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De 13 bekendste schilderijen van Orcagna, een selectie uit de galerie
Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 13 werken van Orcagna in onze catalogus
Kortom
Van alle originele werken die Orcagna heeft nagelaten, is Saint John the Baptist (1355) het bekendst, in de collectie van het Yale University Art Gallery, New Haven. Direct daarna volgen The Calling of St. Matthew (1367) en Throne of Grace (1400). Onze catalogus bevat 13 werken van Orcagna; de galerie heeft de 13 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.
1315 – 1368, Florence
Meeste werken: Cappella Strozzi
De top 10 schilderijen van Orcagna: de selectie van de galerie
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De selectie van Orcagna gaat verder, van 11 tot 13
De onderwerpen die de aandacht van Orcagna troffen
De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.
De musea waar de originele werken van Orcagna worden bewaard
De 5 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Orcagna | Schilderijen uit deze lijst |
|---|---|---|---|
 Cappella Strozzi |
Florence | 2 | View of the Chapel, The Strozzi Altarpiece |
 Yale University Art Gallery |
New Haven | 1 | Saint John the Baptist |
 Nationaal Museum Warschau |
Warschau | 1 | Throne of Grace |
 Palazzo Vecchio |
Florence | 1 | The Expulsion of the Duke of Athens |
 Rijksmuseum |
Amsterdam | 1 | Triptych with the Virgin and Child, and Saints Mary Magdalene and Ansanus, Andrea di Cione named Orcagna, 1350 |
Orcagna decennium voor decennium: het origineel dat elk tijdperk definieert
Werken per decennium
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
Vragen van verzamelaars over de schilderijen van Orcagna
Waar is Orcagna het meest bekend om?Onthul het antwoord
Saint John the Baptist (1355), Yale University Art Gallery, New Haven. The Calling of St. Matthew (1367) en Throne of Grace (1400) volgen.
Hoe oud was Orcagna toen Saint John the Baptist werd gemaakt?Onthul het antwoord
40 jaar oud: Saint John the Baptist dateert uit 1355, en Orcagna werd geboren in 1315.
Wat zijn de tien beroemdste schilderijen van Orcagna?Onthul het antwoord
Saint John the Baptist, The Calling of St. Matthew, Throne of Grace, The Burial of the Virgin, Tabernacle (detail), Tabernacle, Dormition and Assumption of the Virgin, detail of the Tabernacle, View of the Chapel, Hell (fragment) en The Expulsion of the Duke of Athens. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Hoeveel schilderijen heeft Orcagna nagelaten?Onthul het antwoord
Onze catalogus bevat 13 werken van Orcagna, daterend van 1343 tot 1367.
In welke musea hangen de meesterwerken van Orcagna?Onthul het antwoord
Voornamelijk in Cappella Strozzi (Florence), Yale University Art Gallery (New Haven) en Nationaal Museum Warschau (Warschau). De bovenstaande museumtabel bevat een volledig overzicht.
In welke jaren schilderde Orcagna de beroemdste werken?Onthul het antwoord
In 1350s: 8 van de 13 werken op deze pagina werden toen gemaakt, waaronder Saint John the Baptist.
Wat zijn de eerste en de laatste beroemde originelen van Orcagna?Onthul het antwoord
Op deze pagina is het vroegste The Expulsion of the Duke of Athens (1343) en het laatste The Calling of St. Matthew (1367).
Welke werken van Orcagna hangen in het Cappella Strozzi?Onthul het antwoord
View of the Chapel en The Strozzi Altarpiece: het Cappella Strozzi, Florence herbergt 2 van de werken op deze pagina.
Kan ik een reproductie van een schilderij van Orcagna in opdracht laten maken?Onthul het antwoord
Ja, als reproductie: het origineel blijft in het museum, maar elk schilderij op deze pagina kan handmatig voor u worden geschilderd, op maat gemaakt, één voor één, via de eigen pagina van het schilderij.
Orcagna: leven en werk
Andrea di Cione: The Architect of Florentine Vision
The name Orcagna—a moniker bestowed upon him by local artisans—encompasses a remarkable figure in the history of Italian art: Andrea di Cione, a painter, sculptor, architect, and master craftsman who dominated the artistic landscape of Florence during the latter half of the 14th century. Born around 1308 within the bustling heart of the city, Orcagna’s life was inextricably linked to its burgeoning wealth, political intrigue, and fervent religious devotion—elements that profoundly shaped his distinctive style and enduring legacy. His story isn't one of solitary genius, but rather a testament to collaborative artistry, meticulous planning, and an unwavering commitment to both technical mastery and expressive power.
Orcagna’s early life remains shrouded in some mystery, though it is believed he apprenticed under the renowned sculptor Andrea Pisano. This formative experience instilled within him a deep appreciation for classical forms and a sophisticated understanding of three-dimensional space—qualities that would later manifest in his monumental marble tabernacle for Orsanmichele. However, Orcagna’s artistic trajectory quickly diverged from his master's, developing a distinctly Florentine style characterized by dramatic figures, vibrant colors, and an innovative approach to composition. He was formally admitted into the painter’s guild in 1343-44 and later joined the stonemasons’ guild in 1352, demonstrating his versatility and ambition across multiple artistic disciplines.
The Grandeur of Orvieto: Mosaic Master
Orcagna's most celebrated achievement undoubtedly lies in his contribution to the magnificent façade of the cathedral in Orvieto. Commissioned in 1358, this project demanded a level of technical skill and artistic vision that pushed Orcagna to the very limits of his abilities. He oversaw the creation of an extensive mosaic decoration, including a breathtaking rose window—a masterpiece of Byzantine-inspired design that exemplifies the lavishness and spiritual intensity characteristic of the period. The mosaics themselves are characterized by their rich palette, intricate detailing, and powerful emotional impact, reflecting Orcagna’s mastery of color theory and his ability to imbue religious subjects with palpable drama.
The scale of this undertaking was immense, requiring meticulous planning and coordination. Orcagna's role extended beyond mere execution; he served as a consultant, guiding the work of numerous skilled artisans and ensuring that every element harmonized within the overall design. The Orvieto mosaics stand as a testament to his organizational prowess and his ability to synthesize diverse artistic talents into a cohesive whole.
The Sculptural Triumph: Orsanmichele’s Tabernacle
Perhaps Orcagna's most enduring legacy resides in the monumental marble tabernacle he designed and oversaw for the Orsanmichele, a former confraternity hall now serving as a public art gallery. Completed between 1352 and 1359, this architectural marvel is a complex and ambitious undertaking that showcases Orcagna’s exceptional skill as an architect and sculptor. The tabernacle's intricate façade is adorned with a multitude of sculpted figures—a veritable encyclopedia of biblical narratives, allegorical symbols, and classical motifs. Each figure is rendered with remarkable detail and expressive power, reflecting Orcagna’s deep understanding of human anatomy and his ability to convey complex emotions through gesture and expression.
The tabernacle's design incorporates a sophisticated system of arches, vaults, and niches, creating a dynamic interplay of light and shadow. The use of color—particularly the vibrant hues of the inlaid marble—further enhances its visual impact. Orcagna’s work on Orsanmichele demonstrates his mastery of both architectural form and sculptural technique, solidifying his reputation as one of Florence's most accomplished artists.
A Legacy of Innovation
Orcagna’s influence extended far beyond the immediate commissions he undertook. His innovative approach to composition—characterized by dynamic figures, dramatic lighting, and a heightened sense of realism—helped to shape the course of Florentine painting in the late 14th century. He bridged the gap between the Gothic traditions inherited from his predecessors and the emerging Renaissance style, paving the way for future generations of artists. His work served as an inspiration to many of Florence’s leading painters, including Jacopo di Cione, his brother, who continued Orcagna's artistic legacy after his death in 1368.
Orcagna’s untimely death at the age of sixty is a poignant reminder of the fragility of life and the immense loss suffered by the Florentine art world. Despite his relatively short career, he left behind a remarkable body of work that continues to captivate audiences today—a testament to his extraordinary talent, unwavering dedication, and enduring vision.