influential figures underscores the vibrant artistic community that nurtured his talent and shaped his distinctive style.