Portrett av Domenichino

Domenichinos malerier: De 94 mest kjente, sett gjennom et galleris øyne

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 94 verk av Domenichino i vår katalog

Kort fortalt

Etter galleriets vurdering er Domenichinos mest kjente maleri Pope Paul V (1618), hvis original henger i Statens Museum for Kunst, København. Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta (1622) og Landscape with Moses and the Burning Bush (1610) fullfører trioen som alle kjenner igjen. Av de 94 verkene til Domenichino i vår katalog, presenterer galleriet de 94 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.

1581 – 1641, Bologna Baroque Flest verk: National Gallery

Galleriets 10 beste malerier av Domenichino

1
Pope Paul V (1618) av Domenichino

Pope Paul V

1618 · Oil · Statens Museum for Kunst, København

A single light source strikes from the upper left, carving the face of Pope Paul V out of a heavy, ink-black void. He sits in a three-quarter pose, a figure of immense gravity anchored by the structural lines of a high-backed chair. The light catches the crisp linen of his rochet and the soft, matte surface of his skin, while the rest of his form dissolves into deep shadows. There…

2
Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta (1622) av Domenichino

Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta

1622 · Oil On Canvas · Los Angeles County Museum of Art, Los Angeles

The air at La Storta feels heavy with the weight of the unseen. In this moment, the earthly landscape of green hills and brown earth falls away, replaced by a vertical rupture in reality. Below, Saint Ignatius of Loyola kneels in the quietude of the landscape, his dark, somber habit absorbing the shadows of the world. His arms are crossed tightly over his chest, a gesture of profound surrender, as…

3
Landscape with Moses and the Burning Bush (1610) av Domenichino

Landscape with Moses and the Burning Bush

1610 · Oil On Copper · Metropolitan Museum of Art, New York

In the delicate expanse of this oil on copper masterpiece, Domenichino invites us into a moment of profound spiritual revelation. Landscape with Moses and the Burning Bush is not merely a depiction of a biblical event; it is a window into a timeless, classical world where the divine intersects with the earthly. The scene captures the pivotal instant from the Book of Exodus, where Moses encounters the miraculous bush that…

4
The lapidation of Saint Stephen (1605) av Domenichino

The lapidation of Saint Stephen

1605 · Oil On Copper · Musée Condé, Chantilly

The lapidation of Saint Stephen is a religious art painting that captures a moment of profound sacrifice. The work depicts Saint Stephen, the central figure of this sacred narrative. It was painted by the Bolognese artist Domenichino, a figure who helped define the expressive power of the Baroque era. The scene focuses on the heavy, physical reality of the saint's martyrdom.

5
Apparition of the Angels to Saint Jerome (1601) av Domenichino

Apparition of the Angels to Saint Jerome

1601 · Oil On Canvas · Museo del Prado, Madrid

The oil painting presents a religious vision organized along a strong diagonal axis. In the lower right, the figure of Saint Jerome ascends toward the celestial figures positioned in the upper left. The saint is depicted with muscular anatomy, his torso illuminated by a divine light source emanating from the upper left. He is draped in deep crimson fabric that contrasts with the muted, earthy browns and blues of the…

6
Madonna and Child with St. John (1605) av Domenichino

Madonna and Child with St. John

1605 · Oil On Canvas

In this 1605 oil on canvas, we find ourselves drawn into an intimate, pyramidal arrangement that defines the High Renaissance and Baroque sensibilities. The composition centers on the Virgin Mary and the Christ Child, accompanied by the infant St. John. There is a profound sense of closeness here, as if the viewer has been invited into a private, sacred moment. The lighting is handled with a deliberate chiaroscuro effect; a…

7
Landscape with a Hermit (1605) av Domenichino

Landscape with a Hermit

1605 · Oil

Landscape with a Hermit is a serene and classical landscape painting executed in the Baroque style. The composition is carefully balanced, utilizing large trees on the left and right to frame a central view that recedes toward distant mountains. The scene depicts a tranquil natural setting where a small waterfall cascades into a pool, surrounded by a variety of deciduous trees. In the lower right foreground, a group of human…

8
The Rapture of St. Paul (1606) av Domenichino

The Rapture of St. Paul

1606 · Oil On Copper

In this oil on copper work, we witness a profound spiritual transition. The composition centers on the figure of Paul the Apostle, caught in a moment of intense religious ecstasy. His body is oriented diagonally, pulling the eye upward toward a luminous, cloud-filled sky. He is draped in a deep forest green tunic and a crimson red cloak that billows around him, suggesting a sudden, forceful movement. Small cherubic figures,…

9
Susanna in her Bath (1611) av Domenichino

Susanna in her Bath

1611 · Oil On Canvas · Bavarian State Painting Collections, München

In Susanna in her Bath by Domenichino, a dramatic biblical scene unfolds with sudden intensity. The narrative centers on the story of Susanna and the Elders, a moment where the quietude of a private ritual is shattered by an unexpected intrusion. This tension transforms a simple act of cleansing into a profound struggle, as the subject matter captures purity being threatened by lust. The air feels heavy with the weight…

10
Martyrdom of Saint Peter of Verona (1620) av Domenichino

Martyrdom of Saint Peter of Verona

1620 · Oil On Canvas · Pinacoteca Nazionale di Bologna, Bologna

In this composition from about 1620, Domenichino organizes the scene around a central struggle between an assailant and two figures draped in white robes. The tension is driven by highly dynamic lines, following the diagonal thrust of a raised sword and the sprawling limbs of the falling figures. A strong light source illuminates this central action from the upper left, casting deep shadows that define the physical struggle. This use…

Domenichino sine malerier, rangert fra 11 til 94

11The Madonna of Loreto Appearing to St. John the Baptist, St. Eligius, and St. Anthony Abbot (1620) av DomenichinoThe Madonna of Loreto Appearing to St. John the Baptist, St. Eligius, and St. Anthony Abbot1620 12Death of Saint Cecilia (1613) av DomenichinoDeath of Saint Cecilia1613 13Saint Cecilia in Glory (1613) av DomenichinoSaint Cecilia in Glory1613 14The Angel Crowns St. Cecilia and Valerian (1613) av DomenichinoThe Angel Crowns St. Cecilia and Valerian1613 15Landscape with Bathers (1615) av DomenichinoLandscape with Bathers1615 · Rhode Island School of Design Museum of Art 16Portrait of Cardinal Borghese (1618) av DomenichinoPortrait of Cardinal Borghese1618 · Statens Museum for Kunst 17Madonna and Child with St. Francis (1621) av DomenichinoMadonna and Child with St. Francis1621 18Rinaldo and Armida (1617) av DomenichinoRinaldo and Armida1617 19Landscape with Hercules and Acheloüs (1621) av DomenichinoLandscape with Hercules and Acheloüs1621 20Saint Mary Magdalene (1625) av DomenichinoSaint Mary Magdalene1625 · National Gallery of Ireland 21The Martyrdom of Saint Andrew (1630) av DomenichinoThe Martyrdom of Saint Andrew1630 · Sant'Andrea della Valle 22Double wreath surrounding a medaillion with the triumph of love (1626) av DomenichinoDouble wreath surrounding a medaillion with the triumph of love1626 23Presentation of Virgin Mary (1624) av DomenichinoPresentation of Virgin Mary1624 24The Way to Calvary (1610) av DomenichinoThe Way to Calvary1610 · J. Paul Getty Museum 25A Sibyl (1622) av DomenichinoA Sibyl1622 · Wallace Collection 26Saint Jerome (1618) av DomenichinoSaint Jerome1618 · Statens Museum for Kunst 27Landscape with a Fortified Town (1634) av DomenichinoLandscape with a Fortified Town1634 · National Gallery 28Adam and Eve av DomenichinoAdam and EveMusée de Grenoble 29The Rebuke of Adam and Eve (1626) av DomenichinoThe Rebuke of Adam and Eve1626 · National Gallery of Art 30King David Playing the Harp (1619) av DomenichinoKing David Playing the Harp1619 · Opera House 31Landscape with St John baptising (1615) av DomenichinoLandscape with St John baptising1615 · Fitzwilliam Museum 32Portrait of a Young Girl (1639) av DomenichinoPortrait of a Young Girl1639 · Nasjonalmuseene Liverpool 33St. John (1641) av DomenichinoSt. John1641 · The Polish Museum in Rapperswil 34Sainte Marie-Madeleine av DomenichinoSainte Marie-Madeleine 35Diana and her Nymphs (detail) av DomenichinoDiana and her Nymphs (detail) 36Martyrdom of Saint Sebastian av DomenichinoMartyrdom of Saint Sebastian 37The Coronation of the Virgin av DomenichinoThe Coronation of the VirginStatens Museum for Kunst 38S Sebastian av DomenichinoS SebastianGemäldegalerie Alte Meister 39River landscape with Boatmen and Fisherman, an elegant couple walking by the shore av DomenichinoRiver landscape with Boatmen and Fisherman, an elegant couple walking by the shore 40Portrait of the building master Vincenzo Scamozzi av DomenichinoPortrait of the building master Vincenzo ScamozziGemäldegalerie 41Christ Surrounded by Saints av DomenichinoChrist Surrounded by Saints 42Virginio Cesarini av DomenichinoVirginio Cesarini 43Temperance av DomenichinoTemperance 44Head of a Bearded Man av DomenichinoHead of a Bearded Man 45Erminia among the Shepherds av DomenichinoErminia among the Shepherds 46Portrait of Cardinal Agucchi av DomenichinoPortrait of Cardinal Agucchi 47Adam and Eve 1 av DomenichinoAdam and Eve 1 48Madonna and Child with St Petronius and St John the Baptist av DomenichinoMadonna and Child with St Petronius and St John the Baptist 49The Cumaean Sibyl av DomenichinoThe Cumaean Sibyl 50Landscape with the Flight into Egypt av DomenichinoLandscape with the Flight into EgyptAllen Memorial Art Museum 51Funeral of an emperor av DomenichinoFuneral of an emperor 52Saint Agnes av DomenichinoSaint AgnesRoyal Collection 53Portrait of a Young Man av DomenichinoPortrait of a Young Man 54Landscape with the Flight into Egypt 1 av DomenichinoLandscape with the Flight into Egypt 1 55Apollo killing the Cyclops av DomenichinoApollo killing the CyclopsNational Gallery 56Abraham Leading Isaac to Sacrifice av DomenichinoAbraham Leading Isaac to Sacrifice 57The Transformation of Cyparissus av DomenichinoThe Transformation of CyparissusNational Gallery 58A Triumphal Arch of Allegories av DomenichinoA Triumphal Arch of AllegoriesMuseo del Prado 59Landscape with a Child Overturning Wine av DomenichinoLandscape with a Child Overturning Wine 60Adam and Eve av DomenichinoAdam and Eve 61Appearence of the Angels to St. Gerome av DomenichinoAppearence of the Angels to St. Gerome 62St Cecilia before the Judge av DomenichinoSt Cecilia before the Judge 63Timoclea Captive Brought before Alexander av DomenichinoTimoclea Captive Brought before Alexander 64The Rest on the Flight into Egypt av DomenichinoThe Rest on the Flight into Egypt 65Portrait of Virginio Cesarini av DomenichinoPortrait of Virginio Cesarini 66The Sacrifice of Isaac av DomenichinoThe Sacrifice of Isaac 67Mercury stealing the Herds of Admetus av DomenichinoMercury stealing the Herds of AdmetusNational Gallery 68Landscape with Moses and the Burning Bush av DomenichinoLandscape with Moses and the Burning BushMuseum Boijmans Van Beuningen 69Abraham Leading Isaac to Sacrifice (1602) av DomenichinoAbraham Leading Isaac to Sacrifice1602 · Kimbell Art Museum 70Landscape av DomenichinoLandscape 71Landscape with Erminia and the Shepherds av DomenichinoLandscape with Erminia and the Shepherds 72The Repose of Venus av DomenichinoThe Repose of Venus 73Diana and her Nymphs (detail)2 av DomenichinoDiana and her Nymphs (detail)2 74The Assumption of Mary Magdalene into Heaven av DomenichinoThe Assumption of Mary Magdalene into Heaven 75Apollo pursuing Daphne av DomenichinoApollo pursuing DaphneNational Gallery 76The Flaying of Marsyas av DomenichinoThe Flaying of MarsyasNational Gallery 77The Vision of Saint Jerome av DomenichinoThe Vision of Saint JeromeNational Gallery 78Apollo slaying Coronis av DomenichinoApollo slaying CoronisNational Gallery 79Apollo and Neptune advising Laomedon av DomenichinoApollo and Neptune advising LaomedonNational Gallery 80Casino Aurora, Rome. Ground floor. Landscape Room, general view av DomenichinoCasino Aurora, Rome. Ground floor. Landscape Room, general viewArchivio Boncompagni Ludovisi 81The Judgement of Midas av DomenichinoThe Judgement of MidasNational Gallery 82Saint George killing the Dragon av DomenichinoSaint George killing the DragonNational Gallery 83Landscape with Tobias laying hold of the Fish av DomenichinoLandscape with Tobias laying hold of the FishNational Gallery 84Adoration of the Shepherds (1607) av DomenichinoAdoration of the Shepherds1607 · Scottish National Gallery 85Communion of Saint Jerome (1614) av DomenichinoCommunion of Saint Jerome1614 · Vatikanmuseene 86Cumaean Sibyl (1610) av DomenichinoCumaean Sibyl1610 · Capitoline Museums 87Diana and her Nymphs av DomenichinoDiana and her NymphsGalleria Borghese 88Portrait of Monsignor Giovanni Battista Agucchi av DomenichinoPortrait of Monsignor Giovanni Battista AgucchiYork Art Gallery 89frescos in the dome of the royal chapel of San Gennaro (1525) av Domenichinofrescos in the dome of the royal chapel of San Gennaro1525 90Saint John the Evangelist av DomenichinoSaint John the EvangelistNational Gallery 91St Cecilia av DomenichinoSt Cecilia 92The Sacrifice of Abraham (1627) av DomenichinoThe Sacrifice of Abraham1627 · Museo del Prado 93Landscape with Ford av DomenichinoLandscape with FordGalleria Doria Pamphilj 94Mary Magdalene Taken up to Heaven av DomenichinoMary Magdalene Taken up to HeavenEremitasjen

Domenichinos berømte malerier, periode for periode

Motivene som fanget Domenichinos blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Domenichinos originalverk

De 8 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Domenichino Malerier fra denne listen
National Gallery, LondonNational Gallery London 13 Landscape with a Fortified Town, Apollo killing the Cyclops, The Transformation of Cyparissus
Statens Museum for Kunst, KøbenhavnStatens Museum for Kunst København 4 Pope Paul V, Portrait of Cardinal Borghese, Saint Jerome
Museo del Prado, MadridMuseo del Prado Madrid 3 Apparition of the Angels to Saint Jerome, A Triumphal Arch of Allegories, The Sacrifice of Abraham
Los Angeles County Museum of Art, Los AngelesLos Angeles County Museum of Art Los Angeles 1 Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Landscape with Moses and the Burning Bush
Musée Condé, ChantillyMusée Condé Chantilly 1 The lapidation of Saint Stephen
Bavarian State Painting Collections, MünchenBavarian State Painting Collections München 1 Susanna in her Bath
Pinacoteca Nazionale di Bologna, BolognaPinacoteca Nazionale di Bologna Bologna 1 Martyrdom of Saint Peter of Verona

Domenichino, ett signaturmaleri per tiår

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Domenichinos malerier: galleriets svar

Hvilket maleri av Domenichino er det mest kjente av alle?Avslør svaret

Pope Paul V (1618), Statens Museum for Kunst, København. Deretter følger Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta (1622) og Landscape with Moses and the Burning Bush (1610).

Hvor gammel var Domenichino da Pope Paul V ble ferdigstilt?Avslør svaret

37 år gammel: Pope Paul V er fra 1618, og Domenichino ble født i 1581.

Hvilke er de 10 beste maleriene til Domenichino?Avslør svaret

Pope Paul V, Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta, Landscape with Moses and the Burning Bush, The lapidation of Saint Stephen, Apparition of the Angels to Saint Jerome, Madonna and Child with St. John, Landscape with a Hermit, The Rapture of St. Paul, Susanna in her Bath og Martyrdom of Saint Peter of Verona. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange verk skapte Domenichino?Avslør svaret

Vår katalog inneholder 94 verk av Domenichino, datert fra 1601 til 1641.

Hvor henger de mest kjente originalverkene til Domenichino?Avslør svaret

Hovedsakelig i National Gallery (London), Statens Museum for Kunst (København) og Museo del Prado (Madrid). Museumslisten ovenfor viser alle.

Når malte Domenichino sine mest kjente malerier?Avslør svaret

I 1610s: 15 av de 94 verkene på denne siden ble laget da, Pope Paul V av dem.

Hvilke er Domenichinos tidligste og nyeste berømte verk?Avslør svaret

På denne siden er det eldste Apparition of the Angels to Saint Jerome (1601) og det nyeste St. John (1641).

Hvilke motiver vendte Domenichino oftest tilbake til?Avslør svaret

Landscape (14), Woman (13) og Man (12), fordelt på 94 verk på denne siden.

Hvilket medium arbeidet Domenichino mest med?Avslør svaret

Oil On Canvas, for 18 av de 94 verkene på denne siden.

Hvilken kunstretning er Domenichino tilknyttet?Avslør svaret

Baroque, basert på originalene på denne siden.

Hvilke originalverk av Domenichino har National Gallery i sin samling?Avslør svaret

Landscape with a Fortified Town, Apollo killing the Cyclops og The Transformation of Cyparissus: National Gallery, London har 13 av verkene på denne siden.

Domenichino: kunstneren

Domenichino (domenico zampieri): A Bolognese Baroque Visionary

Domenichino, born Domenico Zampieri in Bologna around 1581, stands as a cornerstone of Bolognese Baroque art – a movement characterized by dramatic contrasts of light and shadow, opulent ornamentation, and an idealized depiction of human emotion. His formative years were steeped in the artistic fervor of his time, absorbing the legacy of Raphael and Michelangelo while simultaneously forging his own distinctive style that would solidify his reputation as one of Bologna’s foremost painters. Though biographical details remain somewhat sparse, scholarly research suggests he honed his skills under Raffaele Spagnuolo, a master of tenebrism – a technique championed by Caravaggio – which profoundly impacted Domenichino's artistic approach.

Early Career & Apprenticeship

Domenichino began his artistic journey as an apprentice to Spagnuolo, immersing himself in the expressive power of chiaroscuro and mastering the art of conveying profound psychological depth through masterful brushwork. This formative experience instilled within him a deep understanding of how light could sculpt form and evoke emotion—a principle that would permeate his entire oeuvre. He diligently studied Spagnuolo’s techniques, meticulously replicating his dramatic compositions and honing his draughtsmanship skills. The influence of Spagnuolo's tenebristic style is evident in Domenichino’s early works, demonstrating a commitment to capturing the essence of Caravaggio’s revolutionary aesthetic.

Carracci Workshop Influence

Domenichino’s association with Caravaggio's studio proved pivotal; he absorbed Caravaggio’s revolutionary realism and dramatic theatricality, adapting these principles to his own compositions. Like many aspiring artists of his era, Domenichino sought guidance from the most celebrated painters of Rome—specifically Annibale Carracci—who championed a humanist aesthetic rooted in classical ideals. He diligently studied Carracci's monumental frescoes at Palazzo Farnese, absorbing his masterful use of perspective and color to create immersive visual experiences. This collaboration fostered Domenichino’s artistic development, shaping his stylistic preferences and reinforcing his belief in the importance of meticulous observation and skillful execution.

Rome & Patronage

By the mid-1620s, Domenichino relocated to Rome, securing commissions from influential patrons like Cardinal Scipione Borghese and Palazzo Farnese, where he created monumental frescoes that showcased his unparalleled skill in capturing grandeur and emotion. These prestigious projects allowed Domenichino to refine his artistic technique and explore ambitious themes—ranging from mythological narratives to religious depictions—demonstrating a remarkable versatility and intellectual curiosity. His patronage by prominent Roman families ensured the continuation of Bolognese Baroque’s artistic traditions, fostering innovation and elevating its prestige within European art circles.

Stylistic Characteristics & Artistic Technique

Domenichino’s artistic style is instantly recognizable for its refined elegance and masterful execution. Unlike the turbulent dynamism of Caravaggio, Domenichino favored a more measured pace, prioritizing clarity of form and harmonious color palettes. However, he retained Caravaggio's commitment to dramatic lighting – tenebrism – skillfully manipulating light and dark to heighten emotional impact and sculpt figures with breathtaking realism. His brushwork was characterized by meticulous detail and subtle gradations of tone, creating surfaces that shimmered with luminosity and conveyed an astonishing sense of depth. He excelled in portraying both mythological subjects and religious scenes, consistently demonstrating a profound understanding of classical ideals and humanist sensibilities.
  • Tenebrism: Domenichino skillfully employed tenebrism to create dramatic contrasts between light and dark, emphasizing emotional intensity and sculptural form.
  • Color Palette: His color palettes were restrained yet luminous, favoring muted hues that complemented the overall mood of his paintings.
  • Brushwork & Texture: Domenichino’s meticulous brushwork achieved remarkable textural effects, conveying a palpable sense of physicality and realism.

Notable Works & Achievements

Domenichino's artistic output spanned across numerous prestigious commissions, leaving an indelible mark on the Baroque landscape. Among his most celebrated achievements are the frescoes adorning Palazzo Farnese in Rome – specifically the Sala di Amore e Psiche and the Sala dei Giganti – which exemplify his mastery of monumental painting and embody the humanist ideals of the era. His depictions of Apollo killing the Cyclops and Mary Magdalene Taken up to Heaven stand as testaments to his ability to convey mythological narratives with profound psychological insight and artistic virtuosity. Furthermore, Domenichino’s contribution to the San Domenico Museum in Orvieto is noteworthy for its depiction of Saint Thomas Aquinas, showcasing his talent for capturing spiritual contemplation and conveying solemn beauty.

Legacy & Historical Significance

Domenichino's influence extended far beyond his immediate contemporaries, shaping the artistic sensibilities of subsequent generations. He helped to establish Bolognese Baroque as a dominant force in European art, elevating it to new heights of sophistication and expressive power. His unwavering dedication to classical ideals combined with Caravaggio’s revolutionary realism resulted in an artistic style that continues to inspire admiration and scholarly study today. Domenichino's legacy resides not only in his magnificent artworks but also in his role as a pivotal figure in the development of Baroque painting – a movement that profoundly impacted the visual culture of its time and beyond.