Portrett av Jan Asselijn

Jan Asselijns malerier: De 76 mest kjente, sett gjennom et galleris øyne

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 84 verk av Jan Asselijn i vår katalog

Kort fortalt

Etter galleriets vurdering er Jan Asselijns mest kjente maleri Den truede svanen (1652), hvis original henger i Rijksmuseum, Amsterdam. King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) og Landscape with a Bridge in the Italian Countryside (1652) fullfører trioen som alle kjenner igjen. Av de 84 verkene til Jan Asselijn i vår katalog, presenterer galleriet de 76 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.

1610 – 1652, Dieppe Den nederlandske gullalderen Flest verk: Rijksmuseum

Galleriets 10 beste malerier av Jan Asselijn

1
Den truede svanen (1652) av Jan Asselijn

Den truede svanen

1652 · Olje på lerret · Rijksmuseum, Amsterdam

er et oljemaleri på lerret av kunstneren Jan Asselijn. Verket, som ble fullført rundt 1650, fanger en knoppsvane i et øyeblikk av voldsom forsvar. Fuglen sprer vingene og freser mens den vokter redet sitt mot en hund som nærmer seg. Denne kampen mellom den hvite fjærdrakten og den truende inntrengeren definerer bildets sentrale spenning.

2
King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) av Jan Asselijn

King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632

1634 · Oil On Canvas · Statens Museum for Kunst, København

Jan Asselijn's “King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632” isn’t merely a painting; it’s a visceral plunge into the heart of a pivotal moment in European history. Completed in 1634, this monumental work captures the chaotic fury and strategic brilliance of the Battle of Lutzen, fought on August 17th of that year, a clash that cemented Gustav Adolf II's reputation as a military genius and…

3
Landscape with a Bridge in the Italian Countryside (1652) av Jan Asselijn

Landscape with a Bridge in the Italian Countryside

1652 · Oil On Canvas · Cannon Hall Museum, Barnsley

A stone bridge with arched spans anchors this serene landscape, crossing a calm body of water that reflects the soft, overcast sky. To the left, a solitary figure sits upon a barrel, watching the quiet movement of the scene. On the right, the composition gathers around a horse and carriage; a person guides the animal toward the water's edge while another observer stands nearby. A dog occupies the foreground, grounding…

4
King Gustav Adolf II in the Battle of Lutzen on November 6,1632 (1632) av Jan Asselijn

King Gustav Adolf II in the Battle of Lutzen on November 6,1632

The air is thick with the scent of wet earth and sulfur. In the center of the chaos, King Gustav Adolf II of Sweden rides a horse through the fray, his sword a flash of cold light against the darkening sky. The Battle of Lutzen is not a quiet affair; it is a collision of muscle and metal. Soldiers on foot and mounted on horseback press against one another in…

5
Four Figures (1615) av Jan Asselijn

Four Figures

1615 · Oil · Groeningemuseum, Brugge

In Four Figures, Jan Asselijn organizes a group of men in period attire within a dimly lit, atmospheric setting. The composition centers on this cluster of figures, who are arranged in a loose, triangular formation. This structural choice draws the viewer's eye toward the middle of the group, where the subjects interact in a moment of quietude. One man is captured drinking from a vessel, while another stands holding a…

6
King Gustav Adolf II of Sweden, Battle near Lutzen 1632 (1635) av Jan Asselijn

King Gustav Adolf II of Sweden, Battle near Lutzen 1632

1635 · Oil On Panel · Gemäldegalerie, Berlin

The artwork titled King Gustav Adolf II of Sweden, Battle near Lutzen 1632 is a work by the artist Jan Asselijn. Dated about 1635, this oil on panel painting belongs to the genre of military history. The subject matter focuses on the Battle of Lützen, a significant conflict from the Thirty Years' War. The scene captures the king amidst the movement of a large-scale military engagement.

7
The Tiber River with the Ponte Molle at Sunset (1650) av Jan Asselijn

The Tiber River with the Ponte Molle at Sunset

1650 · Oil · National Gallery of Art, Washington

The sun hangs low over the horizon, casting a sharp, golden light through the four massive stone arches of the Ponte Molle. This light slices through the atmosphere, painting the sky in a gradient that shifts from a warm, glowing amber on the right to a pale, tranquil aquamarine as the eye moves toward the left. The river below remains placid, reflecting the changing colors of the sky, while the…

8
Ruined Building with Shepherd and Sheep (1646) av Jan Asselijn

Ruined Building with Shepherd and Sheep

1646 · Oil On Panel

Ruined Building with Shepherd and Sheep is an artwork by Jan Asselijn. This piece belongs to the Dutch Golden Age and the Italianate landscape style of the Early Modern period. The subject matter focuses on a pastoral landscape that incorporates ruins and sheep. The composition integrates elements of nature, shepherds, and weathered stone structures within a single scene.

9
Italian Landscape (1638) av Jan Asselijn

Italian Landscape

1638 · Oil On Canvas · Statens Museum for Kunst, København

The artwork titled Italian Landscape is a painting by the Dutch Golden Age painter Jan Asselijn. Created in 1638, this work represents a specific period in the artist's career. Asselijn was born in Dieppe, France, around 1610, before his family relocated to Amsterdam. His development as a painter was shaped by the artistic environment of the Dutch Golden Age, a time when landscape painting was evolving toward more atmospheric depictions.

10
Fight against Robbers (1638) av Jan Asselijn

Fight against Robbers

1638 · Oil On Panel · Statens Museum for Kunst, København

A violent skirmish unfolds across a rugged, rocky landscape, captured in a dramatic monochrome palette. The composition relies on a sharp diagonal arrangement, pulling the eye from the foreground into a chaotic center-right where figures engage in combat. Mounted riders and infantrymen clash amidst dense foliage and spindly, skeletal trees. The atmosphere is heavy with mist and swirling smoke, creating a sense of tension and movement. Light filters through an…

Jan Asselijn sine malerier, rangert fra 11 til 76

11Lion Hunting (1640) av Jan AsselijnLion Hunting1640 · Musée Fabre 12Italianate landscape with travellers by a stream with cattle (1652) av Jan AsselijnItalianate landscape with travellers by a stream with cattle1652 13Italian Landscape with a view from a Grotto (1639) av Jan AsselijnItalian Landscape with a view from a Grotto1639 · Nationalmuseum 14Landscape with Ruins and Hunting Party (1645) av Jan AsselijnLandscape with Ruins and Hunting Party1645 · Academy of Fine Arts Vienna 15PAYSAGE AVEC UN TROUPEAU TRAVERSANT UNE RIVIERE av Jan AsselijnPAYSAGE AVEC UN TROUPEAU TRAVERSANT UNE RIVIERELouvre 16River Bank with Herdsmen (1650) av Jan AsselijnRiver Bank with Herdsmen1650 · Academy of Fine Arts Vienna 17Coastal Scene with Resting Riders (detail) (1652) av Jan AsselijnCoastal Scene with Resting Riders (detail)1652 · Academy of Fine Arts Vienna 18Imaginary Italian Landscape (1652) av Jan AsselijnImaginary Italian Landscape1652 · Mauritshuis Royal Picture Gallery 19Landscape with a Cowherd (1594) av Jan AsselijnLandscape with a Cowherd1594 20Italianate Landscape (1631) av Jan AsselijnItalianate Landscape1631 · Bavarian State Painting Collections 21Cavalry Engagement (1635) av Jan AsselijnCavalry Engagement1635 22Peasants by a River Bank (1639) av Jan AsselijnPeasants by a River Bank1639 · Yale University Art Gallery 23Mountain - landscape (1639) av Jan AsselijnMountain - landscape1639 24Riders Gallopping towards the Gates of the Fortress (1645) av Jan AsselijnRiders Gallopping towards the Gates of the Fortress1645 · Eremitasjen 25Winter Landscape (1645) av Jan AsselijnWinter Landscape1645 · Eremitasjen 26Nocturnal Crayfishing (1638) av Jan AsselijnNocturnal Crayfishing1638 · Statens Museum for Kunst 27Vesuvius Erupting at Nightfall (1638) av Jan AsselijnVesuvius Erupting at Nightfall1638 · Statens Museum for Kunst 28Head of an Ox (1647) av Jan AsselijnHead of an Ox1647 · Musée des Beaux-Arts 29Catching Crayfish (1645) av Jan AsselijnCatching Crayfish1645 · Muzeum Palacu Króla Jana Iii w Wilanowie 30Ford between High Cliffs (1644) av Jan AsselijnFord between High Cliffs1644 · National Gallery Prague 31Peasants and Cattle beside a Tower (1646) av Jan AsselijnPeasants and Cattle beside a Tower1646 32Winter landscape with huntsmen on a bridge (1647) av Jan AsselijnWinter landscape with huntsmen on a bridge1647 · Fondation Custodia 33A rocky mountain valley with shepherds and cattle (1645) av Jan AsselijnA rocky mountain valley with shepherds and cattle1645 · Staatliche Kunsthalle Karlsruhe 34Italian Landscape (1640) av Jan AsselijnItalian Landscape1640 · Pushkin State Museum 35Frozen Moat outside City Walls (1647) av Jan AsselijnFrozen Moat outside City Walls1647 · Worcester Art Museum 36Italianate Landscape with Drovers, Cattle and Sheep beside Ruins (1647) av Jan AsselijnItalianate Landscape with Drovers, Cattle and Sheep beside Ruins1647 · Fogg Museum of Art 37Italianate Landscape with a River and an Arched Bridge (1648) av Jan AsselijnItalianate Landscape with a River and an Arched Bridge1648 · Staatsgalerie Schleissheim 38Southern Landscape with Cattle near Ruins (1650) av Jan AsselijnSouthern Landscape with Cattle near Ruins1650 · National Museum in Wrocław 39View of the Solario Bridge on the Teverone (1650) av Jan AsselijnView of the Solario Bridge on the Teverone1650 40Head of a lowing Ox (1650) av Jan AsselijnHead of a lowing Ox1650 · Staatliches Museum Schwerin 41Italianate landscape with bridge near Tivoli (1649) av Jan AsselijnItalianate landscape with bridge near Tivoli1649 42River Landscape with the Fort Saint-Jean and the Chateau Pierre-Scize in Lyon (1650) av Jan AsselijnRiver Landscape with the Fort Saint-Jean and the Chateau Pierre-Scize in Lyon1650 · Yale University Art Gallery 43The restoration of the Diemerdijk or Muiderdijk near Amsterdam in 1651 (1651) av Jan AsselijnThe restoration of the Diemerdijk or Muiderdijk near Amsterdam in 16511651 · Gemäldegalerie 44Breach of a Dyke by Storm Surge on March 5 1651 (1651) av Jan AsselijnBreach of a Dyke by Storm Surge on March 5 16511651 · Gemäldegalerie 45The Breach of the Sint Anthonisdijk in 1651 (1652) av Jan AsselijnThe Breach of the Sint Anthonisdijk in 16511652 · Amsterdam Museum 46The Breach of the Saint Anthony’s Dike near Amsterdam, Jan Asselijn, 1651 (1651) av Jan AsselijnThe Breach of the Saint Anthony’s Dike near Amsterdam, Jan Asselijn, 16511651 47Drovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 1652 (1652) av Jan AsselijnDrovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 16521652 · Rijksmuseum 48A Mediterranean Coastal View with Shipping and Mariners by a Fort (1650) av Jan AsselijnA Mediterranean Coastal View with Shipping and Mariners by a Fort1650 49A Mediterranean Coastal View with Shipping and Mariners by a Fort (1650) av Jan AsselijnA Mediterranean Coastal View with Shipping and Mariners by a Fort1650 50River Landscape with the Church of Santi Giovanni e Paolo (1650) av Jan AsselijnRiver Landscape with the Church of Santi Giovanni e Paolo1650 51Landscape with a Drover (1649) av Jan AsselijnLandscape with a Drover1649 · Holburne Museum 52Landscape with a Bridge in the Italian Countryside (1652) av Jan AsselijnLandscape with a Bridge in the Italian Countryside1652 · Cannon Hall Museum 53Coastal Scene with Resting Riders (1652) av Jan AsselijnCoastal Scene with Resting Riders1652 · Academy of Fine Arts Vienna 54PAYSAGE AVEC UNE TOUR av Jan AsselijnPAYSAGE AVEC UNE TOURLouvre 55RUINE ET CABANE DE BERGERS av Jan AsselijnRUINE ET CABANE DE BERGERSLouvre 56LANDSCAPE WITH A DEPARTURE FOR A HUNT av Jan AsselijnLANDSCAPE WITH A DEPARTURE FOR A HUNT 57Muleteers beside an Italian Ruin (1650) av Jan AsselijnMuleteers beside an Italian Ruin1650 · Rijksmuseum 58Hangout in Italy (1620) av Jan AsselijnHangout in Italy1620 · Rijksmuseum 59Herders with Their Animals under an Arch of the Colosseum in Rome (1652) av Jan AsselijnHerders with Their Animals under an Arch of the Colosseum in Rome1652 · Rijksmuseum 60Hunting Company out of Rome (1652) av Jan AsselijnHunting Company out of Rome1652 · Rijksmuseum 61Beggars i front av en romersk limekiln (1638) av Jan AsselijnBeggars i front av en romersk limekiln1638 · Academy of Fine Arts Vienna 62Asselijn - (50Riverbank) av Jan AsselijnAsselijn - (50Riverbank) 63Asselijn ruin av Jan AsselijnAsselijn ruinRijksmuseum 64Italian Coast Scene av Jan AsselijnItalian Coast Scene 65Italian Landscape with Two Horsemen and Figures on a Road av Jan AsselijnItalian Landscape with Two Horsemen and Figures on a Road 66Italian Landscape with the Church of Sts. Giovanni e Paolo in Rome av Jan AsselijnItalian Landscape with the Church of Sts. Giovanni e Paolo in RomeSzépművészeti Múzeum 67Mountainous Landscape av Jan AsselijnMountainous Landscape 68A rocky river landscape with travellers in the foreground and ships beyond av Jan AsselijnA rocky river landscape with travellers in the foreground and ships beyond 69A Landscape with Peasants (also known as Landscape with Herdsmen Fording a River) av Jan AsselijnA Landscape with Peasants (also known as Landscape with Herdsmen Fording a River)Ascott House 70A Cavalier on Horseback Before a Landscape av Jan AsselijnA Cavalier on Horseback Before a Landscape 71Landscape with shepherds and their flock crossing the Ponte Acquoria near Tivoli av Jan AsselijnLandscape with shepherds and their flock crossing the Ponte Acquoria near Tivoli 72an italianate river landscape with herders on a path with their flock and donkeys, classical ruins on a hilltop beyond av Jan Asselijnan italianate river landscape with herders on a path with their flock and donkeys, classical ruins on a hilltop beyondMinneapolis Institute of Art 73Italian Coast Scene av Jan AsselijnItalian Coast SceneFitzwilliam College 74Italian Landscape av Jan AsselijnItalian LandscapeFitzwilliam College 75Italian Landscape with the Ruins of a Roman Bridge and Aqueduct av Jan AsselijnItalian Landscape with the Ruins of a Roman Bridge and AqueductRijksmuseum 76Cavalry Attack at Sunset, Jan Asselijn, 1646 (1646) av Jan AsselijnCavalry Attack at Sunset, Jan Asselijn, 16461646 · Rijksmuseum

Jan Asselijns berømte malerier, periode for periode

Motivene som fanget Jan Asselijns blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Jan Asselijns originalverk

De 8 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Jan Asselijn Malerier fra denne listen
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 9 Den truede svanen, Drovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 1652, Muleteers beside an Italian Ruin
Statens Museum for Kunst, KøbenhavnStatens Museum for Kunst København 5 King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632, Italian Landscape, Fight against Robbers
Academy of Fine Arts Vienna, WienAcademy of Fine Arts Vienna Wien 5 Landscape with Ruins and Hunting Party, River Bank with Herdsmen, Coastal Scene with Resting Riders (detail)
Gemäldegalerie, BerlinGemäldegalerie Berlin 3 King Gustav Adolf II of Sweden, Battle near Lutzen 1632, The restoration of the Diemerdijk or Muiderdijk near Amsterdam in 1651, Breach of a Dyke by Storm Surge on March 5 1651
Louvre, ParisLouvre Paris 3 PAYSAGE AVEC UN TROUPEAU TRAVERSANT UNE RIVIERE, PAYSAGE AVEC UNE TOUR, RUINE ET CABANE DE BERGERS
Cannon Hall Museum, BarnsleyCannon Hall Museum Barnsley 2 Landscape with a Bridge in the Italian Countryside, Landscape with a Bridge in the Italian Countryside
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 2 Peasants by a River Bank, River Landscape with the Fort Saint-Jean and the Chateau Pierre-Scize in Lyon
Eremitasjen, St. PetersburgEremitasjen St. Petersburg 2 Riders Gallopping towards the Gates of the Fortress, Winter Landscape

Jan Asselijn, ett signaturmaleri per tiår

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Jan Asselijns malerier: galleriets svar

Hvilket maleri av Jan Asselijn er det mest kjente av alle?Avslør svaret

Den truede svanen (1652), Rijksmuseum, Amsterdam. Deretter følger King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) og Landscape with a Bridge in the Italian Countryside (1652).

Hvor gammel var Jan Asselijn da Den truede svanen ble ferdigstilt?Avslør svaret

42 år gammel: Den truede svanen er fra 1652, og Jan Asselijn ble født i 1610.

Hvilke er de 10 beste maleriene til Jan Asselijn?Avslør svaret

Den truede svanen, King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632, Landscape with a Bridge in the Italian Countryside, King Gustav Adolf II in the Battle of Lutzen on November 6,1632, Four Figures, King Gustav Adolf II of Sweden, Battle near Lutzen 1632, The Tiber River with the Ponte Molle at Sunset, Ruined Building with Shepherd and Sheep, Italian Landscape og Fight against Robbers. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange verk skapte Jan Asselijn?Avslør svaret

Vår katalog inneholder 84 verk av Jan Asselijn, datert fra 1620 til 1652.

Hvor henger de mest kjente originalverkene til Jan Asselijn?Avslør svaret

Hovedsakelig i Rijksmuseum (Amsterdam), Statens Museum for Kunst (København) og Academy of Fine Arts Vienna (Wien). Museumslisten ovenfor viser alle.

Når malte Jan Asselijn sine mest kjente malerier?Avslør svaret

I 1650s: 24 av de 76 verkene på denne siden ble laget da, Den truede svanen av dem.

Hvilke er Jan Asselijns tidligste og nyeste berømte verk?Avslør svaret

På denne siden er det eldste Hangout in Italy (1620) og det nyeste Den truede svanen (1652).

Hvilke motiver vendte Jan Asselijn oftest tilbake til?Avslør svaret

Landscape (25), Ruins (7) og Figures (6), fordelt på 76 verk på denne siden.

Hvilket medium arbeidet Jan Asselijn mest med?Avslør svaret

Oil On Canvas, for 11 av de 76 verkene på denne siden.

Hvilken kunstretning er Jan Asselijn tilknyttet?Avslør svaret

Den nederlandske gullalderen og Baroque, basert på originalene på denne siden.

Hvilke originalverk av Jan Asselijn har Rijksmuseum i sin samling?Avslør svaret

Den truede svanen, Drovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 1652 og Muleteers beside an Italian Ruin: Rijksmuseum, Amsterdam har 9 av verkene på denne siden.

Jan Asselijn: kunstneren

A Life Forged in Landscape: The World of Jan Asselijn

Born Jean Asselin around 1610 in Dieppe, France, Jan Asselijn’s life unfolded against the backdrop of turbulent religious times and a burgeoning artistic revolution. His family, Huguenots fleeing persecution, relocated to Amsterdam in 1621 – a city pulsating with commercial energy and brimming with creative talent during the Dutch Golden Age. This move proved transformative, immersing young Jean into an environment where landscape painting was undergoing a dramatic shift away from traditional representations toward scenes imbued with palpable atmosphere and profound emotion. Initially apprenticed under Jan Martszen the Younger, he honed his skills in battle paintings before discovering his true passion: capturing the splendor of both natural vistas and animal life. The Dutch light – expansive skies and vibrant hues – would become an indelible mark on Asselijn’s artistic vision, though a journey to Italy solidified his aesthetic sensibilities and propelled him toward groundbreaking innovation.

The Italianate Embrace & The Bentvueghels

Like many ambitious Northern European painters of the era, Asselijn sought inspiration in Italy, arriving sometime after 1635. He wholeheartedly embraced the *Italianate* style – a genre characterized by sun-drenched landscapes, classical ruins, and pastoral scenes brimming with romanticism. He joined the ranks of the *Bentvueghels*, a peculiar society of Dutch and Flemish artists residing in Rome. These “Birds of a Feather” defied convention, adopting outlandish nicknames and prioritizing direct observation—rejecting studio work altogether. Within this spirited community, Asselijn earned the moniker "Krabbetje" (little crab) due to a congenital deformity affecting his hand – yet he flourished creatively. He absorbed influences from artists like Pieter van Laer (Bamboccio), whose depictions of Roman peasant life and landscapes resonated deeply with Asselijn’s evolving style. This formative period instilled in him the ability to convey emotion, light, and narrative within his canvases—a skill that would define his oeuvre.

Mastering Light & Symbolism: Key Works

Upon returning to Amsterdam, Asselijn possessed a refined technique and a distinctive artistic voice. His paintings are distinguished by exceptional clarity of execution and masterful manipulation of light – qualities that swiftly garnered admiration from contemporaries like Rembrandt, who even created etchings portraying Asselijn at work—a gesture perhaps sensitive to the artist’s physical disability. While he produced historical and battle scenes, it was his landscapes and animal studies that truly cemented his reputation. The Threatened Swan, completed around 1640, stands as his most celebrated masterpiece. More than merely a depiction of avian defense, this painting became a potent emblem of Dutch national resilience against external pressures—a visual articulation of anxieties prevalent during the time and interpreted allegorically as representing Johan de Witt, a prominent Dutch statesman. Intriguingly, later owners added symbolic inscriptions to the canvas – “Holland” on one of the eggs and “Enemy of the state” beside the menacing dog—further amplifying its political significance. Other notable works include Cavalry Attack at Sunset, showcasing his initial training in battle painting with dramatic flair, and depictions of rural life like Drovers with Cattle under an Arch of the Colosseum in Rome, which harmoniously blend Italianate landscapes with animal observations—demonstrating Asselijn’s capacity to capture both visual beauty and narrative depth. The Breach of the Saint Anthony’s Dike near Amsterdam exemplifies his ability to portray a moment of national crisis—reflecting the ever-present danger posed by water and necessitating ingenious solutions for Dutch land reclamation.

Influence & Legacy: A Lasting Impression

Jan Asselijn's influence extended beyond his prolific output. He was revered by artists like Rembrandt, who produced etchings documenting Asselijn’s artistic process—a gesture perhaps considerate of the artist’s physical impairment. Furthermore, he served as a mentor to Frederik de Moucheron, another accomplished Dutch landscape painter who championed the Italianate style and disseminated its principles widely. Asselijn's innovative approach to light and atmosphere profoundly impacted subsequent generations of painters—laying the groundwork for greater naturalism and emotional resonance in landscape art. His works are now housed in prestigious institutions such as the Rijksmuseum in Amsterdam, ensuring his enduring legacy as a pivotal figure within the Dutch Golden Age—a testament to his artistic brilliance and lasting contribution to European art history.