Portret van Mary Beale

Schilderijen van Mary Beale: De 64 bekendste, door de ogen van een galerie

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 65 werken van Mary Beale in onze catalogus

Kortom

Volgens de visie van de galerie is het beroemdste schilderij van Mary Beale King Charles II (1675), waarvan het origineel in het National Portrait Gallery in Londen hangt. Bartholomew Beale (1663) en Portrait of a lady (1680) maken het trio compleet dat elk oog herkent. Van de 65 werken van Mary Beale in onze catalogus presenteert de galerie hieronder de 64 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.

1633 – 1699, Barrow Baroque Meeste werken: National Portrait Gallery

De top 10 schilderijen van Mary Beale in de galerie

1
King Charles II (1675) door Mary Beale

King Charles II

1675 · Oil On Canvas · National Portrait Gallery, Londen

The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that suggests the heavy weight of sovereignty. Light sweeps in from the upper left, catching the high ridge of his cheekbone and the delicate, intricate folds of a white lace cravat. This directional glow carves his features out of the darkness, creating a…

2
Bartholomew Beale (1663) door Mary Beale

Bartholomew Beale

1663 · Oil On Paper · Yale Center for British Art, New Haven

A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a soft, directional light that spills from the upper left, casting gentle shadows across the right side of his face. This light creates a sense of three-dimensional volume, making his youthful features feel tangible and present. His hair, a halo of light brown…

3
Portrait of a lady (1680) door Mary Beale

Portrait of a lady

1680 · Oil On Canvas · National Gallery of Victoria, Melbourne

Mary Beale produced this oil on canvas, titled Portrait of a lady, around 1680. The work measures 76.5 × 63.7 cm. It represents a significant example of the artist's professional output during the late seventeenth century.

4
Viscountess Frances Hatton (1664) door Mary Beale

Viscountess Frances Hatton

1664 · Oil On Canvas · Smithsonian American Art Museum, Washington, D.C.

In this close-up portrait of Viscountess Frances Hatton by Mary Beale, the subject is positioned in a three-quarter view. The figure is contained within a painted trompe l'oeil oval frame that sits against a background of deep, dark umber and black. This dark backdrop creates a sharp contrast with the subject, focusing the viewer's attention on the sitter. The color palette is dominated by warm, muted tones, specifically ochre, gold,…

6
Bartholomew Beale, in Profile (1660) door Mary Beale

Bartholomew Beale, in Profile

1660 · Oil On Paper · Tate Britain, Londen

In this intimate Baroque oil on paper painting, titled Bartholomew Beale, in Profile, the artist Mary Beale turns her gaze toward a young boy. The work emerges from the year 1660, capturing a fleeting moment of childhood through a side view that emphasizes the soft contours of a small face. This portrait offers a quiet glimpse into the artist's private sphere, as the subject is her own son.

7
An Unknown Man, called John Milton (1608-1674) (1660) door Mary Beale

An Unknown Man, called John Milton (1608-1674)

1660 · Oil · Nostell Priory, Wakefield

In this 1660 portrait, we encounter a man captured in a moment of profound contemplation. The subject is presented in a three-quarter view, framed by an illusionistic painted oval that lends a sense of depth to the composition. There is a certain gravity to his presence, an intellectual weight that seems to emanate from his calm expression. The lighting is deliberate, employing a chiaroscuro technique that pulls the face and…

8
Portrait of a woman with a black hood (1660) door Mary Beale

Portrait of a woman with a black hood

1660 · Oil On Canvas · National Museum of Women in the Arts, Washington, D.C.

The gaze of a single female figure meets the viewer in Portrait of a woman with a black hood, an oil work created by Mary Beale in 1660. This portrait captures a moment of quietude, presenting the subject in a bust-length view that feels immediate and personal. The woman appears framed within an oval-shaped trompe l'oeil effect, a visual device that creates the illusion of a window into her private…

9
Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695) (1670) door Mary Beale

Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695)

1670 · Oil On Canvas · Antony House

This portrait depicts Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695). The subject is rendered in a bust-length composition, presented within an illusionistic painted oval frame that creates a trompe l'oeil effect. The sitter is shown in military attire, specifically wearing a polished steel cuirass and a white cravat. The work is an oil on canvas painting executed by the artist Mary Beale.

10
Self-Portrait Holding a Palette (1670) door Mary Beale

Self-Portrait Holding a Palette

1670 · Oil On Canvas

Mary Beale's Self-Portrait Holding a Palette, executed about 1670, presents a formal and dignified three-quarter length portrait. The subject is a woman, identified as the artist herself, seated and turned slightly toward the viewer. She holds an artist's palette in one hand and a fine brush in the other, establishing her professional identity through these symbolic attributes.

Schilderijen van Mary Beale, gerangschikt van 11 tot 64

11Jan Baptist Van Helmont (not Robert Hooke) (1674) door Mary BealeJan Baptist Van Helmont (not Robert Hooke)1674 12Lady Sadleir (1687) door Mary BealeLady Sadleir1687 · Sutton House 13Sir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719) (1687) door Mary BealeSir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719)1687 · Sutton House 14Lady Elizabeth Percy, Countess of Ogle, later Duchess of Somerset (1667-1722) and Algernon, later 7th Duke of Somerset (1684 - 1750) as 'Madonna and Child' (after Van Dyck) (1685) door Mary BealeLady Elizabeth Percy, Countess of Ogle, later Duchess of Somerset (1667-1722) and Algernon, later 7th Duke of Somerset (1684 - 1750) as 'Madonna and Child' (after Van Dyck)1685 · Petworth House 15An Unknown Man (1676) door Mary BealeAn Unknown Man1676 · Dunster Castle 16Possibly Mary Morice, Lady Carew  (d. 1698) (1687) door Mary BealePossibly Mary Morice, Lady Carew (d. 1698)1687 · Antony House 17Rachel Carew, Mrs Ambrose Manaton (1669–1705) (1684) door Mary BealeRachel Carew, Mrs Ambrose Manaton (1669–1705)1684 · Antony House 18Portrait of a Young Girl (1681) door Mary BealePortrait of a Young Girl1681 19Charles Beale the Younger (1680) door Mary BealeCharles Beale the Younger1680 20Self-Portrait (1675) door Mary BealeSelf-Portrait1675 21Portrait of Nell Gwyl (1697) door Mary BealePortrait of Nell Gwyl1697 22The Reverend William Cremer (1663/4-1736) (1692) door Mary BealeThe Reverend William Cremer (1663/4-1736)1692 · Felbrigg Hall 23Untitled 2 door Mary BealeUntitled 2 24Portrait of a Physician door Mary BealePortrait of a PhysicianDulwich Picture Gallery 25Portrait of a Mathematician door Mary BealePortrait of a Mathematician 26Mary Wither of Andwell (1670) door Mary BealeMary Wither of Andwell1670 · Art Gallery of South Australia 27Anna Maria, Countess of Shrewsbury (1642–1702) (1659) door Mary BealeAnna Maria, Countess of Shrewsbury (1642–1702)1659 28Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713) (1687) door Mary BealeMaster Child, one of the Sons of Sir Francis Child the Elder (1642-1713)1687 · Osterley Park And House 29Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713) (1687) door Mary BealeMaster Child, one of the Sons of Sir Francis Child the Elder (1642-1713)1687 · Osterley Park And House 30An Unknown Gentleman (believed to be a Member of the Williams Family) door Mary BealeAn Unknown Gentleman (believed to be a Member of the Williams Family)Penmaenmawr Museum 31An Unknown Lady (believed to be a Member of the Williams Family) door Mary BealeAn Unknown Lady (believed to be a Member of the Williams Family)Penmaenmawr Museum 32Lady Leake (1657-1709) door Mary BealeLady Leake (1657-1709)National Maritime Museum 33Unknown woman door Mary BealeUnknown womanNationalmuseum 34Sir Nicholas Stuart, Bart door Mary BealeSir Nicholas Stuart, BartAuckland Art Gallery Toi o Tāmaki 35Aphra Behn, (Engraving) door Mary BealeAphra Behn, (Engraving) 36Head of a man door Mary BealeHead of a man 37Portrait of a Lady as St Agnes door Mary BealePortrait of a Lady as St Agnes 38Half-length seated figure of a leather worker door Mary BealeHalf-length seated figure of a leather worker 39Charles II (1630–1685) door Mary BealeCharles II (1630–1685) 40Figure studies door Mary BealeFigure studies 41John Wilkins door Mary BealeJohn Wilkins 42Portrait of a Baby door Mary BealePortrait of a Baby 43Edward Stillingfleet door Mary BealeEdward Stillingfleet 44Aphra Behn door Mary BealeAphra Behn 45Portrait of a Youth door Mary BealePortrait of a YouthDulwich Picture Gallery 46Thomas Sydenham door Mary BealeThomas SydenhamNational Portrait Gallery 47Charles Beale the Elder door Mary BealeCharles Beale the ElderNational Portrait Gallery 48Mary Beale door Mary BealeMary BealeNational Portrait Gallery 49portrait of the King's mistress, the actress Moll Davis door Mary Bealeportrait of the King's mistress, the actress Moll Davis 50Portrait of a young girl door Mary BealePortrait of a young girl 51John Lake door Mary BealeJohn Lake 52Unknown man door Mary BealeUnknown manNational Portrait Gallery 53Mary Beale with her family door Mary BealeMary Beale with her family 54George Savile, 1st Marquess of Halifax door Mary BealeGeorge Savile, 1st Marquess of HalifaxNational Portrait Gallery 55Portrait of a young boy door Mary BealePortrait of a young boy 56self portrait door Mary Bealeself portrait 57Francis Turner door Mary BealeFrancis Turner 58William Pierrepont door Mary BealeWilliam Pierrepont 59Portrait of an unknown young boy door Mary BealePortrait of an unknown young boy 60Portrait of a Young Child door Mary BealePortrait of a Young Child 61Portrait of Zachary Cradock door Mary BealePortrait of Zachary Cradock 62Portrait of a Gentleman door Mary BealePortrait of a Gentleman 63Portrait of Charles Beale in a Black Hat door Mary BealePortrait of Charles Beale in a Black Hat 64Portrait of Sir Thomas Isham door Mary BealePortrait of Sir Thomas Isham

De onderwerpen die de aandacht van Mary Beale troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Mary Beale worden bewaard

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Mary Beale Schilderijen uit deze lijst
National Portrait Gallery, LondenNational Portrait Gallery Londen 6 King Charles II, Thomas Sydenham, Charles Beale the Elder
Antony HouseAntony House 3 Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695), Possibly Mary Morice, Lady Carew (d. 1698), Rachel Carew, Mrs Ambrose Manaton (1669–1705)
Sutton HouseSutton House 2 Lady Sadleir, Sir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719)
Dulwich Picture Gallery, LondonDulwich Picture Gallery London 2 Portrait of a Physician, Portrait of a Youth
Osterley Park And House, LondonOsterley Park And House London 2 Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713), Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713)
Penmaenmawr Museum 2 An Unknown Gentleman (believed to be a Member of the Williams Family), An Unknown Lady (believed to be a Member of the Williams Family)
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 Bartholomew Beale
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 Portrait of a lady

Mary Beale, één iconisch schilderij per decennium

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van Mary Beale: de galerie geeft antwoord

Welk schilderij van Mary Beale is het beroemdste van allemaal?Onthul het antwoord

King Charles II (1675), National Portrait Gallery, Londen. Bartholomew Beale (1663) en Portrait of a lady (1680) volgen.

Hoe oud was Mary Beale bij de voltooiing van King Charles II?Onthul het antwoord

42 jaar oud: King Charles II dateert uit 1675, en Mary Beale werd geboren in 1633.

Wat zijn de top 10 schilderijen van Mary Beale?Onthul het antwoord

King Charles II, Bartholomew Beale, Portrait of a lady, Viscountess Frances Hatton, Lady Elizabeth Cavendish, Countess of Bridgewater (c.1627-1663), Bartholomew Beale, in Profile, An Unknown Man, called John Milton (1608-1674), Portrait of a woman with a black hood, Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695) en Self-Portrait Holding a Palette. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken heeft Mary Beale gemaakt?Onthul het antwoord

Onze catalogus bevat 65 werken van Mary Beale, daterend van 1659 tot 1697.

Waar hangen de beroemdste originele werken van Mary Beale?Onthul het antwoord

Voornamelijk in National Portrait Gallery (Londen), Antony House en Sutton House. De bovenstaande museumtabel bevat een volledig overzicht.

Wanneer creëerde Mary Beale de beroemdste schilderijen?Onthul het antwoord

In 1680s: 10 van de 64 werken op deze pagina werden toen gemaakt, waaronder Portrait of a lady.

Wat zijn de vroegste en laatste beroemde werken van Mary Beale?Onthul het antwoord

Op deze pagina is het vroegste Anna Maria, Countess of Shrewsbury (1642–1702) (1659) en het laatste Portrait of Nell Gwyl (1697).

Welke onderwerpen keerde Mary Beale het vaakst naar terug?Onthul het antwoord

Woman (13), Portraits (13) en Royalty (11), verspreid over de 64 werken op deze pagina.

In welk medium werkte Mary Beale het meest?Onthul het antwoord

Oil On Canvas, voor 19 van de 64 werken op deze pagina.

Bij welke stroming wordt Mary Beale gerekend?Onthul het antwoord

Baroque, te oordelen aan de originelen op deze pagina.

Welke originelen van Mary Beale zijn in de collectie van het National Portrait Gallery?Onthul het antwoord

King Charles II, Thomas Sydenham en Charles Beale the Elder: het National Portrait Gallery, Londen herbergt 6 van de werken op deze pagina.

Mary Beale: de kunstenaar

A Life Illuminated: The World of Mary Beale

Born in the quiet Suffolk rectory of Barrow in late March 1633, Mary Cradock entered a world where artistic inclination was considered an acceptable pastime, but a profession for a woman remained largely uncharted. Her father, John Cradock, a rector with a painter’s hand himself, provided her initial grounding in the arts—a fortunate circumstance that would shape her destiny. Growing up near Bury St Edmunds, young Mary likely encountered established artists like Peter Lely and Matthew Snelling, absorbing influences that would later blossom into her own distinctive style. This early exposure to the burgeoning London art scene planted a seed of ambition within her, even as societal expectations sought to confine her talents to the domestic sphere. The loss of her mother at age ten brought hardship, but also a strengthened bond with her father and an increased focus on artistic pursuits as a source of solace and expression.

Navigating Convention: Portraiture and Family Life

In 1652, Mary married Charles Beale, a civil servant who would become not only her husband but also her indispensable partner in navigating the complexities of a professional life. Theirs was an unusual collaboration for the era—a true partnership built on mutual respect and shared ambition. The Beales established a home and family, welcoming two sons, Bartholomew and Charles Jr., while simultaneously building Mary’s artistic career. Initially working from their residences in Covent Garden and later Albrook, Hampshire, she began to accept commissions, slowly gaining recognition for her skill. Charles played a pivotal role, managing the practicalities of her studio—preparing materials, handling finances, meticulously recording every detail of her work in his now-famous notebooks. These records offer an invaluable glimpse into 17th-century artistic practice and provide compelling evidence of Mary’s burgeoning success. Her portraits weren't merely likenesses; they were intimate studies of character, capturing the essence of her sitters with a remarkable degree of realism and sensitivity. She specialized in depicting members of her family, friends, local gentry, nobility, and clergy—a diverse clientele that speaks to her growing reputation.

A Baroque Sensibility: Style and Technique

Mary Beale’s artistic style was deeply rooted in the Baroque period, characterized by dramatic lighting, rich colors, and a keen attention to detail. However, she wasn't simply an imitator of prevailing trends. She developed a distinctive approach that set her apart from contemporaries like Lely, infusing her portraits with a warmth and psychological depth that resonated with her sitters. Her technique involved careful observation and meticulous rendering, but also a willingness to experiment with materials and methods. Charles Beale’s notes reveal her innovative exploration of cheaper supports for paintings—such as onion bags and bed-ticking—demonstrating both resourcefulness and a commitment to accessibility. She was particularly adept at capturing the textures of fabrics and the nuances of human expression, creating portraits that felt remarkably alive. Her 1663 manuscript on painting techniques, specifically focusing on apricot hues, stands as the earliest known instructional text by a female painter in English—a testament to her knowledge, skill, and willingness to share her expertise.

Notable Achievements & Legacy

Mary Beale’s artistic output spanned several decades, producing over fifty portraits that stand as enduring symbols of Elizabethan and Jacobean England. Her work gained considerable acclaim during her lifetime, securing commissions from prominent figures—including members of the royal family—and establishing her reputation as one of the foremost portrait painters of her era. Beyond her individual accomplishments, Mary Beale’s story holds profound significance for art history. She defied societal expectations and pursued a profession deemed unsuitable for women, demonstrating courage and determination in a time when opportunities were severely limited. Her pioneering spirit paved the way for future generations of female artists, challenging conventions and advocating for greater inclusivity within the artistic community. Beale’s legacy extends beyond her visual creations; she embodies the spirit of innovation and resilience—a reminder that talent transcends gender boundaries. Her enduring influence can be seen in subsequent portraiture styles and continues to inspire artists today.

Further Exploration

To delve deeper into Mary Beale's artistic world, consider visiting the Nelson-Atkins Museum of Art (https://nl/museums/nelson-atkins-museum-of-art-verenigde-staten-van-amerika-kansas-city-nl/), where you can admire reproductions of her celebrated works and gain insights into the broader context of Baroque art in England. Also, explore artworks similar to Mary Beale’s style at OriginalUniqueArt (https://OriginalUniqueArt.com/) and OriginalUniqueArt (https://OriginalUniqueArt.com/). Finally, examine Hans Holbein de Jongere's "Portrait of Lady Mary Guildford" (https://OriginalUniqueArt.com/hans-holbein-de-jongere-portrait-of-lady-mary-guildford/) for a comparative study of artistic techniques and stylistic considerations during the Renaissance period.