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Landscape

Dimensjoner
49.0 x 48.0 cm

Immerse yourself in Artur José de Sousa Loureiro’s Impressionistic landscape painting from 1917, a serene depiction of a river scene evoking tranquility and nature's beauty. Discover this captivating artwork and bring its timeless charm into your space.

Artur José de Sousa Loureiro (1853-1932) var en portugisisk naturalist kjent for sine landskap og portretter. Oppdag hans kunstneriske arv her.

Giclée / Kunsttrykk

Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. ( Kjøp håndmalt maleri Bytt til digitalt bilde)

Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118B Nkr10
Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118H Nkr10
Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118W Nkr10
Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Nkr10
Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508JH Nkr12
Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508YH Nkr12
Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805H Nkr10
Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805Z Nkr10
Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Nkr10
Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919G Nkr10
Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Nkr10
Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P959ZH Nkr10
Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
P968JZ Nkr12
Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
W106C Nkr8
Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
W218G Nkr10
Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
W218JH Nkr8
Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
W218Y Nkr10
Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W307PJ Nkr10
Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
W316G Nkr10
Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W316PJ Nkr8
Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
W316Y Nkr10
Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
W398PJ Nkr8
Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
W4111J Nkr10
Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
W500HY Nkr15
Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
W500JH Nkr15
Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
W692G Nkr12
Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
W849H Nkr8
Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
W940BG Nkr15
Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
W953PJ Nkr8

Standardformat
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INCH

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bredde
høyde

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Totalpris

Nkr 770

Landscape

Giclée / Kunsttrykk

Størrelse på reproduksjon

-

Totalpris for valgte alternativer

Nkr 770

Kort om verket

  • Movement: Impressionism
  • Influences: Impressionists
  • Dimensions: 49 x 48 cm
  • Subject or theme: Landscape Scene
  • Medium: Oil on Canvas

A Serene Vision of Portugal: Artur José de Sousa Loureiro’s ‘Landscape’ (1917)

Artur José de Sousa Loureiro's “Landscape,” painted in 1917, is more than just a depiction of a river valley; it’s a poignant distillation of the artist’s extensive travels and evolving artistic sensibilities. Measuring 49 x 48 cm, this oil on canvas work offers a glimpse into the heart of Impressionism while firmly rooted in the Portuguese landscape, reflecting Loureiro's significant experiences across Europe and beyond. The painting immediately evokes a sense of tranquility – a feeling amplified by the soft, diffused lighting that suggests either an overcast afternoon or the golden hour’s final embrace. The careful layering of blues and greens, punctuated with earthy browns and subtle yellows, creates a harmonious visual language that speaks to the beauty of the natural world.

A Journey of Artistic Development

  • Early Influences: Loureiro’s artistic journey began under the guidance of António José da Costa in Porto, Portugal. This foundational training laid the groundwork for his later explorations.
  • Roman and Parisian Sojourns (1875-1879): A pivotal moment arrived with a patronage from Delfim Guedes, enabling Loureiro to spend time in Rome, absorbing the classical influences prevalent at the time. Subsequently, he moved to Paris on scholarship, immersing himself in the vibrant artistic community of the Latin Quarter and studying at the École des Beaux-Arts.
  • Australian Chapter (1884): Loureiro’s adventurous spirit led him to Australia, a period that undoubtedly broadened his perspective and informed his unique style.

Impressionistic Technique and Atmospheric Depth

The painting's power resides in Loureiro’s masterful application of Impressionistic techniques. Visible brushstrokes, executed with short, broken strokes, create a textured surface that captures the play of light and shadow across the landscape. The artist skillfully employed impasto – building up thick layers of paint – particularly in the foliage and riverbank, adding considerable depth and vibrancy to the scene. The use of atmospheric perspective is expertly rendered; distant elements are subtly lighter and less defined, creating a convincing illusion of vastness and drawing the viewer’s eye into the receding landscape. Linear perspective is also present, though subtly, reinforcing the sense of spatial depth.

Symbolism and Emotional Resonance

"Landscape" transcends a simple representation of nature; it carries symbolic weight. The two figures positioned in the foreground – seemingly contemplating the river’s flow – represent humanity's connection to the natural world, inviting contemplation and appreciation for its beauty. The overall mood is one of peace and serenity, reflecting the core tenets of Impressionism—a desire to capture fleeting moments of light and emotion rather than precise photographic realism. The painting speaks to a longing for simplicity and harmony, values that resonated deeply with artists of the era.

Historical Context and Materials

Painted in 1917, “Landscape” reflects the artistic currents of the early 20th century. Loureiro’s work aligns with the broader Impressionist movement while retaining a distinctly Portuguese sensibility. The use of oil paint on canvas is consistent with the materials favored by artists of this period. The meticulous brushwork and layered application of color suggest considerable skill and dedication, resulting in a timeless piece that continues to captivate viewers with its serene beauty.

Spørsmål og svar

Hvor harmonisk er fargebruken i "Landscape" av Artur José De Sousa Loureiro?

Fargeharmonien i "Landscape" er beskrevet som Discordant Palette.

Hvilken størrelse og orientering anbefales for et trykk av "Landscape" av Artur José De Sousa Loureiro?

Det anbefales å trykke "Landscape" av Artur José De Sousa Loureiro i størrelsen Large med Square orientering.

Hvilket museum har det originale verket "Landscape"?

Originalen av "Landscape" av Artur José De Sousa Loureiro oppbevares i Soares dos Reis National Museum, Porto, Portugal. En reproduksjon gjør det mulig å stille ut verket i eget hjem.