Portret Suze Robertson

47 najsłynniejszych obrazów artysty Suze Robertson – wybór z galerii

Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 48 dzieł Suze Robertson w naszym katalogu

W skrócie

Spośród wszystkich dzieł oryginalnych, które pozostawił Suze Robertson, najsłynniejszym jest Portrait of a young girl ('Greta') (1922), znajdujący się w kolekcji Museum Boijmans Van Beuningen w Rotterdam. Tuż za nimi znajdują się Self-portrait of Suze Robertson (1855-1922) (1890) oraz Portrait of a young woman (1898). Nasz katalog zawiera 48 dzieł autorstwa Suze Robertson; galeria zachowała 47 najbardziej podziwianych na świecie prac, z których każda została przedstawiona wraz z datą powstania, informacją o muzeum oraz jej historią.

1855 – 1922, The Hague Najwięcej dzieł: Groninger Museum

10 najlepszych obrazów artysty Suze Robertson: wybór galerii

1
Portrait of a young girl ('Greta') (1922) autorstwa Suze Robertson

Portrait of a young girl ('Greta')

1922 · Oil On Panel · Museum Boijmans Van Beuningen, Rotterdam

The gaze of a young girl meets the viewer in Portrait of a young girl ('Greta'), a work painted by Suze Robertson in 1922. This portrait captures a young woman whose presence fills the space with a quiet, heavy intensity. She does not merely sit for a likeness; she exists in a moment of profound internal movement. Her expression remains enigmatic, a puzzle of shifting emotions that refuses to be…

3
Portrait of a young woman (1898) autorstwa Suze Robertson

Portrait of a young woman

1898 · Oil On Panel · Rijksmuseum, Amsterdam

This work is the Portrait of a young woman by Suze Robertson. Created about 1898, the painting offers an intimate view of the subject, presented as a bust with the head turned toward the right. It is a quiet, focused study that captures a sense of stillness in the sitter's posture.

4
Old mother (1896) autorstwa Suze Robertson

Old mother

1896 · Oil · Groninger Museum, Groningen

A somber, atmospheric oil painting captures an elderly woman in a dimly lit interior. Seated in profile, she turns slightly toward the viewer while her gaze remains cast downward. The composition centers on her quietude, utilizing a palette of deep browns, blacks, ochre, and muted umbers to establish a sense of melancholy. Light enters from an unseen source, perhaps a window, illuminating the texture of her headscarf and the folds…

5
The Wood Breaker (1900) autorstwa Suze Robertson

The Wood Breaker

1900 · Oil On Canvas

A solitary figure leans into the heavy labor of the wood breaker. The body is a study in tension, bent against the resistance of the timber. Dark, earthy tones of deep brown and black swallow the shadows, leaving only a sharp, bright patch of white fabric on the shoulder to catch the light. This light falls upon a textured wall, creating a shallow space where the air feels thick with…

6
Lena (1923) autorstwa Suze Robertson

Lena

1923 · Oil On Canvas · Dordrechts Museum, Dordrecht

In this 1923 oil painting, we find ourselves in a quiet, heavy moment of introspection. A nude female figure sits upon a rugged, rocky ledge, her body turned away from us in a profile that suggests a deep, internal retreat. She gazes downward toward a dark, still body of water, her posture conveying a sense of vulnerability and quietude. The composition is vertical, drawing the eye from the pale, fleshy…

7
Girl asleep (1889) autorstwa Suze Robertson

Girl asleep

1889 · Oil On Canvas · Muzeum Kunstmuseum Den Haag, Haga

Girl asleep is an oil on canvas painting by Suze Robertson. Created about 1889, this work is classified as genre art. It belongs to the period of Dutch realism, capturing a quiet moment of repose.

Kontynuacja zestawienia Suze Robertson, od 11 do 47

Tematy, które przyciągnęły wzrok Suze Robertson

Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.

Muzea przechowujące oryginały Suze Robertson

8 muzeów, w których znajduje się najwięcej obrazów z tej strony.

Muzea Miasto Dzieła artysty Suze Robertson Obrazy z tej listy
Groninger Museum, GroningenGroninger Museum Groningen 6 Old mother, The artist's studio with mantelpiece, Corner of the artist's studio
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 3 Portrait of a young girl ('Greta'), Still Life (Plate with Lemons), Still Life with Apples
Muzeum Kunstmuseum Den Haag, HagaMuzeum Kunstmuseum Den Haag Haga 2 Self-portrait of Suze Robertson (1855-1922), Girl asleep
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 Portrait of a young woman, Boerenvrouw Aardappels Schillend
Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 2 Lena, Portrait of a Peasant Woman
Centraal Museum, UtrechtCentraal Museum Utrecht 2 Plate with Apples and a Bottle, Church in Katwijk
The Mesdag Collection, HagaThe Mesdag Collection Haga 1 The cart
Rijksmuseum Twenthe, EnschedeRijksmuseum Twenthe Enschede 1 Old woman at a clock

Suze Robertson dekada po dekadzie: oryginały definiujące każdy okres

Dzieła według dekad

Wybierz dekadę, aby zobaczyć dzieło, które ją definiuje.

Pytania kolekcjonerów o obrazy Suze Robertson

Z jakiego dzieła najbardziej znany jest Suze Robertson?Odkryj odpowiedź

Portrait of a young girl ('Greta') (1922), Museum Boijmans Van Beuningen, Rotterdam. Następne są Self-portrait of Suze Robertson (1855-1922) (1890) oraz Portrait of a young woman (1898).

W jakim wieku był Suze Robertson, gdy powstało Portrait of a young girl ('Greta')?Odkryj odpowiedź

67 lat: Portrait of a young girl ('Greta') pochodzi z 1922, a Suze Robertson urodził(a) się w 1855.

Jakie są dziesięć najsłynniejszych obrazów, których autorem jest Suze Robertson?Odkryj odpowiedź

Portrait of a young girl ('Greta'), Self-portrait of Suze Robertson (1855-1922), Portrait of a young woman, Old mother, The Wood Breaker, Lena, Girl asleep, The cart, Plate with Apples and a Bottle i Still Life (Plate with Lemons). Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.

Ile obrazów pozostawił po sobie Suze Robertson?Odkryj odpowiedź

Nasz katalog zawiera 48 dzieł artysty Suze Robertson, datowanych od 1870 do 1922.

W których muzeach znajdują się arcydzieła Suze Robertson?Odkryj odpowiedź

W większości znajdują się w Groninger Museum (Groningen), Museum Boijmans Van Beuningen (Rotterdam) i Muzeum Kunstmuseum Den Haag (Haga). Powyższa tabela muzeów zawiera ich pełną listę.

W których latach Suze Robertson namalował swoje najsłynniejsze dzieła?Odkryj odpowiedź

W 1890s: 8 z 47 dzieł na tej stronie powstało w tym czasie, w tym Self-portrait of Suze Robertson (1855-1922).

Jakie są pierwsze i ostatnie słynne oryginały Suze Robertson?Odkryj odpowiedź

Na tej stronie najwcześniejszy to Woman in a courtyard (1870), a najpóźniejszy Portrait of a young girl ('Greta') (1922).

Jakie tematy Suze Robertson wybierał najczęściej?Odkryj odpowiedź

Woman (4), Dark tones (4) i Face (3), w ramach 47 dzieł na tej stronie.

Której techniki Suze Robertson używał najczęściej?Odkryj odpowiedź

Oil On Canvas, dla 4 z 47 dzieł na tej stronie.

Które dzieła Suze Robertson znajdują się w Groninger Museum?Odkryj odpowiedź

Old mother, The artist's studio with mantelpiece i Corner of the artist's studio: Groninger Museum, Groningen posiada 6 dzieł widocznych na tej stronie.

Suze Robertson: życie i twórczość

A Life Woven in Light and Shadow: The World of Suze Robertson

Suze Robertson, born in the bustling port city of The Hague in 1855, emerged as a significant voice within Dutch art during a period of profound social and artistic change. Her life story is one of quiet determination, navigating societal expectations to forge a path as a professional artist at a time when such aspirations were often discouraged for women. Orphaned young, Robertson was raised by her aunt and uncle, who recognized and nurtured the innate artistic talent that blossomed within her. This early support proved crucial, providing the foundation for formal studies beginning in 1874 at the Royal Academy of Art in The Hague, where she quickly distinguished herself, earning a bronze and two silver medals – testaments to her burgeoning skill and dedication. Further honing her craft at the Polytechnical School in Delft, Robertson laid the groundwork for a career that would challenge conventions and offer poignant glimpses into the lives of ordinary people.

Echoes of Van Gogh: Artistic Development and Style

Robertson’s artistic journey wasn't without its practical considerations. Initially supporting herself by teaching drawing to young women in Rotterdam, she continued her own development under the guidance of Petrus van der Velden, refining her technique while simultaneously exploring her unique vision. Her subject matter gravitated towards scenes of everyday life, particularly those depicting the realities of rural existence – farm interiors, laborers at work, and the quiet dignity of agricultural communities. It is within these depictions that a striking resonance with the early works of Vincent van Gogh becomes apparent. Both artists shared an empathy for the working class and a desire to portray their lives with honesty and respect; comparisons to *The Potato Eaters* are frequently drawn, suggesting a mutual admiration or at least a parallel sensibility. Robertson’s style is characterized by a realism tempered by emotional depth, employing evocative brushwork and a keen eye for capturing the nuances of light and shadow. She wasn't merely documenting life; she was interpreting it through a lens of compassion and understanding.

A Progressive Spirit: Controversy, Recognition, and Artistic Circles

Robertson’s commitment to artistic integrity extended beyond her subject matter. While teaching in Rotterdam, she boldly advocated for her students to be allowed to draw from nude models – a remarkably progressive stance that challenged the prevailing norms of the time. This willingness to push boundaries defined not only her pedagogical approach but also her broader outlook on life and art. Her marriage in 1892 to fellow painter Richard Bisschop marked a turning point, opening doors to prominent artistic circles like Pulchri Studio and Arti et Amicitiae. These affiliations provided platforms for exhibition and recognition, culminating in a bronze medal at the prestigious Exposition Universelle in 1900. However, it was a landmark sale in 1907 that truly cemented her reputation: at the opening of a new branch of the Larensche Kunsthandel in Amsterdam, her works fetched an unprecedented 10,000 guilders – a testament to her growing acclaim and the increasing appreciation for her unique artistic vision.

Legacy of the Amsterdamse Joffers

Suze Robertson continued painting with unwavering dedication until her death in The Hague in 1922. Her legacy extends beyond individual canvases; she is remembered as a key member of the *Amsterdamse Joffers* – a collective of female artists who defied societal constraints and made significant contributions to Dutch art during the late 19th and early 20th centuries. These women challenged conventional norms, forging their own paths in a male-dominated world and paving the way for future generations of female artists. Robertson’s realistic depictions of rural life offer invaluable insights into the social conditions and everyday experiences of her time, capturing a fleeting moment in history with sensitivity and skill. Her work continues to resonate today, appreciated not only for its technical mastery but also for its enduring humanism – a testament to an artist who dared to see beauty and dignity in the lives of ordinary people.

Major Works

Robertson’s art remains a powerful reminder of the importance of empathy, observation, and artistic courage.