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Schizophrenia 1

Dimensjoner
24.0 x 32.0 cm

Explore the evocative art of Halim Al-Karim, Iraqi artist known for conceptual & abstract photography exploring identity, memory, displacement, and exile. Exhibited globally, his mixed media works offer a poignant reflection on trauma & belonging.

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Nkr 775

Schizophrenia 1

Giclée / Kunsttrykk

Størrelse på reproduksjon

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Totalpris for valgte alternativer

Nkr 775

Al-Karim’s approach to image-making is as an outward projection of his inner-consciousness and a visual manifestation of spiritual awakening and serenity. His evasive dream-like images evoke a range of instinctual emotive responses, the ability of true perception existing as a preternatural power within each of us, which can be understood and harnessed through the pursuit of metaphysical enlightenment.Some of the photographs Al Karim presents beneath a tautly stretched layer of silk fabric that operates as both a physical veil masking the portraits and a metaphorical filter or screen. This ’barrier’ between viewer and image can be conceived as a liminal space, a transcendental portal between being and becoming, where the mystical properties of change take place.

Spørsmål og svar

Hvilken form og hvilke dimensjoner har "Schizophrenia 1" av Halim Al-Karim?

"Schizophrenia 1" av Halim Al-Karim har proporsjonene til et Portrait-verk på 24 x 32 cm.

Hva er målene på det originale verket "Schizophrenia 1" av Halim Al-Karim?

"Schizophrenia 1" måler 24 x 32 cm i sin originale form. Originalmålene er en nyttig referanse når du skal velge størrelse på en reproduksjon.

Hvor kan jeg finne statistikk om "Schizophrenia 1" av Halim Al-Karim?

En Besøksstatistikk-side eksisterer for "Schizophrenia 1". Den viser månedlige besøkstall for kunstverket og kunstnerens øvrige verk, fordelt på land og språk.


Om kunstneren

The Veiled Truth: The Ethereal World of Halim Al-Karim

In the delicate intersection where memory meets shadow, the work of Halim Al-Karim resides. Born in 1963 in the historic city of Najaf, Iraq, Al-Karim’s artistic journey is not merely a progression of technique, but a profound navigation through the landscapes of trauma, survival, and spiritual awakening. His early years, spent moving between the cultural richness of Beirut and the ancient echoes of Baghdad, provided a foundation steeped in history and myth. The influence of his father, an amateur photographer who experimented with intentional blur, planted the seeds for Al-Karim’s later obsession with the indistinct and the obscured. This fascination with what lies beneath the surface would eventually become the heartbeat of his practice.

The trajectory of Al-Karim’s life was irrevocably altered by the turbulence of the Persian Gulf War. Forced to flee military service under Saddam Hussein’s regime, he endured a harrowing three-year period of seclusion, hiding within a rock-covered hole in the southern Iraqi desert. It was during this time of profound isolation that his survival was secured by the kindness of an elderly Bedouin woman, who provided sustenance and introduced him to the mysteries of Sufi mysticism and gypsy customs. This experience of being hidden—both physically and psychologically—became the cornerstone of his creative identity. The concept of al-batin, the Sufi term for the hidden or inner truth, permeates his work, transforming the act of photography from a documentary tool into a spiritual pursuit of the unseen.

Technique as Metaphor: The Art of Obscuration

Al-Karim’s aesthetic is a masterful rejection of clarity. He does not seek to capture the world as it appears to the eye, but rather as it is felt in the soul. His process involves a sophisticated layering of media, where he merges stills from cinema, historical artifacts, and classical paintings with his own photographic captures. By utilizing both antiquated darkroom techniques and modern digital manipulation, he creates images that feel like fragments of a dream or echoes of a lost era. He often employs a deliberate blur, enlarging negatives to create an uncertainty of context, time, and place, forcing the viewer to confront the fragility of their own perception.

Perhaps his most iconic signature is the application of silk fabric over his prints. By stretching thin layers of white or black silk across the surface, Al-Karim creates a physical and metaphorical veil. This barrier serves several profound purposes:

  • The Liminal Space: The silk acts as a portal between being and becoming, a translucent threshold where the viewer must peer through to find meaning.
  • The Mask of Memory: Much like the fog of trauma, the fabric obscures details, representing how time and hardship erode the sharpness of our recollections.
  • Materiality and Texture: The tactile nature of the silk adds a sculptural dimension to his photography, bridging the gap between two-dimensional imagery and physical presence.

Legacy and Global Resonance

The significance of Halim Al-Karim’s work extends far beyond the borders of the Middle East. His ability to translate personal displacement into a universal language of human resilience has earned him a place in the most prestigious art institutions worldwide. From his participation in the historic Iraqi Pavilion at the 54th Venice Biennale to his inclusion in the permanent collections of the Victoria and Albert Museum in London and the Mori Art Museum in Tokyo, his voice resonates with a global audience. His work speaks to anyone who has experienced the loss of home, the weight of history, or the search for identity amidst chaos.

Through his series such as Hidden War and Hidden Victims, Al-Karim continues to explore the duality of the human condition—the tension between the visible reality of conflict and the invisible strength of the spirit. He remains a vital figure in contemporary art, reminding us that even when the world is blurred by pain or obscured by shadows, there is a profound, luminous truth waiting to be discovered beneath the veil.

Halim Al-Karim

Halim Al-Karim

1956 - , Iraq

Kort om kunstneren

  • Full Name: Halim Al-Karim
  • Nationality: Iraqi
  • Date Of Birth: 1956
  • Place Of Birth: Najaf, Iraq
  • Notable Artworks:
    • Heaven Can Wait
    • Schizophrenia 1
    • Schizophrenia 9
  • Artistic Movement Or Style: Conceptual & Abstract Photography