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Oh, Moon, don

A serene blue night scene featuring a woman holding the moon captures the magical storytelling of Ivan Evgenevich Prosianoi in this 1986 masterpiece, inviting you to bring this peaceful moment into your collection.

Ivan Evgenevich Prosianoi (1924-Living) er en russisk kunstner kjent for fortellerbilder som gjenspeiler livet etter andre verdenskrig og ukrainske folkeeventyr. Hans verk, inkludert «De kokte varenyky», viser en unik fortellestil og vises på museer over hele landet.

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Som et respektfullt og lovlig alternativ tilbyr vi skreddersydde, håndmalte kunstverk inspirert av originalen. Våre dyktige og profesjonelle kunstnere studerer nøye originalens stil, stemning og kunstneriske essens for å skape et nytt og unikt verk som vekker den samme følelsen – samtidig som det forblir en original skapelse i seg selv.

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Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919G Nkr10
Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
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Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
W316G Nkr10
Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
W500HY Nkr15
Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
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Oh, Moon, don

Reproduksjonsmetode

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Nkr 2854

Kort om verket

  • Artist: Ivan Evgenevich Prosianoi
  • Notable elements or techniques: Woman holding the moon, violin, night scene
  • Year: 1986

A Celestial Encounter: The Magic of 'Oh, Moon, don"

In the quiet, indigo depths of Ivan Evgenevich Prosianoi’s 1986 masterpiece, 'Oh, Moon, don', we are invited into a realm where the boundaries between the earthly and the celestial dissolve. The painting presents a breathtaking nocturnal tableau, bathed in a palette of deep blues and ethereal light that evokes a sense of profound stillness. At the heart of this dreamscape stands a woman atop a raised platform, her silhouette a focal point of quiet strength. In a gesture of pure, unadulterated wonder, she appears to cradle the moon itself within her hands, as if capturing a fragment of the infinite. This central act of cosmic intimacy transforms the scene from a mere landscape into a moment of profound magical realism, where the impossible becomes tangibly beautiful.

The composition is rich with subtle narrative details that invite the viewer to linger and explore. Surrounding the central figure are potted plants that ground the ethereal event in a sense of domesticity and care, while two silent observers stand at the periphery, their presence adding a layer of shared human experience to the celestial spectacle. The inclusion of a violin, resting quietly within the scene, suggests a hidden melody—a soundtrack of soft strings that accompanies this lunar ritual. Prosianoi’ perhaps uses this musical element to symbolize the harmony between nature and the human spirit, suggesting that the beauty of the night is a symphony meant to be felt as much as seen.

The Artistry of Narrative and Light

Technically, the work showcases Prosianoi’s mastery over atmosphere and light. The way the moonlight interacts with the dark textures of the night sky creates a luminous glow that seems to radiate from within the canvas itself. His style, deeply rooted in his ability to weave post-war narratives and folk themes into his art, allows this piece to transcend simple decoration. There is a weight to the shadows and a softness to the light that speaks to his background as an observer of life’s subtle intricacies. The brushwork, while contributing to a smooth, serene surface, carries an emotional depth that captures the fleeting nature of a dream.

For the discerning collector or interior designer, 'Oh, Moon, don' offers more than just visual appeal; it provides an emotional anchor for a space. The painting’s ability to evoke peace, mystery, and a touch of enchantment makes it a versatile centerpiece for any sophisticated setting. Whether placed in a quiet study to inspire contemplation or as a focal point in a grand living area to spark conversation, this reproduction brings with it the timeless allure of the night sky. It is an invitation to look upward, to dream, and to find magic in the quietest moments of existence.

Spørsmål og svar

Hvilket rom foreslås det at "Oh, Moon, don" plasseres i, med tanke på fargepaletten?

Med sine Dark farger, anbefales "Oh, Moon, don" for et Bedroom.

Finnes det en guide for "Oh, Moon, don" av Ivan Evgenevich Prosianoi?

Veiledning-siden for "Oh, Moon, don" av Ivan Evgenevich Prosianoi tilbyr et utskrivbart faktaark på to sider: kunstverket med sin identitetstabell, en tidslinje som plasserer det i kunstnerens levetid, andre verk av kunstneren, den målte fargepaletten og ferdigformaterte kildehenvisninger i fire stiler.

Hvilke pseudonymer eller andre navn er Ivan Evgenevich Prosianoi kjent under?

Ivan Evgenevich Prosianoi opptrer under de alternative navnene Ivan Prosianyk.


Kunstnerbiografi

Ivan Evgenevich Prosianoi (1924–Living)

Ivan Evgenevich Prosianoi, also known as Ivan Prosianyk, was a Russian artist born in Petropavlovsk village, Russian Federation, in 1924. His life unfolded against the backdrop of significant historical events, notably World War II and the Soviet era, shaping his artistic vision and output. As a gunner of the 4th Guards Motorcycle Battalion during the war, he gained invaluable combat experience and intelligence insights—a formative influence on his later work. Following the conflict, Prosianoi pursued academic studies and embarked on a career as a secretary for the Petropavlovsk Regional Committee of the All-Union Leninist Young Communist League, alongside instructing at Kalacheevsky District Committee of the CPSU. These roles instilled in him a deep understanding of Soviet society and its artistic landscape. His artistic journey truly blossomed in Kalach, where he honed his painting skills and developed a distinctive style characterized by meticulous detail and emotional resonance. Prosianoi’s oeuvre comprises several notable paintings, including “Three Old Men on One Old Woman” (1986) and “Birth of Sun” (2016), which exemplify his ability to convey complex narratives and evoke profound feelings in viewers. These works stand out for their masterful use of color palettes and compositional arrangements—techniques honed through years of dedicated practice. A cornerstone of Prosianoi’s artistic legacy is his affiliation with the Taganrog Art Museum, where his paintings reside alongside masterpieces by renowned Russian and European artists such as Vladimir Orlovsky, Vasily Maximov, Efim Efimovich Volkov, Jan Van Goyen, Ivan Aivazovsky, and Ivan Ivanovich Shishkin. The museum’s collection serves as a testament to Prosianoi's contribution to the artistic heritage of Russia—a place he considers his home. His paintings are particularly admired for their depiction of Ukrainian folk themes and traditions, reflecting his personal connection to the region’s cultural identity. Among Prosianoi’s most celebrated works is “They Boiled Varenyky” (1987), which showcases a remarkable storytelling style—a hallmark of his artistic approach. This painting captures a poignant moment of everyday life, imbued with subtle symbolism and emotional depth. It has been recognized for its masterful execution and its ability to resonate with audiences across generations. Prosianoi’s art continues to inspire discussion and appreciation within the art world, cementing his place as an important figure in Russian visual culture. Notable artworks by Ivan Evgenevich Prosianoi can be found at /no/art/show/art-d3bb5m-no/ His painting “They Boiled Varenyky” is housed in the Chernihiv Regional Art Museum, Ukraine.
Ivan Evgenevich Prosianoi

Ivan Evgenevich Prosianoi

1924 - , Russland

Kort om kunstneren

  • Artistic Movement Or Style: Realism
  • Artists Or Movements Influenced By This Artist: ['Nikolai Rimsky-Korsakov']
  • Artists Who Influenced This Artist: ['Ilya Repin']
  • Date Of Birth: 1924
  • Full Name: Ivan Evgenevich Prosianoi
  • Nationality: Russisk
  • Notable Artworks: ['Tretyakov Gallery']
  • Place Of Birth: Petropavlovsk, Russland
Utforsk kunstverk organisert etter temaer, stiler og kjennetegn.