Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 67 dzieł Józef Simmler w naszym katalogu
W skrócie
Według opinii kuratorów galerii, najsłynniejszym obrazem Józef Simmler jest Portrait of singer Wilhelm Troszel as Don Juan (1846), którego oryginał znajduje się w Muzeum Narodowe w Warszawie w Warszawa. Portrait of Field-Marshal Count Fiodor (Friedrich Wilhelm) Berg (1867) i Portrait of Teresa Kicka (1841) dopełniają trio, które zna każde oko. Z 67 dzieł Józef Simmler w naszym katalogu, galeria prezentuje poniżej 67 najsłynniejszych prac – każda z nich jest oryginałem z podaniem roku powstania, muzeum oraz cech wyróżniających ją na tle innych.
The air in the room feels heavy with the scent of old velvet and the cooling warmth of a dying sun. A man leans against a cold stone pillar, his posture a delicate balance of aristocratic poise and a quiet, poetic melancholy. He is not merely a man, but a character caught in a moment of theatrical stillness, embodying the legendary Don Juan. The light, streaming in from the left,…
The air in the room feels heavy with the weight of authority as Field-Marshal Count Fiodor Berg occupies the center of the frame. He stands with a quiet, commanding presence, his figure anchored by the deep shadows of a grand, 19th-century interior. A dark blue military uniform clings to him, its surface catching the light where gold buttons and medals glint against the fabric. The bright red of his trousers…
The air in the room feels heavy and still, as if time itself has paused to respect the dignity of the woman before us. Teresa Kicka sits in a quiet, formal poise, her gaze meeting the observer with a steady, unblinking clarity. She is draped in a garment of deep burgundy velvet, a color so saturated it seems to absorb the very light around it. The fabric possesses a palpable…
This 1852 oil portrait presents a middle-aged man in a moment of quiet contemplation. Captured in an oval format, the subject is positioned from the waist up, his gaze directed toward the viewer with a calm, steady expression. The composition relies on a controlled, directional light source from the upper left, which carves the contours of his face and creates a sense of physical volume. Dark, muted tones dominate the…
The room falls into a heavy, respectful silence as Julia Bock sits before us, her presence commanding the space through a quiet, aristocratic dignity. She is draped in voluminous black silk and satin, the fabric catching the light in deep, sweeping folds that suggest both weight and a slow, rhythmic movement. A stark white lace collar and cuffs frame her face and hands, creating a sharp, luminous contrast against the…
A profound stillness settles over the room as we encounter Nikodem Biernacki. Seated in a three-quarter pose, the man holds a stringed instrument—perhaps a cello or a violin—with a grace that suggests the music has only just ceased or is about to begin. The composition is contained within a soft oval, focusing all attention on the sitter and his instrument. Dark, earthy tones of deep brown and black dominate the…
In this 1865 oil on canvas, we find ourselves in a quiet, misty forest, where the atmosphere is thick with the scent of damp earth and evergreen. The subject, Ludwik Mycielski, is positioned with a quiet authority, standing amidst the vertical lines of the trees. He is a man of status, perhaps a soldier or a nobleman, holding a saber at his side with a practiced ease. His attire is…
In this 1863 oil on canvas, we encounter Colonel Konstanty Fiszer, a man whose very posture commands the space he occupies. He is depicted in mid-to-late adulthood, his white hair and mustache catching the light against a somber, dark background. There is a quiet authority in the way he holds his walking cane and a folded document, suggesting a life defined by duty and formal decorum. The composition is vertical,…
The composition is a vertical arrangement of three primary subjects: two young girls and a large dog. One girl stands, holding a leash, while the second girl sits on the floor, cradling a doll. A large, black, long-haired dog is positioned beside them. The scene is set within a staged environment featuring a heavy, rectangular pedestal and a draped velvet curtain. In the foreground, fruit is placed upon the floor.…
In this 1849 oil on canvas, Józef Simmler turns his gaze toward the intimate sphere of family, capturing his sister, Katarzyna Jahn. The composition follows a traditional three-quarter view, positioning her from the waist up against a dark, atmospheric backdrop that pushes her figure into the foreground. A soft, directional light enters from the upper left, sculpting the contours of her face and the delicate architecture of her neck. This…
Nobleman with a Parrot1859 · Muzeum Narodowe w Krakowie
12
Portrait of Dr. Teodor Teutold-Tripplin, traveler.1852 · Muzeum Narodowe w Warszawie
13
Portrait of Julia Simmlerowa née Hoeggenstaller, artist's wife.1863 · Muzeum Narodowe w Warszawie
14
Portrait of Aleksander Waszkowski, member of the National Government in 18631864 · Muzeum Narodowe w Warszawie
15
Portrait of countess Róża Sobańska1867 · Muzeum Narodowe w Warszawie
16
Study of a male nude.1841 · Muzeum Narodowe w Warszawie
17
Wacław's farewell to Maria1848 · Muzeum Narodowe w Warszawie
18
Portrait of Jakub Simmler, artist’s father1847 · Muzeum Narodowe w Warszawie
19
Male nude study1841 · Muzeum Narodowe w Warszawie
20
Portrait study of a lady.1855 · Muzeum Narodowe w Warszawie
21
Portrait of Miss Pisarzowska1852 · Muzeum Narodowe w Krakowie
22
Portrait of Jan Reszke1862 · Muzeum Narodowe w Warszawie
23
Portrait of Mrs. Skwarcowa1855 · Muzeum Narodowe w Warszawie
24
Entombment of Christ, sketch for a painting1850 · Muzeum Narodowe w Warszawie
25
Portrait of Antoni Kruszewski, prelate1850 · Muzeum Narodowe w Warszawie
26
Portrait of Juliusz Kossak1860 · Muzeum Narodowe w Warszawie
27
Portrait of Aleksandra Zatlerowa.1862 · Muzeum Narodowe w Warszawie
28
Martyrdom of Josaphat Kuntsevych1861 · Muzeum Narodowe w Warszawie
29
Catherine Jagiellon and her son Sigismund in Gripsholm prison1859 · Muzeum Narodowe w Warszawie
30
Portrait of Matylda Wernerowa.1858 · Muzeum Narodowe w Warszawie
31
Catherine Jagiellon with her son Sigismund imprisoned in the Gripshom Castle (sketch)1859 · Muzeum Narodowe w Warszawie
32
Wacław's farewell to Maria1856 · Muzeum Narodowe w Warszawie
33
Portrait of a man1856 · Muzeum Narodowe w Warszawie
34
Portrait of Capuchin Beniamin Szymański1856 · Muzeum Narodowe w Warszawie
35
Boy at breakfast1856 · Muzeum Narodowe w Warszawie
36
Queen Jadwiga's oath.1867 · Muzeum Narodowe w Warszawie
37
Portrait of Emilia Włodkowska1865 · Muzeum Narodowe w Warszawie
38
Sketch for “Crucifixion”1868 · Muzeum Narodowe w Warszawie
39
Portrait of Maurycy Brauman1866 · Muzeum Narodowe w Warszawie
40
Portrait of Julia Simmler, artist's daughter1864 · Muzeum Narodowe w Warszawie
41
Portrait of Emilia Mielżyńska née Bnińska1866 · Muzeum Narodowe w Warszawie
42
Portrait of Emilia Reszke1862 · Muzeum Narodowe w Warszawie
43
Portrait of Mrs. Kruszewska née KomorowskaMuzeum Narodowe w Warszawie
44
Study of the hands of Sigismund Augustus for the painting “Death of Barbara Radziwiłł”1860 · Muzeum Narodowe w Warszawie
45
Jaśko of Tenczyn. Study to the Painting "The Oath of Queen Jadwiga"Muzeum Narodowe w Krakowie
46
Sketch to the Painting "Three Marys Walking to Christ's Tomb "Muzeum Narodowe w Krakowie
47
Study of the Amor Figure to the Painting "Wedding Procession of Amor and Psyche"Muzeum Narodowe w Krakowie
48
Study to the Painting "The Death of Barbara Radziwiłł" – Head of Quinn BarbaraMuzeum Narodowe w Krakowie
49
Figures of Armoured Guards. Study to the Painting "Catherine Jagiellon in Gripsholm Prison"Muzeum Narodowe w Krakowie
50
The EntombmentMuzeum Narodowe w Krakowie
51
Portrait of a ladyMuzeum Narodowe w Warszawie
52
Portrait studyMuzeum Narodowe w Warszawie
53
Portrait of Teofil Lenartowicz, poet and sculptorMuzeum Narodowe w Warszawie
54
Portrait of a manMuzeum Narodowe w Warszawie
55
The Death of Barbara RadziwiłłMuzeum Narodowe w Warszawie
56
Quinn's Attire and a Drapery. Studies to the Painting "The Oath of Queen Jadwiga"Muzeum Narodowe w Krakowie
57
Study of Both Hands of the Bishop for the Painting "The Oath of Queen Jadwiga"Muzeum Narodowe w Krakowie
58
Study (I) of Both Hands of the Bishop to the Painting "The Oath of Queen Jadwiga"Muzeum Narodowe w Krakowie
59
Study of Władysław Jagiełło's Garment to the Painting "The Oath of Queen Jadwiga"Muzeum Narodowe w Krakowie
60
Jaśko of Tęczyn's Garment. Study to the Painting "The Oath of Queen Jadwiga"Muzeum Narodowe w Krakowie
61
Study of a Lady with a Lute's Robe. Study to the Painting "Upbringing of Sigismund Augustus"Muzeum Narodowe w Krakowie
62
Study of a Brocade HangingMuzeum Narodowe w Krakowie
63
Study of Quinn Barbara's Arm to the Painting "The Death of Barbara Radziwiłł"Muzeum Narodowe w Krakowie
64
Sleeves of King's Attire. Study to the Painting "The Death of Barbara Radziwiłł"Muzeum Narodowe w Krakowie
65
Sketch to the Painting "Three Marys Walking to Christ's Tomb"Muzeum Narodowe w Krakowie
66
Fragment of the Cover of Quinn's Bed. Study to the Painting "The Death of Barbara Radziwiłł"Muzeum Narodowe w Krakowie
67
La Mort de Barbara Radziwiłł by Józef Simmler1860 · Muzeum Narodowe w Warszawie
Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.
4 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Józef Simmler | Obrazy z tej listy |
|---|---|---|---|
 Muzeum Narodowe w Warszawie |
Warszawa | 45 | Portrait of singer Wilhelm Troszel as Don Juan, Portrait of Teresa Kicka, Portrait of Ksawery Skrzyński |
 Muzeum Narodowe w Krakowie |
Kraków | 20 | Portrait of Ludwik Mycielski, Nobleman with a Parrot, Portrait of Miss Pisarzowska |
 Ermitaż |
Sankt Petersburg | 1 | Portrait of Field-Marshal Count Fiodor (Friedrich Wilhelm) Berg |
 Muzeum Narodowe w Warszawie |
Warszawa | 1 | The Death of Barbara Radziwiłł |
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The air in the room feels heavy with the scent of old velvet and the cooling warmth of a dying sun. A man leans against a cold stone pillar, his posture a delicate balance of aristocratic poise and a quiet, poetic melancholy. He is not merely a man, but a character caught in a moment of theatrical stillness, embodying the legendary Don Juan. The light, streaming in from the left,…
This 1852 oil portrait presents a middle-aged man in a moment of quiet contemplation. Captured in an oval format, the subject is positioned from the waist up, his gaze directed toward the viewer with a calm, steady expression. The composition relies on a controlled, directional light source from the upper left, which carves the contours of his face and creates a sense of physical volume. Dark, muted tones dominate the…
The air in the room feels heavy with the weight of authority as Field-Marshal Count Fiodor Berg occupies the center of the frame. He stands with a quiet, commanding presence, his figure anchored by the deep shadows of a grand, 19th-century interior. A dark blue military uniform clings to him, its surface catching the light where gold buttons and medals glint against the fabric. The bright red of his trousers…
Portrait of singer Wilhelm Troszel as Don Juan (1846), Muzeum Narodowe w Warszawie, Warszawa. Następne są Portrait of Field-Marshal Count Fiodor (Friedrich Wilhelm) Berg (1867) oraz Portrait of Teresa Kicka (1841).
23 lat: Portrait of singer Wilhelm Troszel as Don Juan pochodzi z 1846, a Józef Simmler urodził(a) się w 1823.
Portrait of singer Wilhelm Troszel as Don Juan, Portrait of Field-Marshal Count Fiodor (Friedrich Wilhelm) Berg, Portrait of Teresa Kicka, Portrait of Ksawery Skrzyński, Portrait of Julia Bock, Nikodem Biernacki, Portrait of Ludwik Mycielski, Portrait of colonel Konstanty Fiszer, Portrait of Kronenberg sisters (Maria Róża and Róża Maria Karolina) with a dog i Portrait of Katarzyna Jahn, artist's sister.. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.
Nasz katalog zawiera 67 dzieł artysty Józef Simmler, datowanych od 1841 do 1868.
W większości znajdują się w Muzeum Narodowe w Warszawie (Warszawa), Muzeum Narodowe w Krakowie (Kraków) i Ermitaż (Sankt Petersburg). Powyższa tabela muzeów zawiera ich pełną listę.
W 1860s: 22 z 67 dzieł na tej stronie powstało w tym czasie, w tym Portrait of Field-Marshal Count Fiodor (Friedrich Wilhelm) Berg.
Na tej stronie najwcześniejszy to Portrait of Teresa Kicka (1841), a najpóźniejszy Sketch for “Crucifixion” (1868).
Man (22), Woman (19) i Lace (8), w ramach 67 dzieł na tej stronie.
Oil On Canvas, dla 39 z 67 dzieł na tej stronie.
Academic realism, sądząc po oryginałach na tej stronie.
Portrait of singer Wilhelm Troszel as Don Juan, Portrait of Teresa Kicka i Portrait of Ksawery Skrzyński: Muzeum Narodowe w Warszawie, Warszawa posiada 45 dzieł widocznych na tej stronie.
