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The trunk of an old pine tree bends across the lower part of the painting, its contorted branches and pine boughs filling the frame with the spiky brushwork characteristic of Jakuchū’s mature painting style. The background is filled with a light ink wash, leaving fine white unpainted areas around the branches and pine needles. The luminous outlining, in combination with the unstained knots and front edge of the tree trunk, creates a sense of seeing the tree at night bathed in full moonlight.The painting is signed “Beito’ō hachijūsan-sai ga” (Painted by Beito’ō, aged 83). The “Beito’ō” signature indicates that the work was painted in the final phase of Jakuchū’s long career, when he kept a painting studio in front of the Sekihōji Temple, south of Kyoto. There he sold quickly executed ink paintings to support himself after the disastrous Kyoto fire of 1788 left him in financial ruin. Because he would exchange a quickly executed painting for a to (about four gallons) of rice, he began to call himself Beito’ō (Old Rice-Measure Man).

Om kunstneren

Ito Jakuchū: A Kyoto Merchant’s Vision of Nature

Ito Jakuchū (1716 – 1800) stands as a singular figure in Edo period Japanese art, an artist who defied convention and championed a radical approach to depicting the natural world. Unlike many of his contemporaries who adhered rigidly to established artistic lineages—primarily those associated with the Kano school—Jakuchu’s path was forged by a unique confluence of factors: his upbringing within Kyoto's prosperous merchant class and a profound engagement with Zen Buddhist philosophy. His father, Ito Genzaemon, operated Masuya, a sizable vegetable wholesaler in Nishiki Market, affording young Jakuchū a comfortable existence that allowed him to pursue his burgeoning talent for painting from an early age—a circumstance markedly different from the experiences of many aspiring artists during this era. ## Breaking with Tradition: Style and Subject Matter Jakuchu’s artistic style represents a breathtaking fusion of meticulous realism and daring experimentation. While deeply rooted in traditional Japanese subjects – particularly birds, flowers, and landscapes – he imbued his work with an innovative spirit that distinguished him from many of his peers. He gained renown alongside Maruyama Ōkyo for his masterful depictions of birds and blossoms, yet Jakuchu ventured beyond mere imitation of nature. His paintings are characterized by vibrant colors, dynamic compositions, and a willingness to challenge conventional perspectives. Perhaps most famously, chickens became a recurring motif in his oeuvre, elevated from humble farm animals to subjects worthy of profound artistic contemplation. He wasn’t simply recording what he saw; rather, he sought to capture the inherent vitality and character within each creature—a distinction that cemented his place as one of Japan's foremost artists.

His approach involved layering pigments on paper with extraordinary precision, creating textures and hues that seemed to shimmer with life.
He deliberately eschewed human figures, focusing instead on capturing the essence of natural phenomena—a stylistic choice profoundly influenced by Zen Buddhist principles.

## Zen Influence and Artistic Development The indelible mark of Zen Buddhism permeated Jakuchu’s artistic worldview. He became a lay brother (*koji*) at Kyoto’s Shokoku-ji temple, immersing himself in Zen precepts that emphasized direct experience, intuition, and the pursuit of enlightenment through contemplation.This formative period profoundly shaped his creative process, fostering a detachment from worldly concerns and an unwavering dedication to portraying the natural world with reverence. As noted by Zen monk Daiten Kenjo in 1766—a biographical account that has significantly impacted scholarly understanding of Edo period painting—Jakuchu’s artistic philosophy revolved around “seeing things as they are,” rejecting artificial embellishments in favor of capturing the raw beauty and impermanence of existence. ## Notable Works Among Jakuchū's most celebrated creations stand *Five Hundred Arhats*, a monumental undertaking showcasing his unparalleled skill and unwavering commitment to artistic excellence. This ambitious project—a collaborative effort with Ōkyo—demonstrates Jakuchu’s mastery of polychrome rendering, achieving an astonishing level of detail and vibrancy.

*Hanshan and Shide* exemplifies Jakuchū's ability to convey the spirit of Japanese folklore through masterful brushwork.
*Crabs and Peonies*, a quintessential embodiment of Edo period aesthetics, captures the delicate interplay between floral beauty and marine life.
*Bean Vine*, arguably Jakuchū’s most iconic work—a sumi-e masterpiece—perfectly encapsulates Zen Buddhist themes of growth, decay, and interconnectedness.

## Legacy and Rediscovery Despite his brilliance during his lifetime, Ito Jakuchū remained largely unrecognized by the broader artistic community.It wasn’t until the 20th century that his work began to garner widespread acclaim, primarily thanks to Nobuo Tsuji’s seminal book *Kisō no Keifu* (“Lineage of Eccentrics”), which revolutionized perceptions of Edo period painting and championed artists who dared to challenge artistic conventions.Tsuji’s scholarship established Jakuchū as a pivotal figure in Japanese art history, highlighting his role as one of the “Lineage of Eccentrics”—a movement characterized by artists who prioritized authenticity and originality over adherence to established traditions. Today, Ito Jakuchū is revered not merely for his technical prowess but also for his visionary aesthetic—a testament to an artist who bravely navigated artistic boundaries and captured the spirit of his time with unparalleled brilliance.

Ito Jakuchū

1716 - 1800 , Japan

Kort om kunstneren

Artistic Movement Or Style: Lineage of Eccentrics
Artists Or Movements Influenced By This Artist: ['Maruyama Ōkyo']
Artists Who Influenced This Artist: ['Ōoka Shunboku']
Date Of Birth: 2 mars 1716
Date Of Death: 27 okt 1800
Full Name: Itō Jakuchū
Nationality: Japaneses
Notable Artworks: ['Pictures of the Colorful Realm of Living Beings']
Place Of Birth: Kyoto, Japan

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