Kort fortalt
Die Schere (1968) er maleriet av Bruno Goller som vekker mest oppmerksomhet; originalen befinner seg i Städel Museum, Frankfurt. Blant de 3 verkene til Bruno Goller i vår katalog, er disse 1 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.
Topp 10 malerier av Bruno Goller, sett gjennom galleriets øyne
Museene som har Bruno Gollers originalverk
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Bruno Goller | Malerier fra denne listen |
|---|---|---|---|
| Frankfurt | 1 | Die Schere |
Bruno Goller gjennom årene: de unike originalene fra hvert verk
Alle de daterte originalene av Bruno Goller som vises her, tilhører ett enkelt år, 1968: de er oppført i rekkefølge etter berømmelse.
Bruno Gollers malerier: spørsmål til galleriet
Hva er det mest kjente verket til Bruno Goller?Avslør svaret
Die Schere (1968)
Hvor gammel var Bruno Goller da Die Schere ble skapt?Avslør svaret
67 år gammel: Die Schere er fra 1968, og Bruno Goller ble født i 1901.
Hvor mange verk av Bruno Goller er kjent?Avslør svaret
Vår katalog inneholder 3 verk av Bruno Goller.
Hvor kan de mest kjente originalverkene til Bruno Goller ses?Avslør svaret
Hovedsakelig i Städel Museum (Frankfurt). Museumslisten ovenfor viser alle.
Bruno Goller: et portrett av kunstneren
The Life and Artistic Journey of Bruno Goller
Born in Gummersbach, Germany, Bruno Goller began his journey into painting as a youth. He received instruction from the landscape painter Julius Jungheim between 1919 and 1921 in Düsseldorf. Following a journey to Italy in 1924, he settled in Düsseldorf in 1927, a city he rarely left. During his career, he was a member of several artistic groups, including Das Junge Rheinland, the Rheinische Sezession, and the Rheingruppe. He also belonged to the Neue Rheinische Sezession.
Goller's life was marked by significant historical shifts. During the period of National Socialism, he lived largely in "inner emigration," and he was drafted into service during the Second World War from 1940 to 1945. In 1943, a significant portion of his early work was destroyed when incendiary bombs struck his studio. Later, he held a professorship for painting at the Staatliche Kunstakademie Düsseldorf from 1953 to 1964, teaching students such as Blinky Palermo and Konrad Fischer.
Style and Subject Matter
The thematic essence of Goller's work was deeply influenced by his mother's hat shop. This connection led him to favor subjects such as shop windows, decorations, and similar interior arrangements. His artistic style is often described as a form of "magical realism" that remained steadfast even as abstraction became a dominant trend in the post-war era. While his work is frequently situated between Jugendstil, Expressionism, and Surrealism, some art historians suggest his style is unique and defies easy classification.
Throughout his life, Goller received numerous honors, including: