Baroque · 1631
The Annunciation (Matthias Stom, 1631)
Matthias Stom (1600–1650) criou The Annunciation. Data de 1631. Pertence ao movimento Baroque. É feito em Oil On Canvas. Está conservada no Kunsthistorisches Museum, em Viena, Áustria. Mede 117 × 171.5 cm.
- 1631
- Oil On Canvas
- 117 × 171.5 cm
- Kunsthistorisches Museum, Viena
The Annunciation, em resumo
- Título
- The Annunciation
- Artista
- Matthias Stom (1600–1650)
- Artista nascido em
- Amersfoort, Netherlands
- Data
- 1631
- Técnica
- Oil On Canvas
- Dimensões
- 117 × 171.5 cm
- Onde ver
- Kunsthistorisches Museum, Viena, Áustria
- Movimento
- Baroque
- Período
- Early Modern
- Tema
- woman, angel, lily, red cloak, blue drapery, wings
O que The Annunciation retrata?
Identification of The Annunciation by Matthias Stom
The Annunciation is an oil on canvas by Matthias Stom. This work captures a specific biblical scene where the Virgin Mary is visited by an angel. She is often depicted in the act of reading when the divine messenger arrives to deliver the news. The painting measures 117 x 171.5 cm.
The artist, Matthias Stom, was a Dutch painter who spent many years in Italy. This particular piece was created about 1631. It focuses on the intimate, silent moment of revelation between the celestial visitor and the woman. The scale of the canvas allows for a heavy presence of light and shadow within the sacred encounter.
Technical Details and Artistic Influence
The oil on canvas carries the weight of the Baroque and Caravaggesque style. Light acts as a sculptor here, carving form out of a dark, atmospheric void. This technique relies on a sophisticated command of chiaroscuro, where a strong light source from the upper right illuminates the faces and hands of the subjects. Such dramatic contrast defines the religious art of the period, grounding the divine encounter in a tangible, physical reality.
Stom’s hand moves with a quiet precision. Smooth brushwork renders the fine details of the scene, from the delicate texture of the lily held by Gabriel to the heavy, sculptural folds of the drapery. This meticulousness reflects a Northern sensibility applied to the intense, tenebristic traditions of Italy. The artist’s style emerged from a convergence of influences, absorbing the dramatic lighting of the followers of Caravaggio and the heavy, emotive realism found in the works of Jusepe de Ribera and Peter Paul Rubens.
The composition relies on organic, fluid shapes and a shallow perspective. By overlapping the figures, the artist creates an intimate space that pulls the viewer into the immediate tension of the revelation. The interplay of deep blues, vibrant reds, and warm golds against earthy shadows creates a sense of weight and texture. It is a study of light emerging from shadow.
Current Location and Museum Collection
The oil on canvas resides within the Kunsthistorisches Museum in Vienna. It is held as part of the Gemäldegalerie collection. The work carries the accession number 5806. This specific piece is also associated with the Galleria degli Uffizi in Florence.
The painting remains a physical presence in these halls. It rests under the quiet stewardship of these institutions. A shadow of its history connects it to both Vienna and Florence. The light of the gallery finds the surface of the canvas.
Em qual museu se encontra The Annunciation?
Kunsthistorisches Museum
Viena, Áustria
A História do Kunsthistorisches Museum O Kunsthistorisches Museum em Viena, Áustria, emergiu do desejo de proporcionar o acesso público ao vasto acervo da família Habsburgo. Sob o comando do Imperador Francisco José I, a instituição foi estabelecida em 1871 para abrigar estas coleções imperiais de arte. O projeto representou um empreendimento monumental para a monarquia, destinado a transitar tesouros privados para um espaço de contemplação pública.
Imagens em alta resolução de The Annunciation
Matthias Stom, The Annunciation (1631), Kunsthistorisches Museum. Domínio público.
Perguntas sobre The Annunciation respondidas
Em qual museu se encontra a obra original de "The Annunciation"?
A obra original "The Annunciation" pode ser vista no Kunsthistorisches Museum, Viena, Áustria.
Em que ano foi criada a obra "The Annunciation", de Matthias Stom?
"The Annunciation", de Matthias Stom foi criado em 1631.
Qual técnica foi utilizada em "The Annunciation", de Matthias Stom?
"The Annunciation" é executada em Oil On Canvas.
Quais são as dimensões da obra original "The Annunciation", de Matthias Stom?
As dimensões registradas de "The Annunciation", de Matthias Stom são 117.0 x 171.5cm. Reproduções podem ser encomendadas em outros tamanhos, mantendo as mesmas proporções.
O que "The Annunciation", de Matthias Stom retrata?
Os temas de "The Annunciation" são woman, angel, lily, red cloak, blue drapery, wings, hands.
"The Annunciation", de Matthias Stom está em domínio público?
Quanto aos direitos autorais, "The Annunciation" está em em domínio público — seus direitos autorais expiraram.
Quem criou "The Annunciation"?
"The Annunciation" é atribuída a Matthias Stom.
A qual movimento artístico pertence "The Annunciation", de Matthias Stom?
O movimento associado a "The Annunciation", de Matthias Stom é Baroque. Esta classificação situa a obra entre artistas e obras de arte relacionados.
A que período da carreira de Matthias Stom pertence "The Annunciation"?
"The Annunciation" representa o Italian Period de Matthias Stom.
Sobre o artista, Matthias Stom
1600–1650, Netherlands
Matthias Stom
Stomer Mathias: A Caravaggist’s Journey Through Italy The name Stomer Mathias, a figure shrouded in the mists of 17th-century art history, represents a fascinating convergence of Dutch artistic training and Italian Caravaggesque influence. Born around 1600, likely in Amersfoort, Netherlands – though definitive proof remains elusive – Mathias’s life was one dedicated to mastering and adapting the dramatic style pioneered by Michelangelo Merisi da Caravaggio. He wasn't a household name during his lifetime, often overshadowed by more prominent contemporaries, yet his output of approximately 200 paintings offers a compelling glimpse into a pivotal period in European art. Early accounts suggest Mathias received his initial artistic education within the Utrecht Mannerist tradition, possibly under the tutelage of Abraham Bloemaert and Joachim Wtewael – artists known for their meticulous detail and refined compositions.