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A painting made for you, by hand

Apollo and Daphne

Håndlaget oljereproduksjon

Håndmalt olje på lerret i din valgte størrelse og ramme, laget på bestilling av våre kunstnere. ( Bytt til trykk Bytt til digitalt bilde)

Beskrivelse av objektet

Witness the dramatic transformation of Apollo and Daphne by Bernini! This iconic Baroque sculpture captures a pivotal moment with dynamic figures, flowing drapery, and exquisite detail. Explore its rich mythology & artistic mastery.

Om kunstneren

Gian Lorenzo Bernini (1598-1680): Enestående italiensk skulptør og arkitekt, kjent for sin dramatiske barokkstil og mesterverk som Ecstasy of Saint Teresa.

from ·

Chapter 1

How large should it be?

Slide to change the size; the picture on the left shows the frame at its real width. The proportions of the original are kept.

Standardformat
skreddersydd
CM
INCH

Velg mellom våre forhåndsdefinerte størrelser som bevarer kunstverkets opprinnelige proporsjoner.

bredde
høyde

Skriv inn ønsket bredde og høyde for å tilpasse bildet til din ramme eller vegg. Siden dette er håndmalt, kan kunstneren male litt mer rundt motivet eller beskjære det noe dersom du velger et annet format — valget er ditt. Vi sender deg en digital mockup til godkjenning før maleriet påbegynnes. Bildet som vises på denne siden representerer ikke det faktiske resultatet — kun mockuppen viser det endelige uttrykket.

Chapter 2

How should it arrive?

Choose the edges of the stretched canvas

Choose your frame

Corner sample of the WhiteWrap canvas edge finish, stretched on massivt tre bars
White Nkr1
Corner sample of the BlurSideWrap canvas edge finish, stretched on massivt tre bars
Blurside Nkr1
Corner sample of the ExtendedWrap canvas edge finish, stretched on massivt tre bars
Extended Nkr1
Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118B Nkr10
Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118H Nkr10
Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118W Nkr10
Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Nkr10
Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508JH Nkr12
Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508YH Nkr12
Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805H Nkr10
Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805Z Nkr10
Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Nkr10
Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919G Nkr10
Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Nkr10
Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P959ZH Nkr10
Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
P968JZ Nkr12
Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
W106C Nkr8
Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
W218G Nkr10
Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
W218JH Nkr8
Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
W218Y Nkr10
Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W307PJ Nkr10
Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
W316G Nkr10
Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W316PJ Nkr8
Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
W316Y Nkr10
Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
W398PJ Nkr8
Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
W4111J Nkr10
Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
W500HY Nkr15
Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
W500JH Nkr15
Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
W692G Nkr12
Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
W849H Nkr8
Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
W940BG Nkr15
Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
W953PJ Nkr8
Corner sample of the H24-GOLD picture frame: utskåret tre med gesso, 10 cm wide and 6 cm thick
H24-GOLD Nkr30
Corner sample of the H24-SILVER picture frame: utskåret tre med gesso, 10 cm wide and 6 cm thick
H24-SILVER Nkr30
Corner sample of the H36-GOLD picture frame: utskåret tre med gesso, 15 cm wide and 6.5 cm thick
H36-GOLD Nkr45
Corner sample of the H36-SILVER picture frame: utskåret tre med gesso, 15 cm wide and 6.5 cm thick
H36-SILVER Nkr45

Moulding: . Overall size with the frame: .

Chapter 3

Who paints it, and should anything change?

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, OriginalUniqueArt.com team will email client for instructions and provide a mockup preview

Verdensomspennende levering () på 3–4 uker i stedet for standard 5 uker. (30 October). Ingen kompromisser med kvaliteten.

Chapter 4

The finishing touches

A nameplate, as in a museum?

Detaljer om gravert bronseplate

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Detaljer om gjennomsiktig akrylplate

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Detaljer om plakett i svart akryl

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

A protective varnish?

When do you need it?

Chapter 5

Your painting, as you ordered it

Apollo and Daphne

Trykkmetode

Størrelse på reproduksjon

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Utvalgte mesterkunstnere

Mer detaljrikdom, finesse og ekstra produksjonstid

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Innramming av reproduksjon

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For kunstverk eller reproduksjoner som er større enn 105 cm (ca. 41 tommer) på noen side, vil rammen bli sendt som et sett som må monteres. Denne metoden sikrer trygg levering og forhindrer skader under transport.

Krever profesjonell montering – dette er ikke et DIY-produkt.
Settet må monteres og lerretet strammes av en erfaren profesjonell rammelegger, ved bruk av trelim (følger ikke med), en lerretstang og klemmer for å holde rammelisten vinkelrett mens limet tørker. Feilaktig montering eller ujevn stramming av lerretet kan påføre kunstverket permanente skader og er ikke dekket av vår garanti.

  • Alle massive trelister er inkludert, presist tilpasset i størrelse.

  • Monteres med de medfølgende skruene, samt trelim til hjørnene, som ikke er inkludert og må anskaffes av din rammehandler.

  • Profesjonelt verktøy er nødvendig og er ikke inkludert: en lerretstang (strammer) og klemmer for å holde rammene vinkelrette mens limet tørker.

Viktig:
Hjørnene krever trelim, listene må holdes på plass med tvinger til limet er helt tørt, og stramming av lerretet på den ferdige rammen krever en lerretstang. Ingen av disse produktene er inkludert i settet. Vennligst sørg for tilgang til en erfaren profesjonell rammehandler før du bestiller denne størrelsen.

Navneskilt

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Beskyttende ferniss

Blank lakk (forsterker farger, beskytter mot lys og fuktighet)

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Tilpass mitt kunstverk

Eksempler på hva som kan endres: Erstatt ansikt med bilde av kunden; Legg til kjæledyr (f.eks. bytt ut katt med hund); Inkluder en skjult melding i bakgrunnen; Endre bakgrunnslandskap eller elementer.

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Ekspresslevering

Verdensomspennende levering () på 3–4 uker i stedet for standard 5 uker. (30 October). Ingen kompromisser med kvaliteten.

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Ekspresslevering

Verdensomspennende levering til innen 5 uker. (6 November).

Inkludert frakt

Totalpris for valgte alternativer

Nkr 2889

Totalpris Nkr 2889

Glassalternativet er kun tilgjengelig i størrelser under 110 cm

Included with every order

  • Gratis ekspressfrakt over hele verden
  • Lerretsduk av lin av høy kvalitet
  • Full transportforsikring
  • Garanti for refusjon av toll og importavgifter
  • Garantert fargegjengivelse
  • 100 dagers returrett ved fabrikasjonsfeil
  • 100% pengene tilbake-garanti
  • Rabatt ved flere kjøp

The Myth Made Manifest: Gian Lorenzo Bernini’s “Apollo and Daphne”

Gian Lorenzo Bernini's "Apollo and Daphne," housed within the opulent Galleria Borghese in Rome, isn’t merely a sculpture; it’s a visceral embodiment of Ovid’s timeless tale. Completed between 1622 and 1625, this monumental work transcends its marble materiality to capture a fleeting, dramatic moment – the precipice of transformation where the god Apollo, consumed by desire, attempts to seize the nymph Daphne, who desperately flees into becoming a laurel tree. Bernini’s genius lies not just in his technical mastery but in his ability to infuse stone with an astonishing sense of movement and emotional intensity, creating a scene that feels perpetually caught in the throes of action.

Apollo and Daphne by Bernini

Baroque Drama: Sculpture as Living Motion

Bernini, a pivotal figure in the transition from Renaissance to Baroque art, rejected the static formality of earlier sculpture. Instead, he embraced dynamism, capturing figures in mid-gesture, imbued with palpable emotion. “Apollo and Daphne” exemplifies this approach perfectly. The sculptor masterfully manipulates marble to convey an astonishing sense of movement – Apollo’s outstretched hand, poised to grasp Daphne; her fleeing form, limbs transforming into branches; the billowing drapery that seems to ripple around them both. The sculpture isn't a depiction of a static event but rather a frozen moment of intense pursuit and desperate escape. The use of *contrapposto*, where Apollo’s weight shifts slightly to one leg, adds further to the illusion of movement.

Bernini’s technique is breathtakingly sophisticated. He employed a complex system of scaffolding and supports within the marble itself, allowing him to create an outward appearance of lightness and fluidity. The surface of the stone is polished to a luminous sheen, reflecting light and enhancing the sense of volume and depth. The details are exquisite – the delicate texture of Daphne’s hair transforming into leaves, the intricate folds of her drapery, the subtle expression of panic on her face.

Mythic Symbolism: Love, Flight, and Transformation

The story of Apollo and Daphne is rich in symbolic meaning. Apollo, representing divine power and beauty, embodies relentless pursuit and unyielding desire. Daphne, a symbol of innocence and resistance, represents the preservation of virtue and the rejection of worldly temptations. Her transformation into a laurel tree – a plant closely associated with Apollo himself – signifies her ultimate victory over his advances, becoming a symbol of both beauty and resilience. The myth itself explores themes of love, loss, and the conflict between desire and freedom.

The sculpture’s placement within the Borghese Gallery is also significant. Originally intended to be viewed from a specific angle, it highlights the dramatic interplay between Apollo's forceful pursuit and Daphne's desperate flight. The surrounding architecture of the gallery further enhances this effect, creating an immersive experience for the viewer.

A Legacy of Emotion: Bernini’s Enduring Impact

“Apollo and Daphne” stands as a testament to Bernini’s unparalleled skill and his profound understanding of human emotion. It is not simply a representation of a classical myth but a powerful exploration of the human condition – the struggle between desire and resistance, the triumph of virtue over temptation, and the enduring power of transformation. Bernini's work continues to captivate audiences centuries later, demonstrating the timeless appeal of this dramatic narrative and solidifying his place as one of art history’s greatest masters. Reproductions of this masterpiece offer a remarkable opportunity to bring this extraordinary sculpture into any space, evoking the drama and emotion of Bernini’s original vision.

Spørsmål og svar

Hvilken fase av Gian Lorenzo Bernini sin karriere tilhører "Apollo and Daphne" (1622)?

Med sin datering fra 1622, tilhører "Apollo and Daphne" Gian Lorenzo Bernini sin Early Baroque.

Hvordan relaterer stilen i "Apollo and Daphne" seg til kunstnerens epoke?

I "Apollo and Daphne" av Gian Lorenzo Bernini møtes Baroque Sculpture-retningen og Tidlig moderne tid-epoken.

Hvor bør en reproduksjon av "Apollo and Daphne" av Gian Lorenzo Bernini henges opp?

Format (Tall) og anbefalt rom (Living Room) er de to plasseringsegenskapene som er registrert for "Apollo and Daphne" av Gian Lorenzo Bernini.

More about this painting

Forhåndsvisning Se i AR Bytt til trykk Bytt til digitalt bilde Send
Vis detaljer Utskriftsvennlig guide Legg til i favoritter Last ned bilde Liknende objekter Røntgenundersøkelse Lysbildefremvisning Q&A Statistikk

In numbers

  • 1622the year it was painted
  • 29frames to choose from
  • standard sizes, in its own proportions
  • 5weeks to paint and deliver it
Gian Lorenzo Bernini

Gian Lorenzo Bernini

1598 - 1680, Italia

Quick facts about Gian Lorenzo Bernini

  • Artistic Movement Or Style: Barokk
  • Artists Or Movements Influenced By This Artist:
    • Barokk skulptur
    • Europa kunst
  • Artists Who Influenced This Artist:
    • Pietro Bernini
    • Michelangelo
  • Date Of Birth: 7. desember 1598
  • Date Of Death: 28. november 1680
  • Full Name: Gian Lorenzo Bernini
  • Nationality: Italiensk
  • Notable Artworks:
    • Ecstasy Teresa
    • Apollo Daphne
    • David
    • Fountain Fiori
  • Place Of Birth: Naples, Italia

Om kunstneren

A Roman Genius: The Life and Legacy of Gian Lorenzo Bernini

Gian Lorenzo Bernini, a name synonymous with the Baroque era, was more than just a sculptor; he was an architect, painter, stage designer, and a true *uomo universale* – a Renaissance man who profoundly shaped the artistic landscape of 17th-century Rome. Born in Naples in 1598, his journey to becoming one of history’s most celebrated artists began within a family steeped in sculpting tradition, ultimately leading him to dominate the visual arts and redefine how art could engage the senses and evoke profound emotion. His father, Pietro Bernini, instilled in young Gian Lorenzo not only technical skills but also an early appreciation for the classical heritage that would become the bedrock of his artistic vision.

Sculpting Emotion: The Birth of Baroque Drama

Bernini’s genius truly blossomed under the patronage of Cardinal Maffeo Barberini, who later ascended to the papacy as Urban VIII. This relationship proved pivotal, providing Bernini with unprecedented opportunities and shaping not only his career but also the very aesthetic sensibilities of Rome itself. He didn't simply carve stone; he breathed life into marble, capturing fleeting moments of intense psychological depth and dramatic narrative with an unparalleled skill that defined the Baroque style. Unlike the idealized forms of the Renaissance, Bernini embraced movement, theatricality, and raw human emotion. His sculptures weren’t static representations but dynamic scenes designed to elicit a visceral response from the viewer. Key elements of his distinctive style included a masterful ability to convey complex emotions through subtle shifts in facial expression and body language; an astonishing technical proficiency that allowed him to render textures – flowing hair, delicate fabrics, smooth skin – with breathtaking realism; and above all, a commitment to dramatic narrative, depicting moments of intense action or spiritual climax. The *Ecstasy of Saint Teresa*, housed within the Cornaro Chapel, stands as perhaps his most iconic achievement—a swirling composition of marble, bronze, and light that captures a mystical experience with an almost overwhelming emotional force. Works like *Apollo and Daphne* and *David* showcase this same dynamic energy, transforming stone into moments of transformation and poised tension.

Beyond Sculpture: Architecture and Urban Visions

Bernini’s artistic vision extended far beyond the confines of sculpture; he was a remarkably versatile artist who made significant contributions to architecture and urban planning, fundamentally reshaping the cityscape of Rome. His architectural designs were never conceived in isolation; they were always integrated with his sculptural work, creating unified artistic experiences that blurred the boundaries between disciplines. The monumental *Baldacchino* above the high altar of St. Peter’s Basilica is a testament to this holistic approach—a soaring bronze canopy that dominates the space and draws the eye upwards in awe. He also played a pivotal role in redesigning several Roman piazzas, transforming them into vibrant public spaces. The *Fountain of the Four Rivers* in Piazza Navona, with its allegorical figures representing major rivers from different continents, is a prime example of his ability to create dynamic and engaging urban environments. His work on St. Peter’s Basilica, including the expansive colonnade that embraces visitors as they approach, dramatically altered the basilica's appearance and created a grand ceremonial space befitting the heart of Christendom.

A Lasting Influence: Bernini’s Historical Significance

Gian Lorenzo Bernini profoundly impacted the course of Western art. His innovative approach to sculpture established the Baroque style as a dominant force in European art for over a century, influencing generations of artists with his dramatic compositions and technical virtuosity. He wasn't merely an imitator of classical forms; he synthesized them with a new sense of dynamism and emotional intensity, creating something entirely original. His integration of sculpture, architecture, and painting into unified artistic experiences set a new standard for artistic expression, demonstrating the power of art to engage all the senses and evoke profound emotions. As Howard Hibbard eloquently noted, Bernini’s impact was so significant that he stands as “the greatest sculptor of the 17th century.” His works continue to inspire awe and admiration, solidifying his place as one of history's most important artists—a true *uomo universale* whose legacy continues to resonate today.

Family & Further Achievements

  • Pietro Bernini: Gian Lorenzo’s father, a sculptor who provided early training and guidance.
  • Cardinal Scipione Borghese: An early patron whose commissions allowed Bernini to develop his signature style.
  • Pope Urban VIII: Bernini's most significant patron, providing extensive opportunities for architectural and sculptural projects in Rome.
  • Architectural Projects: Beyond St. Peter’s Basilica, Bernini designed churches like Sant’Andrea al Quirinale and contributed to the design of Palazzo Barberini.
  • Theatrical Designs: He was also a playwright and stage designer, creating elaborate sets and machinery for theatrical productions.

Kort om verket

  • Influences: Classical art
  • Year: 1622-1625
  • Artistic style: Dramatic, emotional
  • Notable elements: Dynamic pose, transformation
  • Subject or theme: Mythological love
  • Artist: Gian Lorenzo Bernini

Kunnequiz om kunst

Det er kun ett riktig svar på hvert spørsmål.

Spørsmål 1:
What mythological story does Gian Lorenzo Bernini’s ‘Apollo and Daphne’ depict?
Spørsmål 2:
Which Roman Cardinal commissioned Gian Lorenzo Bernini to sculpt ‘Apollo and Daphne’?
Spørsmål 3:
What material is ‘Apollo and Daphne’ primarily sculpted from?
Spørsmål 4:
According to the description, what is a key characteristic of Bernini's depiction of Apollo and Daphne?
Spørsmål 5:
The sculpture is housed in which gallery?
Utforsk kunstverk organisert etter temaer, stiler og kjennetegn.