Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 159 verk av Alfred Wallis i vår katalog
Kort fortalt
Etter galleriets vurdering er Alfred Walliss mest kjente maleri Sailing Ship and Orchard (1937), hvis original henger i Kettle's Yard, Cambridge. Fishing Boat with Two Masts and Yellow Sails (1920) og String of Boats (1928) fullfører trioen som alle kjenner igjen. Av de 159 verkene til Alfred Wallis i vår katalog, presenterer galleriet de 100 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.
The artwork is a watercolor painting that presents a serene depiction of a sailing ship gliding across calm waters alongside an orchard laden with blossoms. The composition is dominated by a large, triangular sail that serves as the central anchor, directing the viewer’s gaze toward the expansive horizon. A hillside or cliff face in the background provides a diagonal line, while the waterline creates a horizontal base. The scene includes…
Fishing Boat with Two Masts and Yellow Sails is a work by Alfred Wallis, dating from 1920. The artist, who was born in Devonport, United Kingdom, in 1855, brought a unique perspective to his canvases, shaped by a life lived in close proximity to the sea. Before he turned to painting, Wallis was a self-taught craftsman who spent much of his life working as a shipbuilder.
A collection of sailboats drifts across a quiet expanse of water, their varying scales suggesting a sense of depth and distance. In the background, a lighthouse provides a fixed point of reference against the horizon, anchoring the nautical scene. The composition is defined by a muted, earthy palette, where shades of brown dominate the visual field, lending the work a grounded, somber quality. The arrangement of the vessels creates a…
The painting titled White House and Cottages, the Old House, Porthmeor Square, St Ives was created by the artist Alfred Wallis. This work dates to about 1932. The artist, a self-taught painter from the United Kingdom, produced this piece during a period of prolific activity in St Ives, Cornwall.
There is a certain gravity in how this small-scale work captures the struggle of a single vessel against the immense, churning power of the ocean. The barque, positioned slightly off-center, seems to fight for its place within a vast, horizontal expanse of gray and muted blue. You can feel the tension in the diagonal lines of the sails, which pull against the force of the wind, creating a sense of…
A small boat floats upon a calm expanse of water, positioned near the center of the composition. In the background, mountains rise against the horizon, their forms simplified and heavy. Two figures are visible within the scene, one situated toward the left and another toward the right, grounding the vessel in a sense of human presence. The composition is framed by scattered rocks that break the surface of the sea,…
In this work, titled Brigantine Sailing Past Green Fields, we encounter a piece by Alfred Wallis. The artist, who was born in 1855, spent much of his life as a shipbuilder and mariner before turning to the canvas. This practical connection to the sea informs the very essence of his visual language. The painting remains undated, leaving its exact moment of creation a quiet mystery.
Landscape with Two Large Trees and Houses is a work by Alfred Wallis. The artist, born in 1855, lived through a changing era of maritime life before his death in 1942. He was a self-taught craftsman who spent much of his life as a shipbuilder, shaping timbers for the Atlantic waters. This practical history shaped the way he approached the canvas.
To gaze upon Alfred Wallis's "A Brig, Close to Shore" is not merely to observe a painting; it is to feel the bracing salt spray on your face and hear the rhythmic creak of timbers against the tide. This work transports us directly into the vibrant, untamed heart of the Cornish coast. The scene is dominated by the powerful grace of a sailboat, its canvas sails catching an unseen wind,…
In the evocative masterpiece St Ives, we are invited into a world where the boundaries between memory and reality dissolve into a charming, stylized landscape. Created around 1928, this work offers an aerial perspective that looks down upon a cluster of coastal dwellings and maritime vessels nestled along a serene blue expanse. The composition is dominated by a central grouping of buildings and boats, arranged with a density that suggests…
Headland with two three masters (verso)1938 · The Pier Arts Centre
12
Green Sails1939
13
The Blue Ship1934
14
Boats before a Great Bridge (Royal Albert Bridge )1937 · Kettle's Yard
15
Rough Sea
16
Ship, People and AnimalsKettle's Yard
17
Schooner in Full Sail near a Lighthouse1928 · Kettle's Yard
18
P. Z. 111928
19
Seven Boats Entering Harbour1928 · Kettle's Yard
20
Houses at St Ives, Cornwall1928
21
Houses at the Water's Edge (Porthleven )1928 · Kettle's Yard
22
Seascape, Ships Sailing Past the Long Ships1928 · Kettle's Yard
23
Five Ships, Mount's Bay1928 · Kettle's Yard
24
St Ives1928
25
Two Ships and Steamer Sailing Past a Port, Falmouth and St Anthony Lighthouse1931 · Kettle's Yard
26
St. Ives Harbor1932
27
Schooner Approaching a Harbour1930
28
White Houses, Hales Down, near St Ives1932 · Kettle's Yard
29
Two Boats1930 · Jerwood Gallery
30
Fishes and Lobster Pots1936 · Kettle's Yard
31
Boats under Saltash Bridge (Royal Albert Bridge) (recto)1937 · Kettle's Yard
32
Harbour Scene (verso)1937 · Kettle's Yard
33
Grey Sailing Ship and Small Boat (verso)1938 · Kettle's Yard
34
Harbour with Two Lighthouses and Motor Vessel, St Ives Bay1934 · Kettle's Yard
35
House1936
36
Harbour, St Ives, Cornwall1936
37
House with Trees1937 · Kettle's Yard
38
Cottages in a Wood, St Ives1937 · Kettle's Yard
39
Crucifixion or Allegory with Three Figures and Two Dogs1934 · Kettle's Yard
40
St Ives harbour White sailing ship (recto)1938 · The Pier Arts Centre
41
Trees and Cottages1937 · Kettle's Yard
42
Three Master and Steamer in Port (verso)1937 · Kettle's Yard
43
White sailing ship – three masts1938 · The Pier Arts Centre
44
Three ships and lighthouse (verso)1938 · The Pier Arts Centre
45
Against Longships fog (recto)1938 · The Pier Arts Centre
46
Ravine with Estuary (Bristol Channel and Suspension Bridge )1938 · Kettle's Yard
47
Landscape with Field, Chimneys and Road between Blue and Dark Green Cottages (Consols Mine)1936 · Kettle's Yard
48
St Ives harbour and Godrevy (recto)1938 · The Pier Arts Centre
49
Boat on the Sea1937
50
Yacht, pink and green (verso)1938 · The Pier Arts Centre
51
'Consols Mine Raswall Hill and the Road Zennor to Farms. The White You See Is Granite'1936
52
Black Steamship1938 · The Pier Arts Centre
53
Shipwreck 2, the Wreck of the 'Alba'1941 · Kettle's Yard
54
Death Ship1942 · Kettle's Yard
55
Boat with Figures1940
56
Shipwreck 1, the Wreck of the 'Alba'1940 · Kettle's Yard
57
Small Boat in a Rough Sea1936 · Kettle's Yard
58
Land, fisk og motorbåt1937 · Kettle's Yard
59
Two Ships with Brown Green Sails in Rising SeaKettle's Yard
60
Motor Vessel Mounting a WaveKettle's Yard
61
Trawler1925 · Arts Council Collection
62
Tre mastet skip nær fyr1930 · Kettle's Yard
63
Steam Boat
64
Three Master in Full Sail near a LighthouseKettle's Yard
65
Four Steam Ships and Three Jetties (verso)Kettle's Yard
66
Three Sailing Boats in a Line (recto)Kettle's Yard
67
Mount's Bay
68
Two BoatsKettle's Yard
69
Three Grey Sailed ShipsKettle's Yard
70
Large and Small SteamboatsKettle's Yard
71
Ships in HarbourUniversity of Essex
72
Nine Ships in HarbourKettle's Yard
73
Fishing Boat in Harbour, with Red Sail Mast SteepedKettle's Yard
74
Grey Three MasterKettle's Yard
75
Harbour and Sailing ShipUniversity of Essex
76
Mount's Bay with Four LighthousesKettle's Yard
77
Sailing Ships and Two Steamers, Newlyn HarbourKettle's Yard
78
Penzance HarbourKettle's Yard
79
A Fishing Boat off the Coast
80
BoatsWolfson College
81
Two Sailing Ships with a LighthouseKettle's Yard
82
Knill's MonumentKettle's Yard
83
Schooner
84
Wreck of the Alba
85
Fishing Boat Between Two Lighthouses
86
Three Boats off the Shore
87
Passin Ice Burgs
88
Fishing Boat
89
Two Masted Schooner, Ketch
90
Four Masted Sailing Ship and LighthouseKettle's Yard
91
Four Sailing Boats Leaving Pier with LighthouseKettle's Yard
92
Grey Steam BoatKettle's Yard
93
Two Funnel Steamboat amongst Three Sailing BoatsKettle's Yard
94
Motor Vessel with Four MenKettle's Yard
95
Three Master with Four Sailors and Four Dolphins in Green SeaKettle's Yard
96
Two Masted YawlFitzwilliam College
97
GatewayKettle's Yard
98
Motor Vessel near LandKettle's Yard
99
Wreck of the Alba
100
Lighthouse, Four Moored Sail Boats and Rowing BoatsKettle's Yard
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
De 8 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Alfred Wallis | Malerier fra denne listen |
|---|---|---|---|
 Kettle's Yard |
Cambridge | 96 | Sailing Ship and Orchard, White House and Cottages, the Old House, Porthmeor Square, St Ives, Barque with a Man at the Wheel on a Stormy Sea |
 The Pier Arts Centre |
Stromness | 9 | Headland with two three masters (verso), St Ives harbour White sailing ship (recto), White sailing ship – three masts |
 University of Essex |
Colchester | 5 | Ships in Harbour, Harbour and Sailing Ship |
 Arts Council Collection |
London | 2 | Trawler |
 Wolverhampton Art Gallery |
Wolverhampton | 1 | A Brig, Close to Shore |
 Tate Britain |
London | 1 | St Ives |
 Jerwood Gallery |
Hastings | 1 | Two Boats |
 Wolfson College |
Oxford | 1 | Boats |
Velg et tiår for å se originalverket som definerer det.
Fishing Boat with Two Masts and Yellow Sails is a work by Alfred Wallis, dating from 1920. The artist, who was born in Devonport, United Kingdom, in 1855, brought a unique perspective to his canvases, shaped by a life lived in close proximity to the sea. Before he turned to painting, Wallis was a self-taught craftsman who spent much of his life working as a shipbuilder.
The artwork is a watercolor painting that presents a serene depiction of a sailing ship gliding across calm waters alongside an orchard laden with blossoms. The composition is dominated by a large, triangular sail that serves as the central anchor, directing the viewer’s gaze toward the expansive horizon. A hillside or cliff face in the background provides a diagonal line, while the waterline creates a horizontal base. The scene includes…
To gaze upon Alfred Wallis's "A Brig, Close to Shore" is not merely to observe a painting; it is to feel the bracing salt spray on your face and hear the rhythmic creak of timbers against the tide. This work transports us directly into the vibrant, untamed heart of the Cornish coast. The scene is dominated by the powerful grace of a sailboat, its canvas sails catching an unseen wind,…
Sailing Ship and Orchard (1937), Kettle's Yard, Cambridge. Deretter følger Fishing Boat with Two Masts and Yellow Sails (1920) og String of Boats (1928).
82 år gammel: Sailing Ship and Orchard er fra 1937, og Alfred Wallis ble født i 1855.
Sailing Ship and Orchard, Fishing Boat with Two Masts and Yellow Sails, String of Boats, White House and Cottages, the Old House, Porthmeor Square, St Ives, Barque with a Man at the Wheel on a Stormy Sea, Voyage to Labrador, Brigantine Sailing Past Green Fields, Landscape with Two Large Trees and Houses, A Brig, Close to Shore og St Ives. Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 159 verk av Alfred Wallis, datert fra 1920 til 1942.
Hovedsakelig i Kettle's Yard (Cambridge), The Pier Arts Centre (Stromness) og University of Essex (Colchester). Museumslisten ovenfor viser alle.
I 1930s: 38 av de 100 verkene på denne siden ble laget da, Sailing Ship and Orchard av dem.
På denne siden er det eldste Fishing Boat with Two Masts and Yellow Sails (1920) og det nyeste A Brig, Close to Shore (1942).
Sea (10), Coastal landscape (8) og Boats (8), fordelt på 100 verk på denne siden.
Oil, for 7 av de 100 verkene på denne siden.
Naive folk art, basert på originalene på denne siden.
Sailing Ship and Orchard, White House and Cottages, the Old House, Porthmeor Square, St Ives og Barque with a Man at the Wheel on a Stormy Sea: Kettle's Yard, Cambridge har 57 av verkene på denne siden.
Alfred Wallis (1855-1942) skiller seg ut fra det tradisjonelle kunstneriske landskapet i sin tid – en skikkelse hvis stille enkelhet skjuler et dypt engasjement for observasjon og en urokkelig dedikasjon til å fange essensen av kysten i Cornwall. Wallis ble født i Devonport, England, og besatt ingen formell kunstnerisk utdannelse; han var en selvlært håndverker som arbeidet som skipsbygger store del av sitt liv, hvor han formet tømmer til fartøy som seilte på Atlanterhavets bølger. Denne praktiske, hendene-på-erfaringen inngav i ham en nitid oppmerksomhet på detaljer og en intim forståelse for materialer som senere skulle oversettes til hans evokative malerier. Hans formative år ble tilbrakt med å foredle ferdigheter innen skipsbygging, et fag som ble overlevert gjennom generasjoner av korniske familier, noe som ga ham en unik og instinktiv forbindelse til den maritime verden han til slutt skulle udødeliggjøre på lerretet.
Det var ikke før på 1920-tallet at Wallis’ kunstneriske karriere virkelig blomstret, etter at han flyttet til den livlige kunstneriske enklaven St Ives i Cornwall. Drevet av den kreative energien i dette miljøet – som inkluderte fremtredende skikkelser som Ben Burlek og George Nash – begynte han å produsere en fruktbar serie verk som skildret båter, havner og landskap badet i det særegne korniske lyset. Hans estetikk er ubestridelig unik, preget av flate perspektiver, dristige konturer og en dempet fargepalett dominert av dype blåtoner og sjøgrønt. Wallis’ arbeid legemliggjør prinsippene i naiv kunst, en stil forankret i direkte sanseopplevelser snarere enn intellektualisert akademisk teori. Han unngikk komplekse komposisjoner og forseggjorte penselstrøk, og prioriterte i stedet klarhet og en umiddelbar, emosjonell slagkraft.
Betydningen av Wallis' bidrag til kunsten ligger i hans evne til å transformere de hverdagslige elementene ved sjømannslivet til noe dypt spirituelt og atmosfærisk. Hans malerier er ikke bare representasjoner av steder; de er gjennomsyret av en merkbar følelse av bevegelse og minne. Gjennom verk som Trawler og Boat kan man føle tyngden av Atlanterhavet og tidevannets rytmiske puls. Selv i mer turbulente komposisjoner som Rough Sea, fanger hans ekspressive stil og stemningsfulle penselarbeid havets rå kraft gjennom en linse av folkekunsttradisjon. Ved å avvise sin tids rigide akademiske konvensjoner, oppnådde Wallis et nivå av ærlighet som resonnerer med betraktere som søker en forbindelse til naturens elementære krefter.
Hans historiske betydning er sementert gjennom hans rolle som en bro mellom den røffe virkeligheten i maritimt arbeid og de moderne kunstbevegelsene i det 20. århundre. Selv om han manglet formell instruksjon, tilbød hans "primitive" tilnærming et forfriskende alternativ til epokens sofistikerte teknikker, og påvirket hvordan vi oppfatter forholdet mellom motiv og medium. Hans livsverk står som et vitnesbyrd om kraften i det utrente øyet, og beviser at sann kunstnerisk visjon ofte springer ut av en dyp, livslang fortrolighet med sine omgivelser. I dag fortsetter hans arv å inspirere dem som dras mot charmen i det korniske livet og havets tidløse skjønnhet.
