Tekststørrelse

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Et maleri laget til deg, med håndverk

Robert E. Lee

Håndlaget oljereproduksjon

Håndmalt olje på lerret i din valgte størrelse og ramme, laget på bestilling av våre kunstnere. ( Bytt til trykk Bytt til digitalt bilde)

Beskrivelse av objektet

Om kunstneren

Mathew Brady Studio pioneered documentary photography, capturing pivotal moments of the American Civil War and portraits of prominent figures; explore their impactful historical images and witness a defining era through their lens.

fra ·

Kapittel 1

Hvor stor bør den være?

Skyv for å endre størrelsen; bildet til venstre viser rammen i sin faktiske bredde. Originalens proporsjoner er bevart.

Standardformat
skreddersydd
CM
INCH

Velg mellom våre forhåndsdefinerte størrelser som bevarer kunstverkets opprinnelige proporsjoner.

bredde
høyde

Skriv inn ønsket bredde og høyde for å tilpasse bildet til din ramme eller vegg. Siden dette er håndmalt, kan kunstneren male litt mer rundt motivet eller beskjære det noe dersom du velger et annet format — valget er ditt. Vi sender deg en digital mockup til godkjenning før maleriet påbegynnes. Bildet som vises på denne siden representerer ikke det faktiske resultatet — kun mockuppen viser det endelige uttrykket.

Kapittel 2

Hvordan skal det leveres?

Velg kantutførelse på lerretet

Velg din ramme

Corner sample of the WhiteWrap canvas edge finish, stretched on massivt tre bars
Hvit kant Nkr1
Corner sample of the BlurSideWrap canvas edge finish, stretched on massivt tre bars
Uskarp kantfinish Nkr1
Corner sample of the ExtendedWrap canvas edge finish, stretched on massivt tre bars
Fortsatt motiv Nkr1
Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118B Nkr10
Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118H Nkr10
Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118W Nkr10
Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Nkr10
Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508JH Nkr12
Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508YH Nkr12
Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805H Nkr10
Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805Z Nkr10
Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Nkr10
Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919G Nkr10
Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Nkr10
Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P959ZH Nkr10
Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
P968JZ Nkr12
Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
W106C Nkr8
Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
W218G Nkr10
Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
W218JH Nkr8
Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
W218Y Nkr10
Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W307PJ Nkr10
Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
W316G Nkr10
Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W316PJ Nkr8
Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
W316Y Nkr10
Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
W398PJ Nkr8
Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
W4111J Nkr10
Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
W500HY Nkr15
Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
W500JH Nkr15
Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
W692G Nkr12
Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
W849H Nkr8
Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
W940BG Nkr15
Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
W953PJ Nkr8
Corner sample of the H24-GOLD picture frame: utskåret tre med gesso, 10 cm wide and 6 cm thick
H24-GOLD Nkr30
Corner sample of the H24-SILVER picture frame: utskåret tre med gesso, 10 cm wide and 6 cm thick
H24-SILVER Nkr30
Corner sample of the H36-GOLD picture frame: utskåret tre med gesso, 15 cm wide and 6.5 cm thick
H36-GOLD Nkr45
Corner sample of the H36-SILVER picture frame: utskåret tre med gesso, 15 cm wide and 6.5 cm thick
H36-SILVER Nkr45

Profil: . Total størrelse med ramme: .

Kapittel 3

Hvem maler det, og bør noe endres?

Eksempler på hva som kan endres: Erstatt ansikt med kundens eget bilde; Legg til kjæledyr (f.eks. bytt ut katt med hund); Inkluder en skjult melding i bakgrunnen; Endre landskap eller elementer i bakgrunnen.
Etter bestilling vil OriginalUniqueArt.com-teamet sende e-post til kunden for instruksjoner og sende et utkast som forhåndsvisning

Verdensomspennende levering () på 3–4 uker i stedet for standard 5 uker. (12 November). Ingen kompromisser med kvaliteten.

Kapittel 4

De siste detaljene

En navneplate, som på et museum?

Detaljer om gravert bronseplate

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Detaljer om gjennomsiktig akrylplate

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Detaljer om plakett i svart akryl

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

En beskyttende lakk?

Når trenger du det?

Kapittel 5

Ditt maleri, slik du bestilte det

Robert E. Lee

Trykkmetode

Størrelse på reproduksjon

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Utvalgte mesterkunstnere

Mer detaljrikdom, finesse og ekstra produksjonstid

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Innramming av reproduksjon

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For kunstverk eller reproduksjoner som er større enn 105 cm (ca. 41 tommer) på noen side, vil rammen bli sendt som et sett som må monteres. Denne metoden sikrer trygg levering og forhindrer skader under transport.

Krever profesjonell montering – dette er ikke et DIY-produkt.
Settet må monteres og lerretet strammes av en erfaren profesjonell rammelegger, ved bruk av trelim (følger ikke med), en lerretstang og klemmer for å holde rammelisten vinkelrett mens limet tørker. Feilaktig montering eller ujevn stramming av lerretet kan påføre kunstverket permanente skader og er ikke dekket av vår garanti.

  • Alle massive trelister er inkludert, presist tilpasset i størrelse.

  • Monteres med de medfølgende skruene, samt trelim til hjørnene, som ikke er inkludert og må anskaffes av din rammehandler.

  • Profesjonelt verktøy er nødvendig og er ikke inkludert: en lerretstang (strammer) og klemmer for å holde rammene vinkelrette mens limet tørker.

Viktig:
Hjørnene krever trelim, listene må holdes på plass med tvinger til limet er helt tørt, og stramming av lerretet på den ferdige rammen krever en lerretstang. Ingen av disse produktene er inkludert i settet. Vennligst sørg for tilgang til en erfaren profesjonell rammehandler før du bestiller denne størrelsen.

Navneskilt

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Beskyttende ferniss

Blank lakk (forsterker farger, beskytter mot lys og fuktighet)

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Tilpass mitt kunstverk

Eksempler på hva som kan endres: Erstatt ansikt med bilde av kunden; Legg til kjæledyr (f.eks. bytt ut katt med hund); Inkluder en skjult melding i bakgrunnen; Endre bakgrunnslandskap eller elementer.

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Ekspresslevering

Verdensomspennende levering () på 3–4 uker i stedet for standard 5 uker. (12 November). Ingen kompromisser med kvaliteten.

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Ekspresslevering

Verdensomspennende levering til innen 5 uker. (19 November).

Inkludert frakt

Totalpris for valgte alternativer

Nkr 2850

Totalpris Nkr 2850

Glassalternativet er kun tilgjengelig i størrelser under 110 cm

Inkludert med hver bestilling

  • Gratis ekspressfrakt over hele verden
  • Lerretsduk av lin av høy kvalitet
  • Full transportforsikring
  • Garanti for refusjon av toll og importavgifter
  • Garantert fargegjengivelse
  • 100 dagers returrett ved fabrikasjonsfeil
  • 100% pengene tilbake-garanti
  • Rabatt ved flere kjøp
This photograph is one of six that Mathew Brady took of Robert E. Lee upon his return to his home in Richmond, Virginia. The date of the photograph was April 16, 1865, Easter Sunday, a week after Lee had surrendered to Grant at Appomattox.

Spørsmål og svar

Hvor lys eller mørk oppleves "Robert E. Lee" av Mathew Brady Studio som?

Den oppfattede lysstyrken til "Robert E. Lee" av Mathew Brady Studio er balanced, og den kan tilpasses lysforholdene i det tiltenkte rommet.

Hvilken farge dominerer i "Robert E. Lee"?

Den dominerende fargen i "Robert E. Lee" av Mathew Brady Studio er Rosy Brown (#9fa1a6).

Hvilken underliggende nyanse preger "Robert E. Lee" av Mathew Brady Studio?

Den dominerende fargen i "Robert E. Lee" av Mathew Brady Studio er Golden Yellow Range. Denne fargen utgjør den underliggende tonen i paletten.

Les mer om dette maleriet

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I tall

  • 1865året det ble malt
  • 29rammer å velge mellom
  • standardstørrelser, i sine egne proporsjoner
  • 5uker å male og levere

Om originalverket

Dimensjoner
15.0 x 20.0 cm

Om kunstneren

The Enduring Legacy of Mathew Brady Studio: Capturing a Nation in Transition

Mathew Brady, more than simply a photographer, was an architect of American memory. Born in Warren County, New York, in 1823, his journey to becoming the most celebrated visual chronicler of the 19th century began not with a lens, but with an ambition for artistry. Initially drawn to landscape painting and the burgeoning world of daguerreotypy, Brady quickly recognized the power of photography to transcend artistic interpretation and deliver unvarnished reality. He established his New York studio in 1844, rapidly gaining prominence through meticulously crafted portraits of prominent figures – a testament to his technical skill and keen understanding of public image. However, it was the seismic event of the Civil War that would irrevocably define Brady’s legacy and cement his place in history.

Witnessing History: The Civil War Photographs

With the outbreak of hostilities in 1861, Brady embarked on a monumental undertaking: to document the entirety of the conflict. He didn't wield the camera himself at every battle; instead, he assembled and financed a team of photographers – Alexander Gardner, Timothy H. O’Sullivan, George N. Barnard among them – who ventured onto the front lines, braving danger to capture the brutal realities of war. Brady’s vision was comprehensive: not just grand landscapes of battlefields like Antietam and Gettysburg, but also intimate portraits of soldiers, camp life, and the devastating aftermath of conflict. The resulting collection, numbering in the thousands, presented a starkly different portrayal of war than anything previously seen by the American public. These weren’t romanticized depictions of heroism; they were unflinching glimpses into the carnage, suffering, and sheer scale of destruction.

Technique and Innovation: Beyond Portraiture

Brady's studio wasn’t merely a place for taking pictures; it was an early adopter of photographic innovation. He moved beyond the limitations of daguerreotypes to embrace the collodion wet-plate process, which allowed for greater detail and reproducibility – crucial for creating multiple prints from each negative. This technical shift enabled wider dissemination of his images through publications like *Harper’s Weekly* and *Leslie's Illustrated Newspaper*, bringing the war directly into American homes. The logistical challenges were immense. The wet-plate method required a portable darkroom, immediate development of negatives after exposure, and careful handling of fragile materials in often harsh conditions. Brady’s team pioneered techniques for capturing movement and depth, laying the groundwork for future generations of photojournalists. His commitment to documenting the war wasn't driven by profit; he initially funded the project himself, believing it was a vital historical record.

A Lasting Impact: Shaping Public Perception

The impact of Brady’s Civil War photographs extended far beyond their immediate publication. They shattered prevailing illusions about the glory of war and forced Americans to confront its horrific cost. While initially met with mixed reactions – some found the images too graphic, others dismissed them as staged – they gradually gained recognition for their authenticity and power. These photographs fundamentally altered public perception of conflict, paving the way for a more critical and informed understanding of warfare. Brady’s work also established photography as a legitimate form of historical documentation, influencing subsequent generations of war correspondents and documentary photographers.

Beyond the Battlefield: Legacy and Remembrance

Though financially ruined by his investment in the Civil War project – he received little financial support from the government or public for years – Mathew Brady’s legacy remains undiminished. He continued to photograph prominent figures after the war, but it is his wartime work that continues to resonate most powerfully. The collection amassed by the studio became a cornerstone of American visual history, preserved and studied by scholars and artists alike.
  • Brady's photographs are now considered essential primary sources for understanding the Civil War.
  • His team’s work established many of the conventions of war photography still used today.
  • The studio’s commitment to documenting reality helped shape public opinion and foster a more critical awareness of conflict.
Mathew Brady died in 1896, but his vision – to capture the truth of a nation at war – continues to endure, reminding us of the sacrifices made and the enduring power of visual storytelling.