Portrett av Anna Dorothea Therbusch

De 36 mest kjente Anna Dorothea Therbusch-maleriene, hvert og ett unikt

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 37 verk av Anna Dorothea Therbusch i vår katalog

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Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763) er maleriet av Anna Dorothea Therbusch som vekker mest oppmerksomhet; originalen befinner seg i Bavarian State Painting Collections, München. Deretter går blikket til Portrait of Prince Augustus Ferdinand of Prussia (1773) og A Scientist Seated at a Desk by Candlelight (1767). Blant de 37 verkene til Anna Dorothea Therbusch i vår katalog, er disse 36 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.

1721 – 1782, Berlin Rococo Flest verk: Gemäldegalerie

Topp 10 malerier av Anna Dorothea Therbusch, sett gjennom galleriets øyne

1
Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763) av Anna Dorothea Therbusch

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit

1763 · Oil On Canvas · Bavarian State Painting Collections, München

The air in the room feels heavy with the scent of old wood and expensive fabric as Elector Karl Theodor sits for his portrait. He is positioned slightly off-center, a choice that lends a sense of movement to his regal posture. The deep, royal blue of his velvet suit dominates the visual field, its texture so palpable that one can almost feel the plush weight of the cloth against the…

2
Portrait of Prince Augustus Ferdinand of Prussia (1773) av Anna Dorothea Therbusch

Portrait of Prince Augustus Ferdinand of Prussia

1773 · Oil On Canvas · Eremitasjen, St. Petersburg

The portrait presents Prince Augustus Ferdinand of Prussia in a formal, full-length stance, capturing the gravity of the Hohenzollern lineage. He is positioned in a three-quarter pose, his figure framed by the verticality of a classical column and the heavy, dark folds of a velvet cloak. This mantle, adorned with the white Maltese crosses of the Order of St. John, drapes heavily around him, anchoring the composition. A red waistcoat…

3
A Scientist Seated at a Desk by Candlelight (1767) av Anna Dorothea Therbusch

A Scientist Seated at a Desk by Candlelight

1767 · Oil On Canvas · Cleveland Museum of Art, Cleveland

The room is swallowed by a heavy, velvet darkness, leaving only a small circle of warmth around a solitary figure. A young man sits hunched over a desk, his attention entirely consumed by the task before him. A single candle flickers to the right, casting a sharp, golden glow that carves his features out of the gloom. This light catches the crisp white of a ruffled sleeve and the metallic…

4
Portrait of Alexander Friedrich von Woldeck (1781) av Anna Dorothea Therbusch

Portrait of Alexander Friedrich von Woldeck

1781 · Oil · Alte Nationalgalerie, Berlin

The Portrait of Alexander Friedrich von Woldeck presents a formal encounter with a man of high standing. Painted in 1781, this work captures the likeness of Alexander Friedrich von Woldeck through the practiced hand of Anna Dorothea Therbusch. The subject meets the viewer's gaze directly, his presence fixed within the frame as if caught in a moment of quiet, dignified repose.

6
Self Portrait (1740) av Anna Dorothea Therbusch

Self Portrait

1740 · Oil On Canvas · Statens Museum for Kunst, København

The artwork titled Self Portrait is a painting by the artist Anna Dorothea Therbusch. This specific work is a bust portrait of a young woman. The subject of the painting is a self-portrait, capturing the artist herself in a close-up view. The composition focuses on the head and shoulders of the subject.

7
A Man, Glass in Hand, Lit by a Candle (1750) av Anna Dorothea Therbusch

A Man, Glass in Hand, Lit by a Candle

1750 · Oil

In A Man, Glass in Hand, Lit by a Candle by Anna Dorothea Therbusch, the world narrows to a single, solitary figure. The composition is tightly focused on a man caught in a moment of quiet contemplation or melancholy. He holds a glass, a small vessel of light amidst the surrounding gloom. A singular, directional light source emanates from a candle, partially obscured or hidden from view, carving the subject…

9
Portrait of Anna von Wartensleben (1760) av Anna Dorothea Therbusch

Portrait of Anna von Wartensleben

1760 · Oil On Canvas · Nasjonalmuseet i Warszawa, Warszawa

In the Portrait of Anna von Wartensleben by Anna Dorothea Therbusch, the sitter is captured in a three-quarter length view. She sits slightly off-center, a placement that lends a sense of poised dignity to her presence. Her expression remains calm and composed, meeting the viewer with a steady, quiet stillness. The composition holds her within an elegant interior, where the weight of the surroundings anchors her figure.

10
Portrait of Amalie Princess of Prussia (1723-1787) (1771) av Anna Dorothea Therbusch

Portrait of Amalie Princess of Prussia (1723-1787)

1771 · Oil On Canvas · Gemäldegalerie, Berlin

The air in the room feels heavy with the scent of fresh blooms and the quiet rustle of silk. Amalie, Princess of Prussia, sits poised in a plush green armchair, her presence commanding the space without a single word. She is draped in a voluminous gown of shimmering white and silver, a sea of satin and lace that catches the light with every subtle movement. Her pale skin glows against…

Anna Dorothea Therbuschs berømte malerier, nummer 11 til 36

11Self-portrait (1773) av Anna Dorothea TherbuschSelf-portrait1773 · Herzog Anton Ulrich Museum 12Portrait of Friederike Luise von Hessen-Darmstadt and her son Frederick William (1775) av Anna Dorothea TherbuschPortrait of Friederike Luise von Hessen-Darmstadt and her son Frederick William1775 13Portrait of Frederick II of Prussia (1770) av Anna Dorothea TherbuschPortrait of Frederick II of Prussia1770 14Double portrait of Johann Christian Samuel Gohl and his (future) mother-in-law, the painter Anna Dorothea Therbusch, 1764-1776 (1775) av Anna Dorothea TherbuschDouble portrait of Johann Christian Samuel Gohl and his (future) mother-in-law, the painter Anna Dorothea Therbusch, 1764-17761775 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 15Portrait of Anna Maria Boreel (1738-1781) (1770) av Anna Dorothea TherbuschPortrait of Anna Maria Boreel (1738-1781)1770 16Portrait of an Unknown Man (1768) av Anna Dorothea TherbuschPortrait of an Unknown Man1768 · Gemäldegalerie 17Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector (1771) av Anna Dorothea TherbuschPortrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector1771 · Gemäldegalerie 18Diana mit Nymphen (1772) av Anna Dorothea TherbuschDiana mit Nymphen1772 19Self-portrait with a monocle (1780) av Anna Dorothea TherbuschSelf-portrait with a monocle1780 · Alte Nationalgalerie 20Portrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)). (1777) av Anna Dorothea TherbuschPortrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)).1777 · Nasjonalmuseet i Warszawa 21Self-Portrait (1782) av Anna Dorothea TherbuschSelf-Portrait1782 · Germanisches Nationalmuseum 22Christian Andreas Cothenius (1777) av Anna Dorothea TherbuschChristian Andreas Cothenius1777 · Gemäldegalerie 23Portrait of Jacob Philipp Hackert (1786) av Anna Dorothea TherbuschPortrait of Jacob Philipp Hackert1786 · Academy of Fine Arts Vienna 24Portrait of Prince Friedrich Heinrich Ludwig of Prussia (1773) av Anna Dorothea TherbuschPortrait of Prince Friedrich Heinrich Ludwig of Prussia1773 · Eremitasjen 25Self-Portrait (1776) av Anna Dorothea TherbuschSelf-Portrait1776 · Staatliche Museen zu Berlin 26Ernst friedrich therbusch av Anna Dorothea TherbuschErnst friedrich therbusch 27Woman playing a lute av Anna Dorothea TherbuschWoman playing a lute 28Friedrich II av Anna Dorothea TherbuschFriedrich II 29Portrait of a sculptor av Anna Dorothea TherbuschPortrait of a sculptor 30Jupiter and Antiope av Anna Dorothea TherbuschJupiter and Antiope 31Young woman in a negligee av Anna Dorothea TherbuschYoung woman in a negligeeGemäldegalerie 32Apotheosis of Prince Augustus Ferdinand of Prussia. av Anna Dorothea TherbuschApotheosis of Prince Augustus Ferdinand of Prussia. 33Portrait of the Innkeeper Ernst Friedrich Therbusch, Husband of the Artist av Anna Dorothea TherbuschPortrait of the Innkeeper Ernst Friedrich Therbusch, Husband of the Artist 34Portrait of Charles Theodore, Elector of Bavaria av Anna Dorothea TherbuschPortrait of Charles Theodore, Elector of BavariaReiss-Engelhorn Museums 35Bildnis henriette herz av Anna Dorothea TherbuschBildnis henriette herzAlte Nationalgalerie 36Wilhelmine Encke, Countess Lichtenau (1776) av Anna Dorothea TherbuschWilhelmine Encke, Countess Lichtenau1776 · Neues Palais

Anna Dorothea Therbuschs berømte malerier, periode for periode

Motivene som fanget Anna Dorothea Therbuschs blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Anna Dorothea Therbuschs originalverk

De 8 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Anna Dorothea Therbusch Malerier fra denne listen
Gemäldegalerie, BerlinGemäldegalerie Berlin 5 Portrait of Amalie Princess of Prussia (1723-1787), Portrait of an Unknown Man, Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector
Eremitasjen, St. PetersburgEremitasjen St. Petersburg 3 Portrait of Prince Augustus Ferdinand of Prussia, Portrait of Anna Elizabeth Louise Ferdinanda of Prussia, Portrait of Prince Friedrich Heinrich Ludwig of Prussia
Alte Nationalgalerie, BerlinAlte Nationalgalerie Berlin 3 Portrait of Alexander Friedrich von Woldeck, Self-portrait with a monocle, Bildnis henriette herz
Bavarian State Painting Collections, MünchenBavarian State Painting Collections München 2 Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit, Giovanna Chichiniere von Verschaffelt, Gattin des Münchner Hofbildhauers Peter von Verschaffelt
Nasjonalmuseet i Warszawa, WarszawaNasjonalmuseet i Warszawa Warszawa 2 Portrait of Anna von Wartensleben, Portrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)).
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 A Scientist Seated at a Desk by Candlelight
Statens Museum for Kunst, KøbenhavnStatens Museum for Kunst København 1 Self Portrait
Herzog Anton Ulrich Museum, BraunschweigHerzog Anton Ulrich Museum Braunschweig 1 Self-portrait

Anna Dorothea Therbusch gjennom tiårene: ett unikt originalverk for hvert tiår

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Velg et tiår for å se originalverket som definerer det.

Anna Dorothea Therbuschs malerier: spørsmål til galleriet

Hva er det mest kjente verket til Anna Dorothea Therbusch?Avslør svaret

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763), Bavarian State Painting Collections, München. Deretter følger Portrait of Prince Augustus Ferdinand of Prussia (1773) og A Scientist Seated at a Desk by Candlelight (1767).

Hvor gammel var Anna Dorothea Therbusch da Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit ble skapt?Avslør svaret

42 år gammel: Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit er fra 1763, og Anna Dorothea Therbusch ble født i 1721.

Hvilke ti malerier av Anna Dorothea Therbusch er de mest kjente?Avslør svaret

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit, Portrait of Prince Augustus Ferdinand of Prussia, A Scientist Seated at a Desk by Candlelight, Portrait of Alexander Friedrich von Woldeck, Portrait of Anna Elizabeth Louise Ferdinanda of Prussia, Self Portrait, A Man, Glass in Hand, Lit by a Candle, Giovanna Chichiniere von Verschaffelt, Gattin des Münchner Hofbildhauers Peter von Verschaffelt, Portrait of Anna von Wartensleben og Portrait of Amalie Princess of Prussia (1723-1787). Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange verk av Anna Dorothea Therbusch er kjent?Avslør svaret

Vår katalog inneholder 37 verk av Anna Dorothea Therbusch, datert fra 1740 til 1782.

Hvor kan de mest kjente originalverkene til Anna Dorothea Therbusch ses?Avslør svaret

Hovedsakelig i Gemäldegalerie (Berlin), Eremitasjen (St. Petersburg) og Alte Nationalgalerie (Berlin). Museumslisten ovenfor viser alle.

I hvilken periode malte Anna Dorothea Therbusch sine mest kjente malerier?Avslør svaret

I 1770s: 15 av de 36 verkene på denne siden ble laget da, Portrait of Prince Augustus Ferdinand of Prussia av dem.

Hvilket kjent maleri av Anna Dorothea Therbusch er det eldste, og hvilket er det nyeste?Avslør svaret

På denne siden er det eldste Self Portrait (1740) og det nyeste Self-Portrait (1782).

Hvilke motiver foretrakk Anna Dorothea Therbusch?Avslør svaret

Woman (13), Man (12) og Lace (7), fordelt på 36 verk på denne siden.

Hvilke materialer brukte Anna Dorothea Therbusch mest av?Avslør svaret

Oil On Canvas, for 21 av de 36 verkene på denne siden.

Hvilken kunstretning tilhører verkene til Anna Dorothea Therbusch?Avslør svaret

Rococo, basert på originalene på denne siden.

Hvilke originalverk av Anna Dorothea Therbusch kan jeg se på Gemäldegalerie?Avslør svaret

Portrait of Amalie Princess of Prussia (1723-1787), Portrait of an Unknown Man og Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector: Gemäldegalerie, Berlin har 5 av verkene på denne siden.

Anna Dorothea Therbusch: et portrett av kunstneren

Anna Dorothea Therbusch: A Pioneer of Female Artistic Expression

Anna Dorothea Therbusch (1721-1782) stands as a remarkable figure in the annals of Rococo art history—a woman artist who defied societal expectations and achieved considerable renown during the Enlightenment. Born into a family steeped in artistic tradition, her father, Georg Lisiewski, was himself a celebrated Berlin portrait painter, establishing a lineage dedicated to visual representation. This upbringing instilled in Anna Dorothea a profound appreciation for painting from an early age, fostering a talent that would blossom into one of Prussia’s most prolific and admired artists.
  • Early Life & Family: Anna Dorothea Lisiewski married Ernst Friedrich Therbusch, an innkeeper, forging a domestic life alongside her husband and raising five children. Despite the responsibilities of motherhood, she relentlessly pursued her artistic passions, demonstrating an unwavering commitment to her craft.
  • Training & Artistic Development: Her father recognized her exceptional abilities and actively encouraged her artistic pursuits, providing her with invaluable instruction in painting techniques. Notably, her elder sister Anna Rosina was equally gifted, earning the moniker “Wunderkinder” – child prodigy – cementing their family’s reputation for artistic excellence.

A Rococo Visionary: Style and Technique

Therbusch's artistic style epitomized the elegance and refinement characteristic of Rococo art—a movement that prioritized ornamentation, pastel hues, and graceful asymmetry. Her canvases frequently depicted mythological scenes infused with allegorical symbolism, reflecting the intellectual currents of her time. She skillfully employed delicate brushstrokes and meticulous attention to detail, capturing ethereal beauty and conveying nuanced emotions through expressive poses and gestures. Her masterful handling of light and shadow contributed significantly to the atmospheric depth of her paintings, creating immersive experiences for viewers.
  • Notable Works: Among her impressive oeuvre are iconic pieces like “Diana mit Nymphen,” a breathtaking depiction of the goddess Diana surrounded by nymphs—a testament to Therbusch’s ability to convey grandeur and serenity through visual artistry.

Recognition & Patronage: Parisian Influence

Therbusch's artistic journey took an extraordinary turn when she relocated to Paris in 1765, seeking opportunities for advancement within the vibrant artistic landscape of the French capital. Recognizing her talent and advocating for female artists—a radical stance at the time—Denis Diderot, a prominent philosopher and art critic, championed Therbusch’s cause, even posing nude for her portrait. Her acceptance into the Académie royale de peinture et de sculpture marked a pivotal moment in her career, affording her access to influential mentors and fostering collaborations with fellow artists like Philippe Hackert. Despite facing financial hardships and navigating the complexities of Parisian society, Therbusch persevered, producing some of her most celebrated works during this period—particularly those imbued with the spirit of Diderot’s intellectual fervor.

Legacy & Historical Significance

Anna Dorothea Therbusch's contribution to art history transcends mere stylistic innovation; she represents a courageous assertion of female autonomy within a patriarchal society. Her success as a painter challenged conventional notions of gender roles and paved the way for future generations of women artists. Today, her paintings reside in prestigious museums across Germany—including the Gemäldegalerie Berlin and Alte Nationalgalerie—serving as enduring reminders of Therbusch’s artistic brilliance and her unwavering determination to pursue her passion despite societal obstacles. She remains a symbol of perseverance, creativity, and the transformative power of artistic expression.