Portrett av Michele Marieschi

De 43 mest kjente Michele Marieschi-maleriene, hvert og ett unikt

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 46 verk av Michele Marieschi i vår katalog

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The Grand Canal near the Salute (1733) er maleriet av Michele Marieschi som vekker mest oppmerksomhet; originalen befinner seg i Louvre, Paris. Deretter går blikket til Capriccio with Classical Arch and Goats (1741) og The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742). Blant de 46 verkene til Michele Marieschi i vår katalog, er disse 43 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.

1710 – 1743, Venice Rococo Flest verk: Nasjonalmuseet i Warszawa

Topp 10 malerier av Michele Marieschi, sett gjennom galleriets øyne

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Capriccio with Classical Arch and Goats (1741) av Michele Marieschi

Capriccio with Classical Arch and Goats

1741 · Oil On Canvas · Gallerie dell'Accademia di Venezia, Venezia

The composition centers on the intersection of human architecture and the persistent force of the natural world. Crumbling stone arches and weathered columns, once symbols of structural precision, now lie partially reclaimed by thick foliage and creeping vines. In the foreground, a man, a boy, and a dog move through the ruins, providing a sense of scale against the heavy, decaying masonry. Beyond this immediate scene, a body of water…

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The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742) av Michele Marieschi

The Grand Canal with the Ca' Rezzonico and the Campo San Samuele

1742 · Oil On Canvas · Staatliche Museen zu Berlin, Berlin

The oil on canvas titled The Grand Canal with the Ca' Rezzonico and the Campo San Samuele captures a specific slice of Venetian life. Painted by Michele Marieschi, the work dates to about 1742. It presents a wide view of the waterways that define the city, focusing on the intersection of grand architecture and the constant movement of the canals.

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Courtyard with a Staircase (1735) av Michele Marieschi

Courtyard with a Staircase

1735 · Oil On Canvas · Eremitasjen, St. Petersburg

Courtyard with a Staircase is an oil on canvas work by Michele Marieschi, executed in 1735. The composition functions as an architectural fantasy, presenting a structured arrangement of a staircase within a courtyard setting. This work belongs to the Venetian School, reflecting the topographical and imaginative traditions of 18th-century Italy.

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The Grand Canal in Venice (1700) av Michele Marieschi

The Grand Canal in Venice

1700 · Oil · Museo di Capodimonte, Napoli

In the heart of the eighteenth century, Venice was not merely a city but a stage, a shimmering spectacle of light and water where every canal served as a corridor for drama and commerce. Michele Marieschi, a master of the veduta, captures this ephemeral magic in his breathtaking work, The Grand Canal in Venice. This painting serves as a portal to a bygone era, inviting the viewer to step onto…

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Rialtobroen fra Riva del Vin (1740) av Michele Marieschi

Rialtobroen fra Riva del Vin

1740 · Olje på lerret · Eremitasjen, St. Petersburg

Michele Giovanni Marieschi (1710 – 18 January 1744) stands as a singular figure in the artistic landscape of Venice during the Rococo era, renowned primarily for his breathtaking landscapes and cityscapes—vedute—that captured the spirit of his time with remarkable vibrancy and innovation. Though biographical details remain scarce, Marieschi’s legacy rests on his ability to transform ordinary views into extraordinary canvases brimming with light, color, and a masterful understanding of perspective.…

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The Grand Canal with Santa Maria della Salute (1730) av Michele Marieschi

The Grand Canal with Santa Maria della Salute

1730 · Oil On Canvas · Thyssen-Bornemisza-museet, Madrid

The oil on canvas depicts the Grand Canal in Venice, Italy, as it appeared in 1730. At the terminus of the waterway, the Santa Maria della Salute church occupies the central focus. The structure features a prominent dome and smaller domes situated on either side. The building's architecture is characterized by its position at the end of the canal, which directs the eye toward the church's facade. Numerous gondolas and…

Michele Marieschis berømte malerier, nummer 11 til 43

11Fantastic Architecture of a Palace Courtyard (1730) av Michele MarieschiFantastic Architecture of a Palace Courtyard1730 · Nasjonalmuseet i Warszawa 12Riva degli Schiavoni (1730) av Michele MarieschiRiva degli Schiavoni1730 · Nasjonalmuseet i Warszawa 13Coastal Landscape (1730) av Michele MarieschiCoastal Landscape1730 · Nasjonalmuseet i Warszawa 14Fantastic Landscape with Ruins (1730) av Michele MarieschiFantastic Landscape with Ruins1730 · Nasjonalmuseet i Warszawa 15Italian scenery with figures (1727) av Michele MarieschiItalian scenery with figures1727 16View of the Piazzetta dei Leoni (1734) av Michele MarieschiView of the Piazzetta dei Leoni1734 · Bavarian State Painting Collections 17Saint Mark's Church and the Square in Venice (1739) av Michele MarieschiSaint Mark's Church and the Square in Venice1739 18View of the Grand Canal near Cà Pesaro (1734) av Michele MarieschiView of the Grand Canal near Cà Pesaro1734 · Bavarian State Painting Collections 19Landscape Capriccio (1735) av Michele MarieschiLandscape Capriccio1735 · Minneapolis Institute of Art 20The Church of Santa Maria della Salute, Venice (1740) av Michele MarieschiThe Church of Santa Maria della Salute, Venice1740 · Art Institute of Chicago 21Courtyard in a Renaissance House (1742) av Michele MarieschiCourtyard in a Renaissance House1742 · Nationalmuseum 22Stairwell in a Renaissance Palace (1742) av Michele MarieschiStairwell in a Renaissance Palace1742 · Nationalmuseum 23Architectural fantasy featuring a palace courtyard (1738) av Michele MarieschiArchitectural fantasy featuring a palace courtyard1738 · Nasjonalmuseet i Warszawa 24The Grand Canal with the Fishmarket (detail) (1740) av Michele MarieschiThe Grand Canal with the Fishmarket (detail)1740 25The Grand Canal at San Geremia (1740) av Michele MarieschiThe Grand Canal at San Geremia1740 26The Grand Canal with the Fishmarket (1740) av Michele MarieschiThe Grand Canal with the Fishmarket1740 27View of the Rio di Cannareggio (1740) av Michele MarieschiView of the Rio di Cannareggio1740 28The Grand Canal at San Geremia (detail) (1740) av Michele MarieschiThe Grand Canal at San Geremia (detail)1740 29The Grand Canal with the Palazzo Labia and Entry to the Cannareggio (1742) av Michele MarieschiThe Grand Canal with the Palazzo Labia and Entry to the Cannareggio1742 · Staatliche Museen zu Berlin 30Capriccio with Gothic Building and Obelisk (1741) av Michele MarieschiCapriccio with Gothic Building and Obelisk1741 · Gallerie dell'Accademia di Venezia 31Piazza San Marco, Venice, with Saint Mark's Basilica, the Campanile and the Procuratie Nuove av Michele MarieschiPiazza San Marco, Venice, with Saint Mark's Basilica, the Campanile and the Procuratie NuoveNational Gallery of Ireland 32View of the Dogana and Santa Maria della Salute av Michele MarieschiView of the Dogana and Santa Maria della SaluteMuseum of Fine Arts, Houston 33View of Canale Grande in Venice with the Rialto Bridge av Michele MarieschiView of Canale Grande in Venice with the Rialto BridgeStatens Museum for Kunst 34View of Canale Grande in Venice av Michele MarieschiView of Canale Grande in VeniceStatens Museum for Kunst 35interior of a palazzo with scaffolding + figures av Michele Marieschiinterior of a palazzo with scaffolding + figures 36View of a port av Michele MarieschiView of a port 37palace - garden and walking people av Michele Marieschipalace - garden and walking people 38St. Marcus place in Venice av Michele MarieschiSt. Marcus place in Venice 39Landscape with ruins and a bridge av Michele MarieschiLandscape with ruins and a bridgeNasjonalmuseet i Warszawa 40Landscape with ruins av Michele MarieschiLandscape with ruinsNasjonalmuseet i Warszawa 41Architectural fantasy featuring a prison courtyard av Michele MarieschiArchitectural fantasy featuring a prison courtyardNasjonalmuseet i Warszawa 42Imaginative View with Obelisk av Michele MarieschiImaginative View with Obelisk 43View of Campo SS. Giovanni e Paolo, Venice av Michele MarieschiView of Campo SS. Giovanni e Paolo, Venice

Motivene som fanget Michele Marieschis blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Michele Marieschis originalverk

De 8 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Michele Marieschi Malerier fra denne listen
Nasjonalmuseet i Warszawa, WarszawaNasjonalmuseet i Warszawa Warszawa 10 Ponte di Rialto, Fantastic Architecture of a Prison Courtyard, Fantastic Architecture of a Palace Courtyard
Gallerie dell'Accademia di Venezia, VeneziaGallerie dell'Accademia di Venezia Venezia 2 Capriccio with Classical Arch and Goats, Capriccio with Gothic Building and Obelisk
Staatliche Museen zu Berlin, BerlinStaatliche Museen zu Berlin Berlin 2 The Grand Canal with the Ca' Rezzonico and the Campo San Samuele, The Grand Canal with the Palazzo Labia and Entry to the Cannareggio
Eremitasjen, St. PetersburgEremitasjen St. Petersburg 2 Courtyard with a Staircase, Rialtobroen fra Riva del Vin
Bavarian State Painting Collections, MünchenBavarian State Painting Collections München 2 View of the Piazzetta dei Leoni, View of the Grand Canal near Cà Pesaro
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Courtyard in a Renaissance House, Stairwell in a Renaissance Palace
Statens Museum for Kunst, KøbenhavnStatens Museum for Kunst København 2 View of Canale Grande in Venice with the Rialto Bridge, View of Canale Grande in Venice
Louvre, ParisLouvre Paris 1 The Grand Canal near the Salute

Michele Marieschi gjennom tiårene: ett unikt originalverk for hvert tiår

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Michele Marieschis malerier: spørsmål til galleriet

Hva er det mest kjente verket til Michele Marieschi?Avslør svaret

The Grand Canal near the Salute (1733), Louvre, Paris. Deretter følger Capriccio with Classical Arch and Goats (1741) og The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742).

Hvor gammel var Michele Marieschi da The Grand Canal near the Salute ble skapt?Avslør svaret

23 år gammel: The Grand Canal near the Salute er fra 1733, og Michele Marieschi ble født i 1710.

Hvilke ti malerier av Michele Marieschi er de mest kjente?Avslør svaret

The Grand Canal near the Salute, Capriccio with Classical Arch and Goats, The Grand Canal with the Ca' Rezzonico and the Campo San Samuele, Courtyard with a Staircase, The Grand Canal in Venice, Rialtobroen fra Riva del Vin, The Grand Canal with Santa Maria della Salute, An Architectural Capriccio with Figures beside a River, Ponte di Rialto og Fantastic Architecture of a Prison Courtyard. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange verk av Michele Marieschi er kjent?Avslør svaret

Vår katalog inneholder 46 verk av Michele Marieschi, datert fra 1727 til 1742.

Hvor kan de mest kjente originalverkene til Michele Marieschi ses?Avslør svaret

Hovedsakelig i Nasjonalmuseet i Warszawa (Warszawa), Gallerie dell'Accademia di Venezia (Venezia) og Staatliche Museen zu Berlin (Berlin). Museumslisten ovenfor viser alle.

I hvilken periode malte Michele Marieschi sine mest kjente malerier?Avslør svaret

I 1730s: 14 av de 43 verkene på denne siden ble laget da, The Grand Canal near the Salute av dem.

Hvilket kjent maleri av Michele Marieschi er det eldste, og hvilket er det nyeste?Avslør svaret

På denne siden er det eldste Italian scenery with figures (1727) og det nyeste The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742).

Hvilke motiver foretrakk Michele Marieschi?Avslør svaret

Boats (4), Architecture (4) og Canal (3), fordelt på 43 verk på denne siden.

Hvilke materialer brukte Michele Marieschi mest av?Avslør svaret

Oil On Canvas, for 5 av de 43 verkene på denne siden.

Hvilken kunstretning tilhører verkene til Michele Marieschi?Avslør svaret

Rococo, basert på originalene på denne siden.

Hvilke originalverk av Michele Marieschi kan jeg se på Nasjonalmuseet i Warszawa?Avslør svaret

Ponte di Rialto, Fantastic Architecture of a Prison Courtyard og Fantastic Architecture of a Palace Courtyard: Nasjonalmuseet i Warszawa, Warszawa har 10 av verkene på denne siden.

Michele Marieschi: et portrett av kunstneren

The Venetian Visionary: The Life and Legacy of Michele Marieschi

In the golden age of the Venetian Rococo, few artists captured the ephemeral magic of the Serenissima with as much vitality as Michele Giovanni Marieschi. Born in Venice in 1710, Marieschi emerged from a lineage of craftsmanship, being the son of a woodcarver—a background that likely instilled in him a profound respect for structure, texture, and the physical essence of the objects he depicted. While his life was relatively brief, spanning only until his death in early 1744, his impact on the veduta tradition remains indelible. He did not merely document the architecture of Venice; he breathed life into its stone and water, transforming static cityscapes into breathing, luminous narratives of light and movement.

The development of Marieschi’s unique style was deeply rooted in the artistic currents flowing through 18th-century Italy. Scholars often point to the influence of masters such as Gaspare Diziani and the legendary Canaletto, whose works provided a blueprint for capturing the grandeur of urban environments. However, where Canaletto sought a certain topographical precision and a more restrained, classical clarity, Marieschi found his voice in a bolder, more emotive approach. He embraced a palette that pulsed with color and a brushwork that felt spontaneous and energetic. This stylistic distinction allowed him to move beyond mere architectural recording, infusing his landscapes with a sense of theatricality and atmosphere that suggested the very pulse of Venetian life.

Mastery of Light and the Veduta Tradition

Marieschi’s contribution to the veduta—the genre of highly detailed, large-scale topographical paintings—is characterized by an extraordinary command of perspective and light. His works often feature iconic landmarks such as the Grand Canal, the Salute, and various majestic palaces, yet they are far from being mere postcards of the era. Instead, he utilized a technique that blended meticulous detail with imaginative embellishment, creating scenes that felt both real and dreamlike. Through his eyes, the water of the canals becomes a mirror for the shifting sky, and the shadows cast by ancient churches become vessels for mystery and depth.

His technical prowess is perhaps most evident in his ability to manipulate light to evoke specific moods:

  • Atmospheric Perspective: The use of soft, hazy tones to create a sense of immense distance and scale within his cityscapes.
  • Dynamic Brushwork: A lively application of paint that captures the shimmering reflections on the Venetian lagoons.
  • Architectural Grandeur: A profound understanding of structural geometry, allowing him to render complex facades with both accuracy and elegance.

Historical Significance and Artistic Resonance

The historical significance of Michele Marieschi lies in his ability to bridge the gap between the rigid documentation of the early 18th century and the more expressive, emotive landscapes that would follow. He was a pivotal figure in transitioning the Venetian view from a purely observational medium into an art form capable of conveying profound emotional resonance. His work serves as a vital window into a vanished world, preserving the splendor of Venice before the seismic shifts of the late 18th century altered its social and political landscape forever.

Today, Marieschi’s canvases continue to captivate collectors and historians alike. Whether it is the breathtaking view of the Grand Canal near the Salute or his more intimate architectural studies, his paintings remain masterclasses in the Rococo spirit. He remains a celebrated figure for those seeking to experience the vibrant energy, the luminous light, and the enduring elegance of a Venice that continues to haunt the collective imagination of the art world.