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The Fall of Phaëton

Ręcznie malowana reprodukcja olejowa

Ręcznie malowany obraz olejny na płótnie, wykonany na zamówienie przez naszych artystów w wybranym przez Ciebie wymiarze i oprawie. ( Przełącz na wydania drukowane Przejdź do wersji cyfrowej)

Opis obiektu

George Stubbs's dramatic 'Fall of Phaeton' (1777) captures the mythic chariot race with stunning anatomical detail and dynamic movement. A masterpiece of Romanticism, showcasing a powerful scene of divine intervention.

Biografia artysty

George Stubbs (1724-1806): Znany angielski malarz, słynny ze szczegółowych obrazów koni i pionier romantyzmu. Jego najbardziej znane dzieła to "Whistlejacket" oraz serie przedstawiających walkę lwa z koniem.

from ·

Chapter 1

How large should it be?

Slide to change the size; the picture on the left shows the frame at its real width. The proportions of the original are kept.

Standardowy format
personalizowane
CM
INCH

Wybierz spośród naszych standardowych rozmiarów, które zachowują oryginalne proporcje dzieła sztuki.

szerokość
wysokość

Wpisz wymaganą szerokość i wysokość, aby obraz pasował do Twojej ramy lub ściany. Ponieważ jest to dzieło malowane ręcznie, w przypadku rozmiaru o innych proporcjach artysta może domalować nieco więcej wokół obrazu lub przyciąć jego fragmenty — wybór należy do Ciebie. Przed rozpoczęciem pracy prześlemy Ci cyfrową wizualizację do zatwierdzenia. Obraz widoczny na tej stronie nie przedstawia rzeczywistego efektu — jedynie wizualizacja oddaje realny rezultat.

Chapter 2

How should it arrive?

Choose the edges of the stretched canvas

Choose your frame

Corner sample of the WhiteWrap canvas edge finish, stretched on lite drewno bars
White zł1
Corner sample of the BlurSideWrap canvas edge finish, stretched on lite drewno bars
Blurside zł1
Corner sample of the ExtendedWrap canvas edge finish, stretched on lite drewno bars
Extended zł1
Corner sample of the P118B picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P118B zł10
Corner sample of the P118H picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P118H zł10
Corner sample of the P118W picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P118W zł10
Corner sample of the P438Z picture frame: polistyren formowany, 5.5 cm wide and 3.5 cm thick
P438Z zł10
Corner sample of the P508JH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P508JH zł12
Corner sample of the P508YH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P508YH zł12
Corner sample of the P805H picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
P805H zł10
Corner sample of the P805Z picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
P805Z zł10
Corner sample of the P919BZ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P919BZ zł10
Corner sample of the P919G picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P919G zł10
Corner sample of the P919XJ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P919XJ zł10
Corner sample of the P959ZH picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P959ZH zł10
Corner sample of the P968JZ picture frame: polistyren formowany, 6 cm wide and 4 cm thick
P968JZ zł12
Corner sample of the W106C picture frame: lite drewno, 5 cm wide and 3 cm thick
W106C zł8
Corner sample of the W218G picture frame: lite drewno, 5 cm wide and 3 cm thick
W218G zł10
Corner sample of the W218JH picture frame: lite drewno, 5 cm wide and 3 cm thick
W218JH zł8
Corner sample of the W218Y picture frame: lite drewno, 5 cm wide and 3 cm thick
W218Y zł10
Corner sample of the W307PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
W307PJ zł10
Corner sample of the W316G picture frame: lite drewno, 6 cm wide and 3 cm thick
W316G zł10
Corner sample of the W316PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
W316PJ zł8
Corner sample of the W316Y picture frame: lite drewno, 6 cm wide and 3 cm thick
W316Y zł10
Corner sample of the W398PJ picture frame: lite drewno, 5 cm wide and 3 cm thick
W398PJ zł8
Corner sample of the W4111J picture frame: lite drewno, 6.5 cm wide and 3.5 cm thick
W4111J zł10
Corner sample of the W500HY picture frame: lite drewno, 7 cm wide and 5 cm thick
W500HY zł15
Corner sample of the W500JH picture frame: lite drewno, 7 cm wide and 5 cm thick
W500JH zł15
Corner sample of the W692G picture frame: lite drewno, 8 cm wide and 4 cm thick
W692G zł12
Corner sample of the W849H picture frame: lite drewno, 5 cm wide and 3 cm thick
W849H zł8
Corner sample of the W940BG picture frame: lite drewno, 7.5 cm wide and 4.5 cm thick
W940BG zł15
Corner sample of the W953PJ picture frame: lite drewno, 6 cm wide and 3.5 cm thick
W953PJ zł8
Corner sample of the H24-GOLD picture frame: rzeźbione drewno pokryte gipsem, 10 cm wide and 6 cm thick
H24-GOLD zł30
Corner sample of the H24-SILVER picture frame: rzeźbione drewno pokryte gipsem, 10 cm wide and 6 cm thick
H24-SILVER zł30
Corner sample of the H36-GOLD picture frame: rzeźbione drewno pokryte gipsem, 15 cm wide and 6.5 cm thick
H36-GOLD zł45
Corner sample of the H36-SILVER picture frame: rzeźbione drewno pokryte gipsem, 15 cm wide and 6.5 cm thick
H36-SILVER zł45

Moulding: . Overall size with the frame: .

Chapter 3

Who paints it, and should anything change?

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, OriginalUniqueArt.com team will email client for instructions and provide a mockup preview

Dostawa na całym świecie () w ciągu 3–4 tygodni zamiast standardowych 5 tygodni. (30 Październik). Bez kompromisów w kwestii jakości.

Chapter 4

The finishing touches

A nameplate, as in a museum?

Szczegóły grawerowanej brązowej tabliczki

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Szczegóły przezroczystej tabliczki akrylowej

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Szczegóły czarnej tabliczki akrylowej

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

A protective varnish?

When do you need it?

Chapter 5

Your painting, as you ordered it

The Fall of Phaëton

Technika reprodukcji

Wymiary reprodukcji

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Wybitny mistrz artystyczny

Większa szczegółowość, finezja i dodatkowy czas na realizację

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Opcje oprawy reprodukcji

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W przypadku dzieł sztuki lub reprodukcji, których którykolwiek z boków przekracza 105 cm (około 41 cali), rama zostanie wysłana w formie zestawu do samodzielnego montażu. Metoda ta zapewnia bezpieczną dostawę i zapobiega uszkodzeniom podczas transportu.

Wymagany profesjonalny montaż – nie jest to produkt typu DIY.
Zestaw musi zostać złożony, a płótno naciągnięte przez doświadczonego profesjonalnego ramiarza, przy użyciu kleju do drewna (brak w zestawie), kleszczy do naciągania płótna oraz ścisków, które utrzymają krosna w równej pozycji podczas schnięcia kleju. Nieprawidłowy montaż lub nierównomierne napięcie płótna może trwale uszkodzić dzieło sztuki i nie podlega naszej gwarancji.

  • W zestawie znajdują się wszystkie listwy z litego drewna, precyzyjnie docięte do wymiarów.

  • Montaż odbywa się przy użyciu dołączonych wkrętów oraz kleju do drewna do łączenia narożników, którego zestaw nie zawiera i który musi zostać dostarczony przez ramiarza.

  • Wymagane są profesjonalne narzędzia, których nie ma w zestawie: kleszcze do naciągania płótna (napinacz) oraz zaciski, które pozwolą utrzymać listwy w równej pozycji podczas schnięcia kleju.

Ważne:
Do połączenia narożników niezbędny jest klej do drewna, listwy należy unieruchomić za pomocą ścisków do momentu całkowitego wyschnięcia kleju, a naciągnięcie płótna na złożoną ramę wymaga użycia kleszczy do naciągania płótna. Żaden z tych elementów nie jest dołączony do zestawu. Przed zamówieniem tego rozmiaru zalecamy konsultację z doświadczonym ramiarzem.

Etykieta obiektu

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Lakier ochronny

Lakier z połyskiem (pogłębia kolory, chroni przed światłem i wilgocią)

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Personalizacja dzieła

Przykłady możliwości personalizacji: zastąp twarz zdjęciem klienta; dodaj zwierzę domowe (np. zamień kota na psa); umieść ukrytą wiadomość w tle; zmień krajobraz lub elementy tła.

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Ekspresowa

Dostawa na cały świat () w ciągu 3–4 tygodni zamiast standardowych 5 tygodni. (30 Październik). Bez kompromisów w kwestii jakości.

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Przesyłka ekspresowa

Dostawa na cały świat () w ciągu 5 tygodni. (6 Listopad).

W cenie

Cena całkowita

zł 1165

Suma całkowita zł 1165

Opcja ze szkłem jest dostępna wyłącznie w rozmiarach poniżej 110 cm

Included with every order

  • Bezpłatna ekspresowa wysyłka na cały świat
  • Wysokiej jakości płótno lniane
  • Pełne ubezpieczenie przesyłki
  • Gwarancja zwrotu należności celnych i podatków importowych
  • Gwarancja wiernego odwzorowania kolorów
  • 100-dniowa polityka zwrotów (tylko w przypadku wad)
  • Gwarancja 100% zwrotu pieniędzy
  • Zniżka przy zakupie wielu sztuk

A Collision of Myth and Mastery: Unveiling George Stubbs’s ‘The Fall of Phaëton’

George Stubbs's “The Fall of Phaëton,” painted in 1777, isn’t merely a depiction of a Greek myth; it’s a visceral experience. This monumental canvas, now residing within the National Trust at Saltram, transcends its narrative origins to become a profound meditation on power, destruction, and the sublime beauty of chaos. Stubbs, a revolutionary figure in 18th-century art, deliberately eschewed the idealized forms favored by his contemporaries, instead opting for an anatomical realism that bordered on the unsettling, particularly when applied to subjects as grand and terrifying as the sun god’s son attempting to wrest control from his father.

The scene unfolds with breathtaking dynamism. Phaeton, a young man consumed by ambition and perhaps hubris, is shown at the apex of his disastrous journey – driving the chariot of the sun across the heavens. His face, contorted in panic and exertion, reflects the impending doom that threatens to engulf him and all beneath. The horses themselves are rendered with astonishing detail, their muscular forms straining against the reins, each a testament to Stubbs’s meticulous study of equine anatomy. The composition is dominated by diagonals – the sweeping arc of the chariot, the downward plunge of the thunderbolts, and the frantic movement of the steeds – creating a sense of relentless forward momentum that pulls the viewer directly into the heart of the drama.

Anatomy as Revelation: Stubbs’s Scientific Approach

Stubbs's commitment to anatomical accuracy was legendary. His fascination with the inner workings of animals, fueled by his time dissecting horses at York County Hospital, informed every brushstroke. “The Fall of Phaëton” is a prime example of this approach; Stubbs didn’t simply paint a horse; he painted its very essence – the sinews beneath the skin, the skeletal structure supporting the musculature, and the intricate network of veins pulsing with life. This dedication to realism was considered radical at the time, challenging the prevailing artistic conventions that prioritized idealized beauty over scientific observation.

The painting’s color palette further enhances its dramatic effect. Stark contrasts between light and shadow – a consequence of Stubbs's masterful use of chiaroscuro – heighten the sense of urgency and impending disaster. The fiery hues of the sun chariot are juxtaposed against the deepening blues and purples of the approaching night, symbolizing the irreversible shift from day to darkness. The subtle gradations of color within each figure’s form contribute to a remarkable sense of volume and depth, drawing the viewer into the scene with an almost unsettling immediacy.

Mythic Symbolism and Emotional Resonance

Beyond its technical brilliance, “The Fall of Phaëton” is rich in symbolic meaning. The myth itself speaks to themes of unchecked ambition, divine retribution, and the consequences of defying fate. Phaeton’s downfall serves as a cautionary tale against hubris and a reminder that even those blessed with extraordinary power are ultimately subject to mortality. The figures surrounding the event – the Heliades, transformed into poplar trees in mourning for their brother, and Cycnus, hiding his face in despair – amplify this sense of loss and tragedy.

However, the painting transcends mere allegory. It evokes a profound emotional response—a mixture of awe, terror, and pity. The sheer scale of the scene, combined with Stubbs’s dramatic composition and masterful use of color, creates an overwhelming sensory experience that leaves the viewer breathless. “The Fall of Phaëton” is not simply a depiction of a myth; it's a powerful meditation on human nature, the forces of destruction, and the enduring beauty of tragedy—a timeless masterpiece that continues to captivate audiences centuries after its creation.

A Legacy Enduring: Reproductions and Artistic Inspiration

Reproductions of “The Fall of Phaëton” offer a remarkable opportunity to experience Stubbs’s artistic vision firsthand. Whether displayed in a grand salon or a more intimate setting, this painting commands attention with its dramatic intensity and technical brilliance. Collectors appreciate the work's historical significance, scientific rigor, and enduring aesthetic appeal. Interior designers often incorporate reproductions into spaces seeking to evoke a sense of grandeur, drama, and intellectual curiosity – a testament to Stubbs’s lasting influence on art history.

Pytania i odpowiedzi

Jak można wykorzystać „The Fall of Phaëton” – George Stubbs w dekoracji wnętrz?

Dzieło „The Fall of Phaëton” – George Stubbs jest polecane do Statement, najlepiej w Living Room. Zastosowanie oraz przestrzeń pomagają zdecydować, gdzie najlepiej umieścić reprodukcję.

Kiedy powstało i w jakim nurcie utrzymane jest dzieło „The Fall of Phaëton” – George Stubbs?

Dzieło "The Fall of Phaëton" powstało w 1777 roku i reprezentuje nurt Romanticism.

Czy "The Fall of Phaëton" charakteryzuje się silnym kontrastem światłocienia?

„The Fall of Phaëton” – George Stubbs prezentuje Statement kontrast między jasnymi a ciemnymi partiami dzieła.

More about this painting

Podgląd w skali 1:1 Podgląd AR Przełącz na wydania drukowane Przejdź do wersji cyfrowej Wyślij jako kartkę
Szczegóły dzieła Przewodnik Dodaj do ulubionych Pobierz obraz Podobne obiekty RTG Pokaz slajdów Q&A Statystyki

In numbers

  • 1777the year it was painted
  • 29frames to choose from
  • standard sizes, in its own proportions
  • 5weeks to paint and deliver it
George Stubbs

George Stubbs

1724 - 1806, Wielka Brytania

Quick facts about George Stubbs

  • Artistic Movement Or Style: Renesans, Sztuka koni
  • Artists Or Movements Influenced By This Artist: ['Joshua Reynolds']
  • Artists Who Influenced This Artist: ['Hamlet Winstanley']
  • Date Of Birth: 25 sierpnia 1724
  • Date Of Death: 10 lipca 1806
  • Full Name: George Stubbs
  • Nationality: Brytyjski
  • Notable Artworks:
    • Whistlejacket
    • Lion i koń
    • Anatomia konia
  • Place Of Birth: Liverpool, Wielka Brytania

Biografia artysty

Early Life and Training

George Stubbs, a name synonymous with the majestic power of the horse, was born in Liverpool on August 25th, 1724 – a city steeped in maritime history and burgeoning trade. His father, a leatherworker and currier, instilled in him a practical understanding of materials and craftsmanship, while his mother’s background in the trading industry likely fostered an appreciation for observation and detail. Stubbs's early years were marked by a relative lack of formal artistic instruction; he was largely self-taught, though he received a brief apprenticeship under Hamlet Winstanley, a Lancastrian painter and engraver, providing him with a foundational understanding of perspective and technique. This short period at Winstanley’s studio allowed Stubbs to study the collection housed at Knowsley Hall, a significant influence on his artistic development. Crucially, from a young age, Stubbs demonstrated an intense fascination with anatomy – a passion that would profoundly shape his later work. He began dissecting small animals as a teenager, meticulously documenting their structures and forms, laying the groundwork for his groundbreaking approach to equine painting.

Artistic Development and Notable Works

Stubbs’s artistic journey truly took flight when he moved to York in 1744, seeking an environment conducive to his anatomical studies. There, under the tutelage of surgeon Charles Atkinson at York County Hospital, he immersed himself in the world of human anatomy, gaining a deep understanding of musculature and skeletal structure. This rigorous training proved invaluable, informing his unparalleled ability to depict horses with astonishing realism and accuracy. A pivotal moment arrived in 1756 when Stubbs rented a farmhouse in Lincolnshire and dedicated eighteen months to the painstaking task of dissecting horses – an undertaking that produced his seminal work, *Anatomia Equi* (The Anatomy of the Horse), published in 1766. This monumental book, featuring meticulously detailed drawings, was a scientific triumph and a remarkable artistic achievement, establishing Stubbs as a pioneer in anatomical illustration. The publication garnered him significant acclaim and commissions from aristocratic patrons, including the 3rd Duke of Richmond, who commissioned three large paintings – a watershed moment that propelled Stubbs to prominence within London’s art scene.

The Rise of Romanticism and Conversation Pieces

Following his success in York and London, Stubbs established himself as one of the most sought-after portrait painters of his time. He quickly moved beyond simple equestrian portraits, developing a distinctive style characterized by dramatic compositions, dynamic movement, and an almost theatrical quality. His “conversation pieces,” often depicting horses alongside their owners or grooms, broke with traditional conventions, presenting a more intimate and engaging scene. Notably, these works featured plain backgrounds – a deliberate choice that drew attention to the figures and the magnificent animals themselves. Stubbs’s command of light and shadow, coupled with his masterful understanding of equine anatomy and psychology, created paintings that were both scientifically accurate and emotionally resonant. His most celebrated work, *Whistlejacket*, a painting of a thoroughbred racehorse rising on his hind legs, exemplifies this innovative approach – capturing not just the physical form of the horse but also its spirit and power.

Legacy and Enduring Influence

George Stubbs’s legacy extends far beyond his individual paintings; he fundamentally transformed the way horses were depicted in art. His meticulous anatomical studies revolutionized equine painting, establishing a new standard for realism and accuracy. He is widely considered the greatest of all horse painters, a title earned through decades of dedicated observation, tireless dissection, and an unwavering commitment to capturing the essence of these magnificent animals. Stubbs’s influence can be seen in the works of subsequent generations of artists, including Edgar Degas and Julius Kossak. His paintings continue to captivate audiences today, not only for their technical brilliance but also for their evocative portrayal of the relationship between humans and horses – a bond that has endured for centuries. Stubbs's work remains an enduring testament to his artistic genius and his profound understanding of the animal world.

Najważniejsze informacje

  • Artistic style: Dynamic composition
  • Influences:
    • Classical art
    • Anatomy
  • Dimensions: 97 x 122 cm
  • Title: The Fall of Phaëton
  • Artist: George Stubbs
  • Subject or theme: Mythological tale

Quiz o sztuce

Do każdego pytania dotyczy tylko jedna poprawna odpowiedź.

Pytanie 1:
What mythological event is depicted in George Stubbs’s ‘The Fall of Phaëton’?
Pytanie 2:
The painting ‘The Fall of Phaëton’ is primarily known for its detailed and accurate depiction of:
Pytanie 3:
In what year was George Stubbs’s ‘The Fall of Phaëton’ painted?
Pytanie 4:
What artistic movement is most closely associated with George Stubbs’s style, as evidenced by ‘The Fall of Phaëton’?
Pytanie 5:
What is the primary purpose of the dramatic lighting and dynamic composition in ‘The Fall of Phaëton’?