Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 39 verk av Georges Rouget i vår katalog
Kort fortalt
Etter galleriets vurdering er Georges Rougets mest kjente maleri Saint Louis Forgiving Pierre de Bretagne (1817), hvis original henger i Musée des Beaux-Arts de Quimper, Quimper. Sketch for the church Saint Gervais "Ecce Homo" (1819) og Jean-Nicolas Houchard (1835) fullfører trioen som alle kjenner igjen. Av de 39 verkene til Georges Rouget i vår katalog, presenterer galleriet de 39 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.
The scene unfolds in Saint Louis Forgiving Pierre de Bretagne, a work that captures a heavy moment of royal grace. Georges Rouget brings this historical encounter to life through oil on canvas, freezing a gesture of mercy in time. The painting dates to about 1817, a period when the weight of history meets the precision of the brush. We find ourselves watching a pivotal interaction between a king and a…
In the Sketch for the church Saint Gervais "Ecce Homo" by Georges Rouget, the scene unfolds through a crowded and dynamic arrangement. The composition utilizes a multi-layered assembly of figures to generate a sense of chaotic movement and mounting tension. From a slightly low-angle perspective, the viewer looks upward toward an elevated platform where the central subject is presented to the crowd. This positioning emphasizes the weight of the moment,…
In this 1835 portrait, we encounter Jean-Nicolas Houchard, a man whose presence commands the space through a quiet, heavy dignity. The subject is captured in a bust-length composition, his body turned slightly away while his gaze meets the viewer with a solemnity that suggests a life lived amidst the pressures of authority. There is a palpable sense of gravity in his expression, a stillness that speaks of the weight of…
A middle-aged man sits in a moment of profound stillness, his gaze drifting toward the upper right as if caught by a sudden, unspoken thought. He is draped in the heavy, dark navy blue of a jacket that absorbs the light, contrasting sharply against the crisp, creamy white of his cravat. The light strikes the left side of his face with a deliberate intensity, sculpting the sharp lines of his…
This portrait bust, executed in white marble, presents the head and shoulders of Achille Alexandre Alphonse, Viscount de Cailleux. The sculpture is rendered in a Neoclassical style, emphasizing anatomical precision and a smooth, polished surface on the skin. The subject is positioned in a frontal, centered composition against a neutral, solid gray background. Light enters from the upper left, casting soft shadows across the brow, the bridge of the nose,…
The King of Rome in the Tuileries Garden is a formal portrait by the French painter Georges Rouget. Executed about 1850, the work captures a young boy dressed in ceremonial or high-status attire. The subject is positioned within an expansive, manicured garden setting, presented in a vertical orientation that emphasizes his stature.
The canvas before you presents not merely a likeness, but an embodiment of the 19th century’s fascination with portraiture – a meticulously rendered study in dignity and quiet authority. Painted by Georges Rouget between 1803 and 1857, this depiction of Jean Pierre Thenot is more than just a representation; it's a window into a specific moment in French history, imbued with the formal elegance and restrained emotion characteristic of his…
PHILIPPE HENRI SCHUNCK (1757 1847)
12
ARMAND LOUIS DE GONTAUT, DUC DE BIRON, GENERAL EN CHEF DE L'ARMEE DU RHIN (1747 1793)
13
BERTRAND CLAUSEL, CAPITAINE AU 43E DE LIGNE EN 1792 (1772 1842)
14
MARIE HENRI FRANCOIS DE FRANQUETOT, DUC DE COIGNY, MARECHAL DE FRANCE (1737 1821)
15
SAINT LOUIS RENDANT LA JUSTICE SOUS LE CHENE DE VINCENNES.1260
16
HENRI IV DEVANT PARIS ASSIEGE.AOUT 1590
17
VICTOR GUY BARON DUPERRE, MATELOT EN 1792 (1775 1846)Opera House
18
LAURENT GOUVION SAINT CYR, CAPITAINE AU 1ER BATAILLON DE CHASSEURS DE PARIS EN 1792 (1764 1830)Opera House
19
ASSEMBLEE DES NOTABLES A ROUEN.4 NOVEMBRE 1596
20
CLAUDE VICTOR PERRIN, LIEUTENANT COLONEL DU 5E BATAILLON DU RHONE EN 1792 (1764 1841)
21
GEORGES ROUGET (1784 1864)
22
Napoléon présente le roi de Rome aux dignitaires de l'Empire, 20 mars 1811Opera House
23
LOUIS RENE MADELEINE LEVASSOR DE LA TOUCHE TREVILLE, VICE AMIRAL (1745 1804)
24
LOUIS RENE MADELEINE LEVASSOR DE LA TOUCHE TREVILLE, CONTRE AMIRAL EN 1792 (1745 1804)
25
Oedipe et Antigone sur le mont Cytheron
26
FRANCOIS MIRANDA, LIEUTENANT GENERAL ( 1816)
27
AUGUSTE FREDERIC LOUIS VIESSE DE MARMONT, LIEUTENANT D'ETAT MAJOR D'ARTILLERIE EN 1792 (1774 1852)
28
CLOVIS III, ROI D'AUSTRASIE, DE NEUSTRIE ET DE BOURGOGNE ( 695)
29
CHARLES III, DIT LE SIMPLE, ROI DE FRANCE (879 929)
30
MORT DE SAINT LOUIS DEVANT TUNIS.25 AOUT 1270
31
Portrait du général M. Portrait d'homme (titre ancien)
32
MARIAGE DE NAPOLEON 1ER ET DE MARIE LOUISE.2 AVRIL 1810
33
NAPOLEON RECOIT A SAINT CLOUD LE SENATUS CONSULTE QUI LE PROCLAME EMPEREUR DES FRANCAIS.18 MAI 1804
34
SAINT LOUIS RECOIT A PTOLEMAIS LES ENVOYES DU VIEUX DE LA MONTAGNE.1251
35
SAINT LOUIS MEDIATEUR ENTRE LE ROI D'ANGLETERRE ET SES BARONS.23 JANVIER 1264Opera House
36
Mariage de Napoléon Ier et de Marie Louise, 2 avril 1810
37
MESDEMOISELLES MOLLIENLouvre
38
FRANCOIS CHASSELOUP LAUBAT, GENERAL DE DIVISIONMinistère de la Défense Nationale
39
EMMANUEL DE GROUCHY, COLONEL DU 2E DRAGON EN 1792 (1766 1847)
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
De 8 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Georges Rouget | Malerier fra denne listen |
|---|---|---|---|
 Opera House |
Versailles | 6 | Achille Alexandre Alphonse, Viscount de Cailleux (1788-1876), Director of the Musées royaux, ALEXANDRE FRANCOIS MARIE, VICOMTE DE BEAUHARNAIS, GENERAL EN CHEF DE L'ARMEE DU RHIN (1760 1794), VICTOR GUY BARON DUPERRE, MATELOT EN 1792 (1775 1846) |
 Louvre |
Paris | 2 | JEAN PIERRE THENOT (1803 1857), MESDEMOISELLES MOLLIEN |
 Musée des Beaux-Arts de Quimper |
Quimper | 1 | Saint Louis Forgiving Pierre de Bretagne |
 Petit Palais |
Paris | 1 | Sketch for the church Saint Gervais "Ecce Homo" |
 Musée de l’Armée |
Paris | 1 | Jean-Nicolas Houchard |
 Bavarian State Painting Collections |
München | 1 | Jacques-Louis David |
 Musée Fesch |
Aix-en-Provence | 1 | The King of Rome in the Tuileries Garden |
 Ministère de la Défense Nationale |
Paris | 1 | FRANCOIS CHASSELOUP LAUBAT, GENERAL DE DIVISION |
Velg et tiår for å se originalverket som definerer det.
The scene unfolds in Saint Louis Forgiving Pierre de Bretagne, a work that captures a heavy moment of royal grace. Georges Rouget brings this historical encounter to life through oil on canvas, freezing a gesture of mercy in time. The painting dates to about 1817, a period when the weight of history meets the precision of the brush. We find ourselves watching a pivotal interaction between a king and a…
In this 1835 portrait, we encounter Jean-Nicolas Houchard, a man whose presence commands the space through a quiet, heavy dignity. The subject is captured in a bust-length composition, his body turned slightly away while his gaze meets the viewer with a solemnity that suggests a life lived amidst the pressures of authority. There is a palpable sense of gravity in his expression, a stillness that speaks of the weight of…
This portrait bust, executed in white marble, presents the head and shoulders of Achille Alexandre Alphonse, Viscount de Cailleux. The sculpture is rendered in a Neoclassical style, emphasizing anatomical precision and a smooth, polished surface on the skin. The subject is positioned in a frontal, centered composition against a neutral, solid gray background. Light enters from the upper left, casting soft shadows across the brow, the bridge of the nose,…
The King of Rome in the Tuileries Garden is a formal portrait by the French painter Georges Rouget. Executed about 1850, the work captures a young boy dressed in ceremonial or high-status attire. The subject is positioned within an expansive, manicured garden setting, presented in a vertical orientation that emphasizes his stature.
Saint Louis Forgiving Pierre de Bretagne (1817), Musée des Beaux-Arts de Quimper, Quimper. Deretter følger Sketch for the church Saint Gervais "Ecce Homo" (1819) og Jean-Nicolas Houchard (1835).
34 år gammel: Saint Louis Forgiving Pierre de Bretagne er fra 1817, og Georges Rouget ble født i 1783.
Saint Louis Forgiving Pierre de Bretagne, Sketch for the church Saint Gervais "Ecce Homo", Jean-Nicolas Houchard, Jacques-Louis David, Achille Alexandre Alphonse, Viscount de Cailleux (1788-1876), Director of the Musées royaux, The King of Rome in the Tuileries Garden, JEAN PIERRE THENOT (1803 1857), DEBARQUEMENT DE SAINT LOUIS EN EGYPTE.4 JUIN 1249, ALEXANDRE FRANCOIS MARIE, VICOMTE DE BEAUHARNAIS, GENERAL EN CHEF DE L'ARMEE DU RHIN (1760 1794) og FRANCOIS CHRISTOPHE KELLERMAN, GENERAL EN CHEF DE L'ARMEE DE LA MOSELLE EN 1792 (1735 1820). Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 39 verk av Georges Rouget, datert fra 1817 til 1850.
Hovedsakelig i Opera House (Versailles), Louvre (Paris) og Musée des Beaux-Arts de Quimper (Quimper). Museumslisten ovenfor viser alle.
I 1810s: 2 av de 39 verkene på denne siden ble laget da, Saint Louis Forgiving Pierre de Bretagne av dem.
På denne siden er det eldste Saint Louis Forgiving Pierre de Bretagne (1817) og det nyeste The King of Rome in the Tuileries Garden (1850).
Portrait (6), Man (4) og Dignified (3), fordelt på 39 verk på denne siden.
Oil On Canvas, for 6 av de 39 verkene på denne siden.
Neoclassicism, basert på originalene på denne siden.
Achille Alexandre Alphonse, Viscount de Cailleux (1788-1876), Director of the Musées royaux, ALEXANDRE FRANCOIS MARIE, VICOMTE DE BEAUHARNAIS, GENERAL EN CHEF DE L'ARMEE DU RHIN (1760 1794) og VICTOR GUY BARON DUPERRE, MATELOT EN 1792 (1775 1846): Opera House, Versailles har 6 av verkene på denne siden.
