Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 7 verk av Charles Walch i vår katalog
Kort fortalt
Av alle originalverkene Charles Walch etterlot seg, er det mest kjente Bad-Mouthing (1933), som er en del av samlingen til Centre Pompidou i Paris. Like bak følger Winter (1934) og The Shepherdess (1934). Vår katalog inneholder 7 verk av Charles Walch; galleriet har bevart de 7 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.
In 1933, Charles Walch captured a moment of quiet friction in Bad-Mouthing. The scene unfolds within an outdoor or semi-outdoor setting, where a crowd of figures gathers under a dark blue sky. The air feels heavy with the weight of unspoken words. In the foreground, a man and a woman lean toward one another, their bodies angled in a close, secretive interaction. They appear to be whispering, their proximity suggesting…
De 3 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Charles Walch | Malerier fra denne listen |
|---|---|---|---|
 Musée des Beaux-Arts de Mulhouse |
Mulhouse | 3 | Birthday, Bâtisseurs et architectes, L'armoire à l'ange |
 Centre Pompidou |
Paris | 2 | Bad-Mouthing, Winter |
 Musée d'Art Moderne et Contemporain de Strasbourg |
Strasbourg | 2 | The Shepherdess, The Triumphant Bouquet |
Bare et tiår, fra 1933 til 1942, ga verden hvert eneste daterte Charles Walch-originalverk i dette utvalget: her er de, år for år.
Velg et år for å se originalverkene.
In 1933, Charles Walch captured a moment of quiet friction in Bad-Mouthing. The scene unfolds within an outdoor or semi-outdoor setting, where a crowd of figures gathers under a dark blue sky. The air feels heavy with the weight of unspoken words. In the foreground, a man and a woman lean toward one another, their bodies angled in a close, secretive interaction. They appear to be whispering, their proximity suggesting…
Bad-Mouthing (1933), Centre Pompidou, Paris. Deretter følger Winter (1934) og The Shepherdess (1934).
37 år gammel: Bad-Mouthing er fra 1933, og Charles Walch ble født i 1896.
Vår katalog inneholder 7 verk av Charles Walch, datert fra 1933 til 1942.
Hovedsakelig i Musée des Beaux-Arts de Mulhouse (Mulhouse), Centre Pompidou (Paris) og Musée d'Art Moderne et Contemporain de Strasbourg (Strasbourg). Museumslisten ovenfor viser alle.
I 1942: 3 av de 7 verkene på denne siden ble laget da, The Triumphant Bouquet av dem.
På denne siden er det eldste Bad-Mouthing (1933) og det nyeste The Triumphant Bouquet (1942).
Birthday, Bâtisseurs et architectes og L'armoire à l'ange: Musée des Beaux-Arts de Mulhouse, Mulhouse har 3 av verkene på denne siden.
Born in Thann, France, Charles Walch was a versatile visual artist who mastered the disciplines of painting, sculpture, and printmaking. His journey was marked by a profound personal challenge; born with a physical malformation that left his right arm atrophied and his right leg shorter than the left, he learned to navigate the world and his craft using his left hand. This necessity fostered a remarkable dexterity that would define his career. After studying at the Société Industrielle de Mulhouse, he initially worked as a fabric designer. His artistic potential was recognized by Paul Bonnet, who encouraged him to pursue formal training. This support allowed him to move to Paris to study at the Arts décoratifs, eventually establishing a lifelong studio on rue Borromée in the 15th arrondissement.
Walch's career saw significant recognition, including receiving a gold medal at the Exposition universelle de Paris in 1937 and being named a Chevalier de la Légion d'honneur. His work spanned various media, from vibrant paintings and stone sculptures such as Tendresse and Femme au chat to intricate prints like aquatints and etchings. He was part of the 1941 exhibition of the "Vingt jeunes peintres de tradition française" and contributed a flamboyant rooster as a poster for the 1944 Salon d’Automne. His artistic output included:
He passed away suddenly in his Paris studio in 1948 while actively engaged in his painting.
