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Job and his Daughters

Imię i nazwisko Klasa Data

William Blake, Job and his Daughters (1823), Tate Britain. Domena publiczna. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Fakty

Artysta
William Blake originaluniqueart.com/pl/artists/william-blake_pl/
Daty życia artysty
1757 – 1827
Technika malarska
1823
Wymiary oryginału
217 x 170 cm
Ruch
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Miejsce wystawy
Tate Britain originaluniqueart.com/pl/museums/tate-britain-londyn_pl-1/

W kontekście

Job and his Daughters — William Blake

Jakie są wymiary?

Oryginalne wymiary to 217 × 170 cm (wysokość × szerokość), przedstawione tutaj obok osoby dorosłej o przeciętnym wzroście. Dzieło jest zbyt duże, aby przedstawić je w skali na tej stronie.

Kiedy powstało to dzieło?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810
  8. 1820

Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu — 0 w chwili narodzin, 70 w chwili śmierci.

Namalowane, gdy artysta miał 66 lat. Artysta dożył 70 lat. 62 z 70 datowanych dzieł tego artysty w naszym katalogu powstało wcześniej.

Shaded: lata życia William Blake (1757–1827) ▲ to dzieło, 1823 każdy datowany obraz, dekada po dekadzie

Pierwsze prace: do 1800 Główne lata aktywności zawodowej: 1800–1820 Późne dzieła: od 1820

Te trzy sekcje dzielą datowane w tym katalogu dzieła na pierwszy kwartał, środkową połowę oraz ostatni kwartał. Nie stanowią one pełnego dorobku artysty: rzadsze okresy mogą wynikać z luk w dokumentacji, a nie z mniejszej aktywności twórczej. Lata zbieżne z życiem artysty

Porównaj z

  • Newton originaluniqueart.com/pl/art/william-blake-newton-7Z4Q6G-pl/
  • Isaac Newton, 1795 originaluniqueart.com/pl/art/william-blake-isaac-newton-8Y3TN8-en/
  • Przestępca Dnia, 1794 originaluniqueart.com/pl/art/william-blake-przestepca-dnia-7Z4Q6J-pl/

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnym charakterze: originaluniqueart.com/pl/art/similar/william-blake-job-and-his-daughters-8XZAE5-en/

Paleta kolorów

Wyodrębniona z analizy obrazu

    Kolor główny

    Espresso #565656

    Paleta w katalogu

    • #565656
    • #8F8F8F
    • #D2D2D2
    • #212121

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Nazwa koloru głównego
    Espresso
    Nasycenie
    Monochromatic Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Statement W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Unified Palette Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Shadow Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Muted Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Gdzie na świecie można zobaczyć ten obraz?

    • poniżej 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i więcej
    Samo to dzieło ma zbyt mało odnotowanych odwiedzających, aby móc je nanieść na mapę, dlatego zestawienie obejmuje wszystkie prace autorstwa William Blake z ostatnich dwunastu miesięcy — łącznie 51 krajów. Źródło tych danych

    Dziesięć wiodących krajów

    1. 1 Chiny 39,5%33 100 visits
    2. 2 Stany Zjednoczone Ameryki 9,8%8 200 visits
    3. 3 Rumunia 8,6%7 200 visits
    4. 4 Włochy 5,0%4 200 visits
    5. 5 Singapur 5,0%4 200 visits
    6. 6 Hongkong 3,9%3 300 visits
    7. 7 Hiszpania 3,3%2 800 visits
    8. 8 Francja 2,5%2 100 visits
    9. 9 Brazylia 2,2%1 800 visits
    10. 10 Meksyk 1,7%1 400 visits
    11. · 41 innych krajów 18,5%15 400 visits

    Znajdź na mapie trzy najciemniejsze kraje. Czy muzeum, w którym znajduje się ten obraz, leży w którymś z nich? Zapisz jeden powód, dla którego osoby z daleka mogą chcieć go zobaczyć.

    20 najczęściej oglądanych dzieł artysty William Blake

    1. 1 Przestępca Dnia, 1794 11,8%13 700 visits
    2. 2 Wielki Czerwony Smok i Kobieta Ubrana w Słońce, 1806 5,0%5 800 visits
    3. 3 El gran dragón rojo y la mujer vestida de sol 3,7%4 300 visits
    4. 4 Newton 3,0%3 500 visits
    5. 5 Święcący Smok i Żona Ubierana na Słońce, 1805 2,2%2 600 visits
    6. 6 Ciało Abela odnalezione przez Adama i Ewę 2,2%2 600 visits
    7. 7 The Great Red Dragon and the Woman Clothed with Sun 2,2%2 500 visits
    8. 8 Satan Exulting over Eve, 1795 1,9%2 200 visits
    9. 9 Hekate 1,6%1 900 visits
    10. 10 Isaac Newton, 1795 1,4%1 600 visits
    11. 11 Wir kochanków, Francesca da Rimini i Paolo Malatesta, 1824 1,4%1 600 visits
    12. 12 Elohim stwarzający Adama, 1795 1,4%1 600 visits
    13. 13 Pieśni niewinności (Strona tytułowa), 1825 1,3%1 500 visits
    14. 14 Jacob's Ladder, 1806 1,1%1 300 visits
    15. 15 Powrót Zmartwychwstania 1,1%1 300 visits
    16. 16 Whirlwind of Lovers 1,1%1 300 visits
    17. 17 Antaeus setting down Dante and Virgil in the last circle of hell, 1827 0,9%1 100 visits
    18. 18 The Temptation and Fall of Eve, 1808 0,9%1 000 visits
    19. 19 Christ Nailed to the Cross The Third Hour, 1803 0,9%1 000 visits
    20. 76 Job and his Daughters, 1823 ten obraz 0,3%400 visits

    Razem dzieła te stanowią 45,4% całej uwagi, jaką obrazy tego artysty przyciągnęły w ciągu ostatnich dwunastu miesięcy. Katalog zawiera 283 dzieł tego artysty, z których 210 zostało obejrzanych co najmniej raz. This painting ranks 76 of them, with 0,3% of that attention (400 visits). To samo, miesiąc po miesiącu

    Paski mierzą poziom uwagi, a nie jakość. Wybierz dzieło z górnej części listy oraz to poniżej: wymień jedną rzecz, która może przynieść obrazowi sławę niezależnie od kunsztu jego wykonania.

    Artysta i muzeum

    Artysta

    William Blake

    Urodzony w Londyn, Wielka Brytania

    William Blake - A Visionary’s Journey: The Life and Art of William Blake

    William Blake, born in London on November 28, 1757, was a figure perpetually out of step with his time, yet destined to become one of the most celebrated artists and poets of the Romantic Age. His life unfolded against the backdrop of a rapidly changing England—a world grappling with industrialization, political upheaval, and shifting spiritual beliefs. From humble beginnings as the son of a hosier, Blake’s early years were marked by an intensely vivid imagination and a propensity for visionary experiences that would profoundly shape his artistic trajectory. Though largely self-taught in formal academics, he received drawing instruction at a young age, quickly revealing a talent that hinted at the extraordinary path ahead. His apprenticeship with engraver James Basire proved pivotal, providing him not only with technical mastery but also an understanding of printmaking techniques he would later revolutionize. These early influences—the Gothic grandeur of Westminster Abbey, the classical forms of Raphael and Michelangelo—served as foundational elements in his developing aesthetic, though Blake was never one to remain bound by convention.

    Early Life and Artistic Training

    Blake’s formative years instilled within him a deep appreciation for both beauty and terror – sensations he would translate into unforgettable imagery throughout his artistic career. Despite lacking formal schooling, he possessed an innate aptitude for drawing, nurtured by encouragement from his father who recognized his son's exceptional talent. This early training honed his observational skills and established a bedrock of classical knowledge that informed his stylistic choices. His apprenticeship with James Basire, London’s leading engraver, was instrumental in developing his printmaking abilities—a craft he would elevate to an art form through his groundbreaking technique of illuminated printing. It wasn't merely copying existing designs; it demanded meticulous attention to detail and a profound understanding of tonal gradation, skills that would prove invaluable as he pursued his artistic vision.

    Illuminated Printing: A Revolutionary Technique

    Blake’s artistic innovation resided fundamentally in how he created—a departure from the prevailing methods of engraving prevalent during his era. Dissatisfied with conventional printing processes, he devised a unique method known as “illuminated printing,” which involved etching both text and illustrations onto copper plates before applying hand-colored inks to produce stunning prints. This wasn’t simply illustration accompanying poetry; it was an integrated art form where image and verse were inextricably linked, each enriching the meaning of the other. Blake's meticulous process demanded considerable labor—often taking weeks or months to complete—but it afforded him unparalleled artistic control over color, texture, and overall visual impact. This technique allowed for a level of expressive nuance unattainable through traditional methods, cementing his place as a pioneer in printmaking history. He skillfully combined etching with watercolor washes and gouache pigments, creating images that pulsed with vibrant hues and captivating detail—a stylistic hallmark that distinguishes his work from many of his contemporaries.

    Major Works and Artistic Style

    Blake’s oeuvre encompasses poetry, engravings, watercolors, drawings, and illuminated manuscripts—each reflecting his distinctive worldview and artistic sensibilities. Among his most celebrated works are Songs of Innocence & Experience (1794), a dual collection exploring themes of innocence and corruption through allegorical narratives; The Marriage of Heaven & Hell (1793), a provocative prose poem challenging societal morality with its embrace of energy, desire, and rebellion; and Jerusalem, an ambitious epic poem depicting a utopian vision of Albion—ancient name for Britain—inspired by biblical prophecy. His engravings are equally remarkable for their dramatic compositions, symbolic imagery, and masterful execution. Illustrations for Dante’s Divine Comedy exemplify his ability to translate complex literary narratives into powerful visual representations—a feat achieved through meticulous attention to detail and a deliberate rejection of linear perspective in favor of emotive symbolism. Blake's artistic style is characterized by its bold use of color, its incorporation of fantastical elements, and its unwavering commitment to conveying profound spiritual truths. He rejected the conventions of academic art, prioritizing imaginative vision over realistic representation—a stance that aligned him with the burgeoning Romantic movement and cemented his legacy as a visionary artist.

    Blake’s Enduring Influence

    Despite facing considerable obscurity during his lifetime, William Blake's influence on subsequent generations of artists and writers has proven to be profound. The Pre-Raphaelites, captivated by his stylistic innovations and symbolic depth, embraced him as a kindred spirit—drawing inspiration from his use of color, texture, and imaginative storytelling. Later movements—Symbolism and Modernism—found resonance in his exploration of psychological complexity and spiritual yearning—a testament to the enduring power of Blake’s artistic vision. Today, William Blake is recognized as a cornerstone of Romantic art, an artist whose uncompromising pursuit of creative freedom continues to inspire artists worldwide. His work serves as a reminder that true artistry lies not merely in technical skill but in conveying profound emotional truths—a legacy that transcends time and resonates powerfully with audiences across cultures.

    Muzeum

    Tate Britain

    Prezentowane w Londyn, Wielka Brytania

    A Chronicle of British Vision: Unveiling Tate Britain

    Nestled along the Thames’s gentle curve in Millbank, Tate Britain isn't merely a gallery; it’s a living embodiment of British artistic evolution. From its inception as a champion of homegrown talent to its current status as a global beacon of modern and contemporary art, the museum’s story is inextricably linked to the nation’s own journey through time. Founded in 1897 by the philanthropic Henry Tate – a man whose personal collection formed the gallery's very foundation – Tate Britain began with an ambitious mandate: to celebrate the breadth and depth of British artistic heritage. The initial focus was firmly rooted in the traditions of the Tudor and Victorian eras, presenting a comprehensive panorama of art produced within these formative centuries. However, a pivotal shift occurred in the 1930s, driven by a desire to embrace the dynamism of modernism, marking a decisive departure from purely historical representation and establishing Tate Britain as a vital participant in the international dialogue surrounding artistic expression. Today, the museum stands as a testament to this ongoing evolution – a place where the echoes of masters past resonate alongside the bold visions of contemporary artists.

    Architectural Layers: A Dialogue Between Tradition and Innovation

    The building itself is a captivating narrative, a layered composition of neoclassical grandeur and postmodern experimentation. Sidney R. J. Smith’s original design, completed in 1897, immediately proclaimed an air of imperial ambition, mirroring Britain's dominant position on the European artistic stage. Its imposing columns, expansive porticos, and soaring ceilings were deliberately intended to convey prestige and importance. Yet, this classical façade is dramatically juxtaposed with James Stirling’s Clore Gallery (1987), a daring intervention that introduces unconventional materials – polished concrete, steel, and glass – and spatial arrangements – echoing the fluidity of modern art. This purposeful contrast speaks volumes about Tate Britain's commitment to honoring tradition while simultaneously embracing the spirit of experimentation; it’s a visual representation of the museum’s own evolving identity.

    A Treasury of British Art: A Journey Through Six Centuries

    The museum’s collection is nothing short of astonishing, encompassing over six centuries of British artistic expression. From the meticulously crafted panel paintings of the Tudor period – showcasing burgeoning confidence and a nascent sense of national identity, often depicting royal portraits and allegorical scenes – to the emotionally charged portraits of Francis Bacon, grappling with the complexities of human existence, the gallery offers an unparalleled journey through the evolution of British art. Key highlights include J.M.W. Turner’s breathtaking landscapes, capturing sublime beauty with his masterful use of light and color; these aren't merely depictions of nature but profound explorations of atmosphere and emotion. The evocative Pre-Raphaelite paintings celebrating romanticism and mythology – characterized by rich colors, intricate details, and a fascination with medieval legends – are equally captivating. And in more recent times, David Hockney’s vibrant works reflecting post-war Britain’s dynamism, capturing the energy and optimism of a nation rebuilding itself, stand alongside works by contemporary artists pushing the boundaries of artistic expression. The collection extends beyond painting to encompass sculpture, prints, drawings, and decorative arts, providing a holistic understanding of British artistic culture.

    The Enduring Legacy of Turner

    Tate Britain’s relationship with J.M.W. Turner is particularly profound, culminating in an unparalleled collection that stands as a cornerstone of the museum's identity. The gallery holds an astonishingly comprehensive selection of Turner’s work – including “Snow Storm – Steamers on Red Wharf,” a masterpiece that exemplifies his revolutionary approach to landscape painting. This iconic piece, and others within the collection, demonstrate Turner’s extraordinary ability to capture not just the visual appearance of a scene but also its emotional resonance. His innovative use of light, color, and brushstroke created a sense of movement and drama, forever altering the course of British art. The sheer volume and quality of Turner's works at Tate Britain make it an essential destination for any serious student or admirer of this pivotal figure in artistic history.

    Notable Exhibitions & Events: A Hub of Artistic Dialogue

    Tate Britain is intrinsically linked to the prestigious Turner Prize, a nationally recognized award celebrating outstanding achievement in contemporary British art. The gallery hosts the annual exhibition, providing a platform for emerging artists and generating critical discussion about the future of the art world. Throughout the year, Tate Britain presents a diverse range of special exhibitions exploring specific themes, movements, or artists – offering unique insights into British artistic history and contemporary practice. Public programs, including lectures, workshops, family activities, and guided tours, actively engage the community, fostering a deeper appreciation for art and culture. Beyond its traditional role as a museum, Tate Britain functions as a dynamic cultural hub dedicated to fostering creativity and engaging audiences of all ages.

    Gdzie przeczytać więcej

    Znajdź w sieci

    Kod QR prowadzący do strony pobierania Job and his Daughters

    originaluniqueart.com/pl/art/download/william-blake-job-and-his-daughters-8XZAE5-en/

    Jak cytować to dzieło

    MLA
    Blake, William. Job and his Daughters. 1823, Tate Britain. https://originaluniqueart.com/pl/art/william-blake-job-and-his-daughters-8XZAE5-en/
    APA
    Blake, William (1823). Job and his Daughters [Painting]. Tate Britain. https://originaluniqueart.com/pl/art/william-blake-job-and-his-daughters-8XZAE5-en/
    Chicago
    William Blake. Job and his Daughters. 1823. Tate Britain. https://originaluniqueart.com/pl/art/william-blake-job-and-his-daughters-8XZAE5-en/
    Harvard
    Blake, William (1823) Job and his Daughters. Tate Britain. Available at: https://originaluniqueart.com/pl/art/william-blake-job-and-his-daughters-8XZAE5-en/

    Przyjrzyj się uważnie

    Job and his Daughters — William Blake

    Przyjrzyj się uważniej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. Ile twarzy potrafisz odnaleźć? ____ (w naszym katalogu jest 5 — czy zgadzasz się z tą liczbą?)
    4. W naszym katalogu dzieło to znajduje się w kategorii: girls. Czy zgadzasz się z tym opisem? Co warto by dodać lub usunąć?
    5. Wróć do dzieła Newton, wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne dla obu prac oraz jedną różnicę.

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Pytania i odpowiedzi

    Czy mogę użyć rozszerzonej rzeczywistości, aby zobaczyć „Job and his Daughters” – William Blake w swoim pokoju?

    „Job and his Daughters” posiada podgląd w rozszerzonej rzeczywistości: strona Podgląd w AR pozwala zobaczyć dzieło w Twojej własnej przestrzeni na kompatybilnym urządzeniu.

    Gdzie mogę zobaczyć podgląd dzieła "Job and his Daughters"?

    Strona Podgląd w pomieszczeniu dzieła „Job and his Daughters” pozwala na podgląd obrazu przed złożeniem zamówienia.

    Jaki nastrój emocjonalny budzi „Job and his Daughters” – William Blake?

    „Job and his Daughters” budzi Spiritual emocje. Ton emocjonalny opisuje wrażenie, jakie wywołuje to dzieło.