Portrett av François Clouet

De 78 mest kjente François Clouet-maleriene, hvert og ett unikt

Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 80 verk av François Clouet i vår katalog

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Mary, Queen of Scots (1542-87) (1560) er maleriet av François Clouet som vekker mest oppmerksomhet; originalen befinner seg i Royal Collection, London. Deretter går blikket til Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family og Mary, Queen of Scots (1560). Blant de 80 verkene til François Clouet i vår katalog, er disse 78 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.

1510 – 1572, Tours Renessanse Flest verk: Château de Chantilly

Topp 10 malerier av François Clouet, sett gjennom galleriets øyne

1
Mary, Queen of Scots (1542-87) (1560) av François Clouet

Mary, Queen of Scots (1542-87)

1560 · Acrylic · Royal Collection, London

François Clouet's 1560-61 portrait of Mary, Queen of Scots is more than just a likeness; it’s a meticulously crafted window into the turbulent heart of Renaissance Scotland and France. Commissioned during her time as Dauphine of France and later Queen of Scotland, this diminutive painting – a ‘miniature’ in the truest sense – transcends its small scale to embody the complexities of a woman caught between two powerful nations and…

2
Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family av François Clouet

Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family

Oil On Panel · Galleria degli Uffizi, Firenze

In the grand tapestry of the French Renaissance, few works capture the sheer weight of royal lineage as profoundly as François Clouet’s "Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family." This is not merely a portrait; it is a monumental tableau of power, a meticulously orchestrated assembly of faces that serves as a window into the heart of the 16th-century Valois court. As one…

3
Mary, Queen of Scots (1560) av François Clouet

Mary, Queen of Scots

1560 · Oil On Panel · Wallace Collection, London

The portrait titled Mary, Queen of Scots is a work by the French artist François Clouet. Created in 1560, this Queen's Portrait captures the likeness of Mary, Queen of Scots (1542-87). The image focuses on the sovereign during a period of significant transition in her life.

4
Mary, Queen of Scots (1542-1587) (1559) av François Clouet

Mary, Queen of Scots (1542-1587)

1559 · Oil On Panel · Victoria and Albert Museum, London

The subject is a bust-length portrait of a woman, positioned slightly off-center and facing toward the right of the frame. She is depicted with a calm expression and a steady gaze. Her attire consists of a heavy, patterned gown featuring vertical stripes and intricate embroidery. A high, structured collar frames her neck, and her head is adorned with a headpiece containing rounded pearls. A matching necklace of lustrous pearls rests…

5
Portrait of Francis I, King of France (1540) av François Clouet

Portrait of Francis I, King of France

1540 · Oil On Canvas · Galleria degli Uffizi, Firenze

In the grand tapestry of the French Renaissance, few images command the eye with such immediate and breathtaking authority as François Clouet’s Portrait of Francis I, King of France. Painted in 1540, this monumental work is far more than a mere likeness of a monarch; it is a profound visual manifesto of power, ambition, and the burgeoning spirit of an era. As the viewer encounters this masterpiece, they are not…

6
Elisabeth of Austria, Queen of France (1571) av François Clouet

Elisabeth of Austria, Queen of France

1571 · Oil On Canvas · Louvre, Paris

In this oil painting on oak wood, a woman identified as Elisabeth of Austria, Queen of France, occupies the central foreground. She is positioned with her head turned slightly toward the side, her gaze directed away from the viewer. Her hair is long and dark, framing a face marked by a stern expression. Around her neck, she wears a prominent ruffled collar and a necklace that rests against her chest.…

7
A Lady in Her Bath (1571) av François Clouet

A Lady in Her Bath

1571 · Oil On Panel · National Gallery of Art, Washington

In the quiet, luminous atmosphere of François Clouet’s “A Lady in Her Bath,” the viewer is not merely an observer but a silent guest invited into a moment of profound domestic intimacy. Painted around 1571, this masterpiece serves as a breathtaking window into the private lives of the French aristocracy during the late Renaissance. The composition unfolds with a theatrical grace, where heavy red satin drapes are pulled back like…

8
Portrait of Francis I, King of France (1540) av François Clouet

Portrait of Francis I, King of France

1540 · Oil On Canvas · Louvre, Paris

In the grand tapestry of the French Renaissance, few images command the eye with such immediate and breathtaking authority as François Clouet’s Portrait of Francis I, King of France. Painted in 1540, this monumental oil on canvas is far more than a mere likeness of a monarch; it is a profound visual manifesto of power, ambition, and the burgeoning spirit of an era. As the viewer encounters this work, they…

9
Unknown lady, probably an Italian, known as (1555) av François Clouet

Unknown lady, probably an Italian, known as

1555 · Acrylic On Canvas · Château de Chantilly, Chantilly

The world of 16th-century France was one of opulent courts, shifting alliances, and burgeoning artistic innovation. Within this vibrant landscape emerged François Clouet, a master portraitist whose meticulous skill and subtle psychological insight continue to captivate viewers centuries later. His “Unknown Lady,” painted around 1555, is not merely a likeness; it’s a carefully constructed tableau of observation, hinting at the woman's character and the era she inhabited. The painting, now…

10
Odet de Coligny, Cardinal de Châtillon (1548) av François Clouet

Odet de Coligny, Cardinal de Châtillon

1548 · Oil On Panel · Musée Condé, Chantilly

Odet de Coligny, Cardinal de Châtillon is a portrait executed by François Clouet in 1548. The sitter, a prominent figure of the French Renaissance, held the positions of Bishop of Beauvais and Archbishop of Toulouse. As the nephew of Constable Anne de Montmorency, his social standing is reflected in the formal presentation of the work.

François Clouets berømte malerier, nummer 11 til 78

11Sir William Kirkcaldy of Grange (1570) av François ClouetSir William Kirkcaldy of Grange1570 · Scottish National Portrait Gallery 12King Charles IX of France (1561) av François ClouetKing Charles IX of France1561 · Kunsthistorisches Museum 13Portrait of a Man, so-called "Don Juan". (1555) av François ClouetPortrait of a Man, so-called "Don Juan".1555 · Czartoryski-museet 14Mary, Queen of Scots (1561) av François ClouetMary, Queen of Scots1561 · Scottish National Portrait Gallery 15Portrait of King Charles IX of France (1566) av François ClouetPortrait of King Charles IX of France1566 · Kunsthistorisches Museum 16Charles IX (1570) av François ClouetCharles IX1570 · Birmingham Museum of Art 17Portrait of Catherine de' Medici (1580) av François ClouetPortrait of Catherine de' Medici1580 · Walters Art Museum 18Portrait of a Man (1543) av François ClouetPortrait of a Man1543 · National Gallery 19Elisabeth of Austria, Queen of France (1571) av François ClouetElisabeth of Austria, Queen of France1571 · Musée Condé 20Portrait of Charles IX, King of France (1550-1574) (1562) av François ClouetPortrait of Charles IX, King of France (1550-1574)1562 21Marie de Gaignon, Marquise de Boissy (c. 1524-1565) (1560) av François ClouetMarie de Gaignon, Marquise de Boissy (c. 1524-1565)1560 22Henry II (1519-1559), King of France. (1559) av François ClouetHenry II (1519-1559), King of France.1559 23Claude de Beaune de Semblançay, Lady of Chateaubrun (c. 1530-1571). (1563) av François ClouetClaude de Beaune de Semblançay, Lady of Chateaubrun (c. 1530-1571).1563 24Portrait of Admiral Gaspard II de Coligny (1550) av François ClouetPortrait of Admiral Gaspard II de Coligny1550 · Saint Louis Art Museum 25Marguerite of Valois (1560) av François ClouetMarguerite of Valois1560 · Musée Condé 26Portrait of Claudia de Valois (1547-1575) (1563) av François ClouetPortrait of Claudia de Valois (1547-1575)1563 · Bavarian State Painting Collections 27Louise de Lorraine (1550) av François ClouetLouise de Lorraine1550 · Museum of Fine Arts, Houston 28Mary, Queen of Scots (1542-87) (1559) av François ClouetMary, Queen of Scots (1542-87)1559 · Royal Collection 29François de Lorraine, 2nd Duke de Guise (1519-1563) (1555) av François ClouetFrançois de Lorraine, 2nd Duke de Guise (1519-1563)1555 30Portrait of François de Lorraine (1562) av François ClouetPortrait of François de Lorraine1562 31Mary, Queen of Scots (1561) av François ClouetMary, Queen of Scots1561 32Diane de France, Duchess of Angoulême (1538-1619), natural and legitimized daughter of Henry II, King of France. (1568) av François ClouetDiane de France, Duchess of Angoulême (1538-1619), natural and legitimized daughter of Henry II, King of France.1568 33Portrait "Unknown Lady" on wood, from the school of Francois Clouet, ca. 1570 (1570) av François ClouetPortrait "Unknown Lady" on wood, from the school of Francois Clouet, ca. 15701570 34Portrait of "Elisabeth van Habsburg" on wood, by a follower of Francois Clouet, after 1571 (1571) av François ClouetPortrait of "Elisabeth van Habsburg" on wood, by a follower of Francois Clouet, after 15711571 35Portrait of François de Coligny (1569) av François ClouetPortrait of François de Coligny1569 · Dayton Kunstmuseum 36Portrait of Charles IX (1570) av François ClouetPortrait of Charles IX1570 · Collection Bemberg 37Portrait of François de Scepeaux (1566) av François ClouetPortrait of François de Scepeaux1566 · Indianapolis Museum of Art 38Portrait of a Man, called the Duc d'Alençon (1569) av François ClouetPortrait of a Man, called the Duc d'Alençon1569 · Scottish National Gallery 39The Love Letter (1570) av François ClouetThe Love Letter1570 · Thyssen-Bornemisza-museet 40Françoise Robertet, lady of La Bourdaisière then Countess of Châteauroux (1565) av François ClouetFrançoise Robertet, lady of La Bourdaisière then Countess of Châteauroux1565 · Château de Chantilly 41Portrait of a Lady (1550) av François ClouetPortrait of a Lady1550 · Städel Museum 42A Lady in Her Bath (1571) av François ClouetA Lady in Her Bath1571 · National Gallery of Art 43Hercule François de Valois-Angoulême, Duc d'Alençon et d'Anjou (1555–1584) av François ClouetHercule François de Valois-Angoulême, Duc d'Alençon et d'Anjou (1555–1584)Touchstones Rochdale 44Le bain de Diane detalj (1565) av François ClouetLe bain de Diane detalj1565 · Musée des Beaux-Arts de Rouen 45Henry d'Albret, King of Navarre (1527) av François ClouetHenry d'Albret, King of Navarre1527 46Henri II (1550) av François ClouetHenri II1550 47Francois Hercule de France, Duke of Alencon (1560) av François ClouetFrancois Hercule de France, Duke of Alencon1560 48Hercule Francois, Duke of Alencon and of Anjou (1561) av François ClouetHercule Francois, Duke of Alencon and of Anjou1561 49Jossine de Pisseleu d (1550) av François ClouetJossine de Pisseleu d1550 · Château de Chantilly 50Jeanne D'Albret, Queen of Navarre (1570) av François ClouetJeanne D'Albret, Queen of Navarre1570 · Musée Condé 51The Lady in Her Bath (1571) av François ClouetThe Lady in Her Bath1571 52Portrait of Claude Gouffier (1568) av François ClouetPortrait of Claude Gouffier1568 · Château de Versailles 53A Lady in Her Bath (detail) (1571) av François ClouetA Lady in Her Bath (detail)1571 · National Gallery of Art 54Isabelle (Isabeau) d (1547) av François ClouetIsabelle (Isabeau) d1547 · Château de Chantilly 55Elisabeth of France, Queen of Spain, known as Isabella of Peace (1550) av François ClouetElisabeth of France, Queen of Spain, known as Isabella of Peace1550 · Château de Chantilly 56Portrait of Henri II (1547) av François ClouetPortrait of Henri II1547 57The Bath of Diana (1550) av François ClouetThe Bath of Diana1550 · Museu de Arte 58Renée de Rieux, Marquise de Nesle, known as Guyonne, Countess of Laval (1560) av François ClouetRenée de Rieux, Marquise de Nesle, known as Guyonne, Countess of Laval1560 · Château de Chantilly 59Marguerite of France, Duchess of Berry and Savoy (1550) av François ClouetMarguerite of France, Duchess of Berry and Savoy1550 · Château de Chantilly 60Portrait of King Charles IX of France (1561) av François ClouetPortrait of King Charles IX of France1561 · Kunsthistorisches Museum 61Portrait of Princess Margarida de Valois (1561) av François ClouetPortrait of Princess Margarida de Valois1561 · Soares dos Reis National Museum 62Portrait of a Lady in a Black Dress with Marie Stuart Coiffure av François ClouetPortrait of a Lady in a Black Dress with Marie Stuart CoiffureBowes Museum 63Female Portrait av François ClouetFemale PortraitBowes Museum 64Diane de Poitiers (1499-1566), Duchess of Valentinois av François ClouetDiane de Poitiers (1499-1566), Duchess of Valentinois 65Portrait of a lady av François ClouetPortrait of a lady 66Henry III (1551–1589), King of France av François ClouetHenry III (1551–1589), King of France 67French, approx. ) (1510) av François ClouetFrench, approx. )1510 68A Nobleman of the Valois Court av François ClouetA Nobleman of the Valois CourtDetroit Institute of Arts 69Henry II (1519–1559), King of France av François ClouetHenry II (1519–1559), King of France 70Henry II of France (detail) av François ClouetHenry II of France (detail) 71Francois I of France on Horseback av François ClouetFrancois I of France on HorsebackUpton House 72Henry II of France on Horseback av François ClouetHenry II of France on HorsebackUpton House 73Charles IX (1550–1574), King of France av François ClouetCharles IX (1550–1574), King of France 74Henriette de Cleves, 4. hertug av Nevers av François ClouetHenriette de Cleves, 4. hertug av NeversGovernment Art Collection 75A Lady in Her Bath (1571) av François ClouetA Lady in Her Bath1571 · National Gallery of Art 76Pierre Quthe (1562) av François ClouetPierre Quthe1562 · Louvre 77Guy XVII, Comte de Laval (1540) av François ClouetGuy XVII, Comte de Laval1540 · Timken Museum of Art 78The Bath of Diana (1550) av François ClouetThe Bath of Diana1550 · Musée des Beaux-Arts

François Clouets berømte malerier, periode for periode

Motivene som fanget François Clouets blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har François Clouets originalverk

De 8 museene som innehar flest av maleriene på denne siden.

Museum By Verker av François Clouet Malerier fra denne listen
Château de Chantilly, ChantillyChâteau de Chantilly Chantilly 7 Unknown lady, probably an Italian, known as, Françoise Robertet, lady of La Bourdaisière then Countess of Châteauroux, Jossine de Pisseleu d
National Gallery of Art, WashingtonNational Gallery of Art Washington 4 A Lady in Her Bath, A Lady in Her Bath, A Lady in Her Bath (detail)
Musée Condé, ChantillyMusée Condé Chantilly 4 Odet de Coligny, Cardinal de Châtillon, Elisabeth of Austria, Queen of France, Marguerite of Valois
Louvre, ParisLouvre Paris 3 Elisabeth of Austria, Queen of France, Portrait of Francis I, King of France, Pierre Quthe
Kunsthistorisches Museum, WienKunsthistorisches Museum Wien 3 King Charles IX of France, Portrait of King Charles IX of France, Portrait of King Charles IX of France
Royal Collection, LondonRoyal Collection London 2 Mary, Queen of Scots (1542-87), Mary, Queen of Scots (1542-87)
Galleria degli Uffizi, FirenzeGalleria degli Uffizi Firenze 2 Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family, Portrait of Francis I, King of France
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 2 Sir William Kirkcaldy of Grange, Mary, Queen of Scots

François Clouet gjennom tiårene: ett unikt originalverk for hvert tiår

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

François Clouets malerier: spørsmål til galleriet

Hva er det mest kjente verket til François Clouet?Avslør svaret

Mary, Queen of Scots (1542-87) (1560), Royal Collection, London. Deretter følger Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family og Mary, Queen of Scots (1560).

Hvor gammel var François Clouet da Mary, Queen of Scots (1542-87) ble skapt?Avslør svaret

50 år gammel: Mary, Queen of Scots (1542-87) er fra 1560, og François Clouet ble født i 1510.

Hvilke ti malerier av François Clouet er de mest kjente?Avslør svaret

Mary, Queen of Scots (1542-87), Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family, Mary, Queen of Scots, Mary, Queen of Scots (1542-1587), Portrait of Francis I, King of France, Elisabeth of Austria, Queen of France, A Lady in Her Bath, Portrait of Francis I, King of France, Unknown lady, probably an Italian, known as og Odet de Coligny, Cardinal de Châtillon. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange verk av François Clouet er kjent?Avslør svaret

Vår katalog inneholder 80 verk av François Clouet, datert fra 1527 til 1571.

Hvor kan de mest kjente originalverkene til François Clouet ses?Avslør svaret

Hovedsakelig i Château de Chantilly (Chantilly), National Gallery of Art (Washington) og Musée Condé (Chantilly). Museumslisten ovenfor viser alle.

I hvilken periode malte François Clouet sine mest kjente malerier?Avslør svaret

I 1560s: 25 av de 78 verkene på denne siden ble laget da, Mary, Queen of Scots (1542-87) av dem.

Hvilket kjent maleri av François Clouet er det eldste, og hvilket er det nyeste?Avslør svaret

På denne siden er det eldste Henry d'Albret, King of Navarre (1527) og det nyeste Elisabeth of Austria, Queen of France (1571).

Hvilke motiver foretrakk François Clouet?Avslør svaret

Woman (21), Renaissance (19) og Portrait (17), fordelt på 78 verk på denne siden.

Hvilke materialer brukte François Clouet mest av?Avslør svaret

Oil On Panel, for 36 av de 78 verkene på denne siden.

Hvilken kunstretning tilhører verkene til François Clouet?Avslør svaret

Renessanse, basert på originalene på denne siden.

Hvilke originalverk av François Clouet kan jeg se på Château de Chantilly?Avslør svaret

Unknown lady, probably an Italian, known as, Françoise Robertet, lady of La Bourdaisière then Countess of Châteauroux og Jossine de Pisseleu d: Château de Chantilly, Chantilly har 7 av verkene på denne siden.

François Clouet: et portrett av kunstneren

A Legacy of Likeness: The World of François Clouet

François Clouet, a name synonymous with the refined portraiture of the French Renaissance, emerged from a lineage steeped in artistic skill and courtly favor. Born around 1510 in Tours, France, his life unfolded against a backdrop of evolving artistic sensibilities and the opulent world of the Valois monarchy. He wasn’t merely a painter; he was a chronicler of an era, capturing the essence of kings, queens, and courtiers with a meticulousness that continues to captivate viewers today. The shadow of his father, Jean Clouet, loomed large – both artists shared not only a profession but also the familiar nickname ‘Janet,’ leading to occasional confusion in attributing their works across generations. Yet, François carved his own distinct path, blending Flemish naturalism with an emerging Italianate grace, and establishing himself as one of France’s most celebrated portraitists.

Inheriting a Tradition: Early Life and Artistic Formation

The early years of François Clouet remain somewhat veiled in historical obscurity, but his artistic trajectory was undeniably shaped by the legacy of his father. Jean Clouet, originating from the Southern Netherlands, brought with him to the French court the meticulous detail and realistic approach characteristic of Flemish painting. This foundation formed the bedrock of François’s training. A pivotal moment arrived in 1541 when François inherited his father's estate, formally stepping into his artistic inheritance and assuming the responsibilities that came with it. This wasn’t simply a transfer of property; it was an assumption of a role within the very fabric of the French court. The Clouet family also enjoyed a unique connection to the Italian Renaissance through Jean’s time in Amboise, exposing François to the burgeoning ideals and innovative techniques emanating from Italy – a subtle but significant influence that would later manifest in his work. He absorbed not just technique, but an understanding of how art could serve as both documentation and celebration of power and status. He diligently studied the works of Leonardo da Vinci and Michelangelo, absorbing their mastery of perspective and anatomical accuracy—skills he would skillfully integrate into his own artistic practice.

The Art of Revelation: Style and Major Works

François Clouet’s oeuvre is defined by a remarkable precision and elegance. His portraits weren't merely likenesses; they were insightful studies of character, capturing not only physical features but also the personality and social standing of his subjects. He possessed an extraordinary ability to convey royal authority and sophistication, as evidenced in several notable depictions of Francis I, examples of which reside in prestigious collections like the Uffizi Gallery and the Louvre Museum. Beyond Francis I, Clouet’s brush immortalized other key figures of the era. He likely painted portraits of Catherine de' Medici at Versailles, contributing to a visual record of her influential reign. Perhaps one of his most celebrated achievements is the chalk drawing of Mary, Queen of Scots, held in the Bibliothèque nationale – a work that showcases his mastery of capturing delicate features and conveying emotional depth with astonishing subtlety. Other notable works include portraits of Elizabeth of Austria (Louvre), Marguerite of France (Chantilly), and Charles IX (Château de Chantilly). His meticulous style and attention to detail profoundly influenced subsequent generations of French portraitists.

A Defining Aesthetic: Characteristics of Clouet’s Art

Several hallmarks define François Clouet's distinctive style.
  • Elaborate Detail: A meticulous attention to detail permeates his work, evident in the intricate rendering of clothing, jewelry, and facial features – every element contributing to a sense of realism and opulence.
  • Accurate Drawing: Clouet’s portraits are grounded in precise anatomical rendering and skillful use of line, demonstrating a mastery of draftsmanship that underpinned his artistic vision.
  • Exquisite Completeness: His compositions convey a sense of wholeness and personality, going beyond mere physical representation to capture the inner life of his subjects. He didn’t just paint faces; he painted individuals.
His paintings often possess a quiet dignity, a restrained elegance that reflects the refined sensibilities of the French court. The use of light and shadow – *chiaroscuro* – is subtle yet effective, adding depth and dimension to his portraits without resorting to dramatic contrasts.

A Lasting Impression: Historical Significance and Legacy

François Clouet’s contributions to French Renaissance art are profound. He played a crucial role in establishing portraiture as a prominent genre in France, elevating the status of the artist and providing invaluable visual records of the royal court. He bridged the gap between medieval artistic traditions and the emerging Renaissance ideals, incorporating naturalism and humanistic principles into his work. As a court painter for multiple French monarchs – Francis I, Henry II, Francis II, and Charles IX – he documented the lives and appearances of key figures in French history, creating a visual archive that continues to inform our understanding of this period. His meticulous style and attention to detail profoundly influenced subsequent generations of French portraitists. He died on December 22, 1572, shortly after the tumultuous St. Bartholomew’s Day Massacre – a poignant end for an artist who had dedicated his life to immortalizing the world around him. His will offers glimpses into his personal life and financial standing, further cementing his legacy as both an artistic master and a significant figure in French society.