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Cup

Explore Giovanni Battista Gariboldi’s 1936 ceramic bowl – a textured masterpiece showcasing organic forms & serene green hues. A unique, hand-built piece reflecting Italian artistry.

Discover Giovanni Battista Gariboldi’s breathtaking Italian landscapes & genre scenes. A renowned 19th-century painter celebrated for his mastery of light & color.

Giclée / Kunsttrykk

Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. ( Kjøp håndmalt maleri Bytt til digitalt bilde)

Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118B Nkr10
Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118H Nkr10
Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118W Nkr10
Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Nkr10
Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508JH Nkr12
Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508YH Nkr12
Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805H Nkr10
Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805Z Nkr10
Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Nkr10
Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919G Nkr10
Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Nkr10
Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P959ZH Nkr10
Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
P968JZ Nkr12
Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
W106C Nkr8
Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
W218G Nkr10
Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
W218JH Nkr8
Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
W218Y Nkr10
Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W307PJ Nkr10
Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
W316G Nkr10
Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W316PJ Nkr8
Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
W316Y Nkr10
Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
W398PJ Nkr8
Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
W4111J Nkr10
Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
W500HY Nkr15
Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
W500JH Nkr15
Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
W692G Nkr12
Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
W849H Nkr8
Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
W940BG Nkr15
Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
W953PJ Nkr8

Standardformat
skreddersydd
CM
INCH

Velg mellom våre forhåndsdefinerte størrelser som bevarer kunstverkets opprinnelige proporsjoner.

bredde
høyde

Skriv inn ønsket bredde og høyde for å tilpasse trykket til din ramme eller vegg. Et trykk kan kun beskjæres, aldri skaleres opp utover motivets opprinnelige størrelse, noe som betyr at et format med andre proporsjoner vil føre til tap av deler av bildet. Vi sender deg en digital mockup for godkjenning før vi starter trykkeprosessen. Bildet som vises på denne siden viser ikke den faktiske beskjæringen — det er kun mockuppen som viser dette.

Verdensomspennende levering () på 2 uker i stedet for standard 4/5 uker. (7 November)

Gratis ekspressfrakt over hele verden
Lerretsduk av lin av høy kvalitet
Full transportforsikring
Garanti for refusjon av toll og importavgifter
Garantert fargegjengivelse
100 dagers returrett ved fabrikasjonsfeil
100% pengene tilbake-garanti
Rabatt ved flere kjøp

Totalpris

Nkr 775

Cup

Giclée / Kunsttrykk

Størrelse på reproduksjon

-

Totalpris for valgte alternativer

Nkr 775

Kort om verket

  • Year: 1936
  • Subject or theme: Mythic Art
  • Influences: Edward Burne-Jones
  • Movement: Pre-Raphaelite
  • Title: Cup

Kunnequiz om kunst

Det er kun ett riktig svar på hvert spørsmål.

Spørsmål 1:
What artistic movement is Giovanni Battista Gariboldi’s ‘Cup’ primarily associated with?
Spørsmål 2:
The image description highlights a particular stylistic element of the artwork. What is it?
Spørsmål 3:
What color palette dominates the visual experience presented by the ‘Cup’ image?
Spørsmål 4:
Giovanni Battista Gariboldi's artistic style reflects a rejection of what characteristic found in academic painting?
Spørsmål 5:
Edward Burne-Jones's artistic approach involved studying and imitating masters like Botticelli. What was a key difference between his method and that of traditional art education?

Giovanni Battista Gariboldi: Cup - A Study in Organic Texture and Serene Green

Giovanni Battista Gariboldi’s 1936 ceramic bowl stands as a testament to the enduring power of Italian craftsmanship and a masterful exploration of natural forms. More than just tableware, it embodies a deliberate aesthetic choice—a commitment to capturing the essence of organic beauty within a meticulously crafted medium.

  • Subject Matter: The bowl’s central focus is simplicity itself: a single ceramic vessel designed to hold liquid. However, its unassuming appearance belies a profound consideration for visual harmony and textural richness.
  • Style: Gariboldi's work aligns squarely with the principles of ceramic art—a tradition rooted in ancient techniques and celebrated for its ability to transform raw materials into objects of enduring elegance. Influenced by Art Deco sensibilities, it leans towards geometric forms softened by organic contours.
  • Technique: The bowl’s surface is achieved through a painstaking process of hand-building – likely utilizing coil construction—followed by careful glazing application. This technique ensures that every piece possesses unique variations in tone and texture, reflecting the inherent irregularities of natural materials.

The glaze itself contributes significantly to the overall impression. Gariboldi skillfully employs a palette dominated by shades of green – from deep olive tones reminiscent of ancient woodlands to lighter hues suggestive of tranquil lagoons. These colors aren’t merely decorative; they evoke feelings of serenity and connection with the natural world.

Historical Context: Created in 1936, Gariboldi's bowl reflects the broader artistic currents of its time—a period marked by a renewed interest in organic forms and a desire to express emotion through visual language. It stands as an exemplar of Italian ceramic art during the Fascist era, showcasing a dedication to tradition while embracing stylistic innovations.

Symbolism: The bowl’s textured surface – resembling a leaf or petal – speaks to themes of growth, fragility, and renewal. These symbols resonate deeply within Pre-Raphaelite aesthetics—a movement that championed idealized beauty and sought inspiration in medieval myths and legends. Gariboldi's piece invites contemplation on the relationship between humanity and nature.

Emotional Impact: Viewing Gariboldi’s bowl is an experience of quiet contemplation. Its understated elegance and harmonious color palette inspire a sense of calm and appreciation for artisanal skill—a reminder that beauty can be found in simplicity and that objects crafted with care hold profound emotional resonance.

Spørsmål og svar

Kan "Cup" av Giovanni Battista Gariboldi, som er en del av samlingen til Sforza-slottet, reproduseres lovlig?

"Cup" av Giovanni Battista Gariboldi, som er en del av samlingen til Sforza-slottet, er fritt tilgjengelig – opphavsretten har utløpt. Denne statusen avgjør om det er tillatt å lage reproduksjoner av bildet.

Hvilken periode i Giovanni Battista Gariboldi sin karriere tilhører "Cup"?

I Giovanni Battista Gariboldi sin karriere tilhører "Cup" Early Modern. Denne perioden gjør det mulig å sammenligne verket med kunstnerens øvrige arbeider.

Hvem skapte "Cup" og i hvilket år?

Giovanni Battista Gariboldi skapte "Cup" i 1936.