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Helmut Naumer, Sr.

Frijoles Canyon, Second View

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A master of New Mexico landscapes, he is known for his Bandelier National Monument pastels. Discover his vibrant Southwest art today.
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Nkr 777

Frijoles Canyon, Second View

Giclée / Kunsttrykk

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Nkr 777

Naumer, a German born artist, immigrated to the U.S. in 1926 to experience the West. After six years at sea in the Merchant Marines, Naumer returned to his beloved Santa Fe. There, he began to work in pastels. As part of the Works Progress Administration Program (WPA), Naumer created a series of paintings showing scenes in Bandelier National Monument and nearby pueblos. He produced 14 pastels between 1935 and 1936 for the Park. Although Naumer worked in oils and watercolors, pastels were his preferred medium. He felt that pastels allowed him to capture “the fleeting effects of the sky and water and our own New Mexico landscapes with fast changing colors sweeping rapidly across it, for there are hundreds of different colors and shades, so one loses no time in mixing colors as in oil.” Here the artist depicts the base of the trail up to Long House, along Bandelier’s Main Loop Trail near the Visitor Center. Naumer used a black background that made his drawings glow and that highlighted the vivid colors of the local landscapes and sky.Bandelier National MonumentLos Alamos, New Mexico

Spørsmål og svar

Hvor stor er kontrasten i "Frijoles Canyon, Second View" av Helmut Naumer, Sr.?

"Frijoles Canyon, Second View" av Helmut Naumer, Sr. viser en Statement kontrast mellom de lyse og mørke partiene.

Hvem er kunstneren bak "Frijoles Canyon, Second View"?

"Frijoles Canyon, Second View" tilskrives Helmut Naumer, Sr..

Hva er reproduksjonsrettighetene til "Frijoles Canyon, Second View" hos Centennial One Object Exhibit?

Originalen av "Frijoles Canyon, Second View" befinner seg hos Centennial One Object Exhibit, og verket er fortsatt beskyttet av opphavsretten.

Om kunstneren

A Life Shaped by the West

Born in Reutlingen, Germany, in 1907, Helmut Naumer, Sr. moved to New York City at seventeen. By 1926, he had arrived in the United States, eventually finding his way to California to study at the Frank Wiggins Trade School and the Otis Art Institute in Los Angeles. Before settling into a life of painting, he spent six years working in the Merchant Marines. The sea provided a period of movement and distance before he returned to Santa Fe in 1932.

The landscapes of New Mexico became his primary focus. He lived for many years in the San Sebastian Ranch area near Santa Fe and also resided in Pecos. His early interests were shaped by the stories of Karl May, particularly the lore of the American West. This connection to the land and its history stayed with him through his later years in New Mexico.

The Choice of Pastel

While he worked with oils and watercolors, Naumer preferred the use of pastels. He found that this medium allowed him to catch the way light changed quickly across the sky and water. In the Southwest, colors shift rapidly across the landscape, and pastels offered a way to record these transitions without the delay of mixing oils. His technique often involved using dark backgrounds, which helped the colors of the local scenery appear to glow.

His paintings were frequently composites of landscapes rather than exact, realistic depictions of a single spot. He focused on capturing the atmosphere and the specific light of the region. This approach allowed him to translate the feeling of the New Mexico landscape into something more immediate.

Work for the National Park Service

During the 1930s, Naumer participated in the Works Progress Administration (WPA) program. He was commissioned by the National Park Service to create works for the visitor center exhibits at Bandelier National Monument. Between 1935 and 1936, he produced fourteen pastel artworks that documented scenes from the monument and nearby pueblos.

Some of his specific subjects included:

  • The Administration Building in Frijoles Canyon.
  • Taos Pueblo, showing its multi-storied buildings against the mountains.
  • Picuris Pueblo, including its church and the horno used for baking bread.
  • Scenes of the landscape near the Long House trail.

His work from this period remains in collections such as the Bandelier museum and the New Mexico Museum of Art. In 2016, the United States Postal Service featured his painting of the Administration Building on a commemorative postage stamp.

Helmut Naumer, Sr.

Helmut Naumer, Sr.

1907 - 1990 , Germany

Kort om kunstneren

  • Full Name: Helmut Naumer, Sr.
  • Nationality: American
  • Notable Artworks:
    • Administration Building, Frijoles Canyon
    • Taos Pueblo
    • Winter Sunrise
    • Northern New Mexico Village
  • Place Of Birth: Reutlingen, Germany
  • Date Of Birth: 1907
  • Date Of Death: 1990