Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 93 verk av Michelangelo Morlaiter i vår katalog
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Etter galleriets vurdering er Michelangelo Morlaiters mest kjente maleri Pieta (1499), hvis original henger i Peterskirken, Roma. Study for Haman (1508) og Design for a statue of Henry II of France (1559) fullfører trioen som alle kjenner igjen. Av de 93 verkene til Michelangelo Morlaiter i vår katalog, presenterer galleriet de 35 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.
The composition centers on the intimate, physical connection between Mary and her son. In this close-up view, the focus remains entirely on the Virgin Mary as she cradles the body of Jesus in her arms. The arrangement of the figures emphasizes a quiet moment of maternal comfort, capturing the weight of the body against her form. This central grouping is elevated upon a pedestal, which provides a sense of prominence…
To gaze upon this preparatory study is to step directly into the intense, focused crucible of artistic genius. It is not a finished narrative, but rather a profound meditation—a skeleton rendered in pigment—that speaks volumes about the mind wrestling with form and divine proportion. The subject matter itself, though titled Study for Haman, transcends any single story; it becomes an exhaustive exploration of the human vessel. Here, the artist has…
In this exquisite pen and ink drawing, we are transported back to the mid-16th century, witnessing a moment of profound artistic preparation. The work, titled Design for a statue of Henry II of France, serves as a meticulous blueprint for a monument intended to immortalize a monarch. At its heart lies an equestrian figure, a powerful composition of horse and rider that commands the viewer's attention through sheer anatomical precision.…
In Battle of Cascina (Copy by Michelangelo's pupil Aristotele da Sangallo), Michelangelo Morlaiter presents a monochromatic scene defined by chaos and violent movement. The composition is densely packed with figures engaged in combat upon a rocky outcrop. This arrangement creates a shallow perspective that draws the viewer into the immediate struggle. The color palette is restricted to shades of gray, establishing a somber and intense atmosphere that emphasizes the gravity…
The composition centers entirely upon the reclining male nude. He lies on his back, a solitary figure occupying the space. Minimal background elements exist, leaving the eye to rest solely on the weight of the body. Every line is an anatomical map, tracing the tension of muscle and the underlying architecture of bone. The focus remains fixed on this singular, organic presence.
In Sistine Chapel Ceiling: God Dividing Land and Water by Michelangelo Morlaiter, a complex arrangement of figures unfolds in a state of constant, rhythmic motion. The central figure of God commands the entire scene, his presence heavy and absolute as he extends a hand to divide the primordial waters. This singular, decisive gesture sets the momentum for the entire composition. Below this divine action, the narrative continues with Noah and…
A single male nude occupies the center of the page, caught in a moment of sudden, heavy movement. The figure is a study of tension, a collection of diagonal lines that pull the eye across the paper. Beside this form, the arm of a bearded man enters the frame, adding a layer of anatomical complexity to the composition. The charcoal is applied with a raw, gestural energy, leaving behind a…
The composition is complex and crowded, presenting a dense arrangement where multiple figures overlap and interact within a shallow space. This layering creates a sense of immediate, kinetic energy. The color palette is dominated by warm hues of red, pink, and gold, which establish an intense atmosphere. These tones work in tandem with organic shapes that reflect the underlying human anatomy of the figures.
The composition is vertically oriented, focusing the viewer's attention on the singular nude male figure. This arrangement emphasizes the verticality of the body and the specific contours of the anatomy. The figure is captured in a dynamic pose, suggesting a moment of physical exertion or movement. The perspective is limited to a close-up study, providing a detailed view of the subject while maintaining minimal background detail. This lack of environmental…
The ceiling is a vast expanse of organized rows. Each panel holds a specific biblical narrative, a fragment of Genesis unfolding across the stone. The perspective remains largely flat, mirroring the gaze of a viewer looking directly upward into the vault. It is a complex architecture of stories, where the scale of the figures follows a strict hierarchy. Larger forms dominate the central scenes, anchoring the eye amidst the intricate…
Sistine Chapel Ceiling: The Prophet Joel1512
12
The Ancestors of Christ: Asa1509
13
Moses1515 · San Pietro in Vincoli
14
Ideal head of a woman1525 · British Museum
15
Study for a risen Christ1533 · British Museum
16
The Resurrection of Christ1533 · British Museum
17
Portrait of Andrea Quaratesi1532 · Ashmolean Museum of Art and Archaeology
18
The Fall of Phaeton1533 · British Museum
19
Design for Julius II tomb (first version)1540 · Galleria degli Uffizi
20
Crucifixion1540
21
Studies for a double tomb wall1520 · British Museum
22
The Entombment1501 · National Gallery
23
Sistine Chapel Ceiling: The Delphic Sibyl1509
24
Study to ^quot;Battle of Cascina^quot;1504
25
Sistine Chapel Ceiling: The Punishment of Haman1512
26
Sistine Chapel Ceiling: David and Goliath1509
27
Sketch of fortifications of Porta del Prato in Florence (ground floor plan)1525
28
Design for Laurentian library doors and an external window1526 · British Museum
29
Studies for "Pieta" or "The Last Judgement"1530
30
Study of ^quot;Christ on the Cross between the Virgin and St. John the Evangelist^quot;1554 · Louvre
31
Study of ^quot;Christ on the Cross between the Virgin and St. John the Evangelist^quot;1556 · British Museum
32
Decoration of the grand staircase1766 · Palazzo Grassi
33
Venetian Reception (detail)1766 · Palazzo Grassi
34
Studie til «Kristus oppstandelse»1533 · Louvre
35
Diverse studier1505 · Louvre
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
De 8 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Michelangelo Morlaiter | Malerier fra denne listen |
|---|---|---|---|
 British Museum |
London | 9 | Study for Haman, Sketch of a Nude Man (study for the "Battle of Cascina"), Ideal head of a woman |
 Louvre |
Paris | 4 | Male nude and arm of bearded man, Study of ^quot;Christ on the Cross between the Virgin and St. John the Evangelist^quot;, Studie til «Kristus oppstandelse» |
 Palazzo Grassi |
Venezia | 2 | Decoration of the grand staircase, Venetian Reception (detail) |
 Peterskirken |
Roma | 1 | Pieta |
 Rijksmuseum |
Amsterdam | 1 | Design for a statue of Henry II of France |
 San Pietro in Vincoli |
Roma | 1 | Moses |
 Ashmolean Museum of Art and Archaeology |
Oxford | 1 | Portrait of Andrea Quaratesi |
 Galleria degli Uffizi |
Firenze | 1 | Design for Julius II tomb (first version) |
Velg et tiår for å se originalverket som definerer det.
The composition centers on the intimate, physical connection between Mary and her son. In this close-up view, the focus remains entirely on the Virgin Mary as she cradles the body of Jesus in her arms. The arrangement of the figures emphasizes a quiet moment of maternal comfort, capturing the weight of the body against her form. This central grouping is elevated upon a pedestal, which provides a sense of prominence…
To gaze upon this preparatory study is to step directly into the intense, focused crucible of artistic genius. It is not a finished narrative, but rather a profound meditation—a skeleton rendered in pigment—that speaks volumes about the mind wrestling with form and divine proportion. The subject matter itself, though titled Study for Haman, transcends any single story; it becomes an exhaustive exploration of the human vessel. Here, the artist has…
In Sistine Chapel Ceiling: God Dividing Land and Water by Michelangelo Morlaiter, a complex arrangement of figures unfolds in a state of constant, rhythmic motion. The central figure of God commands the entire scene, his presence heavy and absolute as he extends a hand to divide the primordial waters. This singular, decisive gesture sets the momentum for the entire composition. Below this divine action, the narrative continues with Noah and…
This graphite drawing presents a profile view of a woman’s head and shoulders, rendered with the precision of a classical study. The composition focuses on the contours of the face and the upper torso, utilizing subtle shading to establish volume and depth. Every line follows the organic curves of the subject’s anatomy, from the soft slope of the nose to the intricate textures of the hair and the heavy folds…
This monochromatic pencil drawing, dated 1533, presents a detailed study of a nude male figure. The composition is centered on the subject, who is depicted in a dynamic pose, reaching upwards with one arm extended. The rendering utilizes shades of gray to emphasize form and musculature through careful shading.
To hold this sketch in one's gaze is to witness the very moment an idea begins to take physical form. Created around 1540 in Rome, Italy, this ink on paper drawing offers a glimpse into the creative process of Michelangelo. It is a technical study, a blueprint for a monument intended for Pope Julius II. The composition is vertically oriented, building upward through a series of tiered levels that suggest…
In this exquisite pen and ink drawing, we are transported back to the mid-16th century, witnessing a moment of profound artistic preparation. The work, titled Design for a statue of Henry II of France, serves as a meticulous blueprint for a monument intended to immortalize a monarch. At its heart lies an equestrian figure, a powerful composition of horse and rider that commands the viewer's attention through sheer anatomical precision.…
Pieta (1499), Peterskirken, Roma. Deretter følger Study for Haman (1508) og Design for a statue of Henry II of France (1559).
Pieta, Study for Haman, Design for a statue of Henry II of France, Battle of Cascina (Copy by Michelangelo's pupil Aristotele da Sangallo), The Study of Adam, Sistine Chapel Ceiling: God Dividing Land and Water, Male nude and arm of bearded man, Sistine Chapel Ceiling: God Dividing Light from Darkness, Sketch of a Nude Man (study for the "Battle of Cascina") og Sistine Chapel Ceiling. Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 93 verk av Michelangelo Morlaiter, datert fra 1499 til 1766.
Hovedsakelig i British Museum (London), Louvre (Paris) og Palazzo Grassi (Venezia). Museumslisten ovenfor viser alle.
I 1500s: 11 av de 35 verkene på denne siden ble laget da, Study for Haman av dem.
På denne siden er det eldste Pieta (1499) og det nyeste Decoration of the grand staircase (1766).
Man (8), Figures (5) og People (3), fordelt på 35 verk på denne siden.
Fresco, for 5 av de 35 verkene på denne siden.
High renaissance og Renaissance, basert på originalene på denne siden.
Study for Haman, Sketch of a Nude Man (study for the "Battle of Cascina") og Ideal head of a woman: British Museum, London har 9 av verkene på denne siden.
