Podgląd w skali 1:1 Podgląd AR Zamów ręcznie malowaną reprodukcję Przejdź do wersji cyfrowej Wyślij jako kartkę
Szczegóły dzieła Przewodnik Dodaj do ulubionych Pobierz obraz Podobne obiekty RTG Pokaz slajdów Pytania i odpowiedzi Statystyki

Apples in a Box

Wymiary
65.0 x 80.0 cm

Annabel Obholzer’s ‘Apples in a Box’ (1990) – a serene still life painting of ripe apples. Explore this realistic, evocative artwork & discover more about the artist.

Discover Annabel Obholzer's evocative still lifes & arrangements – exploring fruit, nature, & quiet moments with a distinctive, painterly style. Explore her art today!

Dzieło sztuki prezentowane na tej stronie podlega ochronie prawem autorskim, co oznacza, że nie mamy prawa do tworzenia ani sprzedaży jego identycznej reprodukcji. Ochrona ta jest egzekwowana na mocy umów międzynarodowych, takich jak Konwencja berneńska oraz przez przepisy prawa krajowego, w tym te określone w Prawo autorskie USA – Tytuł 17.

Metoda ta jest w pełni zgodna z przepisami prawa autorskiego, ponieważ nie polega na kopiowaniu ani powielaniu chronionego dzieła. Stanowi ona kreatywną reinterpretację – nowy obraz, który czerpie inspirację z oryginału, ale nie jest z nim tożsamy.

Giclée / Wydruk artystyczny

Wydruki giclée lub płótna o jakości muzealnej, szybka realizacja i szeroki wybór opcji wykończenia. ( Zamów ręcznie malowaną reprodukcję Przejdź do wersji cyfrowej)

Corner sample of the P118B picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P118B zł10
Corner sample of the P118H picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P118H zł10
Corner sample of the P118W picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P118W zł10
Corner sample of the P438Z picture frame: polistyren formowany, 5.5 cm wide and 3.5 cm thick
P438Z zł10
Corner sample of the P508JH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P508JH zł12
Corner sample of the P508YH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P508YH zł12
Corner sample of the P805H picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
P805H zł10
Corner sample of the P805Z picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
P805Z zł10
Corner sample of the P919BZ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P919BZ zł10
Corner sample of the P919G picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P919G zł10
Corner sample of the P919XJ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P919XJ zł10
Corner sample of the P959ZH picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P959ZH zł10
Corner sample of the P968JZ picture frame: polistyren formowany, 6 cm wide and 4 cm thick
P968JZ zł12
Corner sample of the W106C picture frame: lite drewno, 5 cm wide and 3 cm thick
W106C zł8
Corner sample of the W218G picture frame: lite drewno, 5 cm wide and 3 cm thick
W218G zł10
Corner sample of the W218JH picture frame: lite drewno, 5 cm wide and 3 cm thick
W218JH zł8
Corner sample of the W218Y picture frame: lite drewno, 5 cm wide and 3 cm thick
W218Y zł10
Corner sample of the W307PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
W307PJ zł10
Corner sample of the W316G picture frame: lite drewno, 6 cm wide and 3 cm thick
W316G zł10
Corner sample of the W316PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
W316PJ zł8
Corner sample of the W316Y picture frame: lite drewno, 6 cm wide and 3 cm thick
W316Y zł10
Corner sample of the W398PJ picture frame: lite drewno, 5 cm wide and 3 cm thick
W398PJ zł8
Corner sample of the W4111J picture frame: lite drewno, 6.5 cm wide and 3.5 cm thick
W4111J zł10
Corner sample of the W500HY picture frame: lite drewno, 7 cm wide and 5 cm thick
W500HY zł15
Corner sample of the W500JH picture frame: lite drewno, 7 cm wide and 5 cm thick
W500JH zł15
Corner sample of the W692G picture frame: lite drewno, 8 cm wide and 4 cm thick
W692G zł12
Corner sample of the W849H picture frame: lite drewno, 5 cm wide and 3 cm thick
W849H zł8
Corner sample of the W940BG picture frame: lite drewno, 7.5 cm wide and 4.5 cm thick
W940BG zł15
Corner sample of the W953PJ picture frame: lite drewno, 6 cm wide and 3.5 cm thick
W953PJ zł8

Standardowy format
personalizowane
CM
INCH

Wybierz spośród naszych standardowych rozmiarów, które zachowują oryginalne proporcje dzieła sztuki.

szerokość
wysokość

Wpisz wymaganą szerokość i wysokość, aby dopasować grafikę do ramy lub ściany. Wydruk można jedynie przyciąć, nigdy nie powiększając go poza oryginalny obraz, dlatego format o innych proporcjach spowoduje utratę części kompozycji. Przed rozpoczęciem druku prześlemy Ci cyfrowy podgląd do zatwierdzenia. Obraz wyświetlany na tej stronie nie pokazuje rzeczywistego przycięcia — jedynie podgląd oddaje ten efekt.

Dostawa na cały świat () w ciągu 2 tygodni zamiast standardowych 4/5 tygodni. (6 Listopad)

Bezpłatna ekspresowa wysyłka na cały świat
Wysokiej jakości płótno lniane
Pełne ubezpieczenie przesyłki
Gwarancja zwrotu należności celnych i podatków importowych
Gwarancja wiernego odwzorowania kolorów
100-dniowa polityka zwrotów (tylko w przypadku wad)
Gwarancja 100% zwrotu pieniędzy
Zniżka przy zakupie wielu sztuk

Suma całkowita

zł 317

Apples in a Box

Giclée / Wydruk artystyczny

Wymiary reprodukcji

-

Cena całkowita

zł 317


Biografia artysty

A Life Immersed in Stillness: The World of Annabel Obholzer

Annabel Obholzer, born in 1942, is a contemporary artist whose work quietly commands attention through its masterful exploration of the still life genre. While biographical details remain somewhat elusive – a deliberate choice perhaps, reflecting her preference for allowing the paintings themselves to speak – her artistic journey has been one of consistent dedication to observing and interpreting the beauty found in everyday objects, particularly those drawn from the natural world. Obholzer’s canvases are not merely representations of fruit or flowers; they are meditations on light, form, and the ephemeral nature of existence. Her art resonates with a sense of peaceful contemplation, inviting viewers to slow down and appreciate the subtle nuances often overlooked in the rush of modern life.

Early Influences and Artistic Development

Though specific details regarding her formal training are scarce, it’s clear that Obholzer's artistic roots lie deeply embedded within the traditions of European still life painting. The influence of Dutch Masters like Willem Kalf and Rachel Ruysch is palpable in her meticulous attention to detail and her ability to imbue commonplace objects with a sense of dignity and presence. However, Obholzer doesn’t simply replicate these historical styles; she filters them through a distinctly contemporary lens. Her work also hints at an appreciation for the Impressionists' handling of light and color, though tempered by a more restrained palette and a focus on solid form rather than fleeting impressions. This unique blend creates a style that feels both timeless and remarkably fresh. Early works demonstrate a gradual refinement of technique, moving from relatively straightforward depictions to increasingly complex arrangements characterized by layered textures and nuanced tonal variations.

Themes and Symbolism in Obholzer’s Paintings

The recurring motifs in Annabel Obholzer's paintings – fruit, flowers, glass, porcelain – are not chosen arbitrarily. They carry a rich symbolic weight that adds depth to her compositions. Fruit, traditionally associated with abundance, fertility, and the passage of time, often appears on the verge of ripeness or decay, prompting reflection on mortality and the beauty of impermanence. Flowers, similarly, represent both life’s vibrancy and its inevitable decline. The inclusion of glass objects introduces themes of transparency, fragility, and reflection – both literal and metaphorical. Obholzer's arrangements are rarely ostentatious; instead, they evoke a sense of quiet intimacy, suggesting moments captured in time. The artist avoids overt narrative or symbolism, allowing viewers to project their own interpretations onto the work.

Technique and Materials

Obholzer’s paintings are characterized by her exceptional technical skill. She typically works in oil on canvas, employing a layering technique that builds up rich textures and luminous surfaces. Her brushwork is often subtle and controlled, creating a sense of depth and realism without sacrificing painterly quality. The artist demonstrates a keen understanding of color theory, using a restrained palette to create harmonious compositions that emphasize the interplay of light and shadow.
  • Her mastery of glazing techniques allows her to achieve remarkable luminosity.
  • She often employs scumbling – a technique involving applying thin layers of broken color – to create atmospheric effects.
  • The careful selection of materials, from the quality of the oil paints to the texture of the canvas, underscores her commitment to craftsmanship.

Historical Significance and Contemporary Relevance

While not seeking widespread fame or notoriety, Annabel Obholzer has established a dedicated following among collectors who appreciate her refined aesthetic and thoughtful approach to painting. Her work represents a continuation of the still life tradition, but with a distinctly contemporary sensibility. In an era dominated by abstraction and conceptual art, Obholzer’s commitment to representational painting is both refreshing and significant. She reminds us that beauty can be found in the simplest of things, and that careful observation can reveal profound truths about the world around us. Her paintings offer a welcome respite from the noise and chaos of modern life, inviting viewers to pause, reflect, and appreciate the quiet moments of stillness that often go unnoticed. Her legacy lies not in groundbreaking innovation, but in her unwavering dedication to her craft and her ability to create works of enduring beauty and emotional resonance.