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A painting made for you, by hand

Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters

Ręcznie malowana reprodukcja olejowa

Ręcznie malowany obraz olejny na płótnie, wykonany na zamówienie przez naszych artystów w wybranym przez Ciebie wymiarze i oprawie. ( Przełącz na wydania drukowane Przejdź do wersji cyfrowej)

Opis obiektu

Explore Jacob Lawrence’s ‘Genesis Creation Sermon II.’ A vibrant, Expressionist masterpiece depicting biblical creation through a unique Harlem lens. Discover its dynamic style & historical significance.

Biografia artysty

"meta_description": "Jacob Lawrence (1917-2000) – amerykański malarz znany z dynamicznego kubizmu i potężnych obrazów przedstawiających życie afroamerykańskie, historię oraz walkę o sprawiedliwość społeczną. Słynny z serii 'Migracja'."

from ·

Chapter 1

How large should it be?

Slide to change the size; the picture on the left shows the frame at its real width. The proportions of the original are kept.

Standardowy format
personalizowane
CM
INCH

Wybierz spośród naszych standardowych rozmiarów, które zachowują oryginalne proporcje dzieła sztuki.

szerokość
wysokość

Wpisz wymaganą szerokość i wysokość, aby obraz pasował do Twojej ramy lub ściany. Ponieważ jest to dzieło malowane ręcznie, w przypadku rozmiaru o innych proporcjach artysta może domalować nieco więcej wokół obrazu lub przyciąć jego fragmenty — wybór należy do Ciebie. Przed rozpoczęciem pracy prześlemy Ci cyfrową wizualizację do zatwierdzenia. Obraz widoczny na tej stronie nie przedstawia rzeczywistego efektu — jedynie wizualizacja oddaje realny rezultat.

Chapter 2

How should it arrive?

Choose the edges of the stretched canvas

Choose your frame

Corner sample of the WhiteWrap canvas edge finish, stretched on lite drewno bars
White zł1
Corner sample of the BlurSideWrap canvas edge finish, stretched on lite drewno bars
Blurside zł1
Corner sample of the ExtendedWrap canvas edge finish, stretched on lite drewno bars
Extended zł1
Corner sample of the P118B picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P118B zł10
Corner sample of the P118H picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P118H zł10
Corner sample of the P118W picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P118W zł10
Corner sample of the P438Z picture frame: polistyren formowany, 5.5 cm wide and 3.5 cm thick
P438Z zł10
Corner sample of the P508JH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P508JH zł12
Corner sample of the P508YH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P508YH zł12
Corner sample of the P805H picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
P805H zł10
Corner sample of the P805Z picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
P805Z zł10
Corner sample of the P919BZ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P919BZ zł10
Corner sample of the P919G picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P919G zł10
Corner sample of the P919XJ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P919XJ zł10
Corner sample of the P959ZH picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P959ZH zł10
Corner sample of the P968JZ picture frame: polistyren formowany, 6 cm wide and 4 cm thick
P968JZ zł12
Corner sample of the W106C picture frame: lite drewno, 5 cm wide and 3 cm thick
W106C zł8
Corner sample of the W218G picture frame: lite drewno, 5 cm wide and 3 cm thick
W218G zł10
Corner sample of the W218JH picture frame: lite drewno, 5 cm wide and 3 cm thick
W218JH zł8
Corner sample of the W218Y picture frame: lite drewno, 5 cm wide and 3 cm thick
W218Y zł10
Corner sample of the W307PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
W307PJ zł10
Corner sample of the W316G picture frame: lite drewno, 6 cm wide and 3 cm thick
W316G zł10
Corner sample of the W316PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
W316PJ zł8
Corner sample of the W316Y picture frame: lite drewno, 6 cm wide and 3 cm thick
W316Y zł10
Corner sample of the W398PJ picture frame: lite drewno, 5 cm wide and 3 cm thick
W398PJ zł8
Corner sample of the W4111J picture frame: lite drewno, 6.5 cm wide and 3.5 cm thick
W4111J zł10
Corner sample of the W500HY picture frame: lite drewno, 7 cm wide and 5 cm thick
W500HY zł15
Corner sample of the W500JH picture frame: lite drewno, 7 cm wide and 5 cm thick
W500JH zł15
Corner sample of the W692G picture frame: lite drewno, 8 cm wide and 4 cm thick
W692G zł12
Corner sample of the W849H picture frame: lite drewno, 5 cm wide and 3 cm thick
W849H zł8
Corner sample of the W940BG picture frame: lite drewno, 7.5 cm wide and 4.5 cm thick
W940BG zł15
Corner sample of the W953PJ picture frame: lite drewno, 6 cm wide and 3.5 cm thick
W953PJ zł8
Corner sample of the H24-GOLD picture frame: rzeźbione drewno pokryte gipsem, 10 cm wide and 6 cm thick
H24-GOLD zł30
Corner sample of the H24-SILVER picture frame: rzeźbione drewno pokryte gipsem, 10 cm wide and 6 cm thick
H24-SILVER zł30
Corner sample of the H36-GOLD picture frame: rzeźbione drewno pokryte gipsem, 15 cm wide and 6.5 cm thick
H36-GOLD zł45
Corner sample of the H36-SILVER picture frame: rzeźbione drewno pokryte gipsem, 15 cm wide and 6.5 cm thick
H36-SILVER zł45

Moulding: . Overall size with the frame: .

Chapter 3

Who paints it, and should anything change?

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, OriginalUniqueArt.com team will email client for instructions and provide a mockup preview

Dostawa na całym świecie () w ciągu 3–4 tygodni zamiast standardowych 5 tygodni. (30 Październik). Bez kompromisów w kwestii jakości.

Chapter 4

The finishing touches

A nameplate, as in a museum?

Szczegóły grawerowanej brązowej tabliczki

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Szczegóły przezroczystej tabliczki akrylowej

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Szczegóły czarnej tabliczki akrylowej

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

A protective varnish?

When do you need it?

Chapter 5

Your painting, as you ordered it

Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters

Technika reprodukcji

Wymiary reprodukcji

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Wybitny mistrz artystyczny

Większa szczegółowość, finezja i dodatkowy czas na realizację

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Opcje oprawy reprodukcji

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W przypadku dzieł sztuki lub reprodukcji, których którykolwiek z boków przekracza 105 cm (około 41 cali), rama zostanie wysłana w formie zestawu do samodzielnego montażu. Metoda ta zapewnia bezpieczną dostawę i zapobiega uszkodzeniom podczas transportu.

Wymagany profesjonalny montaż – nie jest to produkt typu DIY.
Zestaw musi zostać złożony, a płótno naciągnięte przez doświadczonego profesjonalnego ramiarza, przy użyciu kleju do drewna (brak w zestawie), kleszczy do naciągania płótna oraz ścisków, które utrzymają krosna w równej pozycji podczas schnięcia kleju. Nieprawidłowy montaż lub nierównomierne napięcie płótna może trwale uszkodzić dzieło sztuki i nie podlega naszej gwarancji.

  • W zestawie znajdują się wszystkie listwy z litego drewna, precyzyjnie docięte do wymiarów.

  • Montaż odbywa się przy użyciu dołączonych wkrętów oraz kleju do drewna do łączenia narożników, którego zestaw nie zawiera i który musi zostać dostarczony przez ramiarza.

  • Wymagane są profesjonalne narzędzia, których nie ma w zestawie: kleszcze do naciągania płótna (napinacz) oraz zaciski, które pozwolą utrzymać listwy w równej pozycji podczas schnięcia kleju.

Ważne:
Do połączenia narożników niezbędny jest klej do drewna, listwy należy unieruchomić za pomocą ścisków do momentu całkowitego wyschnięcia kleju, a naciągnięcie płótna na złożoną ramę wymaga użycia kleszczy do naciągania płótna. Żaden z tych elementów nie jest dołączony do zestawu. Przed zamówieniem tego rozmiaru zalecamy konsultację z doświadczonym ramiarzem.

Etykieta obiektu

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Lakier ochronny

Lakier z połyskiem (pogłębia kolory, chroni przed światłem i wilgocią)

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Personalizacja dzieła

Przykłady możliwości personalizacji: zastąp twarz zdjęciem klienta; dodaj zwierzę domowe (np. zamień kota na psa); umieść ukrytą wiadomość w tle; zmień krajobraz lub elementy tła.

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Ekspresowa

Dostawa na cały świat () w ciągu 3–4 tygodni zamiast standardowych 5 tygodni. (30 Październik). Bez kompromisów w kwestii jakości.

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Przesyłka ekspresowa

Dostawa na cały świat () w ciągu 5 tygodni. (6 Listopad).

W cenie

Cena całkowita

zł 1262

Suma całkowita zł 1262

Opcja ze szkłem jest dostępna wyłącznie w rozmiarach poniżej 110 cm

Included with every order

  • Bezpłatna ekspresowa wysyłka na cały świat
  • Wysokiej jakości płótno lniane
  • Pełne ubezpieczenie przesyłki
  • Gwarancja zwrotu należności celnych i podatków importowych
  • Gwarancja wiernego odwzorowania kolorów
  • 100-dniowa polityka zwrotów (tylko w przypadku wad)
  • Gwarancja 100% zwrotu pieniędzy
  • Zniżka przy zakupie wielu sztuk

A Divine Narrative in Vibrant Hues

Jacob Lawrence’s Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters is far more than a depiction of biblical scripture; it is a vibrant, deeply personal sermon rendered in paint. Inspired by the powerful oratory of Rev. Adam Clayton Powell Sr., this work channels the electrifying energy of Harlem’s cultural heart into an epic moment of cosmic genesis. The scene pulses with divine activity, capturing that breathtaking instant when order emerges from primordial chaos. Lawrence masterfully translates the spiritual weight of creation—the bringing forth of the firmament and the waters—into a visual spectacle that feels both ancient and urgently contemporary.

Style and Technique: An Expressionist Force

The aesthetic power of this piece lies in its bold, expressive execution. While the subject matter is rooted in sacred narrative, Lawrence employs a style leaning heavily into Expressionism. Observe how the forms are stylized rather than strictly realistic; shapes are geometric and dynamic, giving way to an overwhelming sense of movement. The technique suggests thick impasto brushwork, allowing visible layers of color to build up texture, lending a palpable physicality to the painted surface. Lawrence utilizes dramatic lighting, creating stark contrasts between illuminated divine action and deep shadow, guiding the viewer's eye inexorably toward the central, monumental figure embodying creation itself.

Symbolism Woven into the Canvas

Every element within this composition carries symbolic resonance. The central figure, often robed in rich saffron tones, embodies divinity and creative power. Surrounding this core action, the swirling depiction of water serves as a potent symbol for the chaos that precedes divine structure. Emerging forms—the nascent life and creatures—signify the triumph of order over void. Lawrence’s genius is in making these profound theological concepts accessible through bold color choices; the palette is intensely saturated and deliberately non-naturalistic, amplifying the emotional and spiritual impact rather than mimicking earthly tones.

Historical Echoes and Emotional Resonance

To own this reproduction is to connect with a pivotal moment in American art history. Lawrence’s work is inseparable from the narrative of African-American experience, transforming communal memory and religious fervor into high art. The piece evokes an overwhelming sense of awe and reverence—the feeling one experiences when confronted with boundless power. For collectors and designers alike, this artwork offers more than mere decoration; it provides a focal point charged with intellectual depth, historical significance, and unstoppable creative energy. It is a testament to the enduring power of story, rendered in glorious, monumental color.

Pytania i odpowiedzi

Co to za dzieło: "Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters"?

"Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters" to WallArt.

Jaki dominujący odcień przenika „Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters” – Jakub Lawrence?

Dominującym odcieniem dzieła „Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters” – Jakub Lawrence jest Amber to Saffron. Odcień ten stanowi bazową tonację palety barw.

Jaki rozmiar wydruku jest zalecany dla „Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters” – Jakub Lawrence?

Dla dzieła „Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters” – Jakub Lawrence sugerowana jest reprodukcja w formacie Large. Rozmiar można dostosować, zachowując proporcje.

More about this painting

Podgląd w skali 1:1 Podgląd AR Przełącz na wydania drukowane Przejdź do wersji cyfrowej Wyślij jako kartkę
Szczegóły dzieła Przewodnik Dodaj do ulubionych Pobierz obraz Podobne obiekty RTG Pokaz slajdów Q&A Statystyki

In numbers

  • 1989the year it was painted
  • 29frames to choose from
  • standard sizes, in its own proportions
  • 5weeks to paint and deliver it

About the original

Jakub Lawrence

Jakub Lawrence

1917 - 2000, Stany Zjednoczone

Quick facts about Jakub Lawrence

  • Artistic Movement Or Style: Dynamic Kubizm
  • Artists Or Movements Influenced By This Artist: ['Afroamerykańscy artyści']
  • Date Of Birth: 7 września 1917
  • Date Of Death: 9 czerwca 2000
  • Full Name: Jacob Armstead Lawrence
  • Nationality: Amerykański
  • Notable Artworks:
    • Migracja
    • Bar i Grill
  • Place Of Birth: Atlantic City, USA

Biografia artysty

A Life Painted in Story: The World of Jacob Lawrence

Jacob Armstead Lawrence, born September 7, 1917, in Atlantic City, New Jersey, was more than just an artist; he was a chronicler of his people’s journey—a visual storyteller whose work profoundly shaped the landscape of American art. His life unfolded against the backdrop of profound social change, marked by displacement, resilience, and an unwavering commitment to documenting the African-American experience. Following his parents' divorce in 1924, Lawrence navigated a childhood characterized by movement and adaptation, finding temporary homes in foster care before ultimately settling with his mother in Harlem during the vibrant era of the Harlem Renaissance. This immersion into the heart of Black culture became the bedrock of his artistic vision—a source of inspiration that would inform every brushstroke he ever made. It was within the bustling streets and communal spirit of Harlem that Lawrence first encountered art, enrolling in classes at Utopia Children’s House and later studying under Charles Alston at the Harlem Art Workshop – a formative experience that laid the foundation for his distinctive style.

Dynamic Cubism: A Style Forged from Experience

Lawrence didn't simply adopt artistic styles; he meticulously crafted his own—a movement he famously termed “dynamic cubism.” This wasn’t a mere imitation of European avant-garde trends, but rather a deeply personal synthesis of modernist principles and the lived realities of his community. Drawing inspiration from the bold colors and flattened forms of African sculpture – art that prioritized narrative and social commentary – as well as the vibrant murals of Mexican artists like Diego Rivera and José Clemente Orozco, Lawrence developed a visual language characterized by strong, simplified shapes, a dazzling palette of colors, and a deliberate rejection of traditional perspective. This approach wasn’t purely aesthetic; it served to amplify the emotional weight of his subjects and create an immediate connection with the viewer. He sought not to replicate reality in its entirety but to distill its essence—to capture the spirit of a people and their history with unflinching honesty. The influence of African art is particularly evident in Lawrence's use of geometric shapes and symbolic imagery, while the Mexican muralists’ emphasis on social justice and collective narratives resonated deeply within his artistic practice.

The Migration Series: A Monumental Chronicle

Lawrence’s most celebrated achievement—and arguably his single greatest contribution to American art—is undoubtedly *The Migration Series*. Beginning in 1940-41, at the young age of twenty-four, he embarked on a monumental undertaking that would span sixty panels and occupy him for decades. This epic narrative depicted the Great Migration – the mass movement of millions of African Americans from the rural South to the industrial North during and after World War I—a period defined by both immense hardship and unprecedented opportunity. Each panel, meticulously crafted in tempera paint on small hardboard panels, told a fragment of this complex story, capturing the hopes, fears, and struggles of those who sought a better life beyond the confines of Jim Crow segregation. The series wasn’t simply a historical record; it was a deeply empathetic portrayal of human experience—a testament to resilience, determination, and the enduring spirit of a people on the move. The decision to publish the series in color – an unusual choice for the time – further amplified its impact, bringing Lawrence's powerful vision to a wider audience.

Beyond the Migration: Portraits of Community and History

While *The Migration Series* remains his most iconic work, Lawrence’s artistic output extended far beyond this monumental undertaking. He continued to explore themes of community, identity, and social justice throughout his career, creating a diverse body of paintings that encompassed a wide range of subjects. He painted intimate portraits of Harlem life – barbershops, diners, family gatherings – capturing the everyday rhythms and complexities of Black urban culture. Simultaneously, he tackled significant historical events and figures, producing powerful series dedicated to Toussaint L’Ouverture (the Haitian revolutionary), Frederick Douglass (the abolitionist orator), and Harriet Tubman (the Underground Railroad conductor). These works weren't merely biographical; they were carefully constructed narratives that sought to illuminate the struggles and triumphs of African Americans in shaping their own destiny. His painting Bar and Grill, a stark depiction of segregation within a New Orleans café, exemplifies his ability to distill complex social realities into potent visual statements. Similarly, Victory and Defeat, with its imposing wall of cannonballs, commemorates the pivotal siege of Yorktown, Virginia, offering a nuanced reflection on American history.

Legacy and Enduring Influence

Jacob Lawrence’s impact extends far beyond his impressive body of work. He was not only an artist but also a dedicated educator, teaching at institutions like Black Mountain College and the University of Washington for sixteen years. Through his teaching, he nurtured generations of artists, encouraging them to find their own voices and explore themes relevant to their experiences. Lawrence paved the way for countless African-American artists who followed, challenging prevailing norms and expanding the boundaries of American art. His work continues to resonate today, prompting critical conversations about race, history, and social justice. Featured in prominent museums such as the Smithsonian American Art Museum and the University of Washington’s collection, his paintings serve as enduring testaments to the power of art to illuminate the human condition and inspire change. He left behind a legacy not just of beautiful images but of courageous storytelling—a visual chronicle of a people's journey toward freedom and self-determination.

Najważniejsze informacje

  • Medium: Oil on canvas
  • Subject or theme: Biblical creation narrative
  • Artist: Jacob Lawrence
  • Movement: American Art

Quiz o sztuce

Do każdego pytania dotyczy tylko jedna poprawna odpowiedź.

Pytanie 1:
What biblical event is the artwork 'Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters' based on?
Pytanie 2:
What artistic style is noted for influencing Jacob Lawrence's depiction in this series?
Pytanie 3:
The artwork draws inspiration from which specific cultural setting and figure?
Pytanie 4:
Which technique is described as being used to achieve texture in the painting?
Pytanie 5:
What symbolic element is mentioned in the photo description, representing chaos before order?