Portrett av Wilhelm Morgner

De 39 mest kjente Wilhelm Morgner-maleriene, hvert og ett unikt

Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 39 verk av Wilhelm Morgner i vår katalog

Kort fortalt

Goats (1911) er maleriet av Wilhelm Morgner som vekker mest oppmerksomhet. Deretter går blikket til The Lumberjack (1911) og Soest Farmer (1912). Blant de 39 verkene til Wilhelm Morgner i vår katalog, er disse 39 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.

1891 – 1917, Soest Expressionism Flest verk: Museum Ostwall

Topp 10 malerier av Wilhelm Morgner, sett gjennom galleriets øyne

Wilhelm Morgners berømte malerier, nummer 11 til 39

Museene som har Wilhelm Morgners originalverk

De 2 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Wilhelm Morgner Malerier fra denne listen
Museum Ostwall, DortmundMuseum Ostwall Dortmund 1 Entry of Christ into Jerusalem
Städel Museum, FrankfurtStädel Museum Frankfurt 1 Astrale Komposition VI

Wilhelm Morgner gjennom årene: de unike originalene fra hvert verk

Mellom 1909 og 1913, totalt 5 år, skapte Wilhelm Morgner hvert daterte originalverk som vises her: et kort tidsrom, år for år.

Wilhelm Morgners malerier: spørsmål til galleriet

Hva er det mest kjente verket til Wilhelm Morgner?Avslør svaret

Goats (1911). Deretter følger The Lumberjack (1911) og Soest Farmer (1912).

Hvor gammel var Wilhelm Morgner da Goats ble skapt?Avslør svaret

20 år gammel: Goats er fra 1911, og Wilhelm Morgner ble født i 1891.

Hvilke ti malerier av Wilhelm Morgner er de mest kjente?Avslør svaret

Goats, The Lumberjack, Soest Farmer, The Lumberjack with the Crucified, Self-Portrait XV, Mother with Child, Schulte Stands at Open Door, Man with Blue Car in Ornamental Landscape, Striding Woman in Landscape og The Porter. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange verk av Wilhelm Morgner er kjent?Avslør svaret

Vår katalog inneholder 39 verk av Wilhelm Morgner, datert fra 1909 til 1913.

Hvor kan de mest kjente originalverkene til Wilhelm Morgner ses?Avslør svaret

Hovedsakelig i Museum Ostwall (Dortmund) og Städel Museum (Frankfurt). Museumslisten ovenfor viser alle.

I hvilken periode malte Wilhelm Morgner sine mest kjente malerier?Avslør svaret

I 1911: 15 av de 39 verkene på denne siden ble laget da, Goats av dem.

Hvilket kjent maleri av Wilhelm Morgner er det eldste, og hvilket er det nyeste?Avslør svaret

På denne siden er det eldste Schulte Stands at Open Door (1909) og det nyeste Ascension (1913).

Hvilken kunstretning tilhører verkene til Wilhelm Morgner?Avslør svaret

Expressionism, basert på originalene på denne siden.

Hvor kan jeg bestille en håndmalt reproduksjon av Wilhelm Morgner?Avslør svaret

Ja, som reproduksjon: originalen forblir i museet, men ethvert maleri på denne siden kan males for hånd til deg, spesiallaget ett og ett, fra maleriets egen side.

Wilhelm Morgner: et portrett av kunstneren

The Brief, Radiant Life of Wilhelm Morgner

In the fleeting dawn of the twentieth century, few voices resonated with as much raw, spiritual intensity as that of Wilhelm Morgner. Born on January 27, 1891, in the Westphalian town of Soest, Morgner’s life was a short but brilliant arc of creative evolution, cut tragically short by the ravages of war. His early years were marked by a profound tension between duty and desire; while his mother, an artistically inclined woman, envisioned a future for him in the pulpit as a Protestant minister, the young Morgner felt the irresistible pull of the canvas. This internal struggle between the structured expectations of his upbringing and the chaotic beauty of modern art would eventually fuel the expressive power of his work.

Morgner’s journey into the heart of the avant-garde began in 1908, when, guided by the wisdom of Otto Modersohn, he moved to the renowned artists' colony of Worpswede. It was here, under the mentorship of the Expressionist painter Georg Tappert, that Morgner’s artistic identity truly began to coalesce. Tappert did more than teach technique; he opened a window into the burgeoning world of modernism, introducing his pupil to the radical possibilities of en plein aire painting and the vibrant energy of contemporary movements. As Morgner matured, his early works—often characterized by a heavy, somber realism and dark moods—began to shed their weight, gradually transforming into something far more ethereal and luminous.

A Symphony of Color and Abstraction

As Morgner moved toward the great art centers like Berlin, his style underwent a breathtaking metamorphosis. The influence of Pointillism, Futurism, and the haunting emotional depth of Vincent van Gogh began to permeate his brushwork. He did not merely observe these movements; he assimilated them, distilling their essence into a personal language of pure color and spiritual inquiry. His fascination with the interplay of light and pigment led him away from the literal depiction of rural laborers and landscapes toward an increasingly abstract realm. For Morgner, color was not just a descriptive tool but a vessel for the divine, a means to convey profound spiritual truths that transcended the physical world.

This period of intense experimentation saw his work featured in some of the most prestigious and radical publications and exhibitions of the era, including:

  • Der Sturm: The legendary magazine that served as a beacon for the international avant-garde.
  • Die Aktion: A platform for the most provocative voices of German Expressionism.
  • The Sonderbund Exhibition in Cologne: A monumental gathering of modern art that solidified his standing among his peers.
  • The Blauer Reiter in Munich: Where his work caught the eye of masters like Franz Marc, who was reportedly deeply impressed by Morgner's vision.

A Legacy Forged in Fire and Memory

The trajectory of Morgner’s meteoric rise was violently interrupted by the onset of World War I. Conscripted into military service, he found himself thrust onto the battlefields of the Western and Eastern Fronts. The physical and psychological toll of the conflict stripped him of the ability to work in oils, yet even amidst the devastation of war, his creative spirit refused to be extinguished. He turned to the more portable mediums of watercolor and drawing, continuing to document the world through a lens of fragmented, expressive beauty. His service, which earned him the Iron Cross, ultimately led to his untimely death near Langemark, Belgium, in August 1917, at the age of only twenty-six.

Though his life was tragically brief, Wilhelm Morgner left behind a legacy that continues to captivate the modern soul. He remains a pivotal figure in the German Expressionist movement, representing a bridge between the heavy realism of the nineteenth century and the spiritual abstraction of the twentieth. His ability to find the sacred within the spectrum of color serves as a poignant reminder of the power of art to transcend even the darkest of human experiences. Today, his works stand as luminous fragments of a lost era, echoing with the vibrant, unfulfilled potential of a true visionary.

Alle 39 verk av Wilhelm Morgner →