Pruneau (Nick James)
Nick James (1980) har laget Pruneau. Verket er bevart ved Coventry University i Coventry, United Kingdom. Mål: 127 × 102 cm
- 127 × 102 cm
- Coventry University
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StatistikkPruneau, kort fortalt
- Tittel
- Pruneau
- Kunstner
- Nick James (1980)
- Dimensjoner
- 127 × 102 cm
- Hvor det kan ses
- Coventry University, Coventry, United Kingdom
Hvilket museum har Pruneau?
Coventry University
Coventry, United Kingdom
A Tapestry of Innovation and Heritage In the heart of England’s West Midlands, Coventry University emerges not merely as an academic institution but as a vibrant sanctuary where scholarly rigor meets the boundless possibilities of public accessibility. Its story is one of profound metamorphosis, tracing a lineage that began in 1843 with the prestigious Coventry School of Design. This evolution—from its origins as a specialized design school to the era of Lanchester Polytechnic and finally attaining university status in 1992—mirrors the very resilience and adaptability of Coventry itself.
Høyoppløselige bilder av Pruneau
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Nick James, Pruneau, Coventry University.
Spørsmål om Pruneau, besvart
Hvor kan jeg se originalen av "Pruneau" av Nick James?
Originalen av "Pruneau" av Nick James oppbevares i Coventry University, Coventry, United Kingdom. En reproduksjon gjør det mulig å stille ut verket i eget hjem.
Hva er målene på det originale verket "Pruneau" av Nick James?
"Pruneau" måler 127 x 102 cm i sin originale form. Originalmålene er en nyttig referanse når du skal velge størrelse på en reproduksjon.
Er "Pruneau" av Nick James i det frie domene?
"Pruneau" av Nick James er fortsatt beskyttet av opphavsretten. Denne statusen avgjør hvordan bildet av verket kan reproduseres.
Hvilken kunstner kan "Pruneau" tilskrives?
Kunstneren bak "Pruneau" er Nick James. Verket er katalogisert under Nick James sitt navn.
Om kunstneren, Nick James
1980
Nick James
The Poetics of Salvage: Introducing Nick James Nick James is an artist who doesn’t so much *create* sculpture as he exhumes it, breathing new life into the discarded fragments of our collective past. Emerging from a foundation at WahooArt, his work isn't rooted in traditional artistic training but rather in a deeply intuitive understanding of material and memory. He operates not within the pristine realm of untouched canvas or virgin clay, but amongst the detritus of everyday existence – forgotten toys, corroded metal, chipped porcelain, and weathered wood. These aren’t simply objects repurposed; they are vessels carrying echoes of previous lives, carefully assembled into hauntingly beautiful wearable assemblages that explore themes of vulnerability, loss, and the surreal nature of recollection.
Peligro, enfermo, no pasar
Se estremeció solo de pensarlo
Le oiseau
Hay marcas negras por todo el suelo