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The Concert

Imię i nazwisko Klasa Data

Pietro Longhi, The Concert (1741), Gallerie dell’Accademia. Domena publiczna. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Fakty

Artysta
Pietro Longhi originaluniqueart.com/pl/artists/pietro-longhi_pl/
Daty życia artysty
1701 – 1785
Technika malarska
1741
Technika wykonania
Acrylic On Canvas
Wymiary oryginału
60 x 48 cm
Miejsce wystawy
Gallerie dell’Accademia originaluniqueart.com/pl/museums/gallerie-dellaccademia-wenecja_pl/
Artistic style
Rococo
Influences
Venetian Hogarth
Notable elements or techniques
Genre scene, Venetian style
Subject or theme
Musical performance

W kontekście

The Concert — Pietro Longhi

Jakie są wymiary?

Oryginalne wymiary to 60 × 48 cm (wysokość × szerokość), przedstawione tutaj obok osoby dorosłej o przeciętnym wzroście.

Kiedy powstało to dzieło?

  1. 1700
  2. 1710
  3. 1720
  4. 1730
  5. 1740
  6. 1750
  7. 1760
  8. 1770
  9. 1780
  10. 1790

Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu — 0 w chwili narodzin, 84 w chwili śmierci.

Namalowane, gdy artysta miał 40 lat. Artysta dożył 84 lat. 5 z 58 datowanych dzieł tego artysty w naszym katalogu powstało wcześniej.

Shaded: lata życia Pietro Longhi (1701–1785) ▲ to dzieło, 1741 każdy datowany obraz, dekada po dekadzie

Pierwsze prace: do 1744 Główne lata aktywności zawodowej: 1744–1757 Późne dzieła: od 1757

Te trzy sekcje dzielą datowane w tym katalogu dzieła na pierwszy kwartał, środkową połowę oraz ostatni kwartał. Nie stanowią one pełnego dorobku artysty: rzadsze okresy mogą wynikać z luk w dokumentacji, a nie z mniejszej aktywności twórczej. Lata zbieżne z życiem artysty

Porównaj z

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnym charakterze: originaluniqueart.com/pl/art/similar/pietro-longhi-the-concert-8XZPXK-en/

Paleta kolorów

Wyodrębniona z analizy obrazu

    Kolor główny

    Espresso #452519

    Paleta w katalogu

    • #452519
    • #AE7A4A
    • #1C0C0A
    • #6E331C

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Paleta kolorów
    Earthy Dominująca gama kolorystyczna obrazu.
    Nazwa koloru głównego
    Espresso
    Nasycenie
    Monochromatic Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Serene W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Unified Palette Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Deep_shadow Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Balanced Soft Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Gdzie na świecie można zobaczyć ten obraz?

    • poniżej 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i więcej
    Samo to dzieło ma zbyt mało odnotowanych odwiedzających, aby móc je nanieść na mapę, dlatego zestawienie obejmuje wszystkie prace autorstwa Pietro Longhi z ostatnich dwunastu miesięcy — łącznie 9 krajów. Źródło tych danych

    Dziesięć wiodących krajów

    1. 1 Chiny 55,9%3 300 visits
    2. 2 Brazylia 18,6%1 100 visits
    3. 3 Stany Zjednoczone Ameryki 11,9%700 visits
    4. 4 Francja 3,4%200 visits
    5. 5 Włochy 3,4%200 visits
    6. 6 Grecja 1,7%100 visits
    7. 7 Chorwacja 1,7%100 visits
    8. 8 Japonia 1,7%100 visits
    9. 9 Malezja 1,7%100 visits

    Znajdź na mapie trzy najciemniejsze kraje. Czy muzeum, w którym znajduje się ten obraz, leży w którymś z nich? Zapisz jeden powód, dla którego osoby z daleka mogą chcieć go zobaczyć.

    20 najczęściej oglądanych dzieł artysty Pietro Longhi

    1. 1 Il farmacista. . Venezia, Galleria dell'Accademia., 1752 15,1%1 100 visits
    2. 2 The Little Concert, 1746 4,1%300 visits
    3. 3 The Reception before a Wedding 4,1%300 visits
    4. 4 The Concert, 1741 ten obraz 2,7%200 visits
    5. 5 The Dancing Lesson, 1741 2,7%200 visits
    6. 6 The Baptism, 1755 2,7%200 visits
    7. 7 The Soothsayer, 1750 2,7%200 visits
    8. 8 The Tailor, 1741 2,7%200 visits
    9. 9 The Alchemists 2,7%200 visits
    10. 10 The Happy Couple 2,7%200 visits
    11. 11 Visit to a library 2,7%200 visits
    12. 12 A Shepherd girl with a basket 2,7%200 visits
    13. 13 The Perfume Seller 2,7%200 visits
    14. 14 A Fortune Teller at Venice, 1756 2,7%200 visits
    15. 15 The Lion's Cage, 1762 2,7%200 visits
    16. 16 The Fortune Teller 2,7%200 visits
    17. 17 Sagredo family 2,7%200 visits
    18. 18 The Mountebank, 1757 2,7%200 visits
    19. 19 The Geography Lesson 2,7%200 visits
    20. 20 The Charlatan, 1757 1,4%100 visits

    Razem dzieła te stanowią 67,9% całej uwagi, jaką obrazy tego artysty przyciągnęły w ciągu ostatnich dwunastu miesięcy. Katalog zawiera 114 dzieł tego artysty, z których 43 zostało obejrzanych co najmniej raz. This painting ranks 4 of them, with 2,7% of that attention (200 visits). To samo, miesiąc po miesiącu

    Paski mierzą poziom uwagi, a nie jakość. Wybierz dzieło z górnej części listy oraz to poniżej: wymień jedną rzecz, która może przynieść obrazowi sławę niezależnie od kunsztu jego wykonania.

    O tym dziele sztuki

    The Concert — Pietro Longhi

    The Concert: A Venetian Intimacy

    Pietro Longhi’s “The Concert,” painted in 1741, isn't merely a depiction of an evening gathering; it’s a meticulously crafted window into the heart of 18th-century Venice – a society both refined and subtly observant. Far removed from the grand historical narratives favored by many of his contemporaries, Longhi chose to capture the quiet dramas unfolding within the walls of bourgeois homes, offering a remarkably intimate glimpse into the lives of Venetian citizens. The painting immediately draws the eye with its warm, inviting palette—a blend of ochres, reds, and golds that evokes the flickering light of candlelight dancing across richly upholstered furniture. It’s a scene brimming with understated elegance, yet subtly hinting at the complexities beneath the surface of polite society.

    The composition itself is deceptively simple, yet remarkably dynamic. A woman, presumably the hostess, sits poised on a bed, her hands gracefully supporting a violin – an instrument central to Venetian musical life. She appears to be singing, her posture suggesting both confidence and a touch of vulnerability. Around her, a group of figures are engaged in various activities: some listening intently, others conversing animatedly, while a young man playfully leans towards the woman, perhaps offering a flirtatious glance. The inclusion of a bird perched on a chair adds an unexpected element of charm and whimsy, subtly disrupting the formality of the scene and hinting at a more carefree spirit.

    A Rococo Masterpiece: Style and Technique

    “The Concert” firmly establishes Longhi as a key figure in the Venetian Rococo style. This movement, flourishing during the 18th century, prioritized elegance, grace, and a celebration of everyday life. Unlike the rigid formality of Baroque art, Rococo embraced asymmetry, delicate ornamentation, and a sense of playful informality. Longhi’s brushwork is remarkably fluid and loose, contributing to the painting's overall feeling of warmth and spontaneity. Notice how he uses broken color—small, distinct strokes of paint—to create texture and depth, particularly in the fabrics and furnishings. The figures are rendered with a remarkable degree of realism, yet imbued with a sense of charm and personality. The use of chiaroscuro – the dramatic contrast between light and shadow – further enhances the painting’s visual impact, drawing attention to key elements and creating a sense of depth.

    Longhi's technical skill is evident in his masterful depiction of domestic interiors. He meticulously captures the details of the room—the ornate furniture, the delicate porcelain vase, the grandfather clock – each element contributing to the painting’s overall atmosphere. The perspective is carefully considered, creating a sense of space and inviting the viewer into the scene. The artist's attention to detail extends beyond mere representation; he seems to be conveying a feeling, an essence, of the moment captured on canvas.

    Venetian Society: Context and Symbolism

    To fully appreciate “The Concert,” it’s crucial to understand the social context in which it was created. Venice in the 18th century was a vibrant hub of commerce, art, and culture—a city where wealth and privilege coexisted with poverty and intrigue. Longhi's paintings offer a rare glimpse into the lives of the Venetian bourgeoisie – the merchants, bankers, and artisans who formed the backbone of the city’s economy. The scene depicted in “The Concert” reflects the values and customs of this social class—a love of music, refined conversation, and elegant entertainment.

    Symbolism plays a subtle but significant role throughout the painting. The violin itself is a potent symbol of musicality and refinement, while the gathering represents the importance of social connection and leisure. The presence of the bird could be interpreted as a symbol of joy or good fortune. Even the seemingly mundane details—the clock, the vase—carry symbolic weight, reflecting the values and aspirations of Venetian society. The painting is not simply a snapshot of a particular moment; it’s a carefully constructed representation of an entire worldview.

    Emotional Resonance: A Moment of Quiet Delight

    Despite its historical context, “The Concert” possesses a remarkable emotional resonance that continues to captivate viewers today. It's a painting about connection, intimacy, and the simple pleasures of life—a reminder that even in the midst of bustling city life, moments of quiet delight can be found within the walls of one’s own home. The scene exudes a sense of warmth, conviviality, and understated charm. The figures seem genuinely engaged with each other, lost in the enjoyment of music and conversation.

    Reproductions of “The Concert” offer an exceptional opportunity to bring this captivating Venetian scene into your own space. Whether you’re seeking to add a touch of elegance to a formal living room or create a cozy atmosphere in a study, this painting's timeless appeal will undoubtedly enhance any setting. It is more than just a beautiful image; it’s a portal to another time and place—a testament to the enduring power of art to transport us beyond our own lives.

    Artysta i muzeum

    Artysta

    Pietro Longhi

    Urodzony w Wenecja, Włochy

    A Venetian Chronicler of Daily Life

    Pietro Longhi, born Pietro Falca in Venice on November 5th, 1701, wasn’t painting grand historical narratives or mythological scenes; he was capturing the quiet dramas unfolding within the city's elegant homes and bustling streets. He became renowned for his witty genre paintings – intimate glimpses into the lives of 18th-century Venetians, a departure from the prevailing artistic trends of his time. The son of Alessandro Falca, a silversmith, Longhi’s early training began under the Veronese painter Antonio Balestra, who recognized and nurtured the young artist's talent. This foundation in traditional technique would later serve as a subtle counterpoint to the innovative spirit he brought to his chosen subject matter. He adopted the surname “Longhi” upon beginning his artistic career, a symbolic shedding of his father’s trade for the pursuit of painting.

    From Religious Scenes to Venetian Interiors

    Longhi's initial works reflected the expectations of the era: altarpieces and religious themes dominated his early portfolio. His 1732 altarpiece for the church of San Pellegrino demonstrates a skillful command of traditional techniques, showcasing broken brushwork and vibrant color glazes characteristic of Venetian painting. These were executed with meticulous attention to detail, mirroring the stylistic conventions of the time—a deliberate contrast to the burgeoning experimentation that would characterize his later career. However, it was in the late 1730s that Longhi truly found his voice, shifting towards the small-scale genre scenes that would define his legacy. This transition wasn’t merely a change in subject matter; it represented a profound engagement with the burgeoning social and cultural shifts of the time. The 18th century witnessed a growing fascination with the private lives of the bourgeoisie, a focus on domesticity and everyday rituals—a trend Longhi expertly captured, offering viewers a window into Venetian society that was both charming and subtly satirical. He married Caterina Maria Rizzi in 1732, and together they had eleven children, though only three survived to adulthood. This personal life, while not overtly depicted in his art, undoubtedly informed his understanding of the human condition—a perspective he conveyed with remarkable sensitivity.

    The “Venetian Hogarth” and a Satirical Eye

    Longhi quickly earned the moniker "the Venetian William Hogarth," a testament to his ability to infuse seemingly innocuous scenes with layers of social commentary. Like Hogarth, Longhi didn’t shy away from depicting human foibles and societal contradictions—a characteristic that distinguishes him from many of his contemporaries. He possessed an uncanny knack for capturing fleeting expressions and gestures, conveying emotion with remarkable precision. His paintings are populated with masked figures – a vibrant reminder of the Carnival celebrations that captivated Venice—engaged in various activities, from gambling and flirtation to clandestine meetings and dubious transactions. The Concert portrays a group of musicians performing in a richly decorated salon, capturing not only the visual splendor of the setting but also the subtle tensions between performers and patrons. Longhi’s canvases are imbued with an understated irony—a hallmark of his artistic vision—that compels viewers to contemplate deeper questions about human behavior and social dynamics. He wasn't simply recording life as it was; he was offering a perceptive critique of its complexities and contradictions.

    Technique, Influence, and Lasting Legacy

    Longhi’s technique was as distinctive as his subject matter. He favored small canvases—typically no more than 24 x 19 ½ inches—and meticulously rendered them with a delicate touch and an unwavering commitment to realism. His interiors are bathed in soft light, creating an atmosphere of intimacy and immediacy that draws the viewer into the depicted scene. He achieved this luminous effect through masterful glazing techniques—applying thin layers of translucent pigment over opaque underlayers—resulting in breathtakingly vibrant colors and remarkable textural depth. Longhi’s work was influenced by earlier Venetian masters like Giuseppe Maria Crespi, who championed a humanist approach to painting that prioritized observation and psychological insight. However, Longhi forged his own path, anticipating later developments in genre painting and establishing himself as one of the foremost artists of his era. He served as Director of the Academy of Drawing and Carving from 1763, furthering Venetian artistic tradition and nurturing the talents of aspiring painters. Pietro Longhi passed away on May 8th, 1785, leaving behind a legacy that continues to inspire admiration for its elegance, wit, and profound understanding of human nature—a true testament to the enduring power of Venetian art.

    Muzeum

    Gallerie dell’Accademia

    Prezentowane w Wenecja, Włochy

    A Venetian Soul: Unveiling the Gallerie dell’Accademia

    Nestled within the labyrinthine heart of Venice, a stone's throw from the bustling Grand Canal yet offering an oasis of quiet contemplation, lies the Gallerie dell’Accademia – more than simply a museum; it’s a profound immersion into the very soul of Venetian art. Founded in 1750 as the academy for artists and sculptors that shaped this extraordinary city, its origins are deeply intertwined with Venice's illustrious past as a maritime republic and a global center of commerce and culture. Originally housed within the Scuola della Carità – a complex dating back to the 14th century and incorporating elements designed by the renowned architect Andrea Palladio – the gallery’s walls whisper tales of artistic patronage, political intrigue, and the enduring legacy of a city that once ruled the waves. Today, it stands as a testament to Venice’s commitment to preserving its artistic heritage, offering visitors a breathtaking journey through five centuries of Venetian painting, from the echoes of Byzantine influence to the vibrant brushstrokes of the late Baroque. The gallery isn't merely a repository of beautiful paintings; it’s a narrative unfolding across time, a living chronicle of Venice itself.

    The collection is a magnificent tapestry woven with the threads of Venetian history and artistic innovation. It begins with the profound impact of Byzantium on Venetian art – an influence that permeated early works by artists like Jacopo Bassano and his sons. Their canvases shimmer with a luminous palette, capturing the ethereal quality of light so characteristic of Venice, and employing an atmospheric perspective that foreshadowed the Renaissance. These weren’t simply depicting scenes; they were distilling the very spirit of the city onto canvas—the gondolas gliding through the canals, the masked balls in opulent palaces, the everyday rituals of a thriving mercantile society. The gallery then unfolds into the vibrant world of Bellini, Carpaccio, and Titian – masters who captured the essence of Venetian life, light, and color with unparalleled sensitivity. They skillfully blended religious iconography with humanist observation, creating images that resonate with both spiritual depth and artistic brilliance. The 16th century is truly dazzling, showcasing the dramatic compositions and theatrical lighting of Tintoretto and Veronese – artists who pushed the boundaries of perspective and narrative within their canvases, creating monumental works that dominate the gallery space. Tintoretto’s masterful use of chiaroscuro—the interplay between light and dark—transforms scenes into emotionally charged dramas, drawing viewers into the heart of Venetian society and religious fervor. Veronese's opulent frescoes celebrate Venetian grandeur and commemorate significant events with meticulous detail and vibrant color palettes.

    A City Reflected: Canaletto’s Urban Vision

    Moving into the 17th century, the collection reveals a Venice transformed – its canals, palaces, and bustling markets immortalized with meticulous detail and a keen eye for urban life. The works of Canaletto are particularly captivating; his panoramic views offer an intimate glimpse into the daily rhythm of Venetian existence, capturing not just architectural grandeur but also the subtle nuances of everyday life—merchants haggling in marketplaces, families enjoying leisurely meals, and citizens engaging in social gatherings. His painstaking realism – combined with a masterful understanding of atmospheric perspective – creates images that transport viewers directly to Venice’s vibrant streets and squares. The inclusion of works by Giorgione, Guardi, and Longhi adds layers of complexity to the Venetian artistic tradition, demonstrating the diverse influences that shaped this unique style. These artists weren't just documenting a city; they were shaping its image, preserving it for posterity through their art.

    Treasures Within Walls: Key Masterpieces

    While the entire collection is worthy of admiration, certain pieces command particular attention. Leonardo da Vinci’s “Vitruvian Man,” a remarkably preserved drawing from his Milanese period, is undoubtedly the gallery's most celebrated treasure – a testament to its historical role as an artistic institution and a symbol of Venice’s enduring fascination with knowledge and beauty. Beyond this iconic work, visitors should seek out Titian’s “Bacchus and Ariadne,” a masterpiece of color and sensuality; Tintoretto’s monumental “Sacrifice of Isaac,” a dramatic depiction of religious narrative that fills an entire wall with its scale and dynamism; and Canaletto's series of views of Venice, offering an intimate glimpse into the daily life of the city—from bustling markets to elegant salons. The gallery also houses numerous works by lesser-known but equally talented artists, providing a comprehensive overview of Venetian painting during its golden age. The detail in each piece speaks volumes about the skill and dedication of the artists who brought these scenes to life.

    Architectural Harmony & Historical Context

    The Gallerie dell’Accademia isn't merely housed within a beautiful building; it is part of the architectural fabric of Venice. The Scuola della Carità, with its graceful façade and serene courtyard, provides an ideal setting for the artworks it houses. Its history is intertwined with that of the city itself – from its origins as a charitable institution to its transformation into a prestigious art academy and finally, a world-renowned museum. The careful preservation of the original structure—a blend of medieval and Renaissance styles—is itself a work of art, reflecting Venice’s unique architectural heritage. Its location on the south bank of the Grand Canal offers stunning views of the city and its waterways, further enhancing the sense of immersion. The gallery's very existence is a testament to Venice’s commitment to preserving not just its artistic treasures but also its historical identity.

    A Living Legacy: Exhibitions & Visitor Information

    The Gallerie dell’Accademia regularly hosts temporary exhibitions that delve deeper into specific themes or artists within the collection, often featuring loans from other museums around the world. These events provide fresh perspectives on Venetian art and its influence. The museum also offers a range of educational programs, including guided tours, workshops, and lectures, catering to both seasoned art enthusiasts and newcomers alike. Keep an eye on their website for announcements about upcoming exhibitions and events – they frequently host special displays that illuminate the stories behind the paintings and the artists who created them. A visit here is more than just a museum trip; it’s a chance to step back in time and experience the magic of Venice. Allow ample time for your exploration—there's a great deal to see and absorb, from the grand scale of Tintoretto’s masterpieces to the intimate details captured by Canaletto. Don’t forget to explore the surrounding Dorsoduro district with its artisan shops and trattorias for an authentic Venetian experience.

    Gdzie przeczytać więcej

    Znajdź w sieci

    Kod QR prowadzący do strony pobierania The Concert

    originaluniqueart.com/pl/art/download/pietro-longhi-the-concert-8XZPXK-en/

    Jak cytować to dzieło

    MLA
    Longhi, Pietro. The Concert. 1741, Gallerie dell’Accademia. https://originaluniqueart.com/pl/art/pietro-longhi-the-concert-8XZPXK-en/
    APA
    Longhi, Pietro (1741). The Concert [Painting]. Gallerie dell’Accademia. https://originaluniqueart.com/pl/art/pietro-longhi-the-concert-8XZPXK-en/
    Chicago
    Pietro Longhi. The Concert. 1741. Gallerie dell’Accademia. https://originaluniqueart.com/pl/art/pietro-longhi-the-concert-8XZPXK-en/
    Harvard
    Longhi, Pietro (1741) The Concert. Gallerie dell’Accademia. Available at: https://originaluniqueart.com/pl/art/pietro-longhi-the-concert-8XZPXK-en/

    Przyjrzyj się uważnie

    The Concert — Pietro Longhi

    Przyjrzyj się uważniej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. W naszym katalogu dzieło to znajduje się w kategorii: venetian life, 18th century, music. Czy zgadzasz się z tym opisem? Co warto by dodać lub usunąć?
    4. Wróć do dzieła The Tailor (1741), wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne z tym obrazem oraz jedną różnicę.
    5. Pietro Longhi miał około 40 lat, gdy powstało to dzieło. Co w nim przypomina twórczość artysty na tym etapie?

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Quiz o sztuce

    The Concert — Pietro Longhi

    Jak dobrze znasz to dzieło?

    Zaznacz jedną odpowiedź dla każdego z 5 poniższych pytań. Każde z nich ma dokładnie jedną poprawną odpowiedź.

    1. 1. What is the primary subject depicted in Pietro Longhi’s ‘The Concert’?

      • A A grand royal ball
      • B An intimate musical performance within a domestic setting
      • C A public outdoor festival
    2. 2. In what century was ‘The Concert’ painted?

      • A 16th Century
      • B 17th Century
      • C 18th Century
    3. 3. Pietro Longhi is often described as a ‘Venetian Hogarth’ because:

      • A He primarily painted mythological scenes.
      • B His genre paintings offered satirical commentary on Venetian society and daily life.
      • C He was a prominent portrait painter of the aristocracy.
    4. 4. The painting ‘The Concert’ exemplifies which artistic movement?

      • A Baroque
      • B Rococo
      • C Renaissance
    5. 5. What is a notable feature of many of Pietro Longhi’s paintings, including ‘The Concert’?

      • A They are exclusively large-scale historical murals.
      • B Many figures are partially obscured or masked, adding to the scene's ambiguity and social commentary.
      • C They focus solely on depicting religious iconography.

    Mój wynik: ____ na 5

    Klucz odpowiedzi — dla nauczyciela

    Ta treść rozpoczyna nową stronę druku, więc można ją po prostu pominąć przy tworzeniu kopii.

    1A · 2C · 3B · 4B · 5B

    Sprawdź każdą odpowiedź, porównując ją z rekordem katalogowym tego obrazu

    Pytania i odpowiedzi

    Gdzie mogę znaleźć dzieła sztuki podobne do „The Concert” – Pietro Longhi?

    Dzieła podobne do „The Concert” – Pietro Longhi można znaleźć na stronie Podobne dzieła danego dzieła.

    Z czego wynika obecny status praw autorskich dzieła "The Concert"?

    Dzieło "The Concert" autorstwa Pietro Longhi znajduje się w należy do domeny publicznej – autorskie prawa majątkowe wygasły. Okres ochrony praw autorskich liczony jest od daty śmierci artysty, a Pietro Longhi zmarł(a) w 1785.

    W jakiej technice wykonano "The Concert" i jakie są jego wymiary?

    Oryginalny utwór „The Concert” – Pietro Longhi to praca wykonana w technice Acrylic On Canvas, o wymiarach 60 x 48 cm. Technika i rozmiar odnoszą się do obiektu oryginalnego.