Portrett av Raimundo Madrazo

De 100 mest kjente maleriene av Raimundo Madrazo, et gallerivalg

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 121 verk av Raimundo Madrazo i vår katalog

Kort fortalt

Av alle originalverkene Raimundo Madrazo etterlot seg, er det mest kjente Masqueraders (1875), som er en del av samlingen til Metropolitan Museum of Art i New York. Like bak følger Nelson Robinson, Jr. (d. 1899) (1900) og Masquerade Ball at the Ritz Hotel, Paris (1909). Vår katalog inneholder 121 verk av Raimundo Madrazo; galleriet har bevart de 100 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.

1841 – 1920, Roma Realism Flest verk: Museo del Prado

Raimundo Madrazos topp 10 malerier: galleriets utvalg

1
Masqueraders (1875) av Raimundo Madrazo

Masqueraders

1875 · Acrylic On Canvas · Metropolitan Museum of Art, New York

Raimundo de Madrazo y Garreta's "Masqueraders," painted in 1875, is more than just a portrait; it’s a carefully constructed tableau of social intrigue and veiled emotion. This captivating work, now housed within the esteemed collection of WahooArt.com, offers a glimpse into the opulent world of late 19th-century Spain, where appearances were meticulously crafted and secrets lay hidden beneath elegant masks.

2
Nelson Robinson, Jr. (d. 1899) (1900) av Raimundo Madrazo

Nelson Robinson, Jr. (d. 1899)

1900 · Oil On Canvas · Harvard Art Museums, Cambridge

A single man occupies the center of this composition, caught in a moment of quiet, aristocratic poise. He wears a patterned three-piece suit, the heavy texture of the tweed rendered with a tactile precision that suggests the weight of the fabric against his frame. A high, stiff collar provides a sharp, white contrast to the darker tones of his attire, framing a face marked by a calm, steady gaze. The…

3
Masquerade Ball at the Ritz Hotel, Paris (1909) av Raimundo Madrazo

Masquerade Ball at the Ritz Hotel, Paris

1909 · Oil On Canvas · Metropolitan Museum of Art, New York

The painting titled Masquerade Ball at the Ritz Hotel, Paris, captures a singular moment of social spectacle. Created by the artist Raimundo de Madrazo y Garreta, the work is a significant entry in the history of European oil paintings. It is cataloged under the object number 37.20.3. The scene is fixed in time, dated about 1909.

4
Masqueraders (1875) av Raimundo Madrazo

Masqueraders

1875 · Oil On Canvas · Metropolitan Museum of Art, New York

In this work, titled Masqueraders, the artist Raimundo de Madrazo y Garreta presents a scene of social intrigue. Created between 1875 and 1878, the painting belongs to the movements of Realism and Portraiture, specifically within the tradition of 19th-century Spanish Realism. It captures a moment of quiet interaction, utilizing the formal precision characteristic of the era's academic approach to genre scenes.

5
The Painter Benito Soriano Murillo (1863) av Raimundo Madrazo

The Painter Benito Soriano Murillo

1863 · Oil On Canvas · Museo del Prado, Madrid

Benito Soriano Murillo sits within a quiet, heavy atmosphere. He is positioned slightly off-center, anchored by an ornate wooden chair that curves with structured elegance. A dark coat rests upon his frame, its weight suggested by thick, visible brushwork that catches the directional light from the upper left. This light grazes the pale skin of his face and the crisp grey of his trousers, carving his form out of the…

6
The Printmaker Bernardo Rico (1870) av Raimundo Madrazo

The Printmaker Bernardo Rico

1870 · Oil On Canvas · Museo del Prado, Madrid

The Printmaker Bernardo Rico emerges from the shadows of the canvas, a quiet presence captured by the hand of Raimundo de Madrazo y Garreta. This oil on canvas work invites the viewer into a private moment, frozen in time. It dates to about 1870, a period when the artist’s brush was finding its unique voice within the realm of realism. The subject, Bernardo Rico, sits before us, his identity etched…

7
Peace Comes to Console Men and Brings Back Abundance Reduced Copy of the central part of the ceiling of the Salon de la Paix at the Hôtel-de-Ville, painted by Delacroix (1871) av Raimundo Madrazo

Peace Comes to Console Men and Brings Back Abundance Reduced Copy of the central part of the ceiling of the Salon de la Paix at the Hôtel-de-Ville, painted by Delacroix

1871 · Oil On Canvas · Carnavalet Museum, Paris

In this circular composition, we find ourselves looking upward into a swirling, celestial realm. The movement is rhythmic, a spiral of light and shadow that draws the eye toward a central, divine glow. Ethereal blues and whites dominate the upper register, where clouds seem to drift through a luminous sky. Below this heavenly expanse, the palette shifts into warmer ochres, deep reds, and earthy tones, creating a sense of profound…

8
Sketch for the Allegory of the Cortes of 1834 (1864) av Raimundo Madrazo

Sketch for the Allegory of the Cortes of 1834

1864 · Oil On Canvas · Hispanic Society Museum - Library, New York

In the large-scale, dramatic historical sketch titled Sketch for the Allegory of the Cortes of 1834, Raimundo de Madrazo y Garreta orchestrates a panoramic vision that bridges the earthly and the divine. The composition unfolds through a wide and deep perspective, pulling the eye from the foregrounded seated officials toward a distant, hazy architectural background. Below, a crowded, formal gathering of figures fills a grand hall, their presence grounding the…

9
Woman with a Guitar (1870) av Raimundo Madrazo

Woman with a Guitar

1870 · Oil On Panel

In this oil on panel work from c. 1870, a woman is seated in a private interior, her attention directed toward a musical score resting on a chair in front of her. She holds a guitar, her hands positioned to strum the strings. The composition is vertically oriented, focusing on the figure positioned slightly off-center. Light enters from the upper left, casting shadows that define the contours of her face…

10
Confidences (1870) av Raimundo Madrazo

Confidences

1870 · Oil

In the oil painting Confidences by Raimundo de Madrazo y Garreta, two women occupy a domestic interior. Created about 1870, the work focuses on the subject matter of feminine companionship and the quietude of domestic life. One woman is seated in the foreground on the left, while the second woman stands on the right. Their positioning creates a scene centered on a moment of shared confidence or quiet conversation.

Utvalget av Raimundo Madrazo fortsetter, fra 11 til 100

11Woman with a Parrot (1872) av Raimundo MadrazoWoman with a Parrot1872 12The Beautiful Bandurria Player (1880) av Raimundo MadrazoThe Beautiful Bandurria Player1880 13The Singer (1880) av Raimundo MadrazoThe Singer1880 14Nina Fagnani (1890) av Raimundo MadrazoNina Fagnani1890 15Robert Livingston Cutting Jr. (1836–1894) (1886) av Raimundo MadrazoRobert Livingston Cutting Jr. (1836–1894)1886 · New York Historical Society 16Judith Carter Moale Cutting (1843–1915) (1886) av Raimundo MadrazoJudith Carter Moale Cutting (1843–1915)1886 · New York Historical Society 17Mrs. William Cutting (Gertrude Livingston, ca. 1776–1864) (1886) av Raimundo MadrazoMrs. William Cutting (Gertrude Livingston, ca. 1776–1864)1886 · New York Historical Society 18Disembarkation of the Body of the Apostle James (1887) av Raimundo MadrazoDisembarkation of the Body of the Apostle James1887 · Hispanic Society Museum - Library 19María Cristina, Queen of Spain (1887) av Raimundo MadrazoMaría Cristina, Queen of Spain1887 · Hispanic Society Museum - Library 20Woman with a Picnic Basket (1890) av Raimundo MadrazoWoman with a Picnic Basket1890 21A Little Princess in the Gardens at Versailles (1905) av Raimundo MadrazoA Little Princess in the Gardens at Versailles1905 22Mrs. Edward Lyman Short (Anna Livingston Petit, ca. 1863–1923) (1899) av Raimundo MadrazoMrs. Edward Lyman Short (Anna Livingston Petit, ca. 1863–1923)1899 · New York Historical Society 23Mrs. Virginie Migeon Swift (1900) av Raimundo MadrazoMrs. Virginie Migeon Swift1900 · Hispanic Society Museum - Library 24Charles Phelps Taft (1902) av Raimundo MadrazoCharles Phelps Taft1902 25Portrait of a Lady (1890) av Raimundo MadrazoPortrait of a Lady1890 · National Gallery 26Alfred Paul Victor Morel Fatio (1911) av Raimundo MadrazoAlfred Paul Victor Morel Fatio1911 · Hispanic Society Museum - Library 27Holy Family (1908) av Raimundo MadrazoHoly Family1908 28Aline Masson, with a White Mantilla (1875) av Raimundo MadrazoAline Masson, with a White Mantilla1875 · Museo del Prado 29Garden of the house of Fortuny (1872) av Raimundo MadrazoGarden of the house of Fortuny1872 30After the Bath (Female Nude) (1895) av Raimundo MadrazoAfter the Bath (Female Nude)1895 · Museo del Prado 31A Portrait of Mrs James Leigh Coleman av Raimundo MadrazoA Portrait of Mrs James Leigh Coleman 32Fond Memories av Raimundo MadrazoFond Memories 33Portrait of a girl (1875) av Raimundo MadrazoPortrait of a girl1875 · Grão Vasco National Museum 34Recuerdo de la Capilla del Alcázar de Sevilla (1868) av Raimundo MadrazoRecuerdo de la Capilla del Alcázar de Sevilla1868 · Hispanic Society Museum - Library 35Scene in the gardens of the Alcazar of Seville (1868) av Raimundo MadrazoScene in the gardens of the Alcazar of Seville1868 36Samuel P. Avery (1876) av Raimundo MadrazoSamuel P. Avery1876 · Metropolitan Museum of Art 37Manuela de Errazu (1875) av Raimundo MadrazoManuela de Errazu1875 · Museo del Prado 38Portrait of Federico de Madrazo painting (1875) av Raimundo MadrazoPortrait of Federico de Madrazo painting1875 · Bilbao Fine Arts Museum 39Mischievous Model (1885) av Raimundo MadrazoMischievous Model1885 · Museo Carmen Thyssen Málaga 40La marquise d'Hervey Saint-Denys en Diane (1888) av Raimundo MadrazoLa marquise d'Hervey Saint-Denys en Diane1888 41Portrait of a lady (1899) av Raimundo MadrazoPortrait of a lady1899 42Reverie—The Letter av Raimundo MadrazoReverie—The Letter 43Landscape with Woman and Dog av Raimundo MadrazoLandscape with Woman and DogReading Public Museum 44Coming out of Church av Raimundo MadrazoComing out of ChurchWalters Art Museum 45Lady With A Mask av Raimundo MadrazoLady With A Mask 46Gitana av Raimundo MadrazoGitanaMuseo del Prado 47Preparing for the Costume Ball av Raimundo MadrazoPreparing for the Costume Ball 48Spring Beauty av Raimundo MadrazoSpring BeautyIndianapolis Museum of Art 49Preparing for the Costume Ball av Raimundo MadrazoPreparing for the Costume Ball 50Hot Chocolate av Raimundo MadrazoHot Chocolate 51Aline holding a hat av Raimundo MadrazoAline holding a hat 52Girls at a Window av Raimundo MadrazoGirls at a WindowMetropolitan Museum of Art 53Girl on a Swing av Raimundo MadrazoGirl on a Swing 54The Love Letter av Raimundo MadrazoThe Love Letter 55Portrait of a Lady av Raimundo MadrazoPortrait of a Lady 56The toilette av Raimundo MadrazoThe toilette 57The actress María Guerrero as Doña Inés av Raimundo MadrazoThe actress María Guerrero as Doña Inés 58Portrait of a lady 1 av Raimundo MadrazoPortrait of a lady 1 59the wedding av Raimundo Madrazothe wedding 60Portrait Of Aline Mason In Blue av Raimundo MadrazoPortrait Of Aline Mason In Blue 61A Portrait of Aline Masson Leaning on a Sofa av Raimundo MadrazoA Portrait of Aline Masson Leaning on a Sofa 62Elihu Root (1907) av Raimundo MadrazoElihu Root1907 63A Rest along the Way av Raimundo MadrazoA Rest along the Way 64Arab Warrior av Raimundo MadrazoArab Warrior 65Maria Cristina of Hapsburg, Queen of Spain av Raimundo MadrazoMaria Cristina of Hapsburg, Queen of SpainMuseo del Prado 66Flora in the King's Garden at Versailles (1914) av Raimundo MadrazoFlora in the King's Garden at Versailles1914 · Musée Lambinet 67Reading av Raimundo MadrazoReading 68Leaving the Masked Ball av Raimundo MadrazoLeaving the Masked BallMuseo Carmen Thyssen Málaga 69Going to the ball av Raimundo MadrazoGoing to the ball 70Vanity av Raimundo MadrazoVanity 71Portrait of Rámon de Errazu av Raimundo MadrazoPortrait of Rámon de Errazu 72Flirtation av Raimundo MadrazoFlirtation 73Untitled av Raimundo MadrazoUntitled 74Portrait of a Lady av Raimundo MadrazoPortrait of a Lady 75Versailles, the King's Garden av Raimundo MadrazoVersailles, the King's GardenMusée Lambinet 76Her New Shoes av Raimundo MadrazoHer New Shoes 77An elegant lady av Raimundo MadrazoAn elegant lady 78Self-portrait av Raimundo MadrazoSelf-portrait 79A Country Maid av Raimundo MadrazoA Country Maid 80The Son Of Ambassador av Raimundo MadrazoThe Son Of Ambassador 81Portrait Of Aline Masson av Raimundo MadrazoPortrait Of Aline Masson 82A Portrait of Aline Masson Leaning on a Sofa av Raimundo MadrazoA Portrait of Aline Masson Leaning on a Sofa 83Hot chocolate av Raimundo MadrazoHot chocolate 84Portrait of a lady with parasol av Raimundo MadrazoPortrait of a lady with parasol 85La Toilette av Raimundo MadrazoLa Toilette 86The Harpist av Raimundo MadrazoThe Harpist 87An Evening Out av Raimundo MadrazoAn Evening Out 88An Elegant Beauty av Raimundo MadrazoAn Elegant Beauty 89Young Lady with a Mask and Glass of Absinthe av Raimundo MadrazoYoung Lady with a Mask and Glass of Absinthe 90Woman in White av Raimundo MadrazoWoman in White 91The courtyard of San Miguel in the Cathedral of Seville av Raimundo MadrazoThe courtyard of San Miguel in the Cathedral of SevilleMuseo del Prado 92Pond in the gardens of the Real Alcazar of Seville av Raimundo MadrazoPond in the gardens of the Real Alcazar of SevilleMuseo del Prado 93Portrait of a young girl in pink dress av Raimundo MadrazoPortrait of a young girl in pink dress 94The Actress María Guerrero as `Doña Inés' av Raimundo MadrazoThe Actress María Guerrero as `Doña Inés' 95The Music Lesson av Raimundo MadrazoThe Music Lesson 96Portrait of a woman in blue av Raimundo MadrazoPortrait of a woman in blueBilbao Fine Arts Museum 97Girl With A Guitar and Parrot av Raimundo MadrazoGirl With A Guitar and Parrot 98The reluctant mistress av Raimundo MadrazoThe reluctant mistress 99Bella y Canto av Raimundo MadrazoBella y Canto 100The Music Lesson av Raimundo MadrazoThe Music Lesson

Raimundo Madrazos berømte malerier, periode for periode

Motivene som fanget Raimundo Madrazos blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Raimundo Madrazos originalverk

De 8 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Raimundo Madrazo Malerier fra denne listen
Museo del Prado, MadridMuseo del Prado Madrid 12 The Painter Benito Soriano Murillo, The Printmaker Bernardo Rico, Aline Masson, with a White Mantilla
Hispanic Society Museum - Library, New YorkHispanic Society Museum - Library New York 6 Sketch for the Allegory of the Cortes of 1834, Disembarkation of the Body of the Apostle James, María Cristina, Queen of Spain
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 5 Masqueraders, Masquerade Ball at the Ritz Hotel, Paris, Masqueraders
New York Historical Society, New York CityNew York Historical Society New York City 4 Robert Livingston Cutting Jr. (1836–1894), Judith Carter Moale Cutting (1843–1915), Mrs. William Cutting (Gertrude Livingston, ca. 1776–1864)
Bilbao Fine Arts Museum, BilbaoBilbao Fine Arts Museum Bilbao 2 Portrait of Federico de Madrazo painting, Portrait of a woman in blue
Museo Carmen Thyssen Málaga, MálagaMuseo Carmen Thyssen Málaga Málaga 2 Mischievous Model, Leaving the Masked Ball
Musée Lambinet, VersaillesMusée Lambinet Versailles 2 Flora in the King's Garden at Versailles, Versailles, the King's Garden
Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 Nelson Robinson, Jr. (d. 1899)

Raimundo Madrazo tiår for tiår: originalverket som definerer hvert av dem

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Velg et tiår for å se originalverket som definerer det.

Samlere spør om maleriene til Raimundo Madrazo

Hvilket verk er Raimundo Madrazo mest kjent for?Avslør svaret

Masqueraders (1875), Metropolitan Museum of Art, New York. Deretter følger Nelson Robinson, Jr. (d. 1899) (1900) og Masquerade Ball at the Ritz Hotel, Paris (1909).

Hvor gammel var Raimundo Madrazo da Masqueraders ble laget?Avslør svaret

34 år gammel: Masqueraders er fra 1875, og Raimundo Madrazo ble født i 1841.

Hva er de ti mest kjente maleriene til Raimundo Madrazo?Avslør svaret

Masqueraders, Nelson Robinson, Jr. (d. 1899), Masquerade Ball at the Ritz Hotel, Paris, Masqueraders, The Painter Benito Soriano Murillo, The Printmaker Bernardo Rico, Peace Comes to Console Men and Brings Back Abundance Reduced Copy of the central part of the ceiling of the Salon de la Paix at the Hôtel-de-Ville, painted by Delacroix, Sketch for the Allegory of the Cortes of 1834, Woman with a Guitar og Confidences. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange malerier etterlot Raimundo Madrazo?Avslør svaret

Vår katalog inneholder 121 verk av Raimundo Madrazo, datert fra 1863 til 1914.

I hvilke museer henger mesterverkene til Raimundo Madrazo?Avslør svaret

Hovedsakelig i Museo del Prado (Madrid), Hispanic Society Museum - Library (New York) og Metropolitan Museum of Art (New York). Museumslisten ovenfor viser alle.

I hvilke år malte Raimundo Madrazo sine mest kjente verk?Avslør svaret

I 1870s: 13 av de 100 verkene på denne siden ble laget da, Masqueraders av dem.

Hva er de første og de siste kjente originalverkene til Raimundo Madrazo?Avslør svaret

På denne siden er det eldste The Painter Benito Soriano Murillo (1863) og det nyeste Flora in the King's Garden at Versailles (1914).

Hvilke motiver valgte Raimundo Madrazo oftest?Avslør svaret

Woman (22), Portraits (13) og Portrait (9), fordelt på 100 verk på denne siden.

Hvilken teknikk brukte Raimundo Madrazo mest?Avslør svaret

Oil On Canvas, for 23 av de 100 verkene på denne siden.

Hvilken kunstretning tilhører Raimundo Madrazo?Avslør svaret

Realism, basert på originalene på denne siden.

Hvilke verk av Raimundo Madrazo stilles ut på Museo del Prado?Avslør svaret

The Painter Benito Soriano Murillo, The Printmaker Bernardo Rico og Aline Masson, with a White Mantilla: Museo del Prado, Madrid har 9 av verkene på denne siden.

Raimundo Madrazo: liv og virke

A Legacy of Elegance: The Life and Art of Raimundo de Madrazo

Raimundo de Madrazo y Garreta, born in Rome in 1841, entered a world already steeped in artistic tradition—a lineage marked by prestige and shaped by the influence of his grandfather, José de Madrazo, Director of the Museo del Prado. This familial foundation wasn’t merely about inheritance; it instilled within young Raimundo not only technical mastery but also an understanding of the power and social standing associated with artistic creation. His earliest training unfolded within the intimate setting of his family's studios, absorbing principles of classical technique from both father and grandfather—a formative experience that would profoundly inform his artistic vision. Formal studies at the Real Academia de Bellas Artes de San Fernando in Madrid, under Carlos Luis de Ribera and Carlos de Haes, further refined his skills, exposing him to contemporary artistic currents and fostering connections with fellow artists who would become pivotal figures in shaping his career path.

Realism Infused with Refinement: Artistic Style and Influences

Madrazo’s artistic style is fundamentally rooted in Realism—yet it transcends mere imitation through an infusion of elegance and sophistication. While committed to accurate representation, his paintings possess a delicate grace that distinguishes them from the more austere strains of the movement. This refinement evolved over time, subtly incorporating elements reminiscent of Rococo—a fondness for ornate detail and playful composition—and *Japonisme*, the burgeoning Western fascination with Japanese art, particularly in its emphasis on flattened perspective and decorative patterns. He quickly recognized the transformative potential of stylistic experimentation, absorbing lessons from masters like Alfred Stevens and Jean-Auguste-Dominique Ingres, who championed a more expressive and aesthetically considered approach to painting. Cogniet’s guidance at the École des Beaux-Arts solidified his commitment to academic rigor while simultaneously nurturing his innate talent for capturing nuanced emotion—a duality that characterized his artistic output throughout his life. This careful balance between observation and embellishment resulted in works that were both intellectually stimulating and visually captivating, securing him a prominent place among the leading artists of his era.

Portraits of an Era: Major Works and Themes

Madrazo’s oeuvre is populated with portraits and genre scenes—a testament to his ability to portray individuals from diverse social strata with remarkable sensitivity and artistic skill. His most celebrated canvases depict members of Spain's aristocracy, capturing their dignity and refinement with meticulous detail—works like *Portrait of his father painting* exemplify his dedication to honoring familial heritage while simultaneously demonstrating mastery of technique. Equally impressive are his genre paintings—particularly those featuring Aline Masson as the model—which offer glimpses into bourgeois life infused with a subtle blend of observation and imaginative embellishment. These scenes resonate with an atmosphere of understated elegance, reflecting Madrazo’s fascination with capturing fleeting moments of beauty and emotion. The influence of Mariano Fortuny is palpable in his smaller-scale *tableautin*, where he skillfully blends realism with decorative flourishes—a stylistic hallmark that distinguishes him from many of his contemporaries. His portraits are not merely likenesses; they are carefully constructed narratives designed to convey character and personality, reflecting Madrazo’s profound understanding of human psychology.

International Recognition and Lasting Impact

Raimundo de Madrazo achieved international acclaim during his lifetime—a testament to his talent and unwavering dedication to artistic excellence. His debut exhibition in Paris in 1860 marked the beginning of his professional journey, swiftly followed by frequent travels throughout Europe and America where he cultivated a loyal clientele among prominent families. He established himself as a respected artist at the École des Beaux-Arts and garnered recognition from influential critics—a validation of his artistic vision that cemented his reputation as one of Spain’s foremost realist painters. His membership in the Royal Academy of London underscored his commitment to fostering artistic dialogue and securing his place within the intellectual landscape of his time. Beyond his artistic accomplishments, Madrazo demonstrated generosity and civic responsibility through his donation of Francisco de Goya’s works to the Museo del Prado—a gesture that ensured the preservation of Spanish artistic heritage for future generations. Raimundo de Madrazo died in 1920, leaving behind a legacy as one of Spain's most distinguished artists—a master portraitist whose work continues to inspire admiration and scholarly study today. His distinctive style—characterized by refined realism and subtle decorative elements—remains an enduring symbol of artistic elegance and sophistication.