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Kup ręcznie malowany obraz Construction I - abstraction, Mature Period

Strona główna
Druk na płótnie
Barbara Hepworth
Construction I

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Construction I

Acrylic On Canvas
WallArt
Modern Sculpture
1965
88.0 x 101.0 cm
The Hepworth Wakefield

This artwork explores the influence of Surrealism and Abstraction in British art through collaborations with Ben Nicholson. Discover its presence in prominent museums like Kimbell Art Museum and explore insights into Hepworth's artistic legacy.

Rozwiń treść

Poznaj modernistyczne rzeźby Barbary Hepworth (1903-1975). Pionierką sztuki abstrakcyjnej była Hepworth, której dzieła – w tym 'Oval Form' i 'Two Forms' – łączą surrealizm z abstrakcją. Odkryj jej dziedzictwo w Muzeum Hepworth Wakefield.

Rozwiń treść

Giclée / Wydruk artystyczny

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Kup cyfrowy obraz

Technika i materiał
Wymiary
Oprawa
Opcje dodatkowe

Druk na błyszczącym płótnie bawełnianym

Druk na matowym płótnie bawełnianym

Druk na matowym papierze

Druk na papierze w oprawie ze szkłem

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Płótno zwinięte w tubie W cenie

Naciągnięty na krosna

W ramie

Oprawione w antyczne drewno z gipsem

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W4111J $10

W500HY $15

W500JH $15

W692G $12

W849H $8

W940BG $15

W953PJ $8

H24-GOLD $40

H24-SILVER $40

H36-GOLD $60

H36-SILVER $60

Framed

Description from JS

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Standardowy rozmiar na wymiar

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Bez błyszczącego lakieru

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Brak tabliczki z tytułem dzieła

Grawerowana brązowa tabliczka z imieniem artysty i przetłumaczonym tytułem obrazu. Wymiary: 9x2 cm. + $10

Przezroczysta płytka akrylowa z czarnym grawerem UV zawierającym informacje o dziele oraz kod QR. Wymiary: 10x15 cm. + $30

Czarna płytka akrylowa z białym grawerem zawierającym informacje o dziele oraz kod QR. Rozmiar: 10x15 cm. + $30

Szczegóły grawerowanej brązowej tabliczki

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Szczegóły przezroczystej tabliczki akrylowej

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Szczegóły czarnej tabliczki akrylowej

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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Zależy Ci na czasie? + $30

Dostawa na cały świat () w ciągu 2 tygodni zamiast standardowych 4/5 tygodni. (24 Lipiec)

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Bezpłatna ekspresowa wysyłka na cały świat

Wysokiej jakości płótno lniane

Pełne ubezpieczenie przesyłki

Gwarancja zwrotu należności celnych

Gwarancja pełnego zgodności kolorystycznej

Polityka 60-dniowego zwrotu (tylko w przypadku wad)

Gwarancja 100% zwrotu pieniędzy

Zniżka przy większych zamówieniach

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Suma całkowita

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ExclamationCircle Opcja szkła jest dostępna wyłącznie w rozmiarach poniżej 110 cm

Construction I

Giclée / Wydruk artystyczny

Wymiary reprodukcji

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ExclamationCircle W przypadku dzieł sztuki lub reprodukcji o wymiarach przekraczających 105 cm (około 41 cali) na którymkolwiek z boków, rama zostanie dostarczona jako zestaw do samodzielnego montażu. Metoda ta zapewnia bezpieczną dostawę i zapobiega uszkodzeniom podczas transportu.

W zestawie znajdują się wszystkie listwy z litego drewna, precyzyjnie docięte do wymiarów.
Łatwy montaż przy użyciu dostarczonych śrub – bez konieczności użycia kleju.
Dołączona instrukcja montażu; złożenie zajmuje mniej niż 10 minut przy użyciu zwykłego śrubokręta.

Ważne:
Naciągnięcie płótna na gotowej ramie może wymagać użycia szczypiec do naciągania płótna, które nie są dołączone do zestawu. Narzędzie to pozwala uzyskać odpowiednie napięcie materiału oraz profesjonalne wykończenie.

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Etykieta obiektu

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Lakier ochronny

Lakier z połyskiem (pogłębia kolory, chroni przed światłem i wilgocią)

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Przyspieszona dostawa

Dostawa w mniej niż 3 tygodnie zamiast standardowych 4–5 tygodni. Bez kompromisów w kwestii jakości.

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Przesyłka ekspresowa

Dostawa na cały świat () w ciągu 4-5 tygodni. (31 Lipiec).

W cenie

Cena całkowita

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Szybkie fakty

Movement: Modernism
Medium: Oil on gesso board
Influences: Surrealism
Title: Construction I
Notable elements or techniques: Geometric abstraction
Location: The Ingram Collection
Artist: Barbara Hepworth

Quiz o sztuce

Na każde pytanie istnieje tylko jedna poprawna odpowiedź.

Pytanie 1:

What is the predominant color scheme of ‘Construction I’?

Red and Orange

Blue and Yellow

Green and Brown

Pytanie 2:

Barbara Hepworth was a prominent figure in which artistic movement?

Impressionism

Cubism

Modernism

Pytanie 3:

The sculpture’s geometric form is characteristic of what artistic style?

Renaissance Art

Romantic Art

Abstract Expressionism

Pytanie 4:

In what year was ‘Construction I’ created?

1930

1945

1965

Pytanie 5:

Where can you find a reproduction of ‘Construction I’?

The Louvre Museum

The Metropolitan Museum of Art

The Kimbell Art Museum

Opis obiektu kolekcjonerskiego

Construction I: A Sculptural Echo of Minimalism

Barbara Hepworth’s “Construction I,” created in 1965, stands as a testament to the enduring influence of geometric abstraction and the profound exploration of form and space that characterized Hepworth's artistic vision. Executed on gesso-prepared board with oil paint, this piece embodies the core tenets of Hepworth’s distinctive style – a deliberate simplification of visual elements aimed at conveying emotional resonance rather than representational accuracy.

Hepworth’s approach to sculpture during this period leaned heavily towards minimalist principles. Rejecting traditional figurative art, she sought to distill artistic expression into its purest essence: elemental shapes interacting with each other in relation to the surrounding environment. “Construction I” exemplifies this ethos perfectly; it presents a single, dominant circular form punctuated by smaller, intersecting planes of pigment.

The painting’s palette is restrained yet impactful—primarily shades of blue and yellow—creating a harmonious interplay of color that draws attention to the central circle. The subtle variations in hue contribute to a sense of depth and luminosity, mirroring Hepworth's fascination with capturing light and shadow as crucial components of sculptural form.

Material: Gesso-prepared board, Oil Paint
Dimensions: 88.3 x 101 cm
Style: Geometric Abstraction
Artist: Barbara Hepworth (1903–1975)

Hepworth’s artistic journey began in Wakefield, Yorkshire, where she honed her skills at Leeds School of Art before securing a prestigious scholarship to the Royal College of Art. Her collaborative efforts with fellow artists like Ben Nicholson and Paul Nash solidified her position as a pioneer of British abstraction.

"Construction I" resonates deeply with viewers due to its ability to evoke feelings of serenity and contemplation. The circular form, reminiscent of ancient symbols representing wholeness and unity, invites introspection—a reflection on the relationship between individual elements and their collective impact. It’s a piece that speaks volumes about Hepworth's commitment to conveying emotion through carefully considered visual language.

This artwork is currently housed in The Ingram Collection of Modern British and Contemporary Art, offering visitors an opportunity to experience firsthand the beauty and intellectual depth of Hepworth’s groundbreaking contribution to twentieth-century art. Its enduring appeal lies in its simplicity—a masterful demonstration of how profound artistic expression can emerge from seemingly minimal means.

Further exploration into Hepworth's oeuvre reveals a prolific artist who consistently pushed boundaries, experimenting with diverse materials and techniques while maintaining an unwavering focus on exploring the fundamental principles of form and space. “Construction I” remains a cornerstone of her legacy—a captivating example of modernist sculpture translated into a powerfully evocative painting.

Biografia artysty

Barbara Hepworth: Pioneer of Organic Abstraction

Barbara Hepworth (1903–1975) stands as one of the most influential figures in British sculpture of the 20th century, a sculptor whose uncompromising vision reshaped artistic conventions and cemented her place among the foremost innovators of modernism. Born Jocelyn Barbara Hepworth on January 10, 1903, in Wakefield, Yorkshire—the eldest child of Herbert and Gertrude Johnson Hepworth—her formative years were steeped in the rugged beauty of the Pennines landscape, an environment that would profoundly inform her artistic sensibility for decades to come.Herbert Hepworth was a civil engineer for the West Riding County Council, who in 1921 advanced to the role of county surveyor.

Early Education: Hepworth attended Wakefield Girls’ High School where she excelled academically and musically.
Leeds School of Art: At Leeds School of Art from 1920, she encountered Henry Moore, forging a friendship that would endure throughout their careers—a relationship characterized by mutual respect and spirited debate about artistic direction.

Formal Training and Artistic Beginnings

Hepworth’s formal training culminated in her enrollment at the Royal College of Art (RCA) in London in 1921, where she honed her sculptural skills under the tutelage of Henry Moore and others. Her diploma in 1924 marked a pivotal moment, propelling her into the burgeoning avant-garde movement of the time—specifically Abstraction-Création—and establishing her connection with fellow artists like Ben Nicholson and Paul Nash.Together with Moore and other students at the College, makes occasional trips to Paris.

Early Style: Hepworth’s initial explorations embraced simplified forms inspired by Egyptian sculpture, reflecting a fascination with ancient art traditions.
Direct Carving Technique: She championed “direct carving,” prioritizing the tactile engagement between artist and material—a method that distinguished her work from more conventional modeling techniques.

Collaboration and Influence of Ben Nicholson

Hepworth’s artistic partnership with Ben Nicholson began in 1931, transforming into a deeply intertwined relationship both personally and professionally.She marries sculptor John Skeaping in 1925. Their shared studio in Hampstead became a crucible for experimentation—a space where they wrestled with questions of form, texture, and spatial relationships. Nicholson’s influence on Hepworth's aesthetic was undeniable, fostering her embrace of geometric abstraction and shaping her exploration of the interplay between mass and void.She would later relate this shift to having triplets with Nicholson in 1934, noting that after this ‘the work was more formal, and all traces of naturalism had disappeared, and for some years I was absorbed in the relationships in space, in size and texture and weight, as well as in the tensions between the forms.’

Unit One Movement: Hepworth’s involvement with Unit One—a collective dedicated to synthesizing Surrealist and Abstract Expressionist impulses—solidified her position at the forefront of British modernism.
Landscape Sculpture: Hepworth's artistic vision was profoundly shaped by her immersion in the Yorkshire landscape, which served as a constant source of inspiration for her sculptures—particularly those exploring the relationship between organic forms and geometric abstraction.“The main sources of my inspiration are the human figure and the landscape; also the one in relation to the other.” Barbara Hepworth

Mature Style and Legacy

Hepworth’s mature style—characterized by a sensual exploration of material and space—produced monumental sculptures that captivated audiences worldwide.She was made a Commander of the Order of the British Empire in 1958, and was later awarded the rank of Dame in 1965. Notable works include *Oval Form*, *Two Forms*, and *Totem*, which exemplify her unwavering commitment to abstraction while retaining an evocative connection to nature.“Carving to me is more interesting than modelling, because there is an unlimited variety of materials from which to draw inspiration.” Barbara Hepworth

Hepworth Wakefield: Her legacy continues to inspire artists and art enthusiasts alike, enshrined in the Hepworth Wakefield—a museum dedicated to showcasing her oeuvre and fostering dialogue about contemporary sculpture.
Notable Exhibitions: Hepworth’s sculptures graced prestigious venues such as the Kimbell Art Museum in Fort Worth, Texas, cementing her reputation as a globally recognized artist.The Hepworth Wakefield houses numerous masterpieces from renowned artists, including hepworth's own works.

Hepworth’s pioneering approach to sculpture—her insistence on exploring fundamental geometric principles while simultaneously honoring the tactile qualities of natural materials—established her as an enduring icon of modernist art. Her work remains a testament to her artistic genius and continues to resonate with audiences today.More about barbara hepworth on wikipedia