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Landscape with trees in the wind

Navn Klasse Dato

Chaim Soutine, Landscape with trees in the wind (1919), The Ema Klabin House Museum. Fri for opphavsrett. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Chaim Soutine originaluniqueart.com/no/artists/chaim-soutine_no/
Kunstnerens levetid
1894 – 1943
Malt
1919
Medium
Oil On Canvas
Bevegelse
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Periode
Modern
Arrangert på
The Ema Klabin House Museum originaluniqueart.com/no/museums/the-ema-klabin-house-museum-sao-paulo_no/
Artistic style
Impressionist/Expressionist
Notable elements
Loose brushwork, texture
Subject or theme
Forest landscape

I sammenheng med

Landscape with trees in the wind — Chaim Soutine

Når ble dette malt?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 49 ved død.

Malt da kunstneren var 25. Kunstneren ble 49 år gammel. 6 av de 28 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Chaim Soutine (1894–1943) ▲ dette verket, 1919 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1919 Hovedvirksomhetsår: 1919–1925 Senere verk: fra 1925

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan være et hull i dokumentasjonen snarere enn en rolig periode. De samme årene med kunstnerens liv lagt langs dem

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/chaim-soutine-landscape-with-trees-in-the-wind-D7SHM6-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Phthalo Green #262e27

    Lagret palett

    • #262E27
    • #A7A788
    • #4B543A
    • #7D7C53

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Navn på hovedfarge
    Phthalo Green
    Metning
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Bold Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Balanced Harmony Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av Chaim Soutine i løpet av de siste tolv månedene — 8 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 69.4%
    2. 2 United States of America 10.2%
    3. 3 Italy 8.2%
    4. 4 Finland 4.1%
    5. 5 Argentina 2.0%
    6. 6 France 2.0%
    7. 7 Hong Kong 2.0%
    8. 8 Mexico 2.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Chaim Soutine

    1. 1 Return from School After the Storm 8.1%
    2. 2 Untitled (1411) 8.1%
    3. 3 Portrait of Emile Lejeune, 1925 6.5%
    4. 4 (Carcass of beef) Minneapolis Institute of Arts, 1926 6.5%
    5. 5 untitled (4171) 4.8%
    6. 6 Still Life with Fowl [Nature Morte à La Volaille], 1918 3.2%
    7. 7 The old mill 3.2%
    8. 8 Servant Girl in Blue, 1934 3.2%
    9. 9 untitled (3759) 3.2%
    10. 10 untitled (3714) 3.2%
    11. 11 untitled (5980) 3.2%
    12. 12 untitled (1693) 3.2%
    13. 13 untitled (5106) 3.2%
    14. 14 untitled (2219) 3.2%
    15. 15 untitled (8701) 3.2%
    16. 16 Landscape at Céret [Paysage à Céret], 1922 1.6%
    17. 17 Hengete Kanin, 1925 1.6%
    18. 18 Ceret Landscape, 1920 1.6%
    19. 19 Self Portrait by Curtain, 1917 1.6%
    20. Landscape with trees in the wind, 1919 dette maleriet 0.0%

    Sammen utgjør disse verkene 72.4% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 71 verk av denne kunstneren, hvorav 36 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden — det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Om dette kunstverket

    Landscape with trees in the wind — Chaim Soutine

    Chaim Soutine’s Evocative Response to Nature's Fury

    This arresting landscape, titled “Landscape with trees in the wind,” offers a profound glimpse into the artistic world of Chaim Soutine (1894-1943), a painter whose intensely personal and emotionally charged works continue to resonate deeply with viewers. Executed in 1919, during a period of significant upheaval and artistic experimentation, the painting captures a raw, almost violent encounter between nature and the human spirit. The scene unfolds as a densely wooded hillside under a brooding, cloudy sky – a composition dominated by the earthy tones of green and brown, punctuated by flashes of red and pink that hint at distant, obscured elements. Soutine’s brushwork is anything but delicate; it's assertive, almost frantic, conveying a sense of movement and turbulence as if the trees themselves are battling against an unseen wind.

    Impressionistic Roots with Expressionist Intensity: While rooted in Impressionism’s focus on capturing fleeting moments of light and color, Soutine transcends this style through his deeply expressive application of paint. The visible brushstrokes aren't merely a stylistic choice but an integral part of the work’s emotional core.

    A Flattened Perspective: Rejecting traditional perspective, Soutine prioritizes the immediate impact of the scene, creating a flattened space that intensifies the feeling of being enveloped by the landscape.

    Technique and Materiality – A Layered Approach

    The painting’s power resides not only in its subject matter but also in Soutine's masterful technique. He employs a layered approach, building up texture and color intensity through multiple applications of oil paint. Thick impasto strokes create a palpable sense of physicality, inviting the viewer to almost feel the roughness of the bark and the sway of the branches. The diffused lighting contributes to a somber mood, further emphasizing the painting’s emotional weight. The use of color is particularly striking – the reds and pinks aren't merely decorative; they suggest an underlying tension, perhaps reflecting Soutine’s own turbulent personal life.

    Symbolic Resonance: Trees as Vessels of Emotion

    Beyond a simple depiction of a landscape, “Landscape with trees in the wind” is laden with symbolic meaning. The dense forest, rendered with such raw energy, can be interpreted as representing mystery, resilience, or even the subconscious – themes frequently explored by Soutine. The trees themselves become almost archetypal figures, embodying strength and endurance against an unseen force. The painting’s emotional impact suggests solitude or contemplation, inviting viewers to confront their own inner landscapes.

    Historical Context and Artistic Influence

    Created in 1919, this work reflects the broader artistic currents of the early 20th century. Soutine's style was influenced by Post-Impressionism and Expressionism, yet he forged a unique path, characterized by his intensely personal vision and his unflinching exploration of emotional truth. His work anticipated many of the developments in abstract art that would emerge later in the century. Soutine’s brief but impactful career cemented his place as one of the most important figures of modern art.

    Kunstner og museum

    Kunstner

    Chaim Soutine

    Født i Smilovichi, Russland

    A Life Forged in Turmoil: The World of Chaim Soutine

    Chaim Soutine’s life was a tapestry woven from threads of profound hardship and incandescent artistic passion. Born in 1893 in Smilovichi, a small Jewish shtetl near Minsk in the Russian Empire (now Belarus), his early years were steeped in poverty and the constraints of Orthodox religious observance. This formative experience—a childhood marked by material scarcity and a sense of cultural isolation—became the bedrock upon which his distinctive artistic vision was built. Despite discouragement from representing figures realistically within his upbringing, a remarkable talent for drawing emerged, hinting at the intense emotionality that would later characterize his work. He received formal training at an art academy in Vilna (now Vilnius) between 1910 and 1913, but it was his emigration to Paris in 1913 that proved to be a pivotal turning point. Enrolling at the École des Beaux-Arts under Fernand Cormon, Soutine found himself immersed in a vibrant artistic community, yet he remained largely outside of prevailing trends, forging an independent path defined by raw emotion and innovative technique. The initial years in Paris were marked by extreme poverty—a struggle that mirrored the turbulent inner world reflected in his paintings.

    An Expressionist Apart: Style and Influences

    While often categorized as an Expressionist, to label Soutine solely within this movement feels reductive. His style was profoundly individual, a complex synthesis of traditional European painting – particularly the works of Rembrandt, Chardin, and Courbet – filtered through a lens of intense emotionality. He didn’t merely imitate these masters; he absorbed their techniques and compositional strategies, then violently reinterpreted them to convey his own subjective experience. Bold colors, applied with thick impasto—a textured application of paint that gives his canvases a palpable physicality—and agitated brushwork are hallmarks of his distinctive style. Soutine wasn't interested in precise representation; instead, he sought to capture the essence of his subjects, imbuing them with a sense of unease, psychological tension, or even outright turmoil. Landscapes, portraits, and still lifes became his primary vehicles for this exploration—each painting a visceral expression of feeling rather than a mere depiction of reality. Recurring themes like food and animals reflected both personal experiences rooted in scarcity and the significance of ritual within Jewish culture, adding layers of meaning to his work. His brushstrokes weren’t delicate; they were forceful, almost violent, conveying a sense of urgency and emotional intensity.

    Development and Defining Works

    Soutine's artistic development unfolded through distinct periods, each marked by unique stylistic explorations. The early Parisian years (1913-1917) saw him grappling with his voice amidst financial hardship and the influence of other artists in Paris. He spent time studying the works of masters like Rembrandt and Chardin, absorbing their techniques and compositional strategies. The period spent in Céret between 1919 and 1922 proved crucial. Surrounded by the dramatic landscapes of southern France, Soutine produced many of his most celebrated paintings – a period characterized by vibrant colors, distorted forms, and a sense of almost violent energy. Trees, cliffs, and fields became swirling masses of paint, reflecting not just what he saw but how he felt in their presence. His portraits, too, stood apart for their psychological depth, often depicting working-class individuals with an honesty that challenged conventional portraiture. Notable works from this period include studies related to “The Dance of Life,” alongside numerous landscapes capturing the essence of Céret and poignant portraits of Russian émigrés in Paris.

    Recognition, Legacy, and Lasting Impact

    Soutine’s path to recognition wasn't straightforward. The art dealer Leopold Zborowski played a crucial role in promoting Soutine's work and securing his financial stability, recognizing the unique power of his vision. Initial critical reception was mixed, but his reputation gradually grew over time. His expressive use of paint and emotional intensity profoundly influenced later artists, including Willem de Kooning and Francis Bacon, who saw in Soutine a kindred spirit—an artist willing to push the boundaries of representation in pursuit of authentic expression. Today, Chaim Soutine is rightfully recognized as a major figure in Expressionism and a significant contributor to 20th-century art. His works are held in prestigious museums worldwide, testaments to his enduring legacy. He represents a crucial bridge between traditional European painting techniques and the emerging forms of Abstract Expressionism, prioritizing emotional expression over objective representation and developing an artistic voice that transcended typical Expressionist concerns. His innovative style paved the way for future generations of artists seeking to explore the depths of human emotion through the power of paint.

    Museum

    The Ema Klabin House Museum

    Utstilt på Sao Paulo, Brazil

    A Sanctuary of Art and Legacy

    Nestled within the verdant embrace of São Paulo’s Jardim Europa district,

    The Ema Klabin House Museum

    offers far more than a mere exhibition of objects; it provides a profound immersion into a world where Brazilian heritage and global influences dance in eternal harmony. This institution began as a deeply personal trove of treasures, reflecting the unwavering passion for beauty held by its founder, Ema Gordon Klabin. To enter this space is to step into a curated experience where every corner whispers tales of devotion, philanthropy, and an uncompromising aesthetic sensibility that seeks to bridge the gap between the ancient and the modern.

    The architectural essence of the museum is a masterclass in intentionality, designed by Alfredo Ernesto Becker in the mid-1950s. Rather than imposing a cold, institutional grandeur, Becker sought to create a home for art, fostering an intimate atmosphere that encourages visitors to connect with each masterpiece on a personal level. This sense of architectural harmony is further elevated by the lush, verdant landscaping of

    Roberto Burle Marx

    , whose botanical artistry serves as a living extension of the museum's interior splendor. The flowing spaces and organic transitions between the built environment and nature create a meditative rhythm, making the museum a sanctuary for contemplation amidst the urban pulse of São Paulo.

    A Global Tapestry of Human Creativity

    The collection itself is an astonishing tapestry of human creativity, spanning millennia and continents to tell a story of global artistic evolution. Visitors may find themselves wandering through fragments of ancient Greece and Etruria, where mythological whispers meet the tangible remnants of daily life, only to turn a corner and encounter the vibrant energy of Brazilian Modernism. The narrative unfolds with grace, moving from European masterpieces—spanning Dutch, Flemish, Italian, and French traditions—to the profound treasures of Brazil's own history.

    What truly distinguishes this institution is its unique ability to act as both a historical archive and a living catalyst for contemporary dialogue. The collection highlights include:

    Ancient Treasures:

    Fragments from ancient Greece and Etruria that offer a glimpse into the foundations of Western mythology.

    European Masterpieces:

    A sophisticated selection of works representing the Dutch, Flemish, Italian, and French traditions.

    Brazilian Heritage:

    A profound collection of colonial-era relics and groundbreaking modernist works that celebrate national pride.

    By hosting significant exhibitions that spotlight both established masters and emerging talents, the foundation ensures that the legacy of the past continues to inform the art of the future. For the art lover, the collector, or the designer seeking inspiration, the museum offers an unparalleled study in texture, light, and cultural synthesis. It remains a place where the interplay between ancient traditions and contemporary Brazilian artistry creates a rich, enduring tapestry, inviting every guest to embark on a journey of discovery that is as much about the self as it is about the art.

    Her kan du lese mer

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    QR-kode som lenker til nedlastingssiden for Landscape with trees in the wind

    originaluniqueart.com/no/art/download/chaim-soutine-landscape-with-trees-in-the-wind-D7SHM6-en/

    Kildehenvisning for dette kunstverket

    MLA
    Soutine, Chaim. Landscape with trees in the wind. 1919, The Ema Klabin House Museum. https://originaluniqueart.com/no/art/chaim-soutine-landscape-with-trees-in-the-wind-D7SHM6-en/
    APA
    Soutine, Chaim (1919). Landscape with trees in the wind [Painting]. The Ema Klabin House Museum. https://originaluniqueart.com/no/art/chaim-soutine-landscape-with-trees-in-the-wind-D7SHM6-en/
    Chicago
    Chaim Soutine. Landscape with trees in the wind. 1919. The Ema Klabin House Museum. https://originaluniqueart.com/no/art/chaim-soutine-landscape-with-trees-in-the-wind-D7SHM6-en/
    Harvard
    Soutine, Chaim (1919) Landscape with trees in the wind. The Ema Klabin House Museum. Available at: https://originaluniqueart.com/no/art/chaim-soutine-landscape-with-trees-in-the-wind-D7SHM6-en/

    Se nærmere etter

    Landscape with trees in the wind — Chaim Soutine

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: dramatic landscape, windy trees”, “cloudy skies”. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Hengete Kanin (1925), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvilken teknikk ble brukt for "Landscape with trees in the wind" av Chaim Soutine?

    "Landscape with trees in the wind" er utført i Oil On Canvas.

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    Anbefalt trykkstørrelse for "Landscape with trees in the wind" av Chaim Soutine er Large.

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