Untitled (Silkscreen I)
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Untitled (Silkscreen I)
Giclée / Kunsttrykk
Størrelse på reproduksjon
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Beskrivelse av samleobjektet
A Dance of Chaos: Examining Paul Jackson Pollock’s “Untitled (Silkscreen I)”
The artwork, “Untitled (Silkscreen I),” by Paul Jackson Pollock stands as a cornerstone of Abstract Expressionism—a movement that fundamentally challenged artistic conventions and prioritized emotional expression over representational accuracy. Created sometime in the mid-1950s, this striking black and white lithograph captures a visceral depiction of conflict, rendered with an unsettling dynamism that continues to fascinate viewers today. It’s more than just paint on paper; it's a visual embodiment of anxiety and upheaval, meticulously crafted through Pollock’s groundbreaking drip technique.The Technique: Action Painting Unleashed
Pollock’s method—dubbed “all-over painting”—was revolutionary for its time. Rather than applying paint in brushstrokes to create defined shapes or figures, he poured, dripped, splashed, and flung pigment onto a canvas laid horizontally on the floor. This process wasn't merely about applying color; it was an act of performance—a physical engagement with the artwork itself. The resulting surface is textured and uneven, reflecting Pollock’s movements as he worked, imbuing the image with palpable energy. Lithography, chosen as the printing medium, ensured that this textural richness translated faithfully into the reproduction, preserving the essence of Pollock's original vision. The careful etching process allowed for nuanced tonal variations—highlights and shadows—that heighten the dramatic impact of the composition.Expressionist Roots: Emotion Above Form
Influenced heavily by Expressionism, particularly artists like Edvard Munch and Ernst Ludwig Kirchner, “Untitled (Silkscreen I)” prioritizes emotional intensity over rational depiction. Like its predecessors, it eschews traditional perspective and compositional rules, opting instead for a flattened space that amplifies the feeling of claustrophobia. The aggressive angular lines dissecting the image contribute to this sense of disorientation, mirroring the psychological turmoil conveyed by the distorted human forms. These figures aren’t rendered with anatomical precision; they are fragmented and abstracted, representing not individuals but rather primal forces colliding.Symbolic Resonance: Violence and Psychological Distress
The imagery itself speaks volumes about themes of violence and psychological distress. The overlapping shapes and chaotic arrangement suggest a struggle for dominance—a confrontation between opposing forces. The stark black and white palette intensifies the emotional impact, stripping away any comforting illusions of beauty or harmony. Pollock’s deliberate use of line and form isn't merely stylistic; it serves as a conduit for conveying profound feelings of unease and anxiety. As noted in Wikipedia, “Jackson Pollock (; January 28, 1912 – August 11, 1956) was an American painter. A major figure in the abstract expressionist movement…”A Legacy Enduring Impression
“Untitled (Silkscreen I)” remains a compelling testament to Pollock’s artistic innovation and his unwavering commitment to exploring the depths of human emotion. Its unsettling beauty—found not in serene landscapes or idealized portraits but in the raw energy of chaotic action—continues to inspire artists and collectors alike. Reproductions offer an opportunity to experience this seminal artwork firsthand, capturing its dramatic tonal qualities and textural complexity with remarkable fidelity.Om kunstneren
Early Life and the Seeds of Innovation
Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark. He was the youngest of five children, born into a family struggling financially but filled with a strong work ethic and a love for art. His mother, Stella May McClure Pollock, recognized his artistic potential and fostered it through encouragement and support. Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences—the rugged beauty of the West, the traditions of Native American art, and the dramatic narratives of Benton and the murals of Mexico – laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.The Birth of Action Painting and a Revolutionary Technique
The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface. This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process. The technique was revolutionary, rejecting traditional notions of brushstrokes and composition.- He used a variety of materials: oil paints, house paints, inks, and even tar.
- His movements were often described as dance-like or ecstatic.
Iconic Works and Lasting Legacy
Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction. Critics initially struggled to understand or appreciate this new approach, but over time, Pollock's work gained recognition as a groundbreaking contribution to modern art. His style transcends mere aesthetics; it’s an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies. The paintings are often interpreted as reflections of the artist’s inner turmoil and spiritual quest.Influence and Historical Significance
Pollock's impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. He was a key figure in the rise of Abstract Expressionism, alongside artists like Mark Rothko and Willem de Kooning. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism. Despite facing initial criticism and skepticism, Pollock’s legacy has solidified over time. He is now considered one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression. His innovative techniques and expressive style continue to inspire and provoke, ensuring his enduring presence in the art world for generations to come.Further Exploration
Key Resources:- Jackson Pollock - Wikipedia:
- Smithsonian American Art Museum:
- National Gallery of Art:
Jackson Pollock
1912 - 1956 , USA
Kort om kunstneren
- Artistic Movement Or Style: Abstrakt ekspresjonisme
- Artists Or Movements Influenced By This Artist:
- Color Field
- Abstrakt ekspresjonisme
- Artists Who Influenced This Artist:
- Thomas Hart Benton
- Diego Rivera
- Date Of Birth: 28. januar 1912
- Date Of Death: 11. august 1956
- Full Name: Paul Jackson Pollock
- Nationality: Amerikansk
- Notable Artworks:
- Nummer 1, 1949
- Høstrytme, nr. 30
- Konvergens
- Place Of Birth: Cody, Wyoming


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