Where can I see Red Mobile?

Galleria Civica di Arte Moderna e Contemporanea Torino

Kup wydruk Red Mobile - Alexander Milne Calder

Opis obiektu kolekcjonerskiego

Between the 1920s and ‘30s, Calder regularly made long study and work trips to Paris, where he began to participate in the Abstraction-Création group. Finally, in 1932, at the Galleria Vignon – owned by Marie Cuttolì, an avant-garde collector – he exhibited for the first time, presenting thirty mobile works that were to pave the way for other mobiles to come. Fifteen of these were operated artificially by motors and others were composed of naturally oscillating parts. Later constructions often had supports or were suspended in the air, and were normally composed of painted metal sheets joined by a metal skeleton of slender veins and stems. Apparently it was Marcel Duchamp, on a visit to the exhibition by his American friend, who gave their name to these graceful, floating structures, which could catch the slightest change in the breeze, in stark contrast to the basic characteristics of traditional sculpture - gravity and stability. The Parisian context and close interest of the avant-guard led to the mechanical and biomorphic nature of these works being associated with the organic motifs of the surrealist painting and sculpture of Jean Mirò and Jean Arp. The Dadaist legacy of interest in movement, better still if unpredictable and casual in its effects and forms, which Calder combined with a preference for abstract and heavily stylised language, was stimulated by attention towards primitive cultures, which for the artist essentially meant the ethnic heritage of Native Americans, encountered while wandering around the United States in his youth. These influences spawned abstract anatomies, like this large Red Mobile, always in movement with a calculated balance, aimed at creating a visual equivalent of the harmonious yet unpredictable activity of nature.

Biografia artysty

Introduction to Alexander Milne Calder

Alexander Milne Calder (MILL-nee) was a Scottish American sculptor born in Aberdeen, Scotland, on August 23, 1846. He is best known for his architectural sculpture of Philadelphia City Hall and both his son, Alexander Stirling Calder, and grandson, Alexander ‘sandy’ Calder, became significant sculptors in the 20th century. His artistic journey began with a formative influence from his father, John Rhind, a sculptor who instilled in him an early appreciation for stone carving during his childhood years. Calder attended the Royal Academy in Edinburgh where he honed his skills and studied alongside fellow artists, shaping his understanding of classical sculpture traditions. He subsequently moved to London, immersing himself in the vibrant artistic milieu of Victorian England, and undertook commissions that showcased his versatility and technical prowess.

Early Life and Education

Calder’s upbringing was marked by a profound connection to art from a young age. His father, John Rhind, nurtured his talent for sculpting stone—a craft passed down through generations—providing him with invaluable experience in mastering the medium. Calder pursued formal artistic training at the Royal Academy of Edinburgh, immersing himself in the study of classical sculpture and gaining insights into influential artistic movements of the time. This early education laid the groundwork for his future endeavors as a sculptor and cemented his dedication to artistic excellence. He traveled extensively throughout Europe, absorbing diverse cultural influences that enriched his creative vision.

Career Highlights

Calder’s professional life unfolded with remarkable achievements, most notably his monumental contribution to Philadelphia City Hall. Recognizing the need for innovative sculptural designs, he embarked on a transformative project—a commission that demanded more than 250 pieces of marble and bronze over a span of two decades. This ambitious undertaking showcased Calder's unparalleled skill in crafting large-scale architectural sculptures and solidified his reputation as one of Scotland’s foremost sculptors. Furthermore, Calder captivated audiences with his creation of William Penn, a colossal bronze statue that served as the centerpiece of Philadelphia City Hall’s tower—a testament to his artistic ambition and technical mastery. His work extended beyond monumental sculpture; he produced numerous smaller pieces, exploring diverse materials and techniques while maintaining a consistent commitment to artistic innovation.

Notable Sculptures and Artistic Style

Calder's sculptural style is characterized by its exploration of kinetic art—the incorporation of movement into static sculptures. He pioneered the technique of “mobiles,” delicate structures composed of suspended metal rods and balanced weights that oscillate rhythmically with air currents, capturing the essence of chance and spontaneity. These mobiles exemplify Calder’s fascination with natural phenomena and his desire to translate organic rhythms into artistic form. His monumental sculptures, such as *Man Cub* and *Indian Figure*, stand as enduring symbols of sculptural artistry—reflecting Calder's profound understanding of form and balance. Calder’s distinctive approach to sculpture continues to inspire artists today, cementing his legacy as a visionary innovator who reshaped the landscape of modern art.

Legacy and Influence

Alexander Stirling Calder and Alexander ‘sandy’ Calder followed in their father’s footsteps, establishing themselves as prominent sculptors—carrying forward Calder's artistic vision and furthering his exploration of kinetic sculpture. Their contributions to the art world underscore the enduring impact of Calder’s pioneering spirit and demonstrate the transmission of artistic heritage across generations. Calder’s sculptures reside in museums worldwide—a testament to their universal appeal and lasting significance—inspiring artists and audiences alike with their beauty, innovation, and contemplation of movement and balance. His legacy continues to resonate within the art community—affirming Calder's position as a pivotal figure who transformed sculptural practice and captivated viewers with his groundbreaking aesthetic.

Alexander Milne Calder

1898 - 1976 , Szkocja

Kluczowe informacje

Artistic Movement Or Style: Architectural sculpture
Artists Who Influenced This Artist: ['John Rhind']
Date Of Birth: August 23, 1846
Date Of Death: June 14, 1923
Full Name: Alexander Milne Calder
Nationality: Scottish-American
Notable Artworks:
- Philadelphia City Hall
- William Penn statue
Place Of Birth: Aberdeen, Scotland

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