1879
At Elmore, Gloucester (Edward Smith, 1879)
Edward Smith har laget At Elmore, Gloucester. Den er fra 1879. Verket er bevart ved Museum of Gloucester i Gloucester, Storbritannia. Mål: 31 × 46 cm
- 1879
- 31 × 46 cm
- Museum of Gloucester
At Elmore, Gloucester, kort fortalt
- Tittel
- At Elmore, Gloucester
- Kunstner
- Edward Smith
- Kunstner født i
- Kingdom of Great Britain
- Dato
- 1879
- Dimensjoner
- 31 × 46 cm
- Hvor det kan ses
- Museum of Gloucester, Gloucester, Storbritannia
Hva forestiller At Elmore, Gloucester?
A Glimpse into Rural Life
The scene depicted in "At Elmore, Gloucester" is one of serenity and tranquility. A couple, with a woman holding a baby, is seen walking towards a house or farm building, surrounded by animals such as dogs, horses, and cows. The presence of birds flying overhead adds to the sense of peace and harmony that pervades the atmosphere. This painting is a testament to Edward Smith's skill in capturing the beauty of everyday life.Other Notable Works by Edward Smith
Some of Edward Smith's other notable works include River Scene with Anglers, the Leadon, Gloucestershire, Southgate Street, Gloucester, and The Quay and Docks, Gloucester, 1878. These paintings can be found on OriginalUniqueArt.com, where art enthusiasts can discover and purchase handmade oil painting reproductions of these masterpieces.- Handmade oil painting reproductions of "At Elmore, Gloucester" and other works by Edward Smith are available on OriginalUniqueArt.com.
- The Museum of Gloucester is home to an impressive collection of artworks, including those by Edward Smith.
- For more information on Edward Smith and his works, visit OriginalUniqueArt.com's artist page.
The captivating scene depicted in "At Elmore, Gloucester" is a testament to Edward Smith's skill as an artist and his ability to capture the essence of rural life in the late 19th century.
Hvilket museum har At Elmore, Gloucester?
Museum of Gloucester
Gloucester, Storbritannia
Et viktoriansk fristed for historie og kunst: Avdukingen av Gloucesters skatter Innhyllet i en storslått viktoriansk bygning med status som Grade II-listet objekt – opprinnelig Price Memorial Hall tilhørende Gloucester Science and Art Society – tilbyr Museum of Gloucester en ekstraordinær reise gjennom tidene, et vitnesbyrd om kulturarvens og det kunstneriske uttrykkets vedvarende kraft. Bygningen ble ferdigstilt i 1893 av F.S. Waller i en stil inspirert av tidlig renessanse, og selve arkitekturen er i seg selv et fengslende kunstverk; dens steiner hvisker om intellektuell nysgjerrighet og borgerlig stolthet, og gir gjenklang av stemmene fra svunne generasjoner.
Høyoppløselige bilder av At Elmore, Gloucester
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Edward Smith, At Elmore, Gloucester (1879), Museum of Gloucester.
Spørsmål om At Elmore, Gloucester, besvart
Hvor kan "At Elmore, Gloucester" av Edward Smith sees utstilt i dag?
Originalen av "At Elmore, Gloucester" av Edward Smith oppbevares i Museum of Gloucester, Gloucester, Storbritannia. En reproduksjon gjør det mulig å stille ut verket i eget hjem.
I hvilket år ble "At Elmore, Gloucester" av Edward Smith skapt?
"At Elmore, Gloucester" av Edward Smith ble skapt i 1879.
Hva er målene på det originale verket "At Elmore, Gloucester"?
De registrerte målene for "At Elmore, Gloucester" av Edward Smith er 31 x 46 cm. Reproduksjoner kan bestilles i andre størrelser med de samme proporsjonene.
Er "At Elmore, Gloucester" av Edward Smith i det frie domene?
Når det gjelder opphavsrett, er "At Elmore, Gloucester" fortsatt beskyttet av opphavsretten.
Hvem har skapt "At Elmore, Gloucester"?
"At Elmore, Gloucester" ble skapt av Edward Smith. Informasjonen på denne siden beskriver Edward Smith sitt originale verk.
Oppbevares "At Elmore, Gloucester" i kunstnerens hjemland?
Nei – kunstverket oppbevares i utlandet. Edward Smith er født i Kingdom of Great Britain, og museet som har originalen av "At Elmore, Gloucester" ligger i Storbritannia.
Om kunstneren, Edward Smith
Kingdom of Great Britain
Edward Smith
The Visionary Landscapes of Edward Smith Edward Smith (1850 – 1912) stands as a singular figure in Victorian British art, recognized primarily for his monumental canvases depicting mythological scenes—particularly the biblical Flood—and expansive landscapes imbued with an almost unsettling grandeur. While overshadowed by contemporaries like Turner and Constable during his lifetime, Smith’s distinctive style has garnered renewed appreciation in recent decades, cementing his place as a pivotal artist of the era and influencing subsequent generations of painters. His work transcends mere representation; it strives to convey profound emotional resonance and philosophical contemplation, reflecting the anxieties and aspirations of a society grappling with scientific advancements alongside spiritual yearning. Born in Hanley, Staffordshire, Smith’s upbringing amidst a family of potters instilled an appreciation for craftsmanship and detail—traits that would become hallmarks of his artistic practice.