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Ina Gregory

A soulful charcoal portrait capturing the serene closed eyes of Ina Gregory by Emanuel Phillips Fox, offering a delicate glimpse into late 19th-century Australian artistry that you can bring to your private collection.

An Australian Impressionist master known for capturing light and atmosphere in iconic works like Nasturtiums and The Ferry, Emanuel Phillips Fox invites you to discover the serene beauty of his luminous oil paintings.

Giclée / Kunsttrykk

Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. ( Bestill håndmalt reproduksjon Gå til digitalt bilde)

Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118B Nkr10
Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118H Nkr10
Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118W Nkr10
Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Nkr10
Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508JH Nkr12
Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508YH Nkr12
Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805H Nkr10
Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805Z Nkr10
Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Nkr10
Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919G Nkr10
Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Nkr10
Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P959ZH Nkr10
Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
P968JZ Nkr12
Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
W106C Nkr8
Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
W218G Nkr10
Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
W218JH Nkr8
Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
W218Y Nkr10
Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W307PJ Nkr10
Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
W316G Nkr10
Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W316PJ Nkr8
Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
W316Y Nkr10
Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
W398PJ Nkr8
Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
W4111J Nkr10
Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
W500HY Nkr15
Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
W500JH Nkr15
Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
W692G Nkr12
Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
W849H Nkr8
Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
W940BG Nkr15
Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
W953PJ Nkr8

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Totalpris

Nkr 758

Ina Gregory

Giclée / Kunsttrykk

Format på reproduksjon

-

Totalpris

Nkr 758

Kort om verket

  • Artist: Emanuel Phillips Fox
  • Title: Ina Gregory
  • Year: 1895
  • Artistic style: Sketchy, realistic portraiture

A Visionary Gaze: The Intimate Portrait of Ina Gregory

In the delicate, charcoal-etched lines of this 1895 portrait, we encounter a moment of profound stillness captured by the hand of an artist deeply connected to the Australian Impressionist movement. The subject, Georgina Alice ‘Ina’ Gregory, is presented not merely as a figure, but as a study in introspection. Her eyes, softly closed, suggest a retreat from the external world into a realm of internal thought or spiritual contemplation. This sense of quietude is amplified by the sketch-like quality of the medium, where the soft smudging of charcoal creates a dreamlike atmosphere, blurring the boundaries between the physical form and the ephemeral nature of memory.

The composition draws the viewer into an intimate encounter with the subject’s features. The artist utilizes a masterful play of light and shadow to define the delicate contours of her face, from the subtle curve of her nose to the gentle weight of her closed eyelids. Her long, flowing hair cascades down the side of her face, adding a rhythmic, organic texture that contrasts beautifully with the smooth, luminous skin depicted in the highlights. There is a palpable sense of depth achieved through the gaze—though her eyes are shut, the direction of her head implies a longing or a looking toward an unseen horizon, inviting the observer to wonder what visions dance behind those closed lids.

Historically, this piece serves as a poignant window into the late 19th-century art scene in Melbourne. Created during a period when Gregory was honing her craft under the guidance of masters like Emanuel Phillips Fox, the drawing reflects the burgeoning influence of tonalism and the emotional depth sought by the Victorian Artists’ Society. The work transcends simple portraiture; it embodies the era's fascination with the psychological interior. For the collector or interior designer, this artwork offers more than just aesthetic beauty; it provides a soulful focal point that commands attention through its understated elegance and profound emotional resonance.

Integrating such a piece into a curated space brings an air of intellectual sophistication and timelessness. Whether placed in a sunlit study or a quiet corner of a contemporary living room, the monochrome palette and evocative textures of this drawing harmonize with both classical and modern decor. It is a work that rewards prolonged observation, offering new layers of meaning with every glance—a perfect acquisition for those who value art that speaks to the enduring beauty of the human spirit and the quiet power of introspection.

Spørsmål og svar

Hvilken fase i Emanuel Phillips Fox sin karriere tilsvarer datoen 1895 for "Ina Gregory"?

Med sin datering fra 1895, tilhører "Ina Gregory" Emanuel Phillips Fox sin Early Period.

Hvordan beskrives fargepaletten i "Ina Gregory" av Emanuel Phillips Fox?

Fargepaletten i "Ina Gregory" av Emanuel Phillips Fox beskrives som Neutrals. Det er en kortfattet beskrivelse av verkets farger.

Hvor stor er den originale "Ina Gregory"?

De registrerte målene for "Ina Gregory" av Emanuel Phillips Fox er 76 x 58 cm. Reproduksjoner kan bestilles i andre størrelser med de samme proporsjonene.