Ammi Phillips (1788–1865): The Quiet Genius of American Folk Art

Ammi Phillips (April 24, 1788 – July 11, 1865) was a prolific American itinerant portrait painter active from the mid 1810s to the early 1860s in Connecticut, Massachusetts, and New York. His artwork is identified as folk art, primitive art, provincial art, and itinerant art without consensus among scholars, pointing to the enigmatic nature of his work and life. He is attributed to over eight hundred paintings, although only eleven are signed. While his paintings are formulaic in nature, Phillips’s work was under constant construction, evolving as he added or discarded what he found successful, while taking care to add personal details that spoke to the identity of those who hired him. He is most famous for his portraits of children in red, although children only account for ten percent of his entire body of work. The most well known of this series, Girl in Red Dress with Cat and Dog, sold in 1985 for one million dollars, a first for folk art. His paintings hung mostly unidentified, spare for some recognition in the collections like those of Edward Duff Balken, for decades until his oeuvre was reconstructed by Barbara Holdridge and Larry Holdridge, collectors and students of American folk art, with the support of Mary Black. Ammi Phillip's body of work was expanded upon their discovery that the mysterious paintings of a “Kent Limner” and “Border Limner” were indeed his.

Early Life and Education

Phillips’ early education remains obscure to history, although he is often considered a self-taught artist. He may have apprenticed with another artist, but it's clear that Phillips made up his mind to pursue a career as an artist while still young. He enters the documentary record as an artist in 1809, at the age of 21, with advertisements in both The Berkshire Reporter and a Pittsfield, Massachusetts tavern proclaiming hi

Artistic Career

Phillips soon specialized as a portraitist, and his work satisfied the local standard. Within two years, Phillips was receiving regular portrait commissions from community leaders in this area of western Connecticut and Massachusetts. Unlike many untrained portraitists who had to resort to other means to supplement their income, Phillips seemed to have pursued a single vocation. He traveled extensively in the New York - Massachusetts - Connecticut border area, and because of this, became known as “Border Limner.” The artist moved on as he exhausted the demand of the local community for painted “likenesses”. This wandering lifestyle is archetypically romantic, rather contrasting with the bourgeois domesticity of his portraits, which are almost always set within interiors. Phillips’s paintings were under constant construction, evolving as he added or discarded what he found successful, while taking care to add personal details that spoke to the identity of those who hired him. He was recorded in the diary of Dr. Samuel Barstow of Great Barrington, Massachusetts, dated October 6, 1811, mentioning small portraits he had commissioned of himself and his wife. Phillips’s work satisfied the local standard, and within two years he was receiving regular portrait commissions from community leaders in this area of western massachusetts. He may have learned some of his skills from the portraits by john vanderlyn he saw hanging in the homes of his wealthy patrons. Some aspects of Phillips’ works are reminiscent of vanderlyn’s, such as The Course of Empire: The Savage State, painted by Thomas Cole in 1836.

Notable Works

Some of Phillips' notable works include George C. Sunderland painted when at the age of 21 years by mr. Ammi Phillips, in the fall 1840, and mrs. Isaac Cox and deacon Benjamin Benedict, both painted around 1836. These portraits showcase Phillips’ superb quality and demonstrate his ability to capture the essence of his subjects. Phillips may have learned some of his skills from the portraits by john vanderlyn he saw hanging in the homes of his wealthy patrons. Girl in Red Dress with Cat and Dog sold in 1985 for one million dollars, a first for folk art. His paintings hung mostly unidentified, spare for some recognition in the collections like those of Edward Duff Balken, for decades until his oeuvre was reconstructed by Barbara Holdridge and Larry Holdridge, collectors and students of American folk art, with the support of Mary Black. Phillips’s body of work was expanded upon their discovery that the mysterious paintings of a “Kent Limner” and “Border Limner” were indeed his.

Legacy

Phillips lived into the era of the daguerreotype, and his last portraits show this influence. He died on July 15, 1865, at the age of 72, in Curtisville (now Interlaken), Stockbridge, Massachusetts, just outside stockbridge, where his death certificate is filed in the town hall. Phillips was buried in Amenia, New York, where he had lived earlier in his life. Phillips’ legacy as an artist has been reconstructed by Barbara Holdridge and Larry Holdridge, collectors and students of American folk art, with the support of Mary Black. His work provides posterity with a vast archive of early american self-fashioning, and his portraits continue to be admired for their clarity, precision, and sympathy. Visit Ammi Phillips page on OriginalUniqueArt to learn more about the artist and his works. Explore The Patricia - Phillip Frost Art Museum in Miami! Explore modern & contemporary art, plus a vibrant Latin American collection. Rotating exhibits & free admission!. Check out Thomas Cole's The Course of Empire: The Savage State and other notable works on OriginalUniqueArt. Important links: all popular artworks all popular artists