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Outings Project

A striking fusion of classical imagery and urban street art defines this Outings Project piece by Julien de Casabianca-Caumer that brings museum masterpieces to the city streets for you to explore and collect.

French visual artist Julien de Casabianca-Caumer blends street art, photography & film. Known for 'Outings Project,' pasting museum paintings in city streets.

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Kort om verket

  • Subject or theme: Merging museum works with urban environments
  • Year: 2015
  • Artistic style: Fusion of classical and street art
  • Title: Outings Project
  • Artist: Julien de Casabianca-Caumer

Beskrivelse av samlerobjektet

Julien de Casabianca is a French visual artist and filmmaker. The artist initiated The Outings Project in 2014, where he transports paintings from museum walls into the street by photographing works at local museums and creating paste-ups on city walls. De Casabianca found his inspiration from the project when he visited the Louvre Museum and saw a painting by Jean-Auguste-Dominique Ingres placed in a corner, seemingly forgotten. Wanting to liberate the artwork, he came up with the idea of taking the image to the street. Since then, numerous museums worldwide have invited him to engage with their collections and merge the perceptions of classical and street art. By bringing well-known works traditionally only seen in a museum context to the street, The Outings Projects brings these canonical works to a new audience of city dwellers and passersby.

Om kunstneren

Jenny Saville: A Body of Flesh and Shadow

Jenny Saville, born in Cambridge in 1970, is a British painter whose work has irrevocably shifted our gaze toward the complexities and contradictions inherent within the female form. Initially emerging as one of the Young British Artists (YBAs) alongside figures like Damien Hirst and Tracey Emin, Saville quickly distinguished herself through a radically different approach – eschewing conceptualism and shock tactics for an intensely visceral exploration of materiality and the lived experience of being a woman in the 21st century. Her canvases are dominated by monumental depictions of female bodies, often rendered with a startling realism that simultaneously celebrates and interrogates notions of beauty, desire, and societal expectations. Saville’s work isn't merely about representation; it’s an engagement with the body as a site of power, vulnerability, and profound emotional resonance.

Early Influences and Artistic Development

Saville’s artistic journey began in a period of significant upheaval within the art world. The YBAs, emerging from the late 1980s and early 1990s, challenged established conventions with their provocative and often confrontational work. However, Saville deliberately distanced herself from this trend, choosing instead to focus on the meticulous observation and rendering of flesh – a deliberate rejection of the prevailing minimalist aesthetic. Her initial training at St Martin’s School of Art and later at the Royal College of Art provided her with a rigorous foundation in traditional oil painting techniques, which she then skillfully employed to achieve an unprecedented level of detail and texture. Influences can be traced back to the Old Masters – particularly Rubens' monumental depictions of the human body – alongside a fascination with contemporary photography, particularly its ability to capture fleeting moments of beauty and vulnerability. This synthesis of historical precedent and modern sensibility is central to her distinctive style.

The Language of Flesh: Themes and Symbolism

Saville’s paintings are rarely straightforward portraits; they are complex investigations into the relationship between the body, perception, and societal pressures. Her subjects – frequently obese or otherwise considered ‘unconventional’ by conventional standards – are presented with an unflinching honesty that challenges viewers to confront their own biases and assumptions about beauty. The sheer scale of her canvases—often monumental in size—further amplifies this effect, forcing the viewer into a direct and intimate engagement with the depicted figures. Recurring motifs include the texture of skin, the weight of flesh, and the interplay of light and shadow, creating a sense of both vulnerability and power. Saville’s work consistently tackles issues surrounding gender binary, obesity, the imposed ideal of beauty, and the psychological impact of our relationship with our own bodies. She doesn't shy away from depicting discomfort or awkwardness, acknowledging that the experience of being human is rarely smooth or seamless.

Critical Acclaim and Institutional Recognition

Saville’s work has garnered widespread critical acclaim and significant institutional recognition. She quickly established herself as a leading figure in contemporary painting, her canvases commanding high prices at auction and securing prominent positions in major museums worldwide. Solo exhibitions have been held at prestigious institutions such as the Museo di Palazzo Vecchio in Venice, the Scottish National Gallery in Edinburgh, and the Gagosian Gallery, cementing her position as one of the most important artists working today. Her paintings are currently housed in collections including The Broad in Los Angeles, the George Economou Collections in Athens, and the Metropolitan Museum of Art in New York, demonstrating a profound impact on the art world.

A Legacy of Embodiment

Jenny Saville’s contribution to contemporary art lies not simply in her technical skill or her striking imagery, but in her willingness to confront difficult and uncomfortable truths about the human body and its representation. Her work has sparked vital conversations about beauty standards, societal expectations, and the complexities of female identity. By focusing on the materiality of flesh—its weight, texture, and vulnerability—Saville has created a powerful and enduring body of work that continues to challenge and inspire viewers long after its creation. Her paintings are a testament to the power of art to illuminate the hidden depths of human experience and to provoke critical reflection on our own perceptions and biases.

Kort om kunstneren

  • Artistic Movement Or Style: Figurative painting
  • Artists Or Movements Influenced By This Artist:
    • YBA scene
    • Neo-conceptual art
  • Artists Who Influenced This Artist:
    • Rubenses
    • Cubism
    • Baroque
  • Date Of Birth: 1970
  • Full Name: Jenny Saville
  • Nationality: British
  • Notable Artworks:
    • Stripped
    • Morning Song
    • Slow View
  • Place Of Birth: Cambridge, UK