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Wharfedale

Admire 'Wharfedale' by James Whitelaw Hamilton – a serene Scottish landscape painting in earthy tones. A beautiful reproduction of his evocative style, perfect for art lovers.

Discover James Whitelaw Hamilton’s evocative landscapes & harbor scenes! This Glasgow artist (1860-1932) painted Scottish vistas, exploring light & atmosphere. Explore his works.

Giclée / Kunsttrykk

Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. ( Kjøp håndmalt maleri Bytt til digitalt bilde)

Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118B Nkr10
Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118H Nkr10
Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118W Nkr10
Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Nkr10
Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508JH Nkr12
Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508YH Nkr12
Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805H Nkr10
Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805Z Nkr10
Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Nkr10
Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919G Nkr10
Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Nkr10
Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P959ZH Nkr10
Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
P968JZ Nkr12
Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
W106C Nkr8
Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
W218G Nkr10
Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
W218JH Nkr8
Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
W218Y Nkr10
Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W307PJ Nkr10
Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
W316G Nkr10
Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W316PJ Nkr8
Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
W316Y Nkr10
Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
W398PJ Nkr8
Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
W4111J Nkr10
Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
W500HY Nkr15
Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
W500JH Nkr15
Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
W692G Nkr12
Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
W849H Nkr8
Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
W940BG Nkr15
Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
W953PJ Nkr8

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Verdensomspennende levering () på 2 uker i stedet for standard 4/5 uker. (10 November)

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Totalpris

Nkr 774

Wharfedale

Giclée / Kunsttrykk

Størrelse på reproduksjon

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Totalpris for valgte alternativer

Nkr 774


Om kunstneren

A Journey from Glasgow to Paris

Born in the vibrant artistic atmosphere of Glasgow in 1860, James Whitelaw Hamilton began his journey as a student at the prestigious Glasgow School of Art. His early training was shaped by the profound influences of masters like William Sharp Sutherland and John Atkinson Grimshaw, whose works instilled in him a deep reverence for the natural world. However, it was his move to Paris that truly refined his artistic vision. Under the tutelage of Aimé Morot and Pascal Dagnan-Bouveret, Hamilton absorbed the sophisticated techniques of French painting, blending a disciplined academic foundation with an emerging sensitivity to light and form.

The Spirit of the Scottish Landscape

Upon returning to Scotland in 1884, Hamilton found himself at the heart of a transformative era. He became closely associated with the legendary Glasgow Boys, spending formative summers at Cockburnspath alongside contemporaries such as James Guthrie and Joseph Crawhall. This period solidified his dedication to capturing the rugged, sublime beauty of his homeland. His canvases became windows into the Scottish Highlands and misty coastal regions, where he sought to document the ephemeral qualities of the wilderness. Whether portraying the majestic Loch Long Hills or the serene stretches of Wharfedale, Hamilton’s work resonates with a profound engagement with Romantic ideals, prioritizing emotion and atmosphere over mere topographical accuracy.

Technique, Light, and Atmospheric Mastery

Hamilton's technical prowess is most evident in his masterful use of layered glazing, a technique that allowed him to imbue his landscapes with a luminous, almost ethereal quality. He possessed an extraordinary ability to capture the subtle nuances of light as it filtered through heavy mist or shimmered across the surface of a quiet loch. His palette was often muted and harmonious, relying on tonal depth rather than jarring colors to evoke the damp, cool air of the Scottish coast. This meticulous approach is beautifully realized in his most celebrated works:
  • Loch Long Hills, where autumnal tones meet mountain grandeur;
  • The River Lune Near Orton, a study in serene, 19th-century realism;
  • Wharfedale, capturing the earthy essence of the landscape;
  • View Of A Harbour, showcasing his Impressionistic touch on coastal scenes.

A Lasting Legacy of Excellence

The significance of Hamilton's contribution to British art is reflected in the numerous accolades he received throughout his distinguished career. His election as a member of the Royal Scottish Academy and the New English Art Club marked him as a leading figure of his generation. A pivotal moment of international recognition arrived in 1897, when he was awarded a gold medal at the Munich International Exhibition, an achievement that brought his talent to the global stage. Through his dedication to the portrayal of the natural world, James Whitelaw Hamilton left behind a body of work that continues to enchant, serving as a timeless testament to the enduring beauty of the Scottish landscape and the delicate interplay of light and shadow.
James Whitelaw Hamilton

James Whitelaw Hamilton

1860 - 1932 , United Kingdom

Kort om kunstneren

  • Full Name: James Whitelaw Hamilton
  • Nationality: British
  • Date Of Birth: 1860
  • Date Of Death: 1932
  • Place Of Birth: Glasgow, United Kingdom
  • Notable Artworks:
    • Loch Long Hills
    • The River Lune Near Orton
    • Wharfedale
  • Artistic Movement Or Style: Victorian Art