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Galleria Civica di Arte Moderna e Contemporanea Torino

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Between the 1920s and ‘30s, Calder regularly made long study and work trips to Paris, where he began to participate in the Abstraction-Création group. Finally, in 1932, at the Galleria Vignon – owned by Marie Cuttolì, an avant-garde collector – he exhibited for the first time, presenting thirty mobile works that were to pave the way for other mobiles to come. Fifteen of these were operated artificially by motors and others were composed of naturally oscillating parts. Later constructions often had supports or were suspended in the air, and were normally composed of painted metal sheets joined by a metal skeleton of slender veins and stems. Apparently it was Marcel Duchamp, on a visit to the exhibition by his American friend, who gave their name to these graceful, floating structures, which could catch the slightest change in the breeze, in stark contrast to the basic characteristics of traditional sculpture - gravity and stability. The Parisian context and close interest of the avant-guard led to the mechanical and biomorphic nature of these works being associated with the organic motifs of the surrealist painting and sculpture of Jean Mirò and Jean Arp. The Dadaist legacy of interest in movement, better still if unpredictable and casual in its effects and forms, which Calder combined with a preference for abstract and heavily stylised language, was stimulated by attention towards primitive cultures, which for the artist essentially meant the ethnic heritage of Native Americans, encountered while wandering around the United States in his youth. These influences spawned abstract anatomies, like this large Red Mobile, always in movement with a calculated balance, aimed at creating a visual equivalent of the harmonious yet unpredictable activity of nature.

Om kunstneren

Introduction to Alexander Milne Calder

Alexander Milne Calder (MILL-nee) was a Scottish-American sculptor, born in Aberdeen, Scotland in 1846. He is best known for his architectural sculpture of Philadelphia City Hall, and both his son, Alexander Stirling Calder, and grandson, Alexander ‘sandy’ Calder, became significant sculptors in the 20th century.

Early Life and Education

Calder began his artistic journey in Scotland, apprenticed to sculptor John Rhind while attending the Royal Academy in Edinburgh. He moved to London and worked on the Albert Memorial, immersing himself in Victorian sculpture traditions. His immigration to the United States in 1868 brought him to Philadelphia, where he honed his skills under Joseph A. Bailly and Thomas Eakins at the Pennsylvania Academy of Fine Arts, absorbing influences from Impressionism and Realism. He married Louisa Hale in 1873, establishing a family rooted in artistic pursuits. Calder’s father, Alexander Stirling Calder, was a celebrated sculptor who created numerous public installations, notably the equestrian statue of George Gordon Meade in Fairmount Park. His mother, Nanette Lederer Calder, possessed a talent for painting and studied at the Académie Julian and Sorbonne in Paris. Calder's sister, Margaret Calder Hayes, played an instrumental role in shaping the UC Berkeley Art Museum’s collection.

Career Highlights

Calder achieved international acclaim with his monumental sculpture of William Penn on Philadelphia City Hall’s tower—a project that spanned two decades and demanded meticulous craftsmanship. He collaborated closely with architect John McArthur Jr., transforming the city hall into a breathtaking testament to artistic vision. Calder's pioneering approach to kinetic art revolutionized sculpture, introducing mobiles – delicately balanced sculptures propelled by air currents – which captured the essence of chance and movement. His work resonated deeply with Surrealist artists like Marcel Duchamp, who recognized the profound beauty in embracing spontaneity. Calder’s legacy extends beyond his own creations; he instilled artistic principles within his son and grandson, shaping a lineage of sculptors dedicated to innovation and aesthetic exploration.

Notable Works

Calder's oeuvre encompasses a diverse range of sculptures, reflecting his fascination with both static forms and dynamic motion. Among his most iconic pieces are *Man Cub*, created in 1902—a poignant depiction of childhood innocence—and *Animal Zoo Puzzle*, crafted in 1931—a playful exploration of animal behavior. His monumental sculptures adorn public spaces across the United States, embodying a commitment to artistic expression and civic engagement. Calder’s enduring influence continues to inspire artists today, cementing his place as one of the foremost sculptors of the late nineteenth and early twentieth centuries.

Legacy

Alexander Milne Calder's contribution to sculpture transcends mere technique; he championed an ethos of experimentation and openness—a belief that “theories may be all very well for the artist himself, but they shouldn’t be broadcast to other people.” His sculptures stand as symbols of artistic ingenuity and a celebration of the unpredictable beauty inherent in natural phenomena. Calder's influence can be seen in subsequent generations of sculptors who embraced similar principles of innovation and aesthetic contemplation.

Alexander Calder

1898 - 1976 , Skottland

Kort om kunstneren

Artistic Movement Or Style: Architectural sculpture
Artists Or Movements Influenced By This Artist:
- Kinetic art
- Surrealism
Artists Who Influenced This Artist: ['John Rhind']
Date Of Birth: August 23, 1846
Date Of Death: June 14, 1923
Full Name: Alexander Milne Calder
Nationality: Scottish-American
Notable Artworks:
- Philadelphia City Hall
- William Penn statue
Place Of Birth: Aberdeen, Scotland

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Introduction to Alexander Milne Calder

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