Papir

Veiledning for studentkunst

In the camp

Navn Klasse Dato

Felix Nussbaum, In the camp (1940), Deutsches Historisches Museum. Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Felix Nussbaum originaluniqueart.com/no/artists/felix-nussbaum_no/
Kunstnerens levetid
1904 – 1945
Malt
1940
Opprinnelig størrelse
47 x 42 cm
Bevegelse
Surrealism Dream logic painted with waking precision: impossible things shown as if they were ordinary.
Arrangert på
Deutsches Historisches Museum originaluniqueart.com/no/museums/deutsches-historisches-museum-berlin_no/
Artistic style
Psychological realism
Influences
Surrealism
Notable elements or techniques
Detailed depiction of camp conditions
Subject or theme
Despair, hopelessness

I sammenheng med

In the camp — Felix Nussbaum

Hvor stort er det?

Originalen måler 47 × 42 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 41 ved død.

Malt da kunstneren var 36. Kunstneren ble 41 år gammel. 29 av de 40 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Felix Nussbaum (1904–1945) ▲ dette verket, 1940 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1929 Hovedvirksomhetsår: 1929–1940 Senere verk: fra 1940

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

  • Min mor, 1926 originaluniqueart.com/no/art/felix-nussbaum-min-mor-AQQHY4-no/
  • Memory of Norderney, 1929 originaluniqueart.com/no/art/felix-nussbaum-memory-of-norderney-AQQHXU-en/
  • Lovers, 1928 originaluniqueart.com/no/art/felix-nussbaum-lovers-AQQHXY-en/

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/felix-nussbaum-in-the-camp-D5DCXV-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Rosy Brown #ad9b80

    Katalogisert palett

    • #AD9B80
    • #3B2D26
    • #9E7A51
    • #755D45

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Rosy Brown
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Balanced Soft Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Felix Nussbaum i løpet av de siste tolv månedene — totalt 11 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 46.7%
    2. 2 Italy 16.7%
    3. 3 United States of America 10.0%
    4. 4 Belgium 3.3%
    5. 5 Switzerland 3.3%
    6. 6 Germany 3.3%
    7. 7 France 3.3%
    8. 8 Georgia 3.3%
    9. 9 Latvia 3.3%
    10. 10 El Salvador 3.3%
    11. · 1 andre land 3.5%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Felix Nussbaum

    1. 1 Fish Market, 1936 11.6%
    2. 2 Fear (also known as Self Portrait with His Niece Marianna), 1941 9.3%
    3. 3 Gallows (also known as Funeral), 1930 7.0%
    4. 4 Loneliness, 1942 7.0%
    5. 5 In the camp, 1940 dette maleriet 4.7%
    6. 6 Evening (unfinished) (also known as Self Portrait with Felka Platek), 1942 4.7%
    7. 7 Jew by the Window, 1943 4.7%
    8. 8 Man behind the Window (also known as Self Portrait after Adriaen van Ostade), 1937 4.7%
    9. 9 Fisherman's House, 1933 4.7%
    10. 10 Felka Platek Painting, 1935 4.7%
    11. 11 Masquerade, 1927 4.7%
    12. 12 Group Portrait, 1930 4.7%
    13. 13 The Kitchen in Hiding, 1943 4.7%
    14. 14 Memory of Norderney, 1929 2.3%
    15. 15 Masks and Cat, 1935 2.3%
    16. 16 Lovers, 1928 2.3%
    17. 17 Dover Ferry, 1935 2.3%
    18. 18 Jaqui in the Street, 1944 2.3%
    19. 19 Locomotive, 1936 2.3%
    20. 20 Stillleben mit Schachteln (Still life with boxes), 1941 2.3%

    Sammen utgjør disse verkene 93.3% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 41 verk av denne kunstneren, hvorav 23 ble sett på minst én gang. Dette maleriet rangerer som nummer 5 av dem, med 4.7% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    In the camp — Felix Nussbaum

    Felix Nussbaum’s “In The Camp” – A Portrait of Despair Rendered in Bold Minimalism

    The painting "In The Camp" by Felix Nussbaum, created in 1940 during his imprisonment at Saint Cyprien internment camp—a harrowing experience that encapsulates the psychological toll of Nazi persecution—stands as a testament to both artistic innovation and profound human emotion. Nussbaum’s oeuvre is marked by Neue Sachlichkeit, or New Objectivity, an art movement born from disillusionment with Expressionism's emotional fervor following World War I. This stylistic choice reflects Nussbaum’s desire to confront the brutal realities of his situation without resorting to sentimental melodrama—a deliberate rejection of artistic conventions that would have obscured the gravity of the subject matter.

    Subject Matter: The painting depicts a man seated on a crate in the sand, positioned against a bleak landscape dominated by barbed wire and scattered bones. This stark visual representation underscores the dehumanizing conditions endured by Jewish internees during the occupation of France.

    Composition & Technique: Nussbaum employs a minimalist approach—primarily black and white—to heighten the impact of his depiction. The subdued palette amplifies the sense of isolation and hopelessness, mirroring the psychological state of those imprisoned. Thick brushstrokes contribute to textural richness, conveying both physical discomfort and emotional turmoil.

    Symbolism: Several elements within the painting carry symbolic weight. The man’s slumped posture embodies defeat and resignation; his downward gaze signifies introspection and despair. The woman defecating into a steel drum serves as a visceral reminder of the degradation inherent in the camp environment, symbolizing loss of dignity and humanity.

    Historical Context: Created during the Second World War, “In The Camp” captures the pervasive atmosphere of fear and uncertainty that gripped Europe under Nazi rule. Nussbaum’s artistic response to this crisis reflects a broader trend toward confronting uncomfortable truths—a courageous assertion of human experience amidst unimaginable suffering.

    Exploring Nussbaum's Artistic Vision: Neue Sachlichkeit & Its Influence

    Neue Sachlichkeit, championed by artists like Georg Grosz and Otto Dix, rejected the expressive distortions favored by Expressionism in favor of a rigorously objective portrayal of reality—often unflinching in its depiction of social ills. Nussbaum’s stylistic commitment aligns perfectly with this movement's ethos: he eschews emotional embellishment to convey the bleakness of his surroundings with uncompromising honesty. This deliberate aesthetic choice underscores Nussbaum’s conviction that art should serve as a conduit for confronting difficult truths and fostering empathy for those experiencing hardship.

    The Emotional Resonance of “In The Camp”: A Window Into Existential Angst

    Beyond its formal qualities, "In The Camp" possesses a palpable emotional resonance—a haunting portrayal of existential angst that transcends time and circumstance. Nussbaum’s masterful use of light and shadow contributes to the painting's dramatic intensity, emphasizing the man’s vulnerability against the backdrop of oppressive surroundings. The overall impression is one of profound sadness and disillusionment—a poignant reminder of the human cost of ideological extremism.

    Reproductions & Artistic Legacy: Bringing Nussbaum’s Vision Home

    High-quality reproductions of “In The Camp” offer a captivating glimpse into Nussbaum's artistic genius and his unflinching engagement with the horrors of the Holocaust. These prints allow viewers to appreciate the painting’s meticulous detail and expressive power—a testament to Nussbaum’s enduring legacy as an artist who bravely confronted darkness while striving to preserve beauty amidst despair. Consider framing it in a neutral tone to maximize its impact, enhancing its contemplative mood.

    Kunstner og museum

    Kunstner

    Felix Nussbaum

    Født i Osnabrück, Tyskland

    Felix Nussbaum (1904-1944): A Life Etched in Exile

    Felix Nussbaum’s story is a stark and profoundly moving testament to the power of art born from unimaginable suffering. Born in Osnabrück, Germany, in 1904, his life unfolded against the backdrop of rising nationalism and escalating persecution, culminating in the horrors of the Holocaust. He wasn't simply a victim of history; he was an artist who meticulously documented its impact on his soul, creating a body of work that stands as both a personal lament and a universal warning. Nussbaum’s paintings offer a rare, unflinching glimpse into the psychological landscape of displacement, fear, and ultimately, annihilation – a perspective often absent from broader historical narratives. His father, Philipp Nussbaum, a World War I veteran with an early passion for painting himself, recognized and nurtured his son's talent, providing encouragement that would prove vital in the darkening years to come. This initial support fostered a lifelong dedication to art, even as political realities increasingly constricted his path.

    Early Life and Artistic Influences

    Nussbaum’s artistic journey began with formal studies in Hamburg and Berlin in 1920, continuing for as long as circumstances allowed. His early work reveals a clear debt to the Post-Impressionist masters, particularly Vincent van Gogh and Henri Rousseau. The vibrant colors and expressive brushwork of these artists provided a foundation upon which Nussbaum would later build his unique style. However, he wasn’t content with mere imitation. He actively sought out new influences, drawn to the unsettling dreamscapes of Giorgio de Chirico and Carlo Carrà, pioneers of the pittura metafisica movement. The careful attention to color demonstrated by Carl Hofer's expressionist paintings also left a lasting impression on Nussbaum’s approach. These diverse inspirations coalesced into what would become known as his “New Objectivity” style – a blend of realism and surrealism, characterized by precise detail, unsettling compositions, and a pervasive sense of alienation. This period was marked by experimentation and growth, but the looming shadow of Nazi ideology soon threatened to extinguish his artistic promise.

    Formative Years: The Seeds of Surrealism

    Nussbaum’s formative years were shaped by a deep engagement with European intellectual currents. He absorbed the ideas of Sigmund Freud and Karl Marx, recognizing their significance in understanding the anxieties of modern life. His fascination with psychoanalysis fueled his exploration of subconscious imagery and emotional intensity—elements that would become central to his artistic vision. Simultaneously, he was captivated by the burgeoning Surrealist movement, spearheaded by André Breton and Pablo Picasso. Nussbaum embraced Surrealism’s rejection of rational thought and its embrace of dreamlike logic, incorporating fantastical elements into his paintings and drawings. The influence of Henri Rousseau's naive landscapes—characterized by luminous colors and simplified forms—particularly resonated with Nussbaum's aesthetic sensibilities. He admired Rousseau's ability to convey profound emotion through deceptively simple imagery, a technique he would adopt throughout his career.

    The Rise of Nazism and Artistic Exile

    The political climate in Germany shifted dramatically in 1933 when Adolf Hitler seized power. Nussbaum’s artistic trajectory was irrevocably altered by this event. Studying on a scholarship at Villa Massimo in Rome—a pivotal moment for him—he witnessed firsthand the chilling pronouncements of Hitler's propaganda minister, outlining the tenets of Nazi art – glorification of heroism and the Aryan race. Recognizing that as a Jew, he could not remain within the confines of this doctrine, Nussbaum abandoned his studies and fled Rome shortly thereafter. He moved to Paris in January 1935, where he continued to paint and exhibit his work—a defiant assertion of artistic freedom amidst growing repression. However, the Nazi invasion of Belgium in 1940 forced him into a perilous situation. Arrested as a “hostile alien,” Nussbaum endured confinement at Saint-Cyprien camp for nine months before escaping under cover of darkness. He sought refuge in Brussels with Felka Platek and their friends—a precarious existence marked by constant fear and uncertainty. Despite the challenges posed by Nazi persecution, Nussbaum persevered in his artistic endeavors, producing some of his most poignant and evocative paintings during this period.

    The Final Years: Auschwitz and Legacy

    Felix Nussbaum’s final years were tragically curtailed by the horrors of World War II. His parents perished at Auschwitz—a devastating loss that profoundly impacted his artistic output. Shortly thereafter, he and Felka Platek were deported to Mechelen transit camp before being transferred to Auschwitz itself, where Nussbaum was murdered upon arrival in August 1944. His brother and sister-in-law followed soon after, completing the annihilation of his family within a single year—a heartbreaking testament to the indiscriminate cruelty of Nazi barbarity. Yet, despite this unimaginable tragedy, Nussbaum’s art endures as a powerful symbol of resilience and defiance—a haunting reminder of the human cost of intolerance and oppression. His paintings—particularly Self Portrait with Jewish Identity Card and Triumph of Death, continue to inspire contemplation and provoke dialogue about themes of displacement, loss, and the enduring power of artistic expression. Nussbaum’s legacy rests on his unwavering commitment to truthfulness and compassion—qualities embodied in every brushstroke of his extraordinary oeuvre.

    Museum

    Deutsches Historisches Museum

    Utstilt i Berlin, Tyskland

    A Tapestry of Time: Exploring the German Historical Museum

    The Deutsches Historisches Museum (DHM) in Berlin isn’t simply a repository for relics; it's an immersive journey through the heart and soul of Germany – a place where centuries collide, ideologies wrestle, and the echoes of the past resonate with startling clarity. Nestled within the imposing Zeughaus, a fortress-like structure dating back to the 17th century, and seamlessly connected to I.M. Pei’s strikingly modern exhibition hall, the museum presents an extraordinary dialogue between endurance and innovation. This architectural juxtaposition immediately establishes the DHM's core philosophy: that understanding the present requires acknowledging and honoring the foundations upon which it was built.

    The Zeughaus itself, originally designed to house Prussian weaponry and symbols of military might, retains a powerful sense of its original purpose. Its thick brick walls and imposing presence evoke an era defined by imperial ambition – a stark contrast to the expansive glass surfaces and natural light flooding Pei’s hall. This deliberate design choice isn't merely aesthetic; it symbolizes the museum’s commitment to both preserving Germany’s heritage and embracing progress. The ongoing restoration efforts, meticulously safeguarding this emblem of resilience, underscore the DHM’s dedication to ensuring its enduring significance within Berlin’s vibrant cultural landscape.

    A Nation Forged in Transformation

    Stepping inside the museum is like embarking on a grand narrative – the story of German unification. This process, far from being a simple merging of states, was a period of intense nationalism, intricate political maneuvering, and profound social upheaval. The DHM doesn’t shy away from confronting the complexities of Prussia's legacy, acknowledging both its achievements and the uncomfortable truths associated with it. Yet, the narrative extends far beyond these grand historical events, delving into the lives of ordinary Germans – farmers, artisans, merchants, and laborers – whose experiences shaped the nation’s trajectory.

    From meticulously preserved medieval manuscripts detailing monastic life to contemporary artworks reflecting modern societal shifts, each artifact within the museum's walls serves as a portal to understanding the human experience. The museum’s founding itself was inextricably linked to Berlin’s 750th anniversary – a deliberate act of self-reflection aimed at confronting Germany’s past and charting a course for its future. This commitment to historical context is evident throughout the collection, offering visitors a nuanced perspective on the forces that have shaped German identity.

    Treasures Across Time: Highlights of the Collection

    The DHM's collection is remarkably diverse, reflecting centuries of artistic and cultural development. A particular highlight lies within its holdings pertaining to the Reformation – a pivotal moment in religious reform and intellectual debate that irrevocably altered the course of European history. The museum’s extensive collection of paintings chronicles German art history from the Baroque period through the expressive fervor of Expressionism, providing visitors with a captivating visual journey through stylistic evolution. You'll find stunning examples of portraiture, landscapes, and genre scenes, each offering a glimpse into the artistic sensibilities of its time.

    Beyond these highlights, the museum’s archive houses invaluable documents – political manifestos, personal letters, official records – that illuminate key moments in German history. These primary sources provide crucial context for understanding the complex social, economic, and political transformations that have shaped the nation. Don't miss the displays showcasing Prussian military uniforms, intricate weaponry, and royal regalia— tangible reminders of a powerful past.

    Beyond Artifacts: A Multi-Perspective Approach

    What truly distinguishes the Deutsches Historisches Museum is its unwavering dedication to presenting history from multiple viewpoints – actively encouraging visitors to question assumptions and engage in critical reflection. This ethos isn’t confined to the selection of artifacts; it's woven into the very fabric of exhibition design and interpretive materials. The museum recognizes that history isn’t a monolithic narrative but rather a constantly reinterpreted dialogue between voices, fostering an appreciation for cultural diversity and challenging conventional understandings.

    The DHM’s commitment to accessibility ensures that its treasures are enjoyed by audiences of all ages and backgrounds. Temporary exhibitions regularly explore contemporary themes – from migration and diaspora to environmental challenges and artistic innovation—demonstrating the museum's relevance in a rapidly changing world. It is a place where history comes alive, inviting visitors to contemplate their own role in shaping the future.

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for In the camp

    originaluniqueart.com/no/art/download/felix-nussbaum-in-the-camp-D5DCXV-en/

    Kildehenvisning for dette kunstverket

    MLA
    Nussbaum, Felix. In the camp. 1940, Deutsches Historisches Museum. https://originaluniqueart.com/no/art/felix-nussbaum-in-the-camp-D5DCXV-en/
    APA
    Nussbaum, Felix (1940). In the camp [Painting]. Deutsches Historisches Museum. https://originaluniqueart.com/no/art/felix-nussbaum-in-the-camp-D5DCXV-en/
    Chicago
    Felix Nussbaum. In the camp. 1940. Deutsches Historisches Museum. https://originaluniqueart.com/no/art/felix-nussbaum-in-the-camp-D5DCXV-en/
    Harvard
    Nussbaum, Felix (1940) In the camp. Deutsches Historisches Museum. Available at: https://originaluniqueart.com/no/art/felix-nussbaum-in-the-camp-D5DCXV-en/

    Se nærmere på

    In the camp — Felix Nussbaum

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: holocaust, camplife, despair. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Min mor (1926), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Surrealism: Dream logic painted with waking precision: impossible things shown as if they were ordinary. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Kunstquiz

    In the camp — Felix Nussbaum

    Hvor godt kjenner du dette kunstverket?

    Marker ett svar for hvert av de 5 spørsmålene nedenfor. Hvert spørsmål har nøyaktig ett riktig svar.

    1. 1. What is the artist’s name?

      • A Pablo Picasso
      • B Vincent van Gogh
      • C Felix Nussbaum
    2. 2. In what year was the painting created?

      • A 1904
      • B 1929
      • C 1940
    3. 3. What artistic movement is Nussbaum’s style associated with?

      • A Impressionism
      • B Cubism
      • C Neue Sachlichkeit
    4. 4. Where was Felix Nussbaum imprisoned during World War II?

      • A Paris
      • B Berlin
      • C Saint Cyprien
    5. 5. What does the painting depict about the experience of imprisonment?

      • A Joyful celebrations and camaraderie.
      • B Despair, hopelessness, and suffering.
      • C Detailed depictions of landscapes.

    Min poengsum: ____ av 5

    Fasit — til læreren

    Dette starter en ny side i utskriften, slik at den enkelt kan utelates fra kopiene.

    1C · 2C · 3C · 4C · 5B

    Kontroller alle svar mot katalogoppføringen for dette maleriet

    Spørsmål og svar

    Hvilken palett og hvilken dominerende farge definerer "In the camp"?

    Fargeidentiteten til "In the camp" av Felix Nussbaum: en Earthy-palett, dominert av Rosy Brown (#ad9b80).

    Hva slags kunstverk er "In the camp" av Felix Nussbaum?

    "In the camp" er et WallArt-verk.

    Hvor lys eller mørk oppleves "In the camp" av Felix Nussbaum som?

    Alt i alt er "In the camp" registrert som balanced. Oppfattet lysstyrke beskriver hvor lyst eller mørkt verket fremstår.