Bay Area Figurative · 1958
Two Bathers (David Park, 1958)
David Park (1911–1960) stworzył Two Bathers. Dzieło pochodzi z 1958. Należy do nurtu Bay Area Figurative. Wykonano w technice Oil On Canvas. Przechowywane jest w San Francisco Museum of Modern Art w San Francisco, Stany Zjednoczone Ameryki.
- 1958
- Oil On Canvas
- San Francisco Museum of Modern Art
Two Bathers w skrócie
- Tytuł
- Two Bathers
- Artysta
- David Park (1911–1960)
- Miejsce urodzenia artysty
- Boston, United States
- Data powstania
- 1958
- Technika wykonania
- Oil On Canvas
- Gdzie można je zobaczyć
- San Francisco Museum of Modern Art, San Francisco, Stany Zjednoczone Ameryki
- Epoka
- Modern
- Temat
- people, figures, bathing suits, building, colorful, textures
Co przedstawia Two Bathers?
Identification of Two Bathers by David Park
Two Bathers is an oil on canvas created by David Park. The work emerged in 1958, a moment when the artist had already turned his hand away from pure abstraction to reclaim the human form. This painting captures a specific slice of existence through thick, deliberate strokes of oil.
The medium of oil on canvas allows for a heavy, tactile presence on the surface. In this 1958 work, the paint carries the weight of the figures it depicts. David Park uses the material to anchor the subjects within their environment, turning a simple scene into a study of light and form.
The canvas holds a quiet intensity. It is a painting of a singular, unadorned moment. The light settles on the figures and stays there.
Visual Composition and Subject Matter
Two figures occupy the immediate space, their forms defined by the weight of oil on canvas. On the left, a person stands in a bathing suit, anchored against the backdrop of a building. Toward the center, a second individual in swimwear completes the primary grouping. Their presence creates a rhythmic tension against the architecture behind them. The brushwork carries a tactile quality, turning the surface into a map of movement and light.
Beyond the central pair, the scene breathes with the presence of others. Several people are scattered throughout the background, some drifting near the edges of the frame while others hold a more central position. These figures emerge from the composition in patches of color and gesture. They exist in the periphery, adding a sense of communal life to the quietude of the bathers. The arrangement feels spontaneous, as if the eye has caught a fleeting moment of midday heat.
The composition relies on these layered planes to build depth. The building provides a structural limit to the scene, while the human forms break the geometry with their organic shapes. Light and shadow settle on the skin and the fabric of the bathing suits, grounding the figures in a specific, unadorned reality. A stillness remains in the air.
Physical Dimensions and Museum Details
The canvas measures 58 × 50 inches, or 147.3 × 127.0 cm. It occupies a substantial space, a rectangular window into a sun-drenched moment. This oil on canvas rests within the permanent collection of the San Francisco Museum of Modern Art in San Francisco, United States of America. The museum holds the work as part of its ongoing history, having acquired the piece in 2008.
The acquisition was made through the gifts of Mrs. Wellington S. Henderson, Helen Crocker Russell, and the Crocker Family, by exchange, and the Mary Heath Keesling Fund. Though the figures remain fixed in their painted light, the work is not on view at this time. It waits in the quiet of the museum's storage, a silent presence behind the gallery walls.
W którym muzeum znajduje się Two Bathers?
San Francisco Museum of Modern Art
San Francisco, Stany Zjednoczone Ameryki
Początki i historia instytucji San Francisco Museum of Modern Art powstało w 1935 roku. Założona pod przewodnictwem dyrektor Grace L. McCann Morley instytucja, funkcjonowała pierwotnie jako San Francisco Museum of Art.
Zdjęcia w wysokiej rozdzielczości dzieła Two Bathers
Chronione prawem autorskim: pliki te służą wyłącznie do osobistego wglądu i nie stanowią licencji na ich powielanie.
David Park, Two Bathers (1958), San Francisco Museum of Modern Art.
Odpowiedzi na pytania dotyczące Two Bathers
Gdzie można zobaczyć oryginał „Two Bathers” – David Park?
„Two Bathers” – David Park znajduje się w zbiorach San Francisco Museum of Modern Art, San Francisco, Stany Zjednoczone Ameryki. Informacja o muzeum dotyczy oryginału, a nie reprodukcji.
W którym roku powstało „Two Bathers” – David Park?
Powstanie „Two Bathers” – David Park datuje się na 1958.
W jakiej technice wykonano „Two Bathers” – David Park?
„Two Bathers” wykonano w technice Oil On Canvas.
Co przedstawia „Two Bathers” – David Park?
Tematyka dzieła "Two Bathers" to people, figures, bathing suits, building, colorful, textures.
Czy „Two Bathers” – David Park znajduje się w domenie publicznej?
„Two Bathers” – David Park znajduje się w domenie publicznej (nadal objęte ochroną prawa autorskiego). Status ten określa zasady reprodukcji obrazu tego dzieła.
Któremu artyście przypisuje się "Two Bathers"?
Autorem dzieła „Two Bathers” jest David Park. Praca ta figuruje w katalogu pod nazwiskiem David Park.
Do jakiego nurtu artystycznego należy „Two Bathers” – David Park?
„Two Bathers” – David Park należy do nurtu Bay Area Figurative. Nurt ten stanowi stylistyczny kontekst dzieła.
Do którego okresu twórczości David Park należy dzieło "Two Bathers"?
W dorobku artystycznym David Park dzieło „Two Bathers” przypada na Mature Period. Ten etap pozwala zestawić je z innymi pracami twórcy.
Ile lat miał David Park, gdy powstało dzieło „Two Bathers”?
David Park stworzył/a "Two Bathers" w wieku 47 lat. Artysta urodził/a się w 1911, a datowanie dzieła to 1958.
O artyście: David Park
1911–1960, United States
David Park
The Genesis of a VisionaryBorn in the historic atmosphere of Boston in 1911, David Park’s artistic journey was anchored by a profound respect for the structural essence of life. His early years at Boston University, studying under the legendary George Bridgman, instilled in him an unparalleled understanding of anatomy and the rhythmic power of gesture. This foundational discipline provided the skeletal strength upon which he would later drape his most vibrant explorations of color. As he moved westward to the Otis Art Institute in Los Angeles, Park began to absorb the expansive light and energy of the American West, setting the stage for a transformation that would eventually challenge the very foundations of contemporary painting.The Great Stylistic RevolutionFor much of his early career, Park navigated the complex territories of abstraction, yet the year 1949 marked a seismic turning point in both his practice and his soul.