Portret Anna Dorothea Therbusch

36 najsłynniejszych obrazów artysty Anna Dorothea Therbusch, każdy niepowtarzalny

Aktualizacja: Październik 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 37 dzieł Anna Dorothea Therbusch w naszym katalogu

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Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763) to obraz autorstwa Anna Dorothea Therbusch, który przyciąga najwięcej spojrzeń; oryginał znajduje się w Bawarskie Państwowe Zbiory Malarstwa, Monachium. Następnie wzrok kieruje się na Portrait of Prince Augustus Ferdinand of Prussia (1773) i A Scientist Seated at a Desk by Candlelight (1767). Spośród 37 dzieł Anna Dorothea Therbusch w naszym katalogu, tych 36 jest najbardziej znanych – każde z nich to unikatowy oryginał, przedstawiony wraz z rokiem powstania, muzeum oraz powodem, dla którego przetrwało próbę czasu.

1721 – 1782, Berlin Rococo Najwięcej dzieł: Gemäldegalerie

10 najlepszych obrazów autorstwa Anna Dorothea Therbusch według oka galerii

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Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763) autorstwa Anna Dorothea Therbusch

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit

1763 · Oil On Canvas · Bawarskie Państwowe Zbiory Malarstwa, Monachium

The air in the room feels heavy with the scent of old wood and expensive fabric as Elector Karl Theodor sits for his portrait. He is positioned slightly off-center, a choice that lends a sense of movement to his regal posture. The deep, royal blue of his velvet suit dominates the visual field, its texture so palpable that one can almost feel the plush weight of the cloth against the…

2
Portrait of Prince Augustus Ferdinand of Prussia (1773) autorstwa Anna Dorothea Therbusch

Portrait of Prince Augustus Ferdinand of Prussia

1773 · Oil On Canvas · Ermitaż, Sankt Petersburg

The portrait presents Prince Augustus Ferdinand of Prussia in a formal, full-length stance, capturing the gravity of the Hohenzollern lineage. He is positioned in a three-quarter pose, his figure framed by the verticality of a classical column and the heavy, dark folds of a velvet cloak. This mantle, adorned with the white Maltese crosses of the Order of St. John, drapes heavily around him, anchoring the composition. A red waistcoat…

3
A Scientist Seated at a Desk by Candlelight (1767) autorstwa Anna Dorothea Therbusch

A Scientist Seated at a Desk by Candlelight

1767 · Oil On Canvas · Cleveland Museum of Art, Cleveland

The room is swallowed by a heavy, velvet darkness, leaving only a small circle of warmth around a solitary figure. A young man sits hunched over a desk, his attention entirely consumed by the task before him. A single candle flickers to the right, casting a sharp, golden glow that carves his features out of the gloom. This light catches the crisp white of a ruffled sleeve and the metallic…

4
Portrait of Alexander Friedrich von Woldeck (1781) autorstwa Anna Dorothea Therbusch

Portrait of Alexander Friedrich von Woldeck

1781 · Oil · Alte Nationalgalerie, Berlin

The Portrait of Alexander Friedrich von Woldeck presents a formal encounter with a man of high standing. Painted in 1781, this work captures the likeness of Alexander Friedrich von Woldeck through the practiced hand of Anna Dorothea Therbusch. The subject meets the viewer's gaze directly, his presence fixed within the frame as if caught in a moment of quiet, dignified repose.

6
Self Portrait (1740) autorstwa Anna Dorothea Therbusch

Self Portrait

1740 · Oil On Canvas · Statens Museum for Kunst, Kopenhaga

The artwork titled Self Portrait is a painting by the artist Anna Dorothea Therbusch. This specific work is a bust portrait of a young woman. The subject of the painting is a self-portrait, capturing the artist herself in a close-up view. The composition focuses on the head and shoulders of the subject.

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A Man, Glass in Hand, Lit by a Candle (1750) autorstwa Anna Dorothea Therbusch

A Man, Glass in Hand, Lit by a Candle

1750 · Oil

In A Man, Glass in Hand, Lit by a Candle by Anna Dorothea Therbusch, the world narrows to a single, solitary figure. The composition is tightly focused on a man caught in a moment of quiet contemplation or melancholy. He holds a glass, a small vessel of light amidst the surrounding gloom. A singular, directional light source emanates from a candle, partially obscured or hidden from view, carving the subject…

Słynne obrazy artysty Anna Dorothea Therbusch, od 11 do 36

11Self-portrait (1773) autorstwa Anna Dorothea TherbuschSelf-portrait1773 · Herzog Anton Ulrich Museum 12Portrait of Friederike Luise von Hessen-Darmstadt and her son Frederick William (1775) autorstwa Anna Dorothea TherbuschPortrait of Friederike Luise von Hessen-Darmstadt and her son Frederick William1775 13Portrait of Frederick II of Prussia (1770) autorstwa Anna Dorothea TherbuschPortrait of Frederick II of Prussia1770 14Double portrait of Johann Christian Samuel Gohl and his (future) mother-in-law, the painter Anna Dorothea Therbusch, 1764-1776 (1775) autorstwa Anna Dorothea TherbuschDouble portrait of Johann Christian Samuel Gohl and his (future) mother-in-law, the painter Anna Dorothea Therbusch, 1764-17761775 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 15Portrait of Anna Maria Boreel (1738-1781) (1770) autorstwa Anna Dorothea TherbuschPortrait of Anna Maria Boreel (1738-1781)1770 16Portrait of an Unknown Man (1768) autorstwa Anna Dorothea TherbuschPortrait of an Unknown Man1768 · Gemäldegalerie 17Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector (1771) autorstwa Anna Dorothea TherbuschPortrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector1771 · Gemäldegalerie 18Diana mit Nymphen (1772) autorstwa Anna Dorothea TherbuschDiana mit Nymphen1772 19Self-portrait with a monocle (1780) autorstwa Anna Dorothea TherbuschSelf-portrait with a monocle1780 · Alte Nationalgalerie 20Portrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)). (1777) autorstwa Anna Dorothea TherbuschPortrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)).1777 · Muzeum Narodowe w Warszawie 21Self-Portrait (1782) autorstwa Anna Dorothea TherbuschSelf-Portrait1782 · Germanisches Nationalmuseum 22Christian Andreas Cothenius (1777) autorstwa Anna Dorothea TherbuschChristian Andreas Cothenius1777 · Gemäldegalerie 23Portrait of Jacob Philipp Hackert (1786) autorstwa Anna Dorothea TherbuschPortrait of Jacob Philipp Hackert1786 · Academy of Fine Arts Vienna 24Portrait of Prince Friedrich Heinrich Ludwig of Prussia (1773) autorstwa Anna Dorothea TherbuschPortrait of Prince Friedrich Heinrich Ludwig of Prussia1773 · Ermitaż 25Self-Portrait (1776) autorstwa Anna Dorothea TherbuschSelf-Portrait1776 · Berlińskie Muzea Państwowe 26Ernst friedrich therbusch autorstwa Anna Dorothea TherbuschErnst friedrich therbusch 27Woman playing a lute autorstwa Anna Dorothea TherbuschWoman playing a lute 28Friedrich II autorstwa Anna Dorothea TherbuschFriedrich II 29Portrait of a sculptor autorstwa Anna Dorothea TherbuschPortrait of a sculptor 30Jupiter and Antiope autorstwa Anna Dorothea TherbuschJupiter and Antiope 31Young woman in a negligee autorstwa Anna Dorothea TherbuschYoung woman in a negligeeGemäldegalerie 32Apotheosis of Prince Augustus Ferdinand of Prussia. autorstwa Anna Dorothea TherbuschApotheosis of Prince Augustus Ferdinand of Prussia. 33Portrait of the Innkeeper Ernst Friedrich Therbusch, Husband of the Artist autorstwa Anna Dorothea TherbuschPortrait of the Innkeeper Ernst Friedrich Therbusch, Husband of the Artist 34Portrait of Charles Theodore, Elector of Bavaria autorstwa Anna Dorothea TherbuschPortrait of Charles Theodore, Elector of BavariaReiss-Engelhorn Museums 35Bildnis henriette herz autorstwa Anna Dorothea TherbuschBildnis henriette herzAlte Nationalgalerie 36Wilhelmine Encke, Countess Lichtenau (1776) autorstwa Anna Dorothea TherbuschWilhelmine Encke, Countess Lichtenau1776 · Nowy Pałac

Tematy, które przyciągnęły wzrok Anna Dorothea Therbusch

Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.

Muzea przechowujące oryginały Anna Dorothea Therbusch

8 muzeów, w których znajduje się najwięcej obrazów z tej strony.

Muzea Miasto Dzieła artysty Anna Dorothea Therbusch Obrazy z tej listy
Gemäldegalerie, BerlinGemäldegalerie Berlin 5 Portrait of Amalie Princess of Prussia (1723-1787), Portrait of an Unknown Man, Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector
Ermitaż, Sankt PetersburgErmitaż Sankt Petersburg 3 Portrait of Prince Augustus Ferdinand of Prussia, Portrait of Anna Elizabeth Louise Ferdinanda of Prussia, Portrait of Prince Friedrich Heinrich Ludwig of Prussia
Alte Nationalgalerie, BerlinAlte Nationalgalerie Berlin 3 Portrait of Alexander Friedrich von Woldeck, Self-portrait with a monocle, Bildnis henriette herz
Bawarskie Państwowe Zbiory Malarstwa, MonachiumBawarskie Państwowe Zbiory Malarstwa Monachium 2 Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit, Giovanna Chichiniere von Verschaffelt, Gattin des Münchner Hofbildhauers Peter von Verschaffelt
Muzeum Narodowe w Warszawie, WarszawaMuzeum Narodowe w Warszawie Warszawa 2 Portrait of Anna von Wartensleben, Portrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)).
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 A Scientist Seated at a Desk by Candlelight
Statens Museum for Kunst, KopenhagaStatens Museum for Kunst Kopenhaga 1 Self Portrait
Herzog Anton Ulrich Museum, BrunszwikHerzog Anton Ulrich Museum Brunszwik 1 Self-portrait

Anna Dorothea Therbusch na przestrzeni dekad: jeden unikatowy oryginał dla każdego

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Obrazy artysty Anna Dorothea Therbusch: pytania do galerii

Jakie jest najsłynniejsze dzieło artysty Anna Dorothea Therbusch?Odkryj odpowiedź

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763), Bawarskie Państwowe Zbiory Malarstwa, Monachium. Następne są Portrait of Prince Augustus Ferdinand of Prussia (1773) oraz A Scientist Seated at a Desk by Candlelight (1767).

W jakim wieku Anna Dorothea Therbusch stworzył/a Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit?Odkryj odpowiedź

42 lat: Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit pochodzi z 1763, a Anna Dorothea Therbusch urodził(a) się w 1721.

Które dziesięć obrazów Anna Dorothea Therbusch jest najbardziej znanych?Odkryj odpowiedź

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit, Portrait of Prince Augustus Ferdinand of Prussia, A Scientist Seated at a Desk by Candlelight, Portrait of Alexander Friedrich von Woldeck, Portrait of Anna Elizabeth Louise Ferdinanda of Prussia, Self Portrait, A Man, Glass in Hand, Lit by a Candle, Giovanna Chichiniere von Verschaffelt, Gattin des Münchner Hofbildhauers Peter von Verschaffelt, Portrait of Anna von Wartensleben i Portrait of Amalie Princess of Prussia (1723-1787). Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.

Ile znanych dzieł stworzył Anna Dorothea Therbusch?Odkryj odpowiedź

Nasz katalog zawiera 37 dzieł artysty Anna Dorothea Therbusch, datowanych od 1740 do 1782.

Gdzie można zobaczyć najsłynniejsze oryginały Anna Dorothea Therbusch?Odkryj odpowiedź

W większości znajdują się w Gemäldegalerie (Berlin), Ermitaż (Sankt Petersburg) i Alte Nationalgalerie (Berlin). Powyższa tabela muzeów zawiera ich pełną listę.

W jakim okresie Anna Dorothea Therbusch stworzył/a swoje najsłynniejsze obrazy?Odkryj odpowiedź

W 1770s: 15 z 36 dzieł na tej stronie powstało w tym czasie, w tym Portrait of Prince Augustus Ferdinand of Prussia.

Który z najsłynniejszych obrazów artysty Anna Dorothea Therbusch powstał najwcześniej, a który najpóźniej?Odkryj odpowiedź

Na tej stronie najwcześniejszy to Self Portrait (1740), a najpóźniejszy Self-Portrait (1782).

Jakie tematy preferował Anna Dorothea Therbusch?Odkryj odpowiedź

Man (6), Woman (3) i Portrait (3), w ramach 36 dzieł na tej stronie.

Jakich materiałów Anna Dorothea Therbusch używał najczęściej?Odkryj odpowiedź

Oil On Canvas, dla 8 z 36 dzieł na tej stronie.

Do jakiego nurtu należy twórczość Anna Dorothea Therbusch?Odkryj odpowiedź

Rococo, sądząc po oryginałach na tej stronie.

Jakie oryginały Anna Dorothea Therbusch można zobaczyć w Gemäldegalerie?Odkryj odpowiedź

Portrait of Amalie Princess of Prussia (1723-1787), Portrait of an Unknown Man i Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector: Gemäldegalerie, Berlin posiada 5 dzieł widocznych na tej stronie.

Anna Dorothea Therbusch: portret artysty

Anna Dorothea Therbusch: A Pioneer of Female Artistic Expression

Anna Dorothea Therbusch (1721-1782) stands as a remarkable figure in the annals of Rococo art history—a woman artist who defied societal expectations and achieved considerable renown during the Enlightenment. Born into a family steeped in artistic tradition, her father, Georg Lisiewski, was himself a celebrated Berlin portrait painter, establishing a lineage dedicated to visual representation. This upbringing instilled in Anna Dorothea a profound appreciation for painting from an early age, fostering a talent that would blossom into one of Prussia’s most prolific and admired artists.
  • Early Life & Family: Anna Dorothea Lisiewski married Ernst Friedrich Therbusch, an innkeeper, forging a domestic life alongside her husband and raising five children. Despite the responsibilities of motherhood, she relentlessly pursued her artistic passions, demonstrating an unwavering commitment to her craft.
  • Training & Artistic Development: Her father recognized her exceptional abilities and actively encouraged her artistic pursuits, providing her with invaluable instruction in painting techniques. Notably, her elder sister Anna Rosina was equally gifted, earning the moniker “Wunderkinder” – child prodigy – cementing their family’s reputation for artistic excellence.

A Rococo Visionary: Style and Technique

Therbusch's artistic style epitomized the elegance and refinement characteristic of Rococo art—a movement that prioritized ornamentation, pastel hues, and graceful asymmetry. Her canvases frequently depicted mythological scenes infused with allegorical symbolism, reflecting the intellectual currents of her time. She skillfully employed delicate brushstrokes and meticulous attention to detail, capturing ethereal beauty and conveying nuanced emotions through expressive poses and gestures. Her masterful handling of light and shadow contributed significantly to the atmospheric depth of her paintings, creating immersive experiences for viewers.
  • Notable Works: Among her impressive oeuvre are iconic pieces like “Diana mit Nymphen,” a breathtaking depiction of the goddess Diana surrounded by nymphs—a testament to Therbusch’s ability to convey grandeur and serenity through visual artistry.

Recognition & Patronage: Parisian Influence

Therbusch's artistic journey took an extraordinary turn when she relocated to Paris in 1765, seeking opportunities for advancement within the vibrant artistic landscape of the French capital. Recognizing her talent and advocating for female artists—a radical stance at the time—Denis Diderot, a prominent philosopher and art critic, championed Therbusch’s cause, even posing nude for her portrait. Her acceptance into the Académie royale de peinture et de sculpture marked a pivotal moment in her career, affording her access to influential mentors and fostering collaborations with fellow artists like Philippe Hackert. Despite facing financial hardships and navigating the complexities of Parisian society, Therbusch persevered, producing some of her most celebrated works during this period—particularly those imbued with the spirit of Diderot’s intellectual fervor.

Legacy & Historical Significance

Anna Dorothea Therbusch's contribution to art history transcends mere stylistic innovation; she represents a courageous assertion of female autonomy within a patriarchal society. Her success as a painter challenged conventional notions of gender roles and paved the way for future generations of women artists. Today, her paintings reside in prestigious museums across Germany—including the Gemäldegalerie Berlin and Alte Nationalgalerie—serving as enduring reminders of Therbusch’s artistic brilliance and her unwavering determination to pursue her passion despite societal obstacles. She remains a symbol of perseverance, creativity, and the transformative power of artistic expression.