La Pardon
Sergej Eisenstein (1898 – 1979)
Sergej Eisenstein (1898-1948): Rosnący rosyjski twórca filmowy i teoretyk montażu, słynący z takich dzieł jak Bitwa pod Potemkin oraz Aleksander Nevskij. Jego wpływ na kinematografię jest ogromny.
The inversion of the relationship between the subject and the object brings the reunion of Golgotha and Corrida: the toreros and the bulls change places, are crucified or are united in a deadly embrace. Their fight is defined by their total, devouring appropriation of each other. Corrida and Golgotha do not only invoke death celebrated as an orgy, but also rebirth. Christian heroes are transformed into heathen gods of seasonal recurrence. Mexico became a mystery in Eisenstein’s epic: a cosmogony of life and death. Here he understood art as a “transition from biological mortality to social immortality.”
O tym dziele
- Tytuł: La Pardon
- Artysta: Sergej Eisenstein
- Status praw autorskich: Pod ochroną prawa autorskiego
- Ruch: Expressionism
- Kontekst korpusu tekstowego: mexican cosmology" , biblical & mythological echoes
- Słowa kluczowe: sergei eisenstein , medieval art sketch , geometric art style
