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Kup reprodukcję Maternity - Mateo Inurria Lainosa

Boceto de grupo escultórico en el que una mujer desnuda, sentada sobre un pilar, sostiene en sus brazos un niño. Sobre su pierna izquierda, cae un manto. Como tal boceto, el escultor no ha matizado los detalles, sino la forma global de la escultura, aunque sin perder una cierta fuerza expresiva que, unida al tema, da un sutil encanto a la pequeña estatuilla. Emparentada con La toilette y, por derivación, con el grupo Las Tres Edades de la Mujer que Inurria realizara en mármol rosa para el Casino de Madrid -cuya versión final en yeso patinado se conserva en este Museo-, esta pieza supone otro de sus primeros estudios para la parte del grupo que debía simbolizar la mujer plena en edad madura, conociéndose que, hacia 1919, Inurria pensaba que, por lógica, dicho motivo habría de representarlo mediante una maternidad.Finalmente decidió cambiarlo por la que llamó Flor de granado, título de mayores reminiscencias poéticas y literarias para una obra también de mayor sutilidad estética y simbólica. Sin embargo, el trabajo debió convencer ampliamente al maestro, ya que, de la pieza, realizó también una versión en bronce cuyo paradero se desconoce.

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In numbers

29frames to choose from
standard sizes, in its own proportions
5weeks to paint and deliver it

About the original

2.0 x 36.0 cm
Muzeum Sztuk Pięknych w Kordobie

Mateo Inurria Lainosa

1867 - 1924, Spain

Krótka nota

Full Name: Mateo Inurria Lainosa
Nationality: Spanish
Date Of Birth: 1867
Date Of Death: 1924
Place Of Birth: Cordoba, Spain
Notable Artworks:
- The Castaway
- Flor de Granado
- Form
Artistic Movement Or Style: Expressionism & Realism
Artists Who Influenced This Artist: ['Eduardo Rosales']

Biografia artysty

Mateo Inurria Lainosa: A Sculptor of Andalusian Essence

Mateo Inurria Lainosa (1867-1924) stands as a pivotal figure in late 19th and early 20th century Spanish sculpture, a master who seamlessly blended realism with expressive elements to capture the spirit of his homeland. Born in Córdoba on March 25, 1867, into a family deeply rooted in the craft of sculpting – his father, Mateo Inurria Uriarte, maintained a decorative sculpture workshop and actively participated in exhibitions – Inurria’s artistic journey began within the nurturing environment of familial tradition. This early exposure proved invaluable, providing him with a foundational understanding of materials, techniques, and the enduring appeal of figurative art. His formal training commenced at the Escuela Provincial de Bellas Artes in Córdoba, followed by studies at the Real Academia de Bellas Artes de San Fernando in Madrid, where he honed his skills under esteemed instructors and immersed himself in the vibrant artistic currents of the capital.

Early Life and Artistic Foundations

Inurria’s academic pursuits were marked by a keen eye for detail and an early aptitude for capturing human form. His debut at the National Exhibition of Fine Arts in 1890, with his powerful sculpture “The Castaway,” immediately garnered attention. The work's remarkable realism – some jurors even suspected it was cast from life – signaled Inurria’s exceptional talent and established him as a promising artist on the Spanish scene. Following this initial success, he transitioned into roles as a teacher and art restorer, skills that further deepened his understanding of materials and artistic processes. These diverse experiences shaped his approach to sculpture, informing his ability to both recreate historical works and create original pieces imbued with emotional resonance. Notably, commissions for monuments – often honoring local and national figures – became a significant part of his practice, though many of these ambitious projects remained unexecuted, a testament to the challenges faced by artists in navigating the complexities of patronage and public approval.

Artistic Style and Notable Works

Inurria’s artistic style is characterized by a compelling synthesis of realism and expressionism. He possessed an extraordinary ability to render anatomical detail with precision, yet simultaneously imbued his figures with a palpable sense of emotion and psychological depth. His sculptures frequently depict idealized female forms, reflecting a fascination with beauty and the human figure that was prevalent in Spanish art during this period. Influenced by the works of Rodin, particularly the emotive quality of his bronze castings, Inurria’s work often conveys a quiet intensity and vulnerability. Several key pieces exemplify his distinctive style: “The Vine,” a stunning bronze sculpture capturing the grace and beauty of a nude female figure embodying Andalusian spirit; "Form," a neoclassical marble torso showcasing idealized female beauty and balanced form; and “Flor de Granado,” a captivating 1924 nude sculpture in classical style, celebrated for its elegant form and warm tones. These works, alongside his contributions to monuments like those honoring Lope de Vega, Eduardo Rosales, and the "Gran Capitán," demonstrate Inurria’s versatility and mastery of various sculptural techniques.

Teaching and Academic Recognition

In 1911, Inurria assumed the role of Professor of Modeling at the Real Academia de Bellas Artes de San Fernando, a position that allowed him to impart his knowledge and expertise to a new generation of sculptors. His influence extended beyond the classroom; he was appointed Director of the Escuela Municipal de Artes y Oficios in Córdoba in 1905, further solidifying his commitment to artistic education within his native region. In recognition of his contributions to Spanish art, Inurria received the gold medal at the National Exhibition in 1920 and was subsequently elected an Academician at the Real Academia de Bellas Artes de San Fernando in 1924 – a prestigious honor bestowed upon artists who have demonstrated exceptional merit.

Legacy and Enduring Influence

Mateo Inurria Lainosa’s legacy is one of quiet strength and artistic integrity. His sculptures, now housed in museums such as the Hastings Museum and Art Gallery, and the Museo Nacional del Prado, continue to resonate with viewers today. He remains a significant figure in Spanish sculpture, admired for his technical skill, emotional depth, and ability to capture the essence of the human form. Inurria’s work has been studied by art critics and historians, cementing his place as one of the most important sculptors of his time. His artistic style and techniques have undoubtedly influenced subsequent generations of artists, ensuring that his contribution to the world of sculpture will be remembered for years to come. The street named after him in Córdoba stands as a lasting tribute to this remarkable artist and his profound impact on the cultural landscape of Spain.