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Mount Kailash, a 6,656 meter peak in western Tibet, is worshiped as a holy place in four different religions: Hinduism, Buddhism, Jainism, and Bon, the indigenous religion of Tibet. Izu shot this photograph along the pilgrimage route to the mountain, camping out for two days at the place where the north face of Kailash can be seen beyond the numerous snow-covered Mani stones left by passing pilgrims. Izu traveled with a custom-made 300-pound camera to expose specially made 13x19 inch negatives, printing the image directly on watercolor paper of the same dimensions; he then finishes the work with a hand-brushed coating of palladium/ platinum. Izu

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Kenro Izu: Capturing Sacred Decay Through Platinum Prints

Kenro Izu stands as a singular figure in contemporary photography, distinguished by his masterful use of platinum printing—a technique that imbues his images with an unparalleled luminosity and textural depth. Born in Osaka, Japan, in 1949, Izu’s artistic journey began amidst the burgeoning postwar landscape of Japan, fostering a deep appreciation for both tradition and innovation. He pursued formal studies at Nihon University in Tokyo, honing his observational skills and establishing a foundation for his future explorations into visual storytelling. Moving to New York City in 1972 marked a pivotal moment, propelling him into the heart of the burgeoning photographic avant-garde. It was here that he cultivated collaborations with influential artists and designers, solidifying his reputation as a skilled craftsman and developing an eye for capturing moments of profound beauty and melancholic contemplation. However, Izu’s true passion lay in documenting the vestiges of ancient civilizations—a pursuit that would define his artistic legacy. Beginning in 1979, he embarked on what has become a lifelong project: photographing monumental sites across the globe, notably Angkor Wat in Cambodia and Pompeii in Italy. Unlike conventional photography striving for crisp detail, Izu’s approach prioritized capturing the essence of these places—their spiritual significance alongside their inevitable deterioration. He achieved this remarkable feat through extended exposures, allowing subtle shifts in light and shadow to reveal hidden textures and imbue his prints with an ethereal glow. This technique isn't merely a stylistic choice; it reflects Izu’s philosophical conviction that beauty resides not only in perfection but also in the acceptance of time’s passage and the preservation of cultural memory. His work has garnered considerable acclaim, earning him two awards for his dedication to photography and recognizing his commitment to humanitarian endeavors through Friends Without A Border—a children's charity he founded. Furthermore, Izu’s images have graced the collections of prestigious museums worldwide, cementing his place as a visionary artist who transcends stylistic boundaries. Through his platinum prints, Kenro Izu invites viewers into a contemplative dialogue with history and reminds us that even in ruin, there exists an enduring power to inspire awe and reverence.

Notable Achievements: Two awards for photography; Founder of Friends Without A Border.
Technique: Platinum printing – Long exposures emphasizing texture and luminosity.
Subject Matter: Ancient sites (Angkor Wat, Pompeii) focusing on spirituality and cultural preservation.

izu kenrō

1949 - , Japan

Kort om kunstneren

Artistic Movement Or Style: Platinum prints
Date Of Birth: 1949
Full Name: Kenro Izu
Nationality: Japanese-American
Notable Artworks:
- Kailash #75
- Chidambaram #604, Tamil Nadu, India
- Chidambaram #723, India
Place Of Birth: Osaka, Japan

Kailash #75

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