Vaso doppio

- 28.0 x 80.0 cm
Dzieło sztuki prezentowane na tej stronie podlega ochronie prawem autorskim, co oznacza, że nie mamy prawa do tworzenia ani sprzedaży jego identycznej reprodukcji. Ochrona ta jest egzekwowana na mocy umów międzynarodowych, takich jak Konwencja berneńska oraz przez przepisy prawa krajowego, w tym te określone w Prawo autorskie USA – Tytuł 17.
Metoda ta jest w pełni zgodna z przepisami prawa autorskiego, ponieważ nie polega na kopiowaniu ani powielaniu chronionego dzieła. Stanowi ona kreatywną reinterpretację – nowy obraz, który czerpie inspirację z oryginału, ale nie jest z nim tożsamy.
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Vaso doppio
Giclée / Wydruk artystyczny
Wymiary reprodukcji
-
Cena całkowita
zł 311
A Symphony of Light and Ceramic
In the intersection of traditional craftsmanship and contemporary luminosity lies Vaso doppio, a breathtaking sculpture by the visionary artist Maria Christina Hamel. This piece is not merely an object of decoration but a living dialogue between the ancient art of ceramics and the electric pulse of modern life. At its core, the work presents two meticulously turned and glazed ceramic elements that command attention through their vibrant, contrasting hues. The base, drenched in a deep, soulful cobalt blue, provides a grounded, oceanic foundation for the upper portion, which radiates with the fresh, energetic vitality of grass green. This interplay of color evokes a sense of natural harmony, reminiscent of sunlight filtering through lush foliage onto a deep sea bed.
Technique and the Art of Spatialism
The creation of Vaso doppio requires a masterful command over disparate materials, blending the tactile, earthy nature of glazed ceramic with the ephemeral, gaseous brilliance of neon. Hamel’s technique reflects a profound understanding of spatialism—an artistic movement that emphasizes the movement and light within space rather than just the physical object. The use of Murano glass for the neon elements adds a layer of historical prestige and artisanal luxury, connecting the contemporary medium of electric light to the storied glass-making traditions of Italy. Every curve of the turned ceramic is designed to catch and refract this artificial glow, ensuring that the sculpture feels as much like a performance of light as it does a physical vessel.
For the discerning collector or interior designer, this piece offers an unparalleled opportunity to introduce a sculptural element that bridges the gap between classical fine art and contemporary installation. Its presence in a room is transformative; it acts as a beacon of sophisticated design, capable of anchoring a minimalist gallery space or adding a layer of dramatic complexity to a luxurious residential lounge. To possess Vaso doppio is to hold a fragment of light itself, a permanent captured moment where the weight of ceramic meets the weightlessness of neon, creating an emotional resonance that lingers long after the lights have been dimmed.
Pytania i odpowiedzi
Do jakiego nurtu w sztuce należy „Vaso doppio” – Maria Christina Hamel?
„Vaso doppio” to dzieło należące do nurtu Contemporary Art. Nurt ten określa tradycję artystyczną, w której osadzone jest dzieło.
Czy dzieło "Vaso doppio" jest w ogólnym rozrachunku jaśniejsze czy ciemniejsze?
Jasność dzieła „Vaso doppio” – Maria Christina Hamel wynosi shadow, przy luminancji na poziomie Soft Shadow.
Z jakich materiałów wykonano "Vaso doppio" i w jakim stylu?
W "Vaso doppio" technika Ceramic łączy się z nurtem Contemporary Art.
Biografia artysty
A Life Shaped by Global Horizons
The creative journey of Maria Christina Hamel is one defined by a rich, multicultural tapestry of influences that span continents. Born in New Delhi, India, her formative years were spent traversing the diverse landscapes of India, Thailand, and Austria, an upbringing that undoubtedly instilled in her a profound appreciation for varied textures, colors, and cultural narratives. This global perspective took a decisive turn in 1973 when she moved to Milan, a city that would become a cornerstone of her professional identity. Her formal artistic training began to take shape in 1979 upon her graduation from the Scuola Politecnica di Design, marking the beginning of a career dedicated to the intersection of form, light, and material.
In Milan, Hamel immersed herself in the vibrant pulse of contemporary design, working alongside luminaries such as Ugo La Pietra and Ambrogio Rossari. Her development was further enriched by a significant period of collaboration with the legendary Alessandro Mendini between 1981 and 1erb92. During these years, she became an active participant in the influential Alchimia movement, a time that allowed her to explore the boundaries of radical design and experimental aesthetics. Her pedagogical reach also extended far beyond Italy; she shared her expertise at the National Institute of Design in Ahmedabad, the Craft ENAD in Limoges, ISIA in Faenza, and the University of Applied Arts in Vienna, establishing herself as a vital educator in the international design community.
The Alchemy of Light and Form
Hamel’s artistic practice is characterized by a masterful command over disparate materials, often seeking to create a living dialogue between traditional craftsmanship and modern luminosity. Her work frequently transcends the boundaries of two-dimensional art, venturing into the realm of sculptural installations that breathe life into the spaces they inhabit. Whether working with the earthy, tactile nature of glazed ceramic or the ephemeral, gaseous brilliance of neon, she possesses a unique ability to manipulate texture and light to evoke biological realism and emotional depth.
Her sculptures often function as immersive environments, utilizing techniques that emphasize spatialism—the movement and light within a space rather than just the physical object. Notable explorations in her repertoire include:
- Botanical Symphonies: Works such as Glicine demonstrate her ability to create cascading, three-dimensional arrangements of vibrant blossoms that mimic the natural descent of wisteria vines, using saturated colors to evoke vitality and growth.
- Luminous Ceramics: In pieces like Vaso doppio, she integrates blue Murano glass neon lights directly into ceramic structures, transforming static forms into dynamic light installations that shift in character with the surrounding shadows.
- Neon Installations: Through works like Fuoco, she utilizes neon tubing to create a visceral intensity, using light as a tangible substance to blur the lines between physical objects and atmospheric dreamscapes.
Recognition and Lasting Legacy
Throughout her prolific career, Maria Christina Hamel has garnered significant acclaim for her ability to merge the ancient art of ceramics with the electric pulse of modern life. Her contributions to the world of design and fine arts have been recognized through prestigious honors, including selection for the Compasso d’Oro (specifically for Alessofono by Alessi), the Bundes Preis fuer Design (for TASCHE by Koziol), and the Gran-Design-Etico (for Fiori di Luce). These accolades underscore her role in pushing the medium of light and material toward a more abstract, spatialist expression.
Beyond her individual creations, Hamel has maintained a significant presence in the academic and exhibition worlds. Her solo exhibitions at the XXI Triennale in Milan, as well as shows in Pietrasanta and Verona, have allowed her to present her vision to a global audience. Currently serving as a professor of design and a coordinator at the Academy of Fine Arts in Verona, she continues to influence the next generation of artists, ensuring that her legacy of innovation, light, and sculptural grace continues to resonate within the contemporary landscape.
Maria Christina Hamel
1958 - , India
Krótka nota
- Artistic Movement Or Style: Contemporary sculpture and design
- Artists Who Influenced This Artist: ['Alessandro Mendini']
- Full Name: Maria Christina Hamel
- Nationality: Italian
- Notable Artworks:
- Glicine
- Vaso doppio
- Fuoco
- Place Of Birth: New Delhi, India
- Date Of Birth: 1958

Opcja ze szkłem jest dostępna wyłącznie w rozmiarach poniżej 110 cm
