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Procession

Dimensjoner
50.0 x 65.0 cm

A vibrant community gathering unfolds in this naive Moroccan masterpiece by Drissi Moulay Ahmed, where lush greenery and colorful figures create a sense of togetherness that you can bring to your home collection.

A pioneer of the Moroccan naive painting movement, Drissi Moulay Ahmed captured vibrant daily life in masterpieces like Procession, inviting you to discover a soulful and colorful world through his self-taught vision.

Kunstverket som vises på denne siden er beskyttet av opphavsretten, noe som betyr at vi ikke har juridisk tillatelse til å lage eller selge identiske reproduksjoner. Denne beskyttelsen håndheves i henhold til internasjonale avtaler som for eksempel Bernerkonvensjonen og av nasjonale lover, inkludert de som er fastsatt i Amerikansk lov om opphavsrett – Tittel 17.

Denne metoden er i fullt samsvar med opphavsrettslige regler, da den ikke innebærer kopiering eller duplisering av det beskyttede kunstverket. I stedet er det snakk om en kreativ nytolkning – et nytt maleri som er inspirert av originalen, men ikke identisk med den.

Giclée / Kunsttrykk

Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. ( Kjøp håndmalt maleri Bytt til digitalt bilde)

Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118B Nkr10
Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118H Nkr10
Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118W Nkr10
Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Nkr10
Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508JH Nkr12
Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508YH Nkr12
Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805H Nkr10
Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805Z Nkr10
Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Nkr10
Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919G Nkr10
Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Nkr10
Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P959ZH Nkr10
Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
P968JZ Nkr12
Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
W106C Nkr8
Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
W218G Nkr10
Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
W218JH Nkr8
Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
W218Y Nkr10
Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W307PJ Nkr10
Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
W316G Nkr10
Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W316PJ Nkr8
Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
W316Y Nkr10
Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
W398PJ Nkr8
Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
W4111J Nkr10
Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
W500HY Nkr15
Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
W500JH Nkr15
Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
W692G Nkr12
Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
W849H Nkr8
Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
W940BG Nkr15
Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
W953PJ Nkr8

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høyde

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Verdensomspennende levering () på 2 uker i stedet for standard 4/5 uker. (9 November)

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Totalpris

Nkr 774

Procession

Giclée / Kunsttrykk

Størrelse på reproduksjon

-

Totalpris for valgte alternativer

Nkr 774

Kort om verket

  • Artist: drissi moulay ahmed
  • Artistic style: Naive Moroccan art
  • Notable elements: Vibrant colors and simplified forms

Kunnequiz om kunst

Det er kun ett riktig svar på hvert spørsmål.

Spørsmål 1:
What is the medium used in the artwork 'Procession'?
Spørsmål 2:
What is the main color of the painting 'Procession'?
Spørsmål 3:
Where is the original 'Procession' located?
Spørsmål 4:
What is the artistic style of Drissi Moulay Ahmed?
Spørsmål 5:
What are the dimensions of the artwork 'Procession'?

A Gathering in the Green

A quiet energy pulses through the field as a group of people moves together. In this scene, at least thirteen figures are spread across a lush landscape, their presence suggesting a shared purpose or a communal ceremony. They wear similar clothing, a detail that binds them into a single, rhythmic movement. Behind them, a dense backdrop of trees rises, their leaves a deep, healthy green that fills the horizon. The composition relies on simplified forms and straight lines to organize the crowd, creating a sense of togetherness that feels both grounded and poetic. There is a stillness in the air, yet the arrangement of the figures suggests a slow, deliberate pace, as if the viewer has just happened upon a private moment of local tradition.

The colors carry a heavy, saturated weight. A sea green hue dominates the foliage, providing a cool, steady foundation for the warmer tones of the figures. This interplay of light and dark creates a statement contrast, drawing the eye from the foreground figures toward the distant, leafy canopy. The application of gouache on paper mounted on panel allows for a clear, intense presence of color, where every stroke contributes to the overall sense of a living, breathing community. The work avoids complex perspective, opting instead to focus on the essence of the gathering, capturing the spirit of the event through a direct and honest lens.

The Spirit of the Naive Lens

The composition reflects a perspective born from a deep connection to the land. Rather than following academic rules of proportion, the artist uses a stylized approach to depict the people and the landscape. This method strips away unnecessary detail to reveal the core of the scene. The figures are not mere shapes; they are the heartbeat of a social ritual, rendered with a sincerity that speaks to the daily life of Morocco. The lushness of the greenery and the organized movement of the crowd suggest a world that is peaceful and communal, viewed through eyes that find beauty in the simple rhythms of existence.

There is a rhythmic quality to the way the people are placed within the field. Some stand close to the viewer, while others recede into the distance, creating a sense of depth without the need for traditional vanishing points. This technique, characteristic of the Moroccan naive painting movement, transforms an ordinary gathering into something that feels significant and permanent. The work remains a window into a specific way of seeing, where the focus is not on the individual, but on the collective experience of the procession itself.

Spørsmål og svar

Hvordan relaterer stilen i "Procession" seg til kunstnerens epoke?

"Procession" av Drissi Moulay Ahmed tilhører Moroccan naive painting-retningen, innenfor skaperens Modern-epoke.

Hvordan kan jeg forhåndsvise en reproduksjon av "Procession" av Drissi Moulay Ahmed?

For å forhåndsvise en reproduksjon av "Procession" av Drissi Moulay Ahmed, åpne kunstverkets Se kunstverket i et rom-side.

Hvilken stemning og følelse uttrykker "Procession" av Drissi Moulay Ahmed?

Stemningen i "Procession" av Drissi Moulay Ahmed kan beskrives som Nostalgic, og den emosjonelle tonen er Joyful.


Om kunstneren

A Journey from the Fields to the Canvas

The life of Drissi Moulay Ahmed is a profound testament to the transformative power of unexpected encounters. Born in 1924 near the city of Marrakesh, Morocco, his early years were rooted in the rhythms of the earth. Raised within a Berber nomadic family, his childhood was shaped by the simplicity of rural life; he attended a koranic school at the age and began sketching animals even as he studied the Qur’an. Before art claimed his spirit, he lived the life of a laborer, working as a farmer until the age of 19 and later finding employment as a gardener in Marrakesh.

The trajectory of his life shifted irrevocably in 1945 through a chance meeting with a Swiss couple, Mrs. and Mr. Fuex. As painters themselves, they recognized a latent brilliance within the young man and provided the encouragement necessary to transition from a laborer to a professional artist. This pivotal moment opened the doors to a broader world, leading him to travel extensively across Europe, including stays in Italy, Switzerland, and France. His artistic development was further enriched by his time abroad, culminating in his first solo exhibition in Lausanne in 1952.

The Naive Master of Moroccan Life

Upon returning permanently to Morocco in 1956 and settling in Rabat, Drissi Moulay Ahmed became a vital figure in the local artistic landscape. While he never strictly adhered to a single movement or association, his work is historically celebrated as part of the naive painting movement that emerged in Morocco during the 1940s. As a self-taught artist, he did not rely on formal academic training; instead, he drew from a deep, intrinsic connection to his surroundings, using oil paints to create stylized, evocative versions of daily existence.

His technique was characterized by a unique ability to present a coherent worldview through minimal detail. Rather than pursuing literal or straightforward representations, he focused on the essence of his subjects—be they people or landscapes. His canvases often capture:

  • Vibrant community gatherings where lush greenery and colorful figures evoke a profound sense of togetherness.
  • Stylized depictions of daily life that transform ordinary scenes into poetic, rhythmic compositions.
  • A distinct perspective that avoids the traditional Orientalist gaze in favor of an authentic, local narrative.

Legacy and Historical Significance

Drissi Moulay Ahmed’s contribution to Moroccan modern art is marked by his participation in foundational exhibitions that helped define the nation's artistic identity. He was a presence in significant international showcases, including the second Alexandria Biennale in 1957, the first Paris Biennale in 1959, and the influential “Deux milles ans d’art au Maroc” exhibition at Galerie Charpentier in Paris in 1963. In 1957, he even demonstrated his entrepreneurial spirit by founding the short-lived gallery L’Oeil Noir.

Though his life was relatively brief, ending in 1973, his impact remains etched in the history of North African art. By bridging the gap between the self-taught traditions of Morocco and the broader European art dialogue, he helped shape a movement that celebrated local identity through a modern, naive lens. His works continue to be recognized for their ability to transport viewers into a world of colorful, peaceful, and communal beauty.

Drissi Moulay Ahmed

Drissi Moulay Ahmed

1924 - 1973 , Morocco

Kort om kunstneren

  • Artistic Movement Or Style: Naive painting
  • Full Name: Moulay Ahmed Drissi
  • Nationality: Moroccan
  • Notable Artworks:
    • Procession
    • Les Cavaliers
  • Place Of Birth: Marrakesh, Morocco
  • Date Of Birth: 1924
  • Date Of Death: 1973